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Digitized  by  tine  Internet  Archive 

in  2007  with  funding  from 

IVIicrosoft  Corporation 


http://www.archive.org/details/catalogueofearlyOOIibriala 


LIBEAEY  OF   OONGEESS 


CATALOGUE 


OF 


EARLY  BOOKS  ON  MUSIC 

(BEFORE  1800) 


BY 

JULIA  GREGORY 

OF  THE  CATALOGUE  DIVISION 
PREPARED  UNDER  THE  DIRECTION  OF 

O.  G.  SONNECK 

CHIEF  OF  THE  DIVISION  OF  MUSIC 


29093 


WASHINGTON 

GOVERNMENT  PRINTING  OFFICE 

1013 


L.  C.  card,  12-35008 


For  Sale  bt  the 

Superintendent  of  Documents 

Government  Printing  Office 

Washington,  D.  C. 


Price,  60  Cents 


ML 


PREFATORY  NOTE 


The  "musical  renaissance"  movement  is  placing  ever  increasing 
treasures  of  olden  time  music  before  us  in  the  form  of  "Denkmaler" 
and  similar,  more  or  less,  monumental  publications,  edited  by  com- 
petent musical  scholars.  Thus  the  old  mastery  of  music  are  again 
accessible  to  libraries  which  could  not  and  can  not  acquire  them  in 
the  very  costly  and  scarce  original  editions,  and  this  remark  applies 
for  obvious  reasons  to  practically  all  American  libraries. 

While  therefore  the  evolution  of  modern  music  may  be  fairly  well 
reconstructed  through  the  medium  of  these  modem  editions  of  old 
music,  it  is  entirely  different  with  the  old  books  on  music  in  which 
there  lies  stored  such  a  great  wealth  of  historical  suggestion  and  fact. 
They  are  not  accessible  in  reprint,  if  we  except  certain  works  by 
standard  authors — I  mention  at  random  Altenburg,  Agricola,  St. 
Augustine,  Bach,  Blankenburgh,  Boethius,  Diruta,  Glarean,  Haw- 
kins, Mattheson,  Parfaict,  Praetorius,  Quantz,  Ramos  de  Pareja, 
Schlick,  Virdung,  Zacconi.  Confronted  by  this  fact,  the  Library  of 
Congress,  immediately  after  the  reorganization  of  the  Music  Division 
in  1902,  undertook  systematically  to  collect  the  old  books  on  music 
in  the  original  (because  practically,  only  available)  editions.  In  the 
short  space  of  ten  years  it  was,  of  course,  impossible  to  acquire  every 
rare  book  of  moment  and  in  some  instances  this  was  due  less  to 
rarity  than  to  prohibitive  cost.  Fortunately,  a  few  such  books 
are  available  either  in  modern  reprints  at  the  Library  of  Con- 
gress, or  they  found  their  way  years  ago,  when  prices  were  less 
exasperating,  to  other  American  libraries,  principally  the  Boston 
Public,  the  New  York  Public  and  the  Newberry  Library  of  Chicago. 
It  would  be  unsafe  to  assume  that  an  old  book  on  music  is  not  to  be 
found  in  America  because  it  happens  to  be  wanting  here  in  the  largest 
American  collection  of  the  kind. 

Possibly,  if  fortune  favors  us,  certain  annoying  gaps  in  our  own 
collections,  annoying  because  of  the  otherwise  comprehensive  character 
of  the  collections,  will  gradually  disappear.  But,  whether  or  not 
fortune  will  so  favor  us,  it  was  felt  that  the  publication  of  a  catalogue 
of  the  old  books  on  music  already  in  the  Library  of  Congress — prob- 
ably more  than  a  third  of  the  entire  output  before  1800 — had  become 
advisable  in  the  interest  of  musicology  at  home  and  abroad.  One 
point,  however,  should  not  be  overlooked.  It  has  not  been  the 
policy  of  the  Library  of  Congress  to  collect  every  or  even  many  edi- 

3 


4  LIBRAKY  OF   CONGRESS 

tions  of  a  rare  book,  much  less  every  known  translation.  The  mat- 
ter embodied  in  the  edition  usually  decided  our  choice  of  edition. 
Nor  did  first  editions  without  distinguishing  matter  tempt  us,  merely 
because  they  were  Jlrst  editions.  Such  a  complete  representation  of 
the  typographical  history  of  a  book  may  be  and  is  a  legitimate  desid- 
eratum in  special  collections,  but  is  not  necessarily  an  essential  in  a 
general  collection  as  planned  by  the  Library  of  Congress. 

This  catalogue  is  practically  the  work  of  Miss  Julia  Gregory  of  the 
Catalogue  Division,  and,  with  revisions  and  certain  modifications, 
represents  the  catalogue  cards  prepared  since  1902.  The  adoption  of 
the  Anglo-American  code  of  rules  some  years  later  will  account  for 
occasional  slight  variations  in  form  between  earher  and  later  entries. 
Suggestions  that  would  naturally  be  offered  from  time  to  time  by  the 
chief  of  the  Music  Division,  in  whose  custody  the  books  are  kept, 
have  not  materially  affected  the  character  of  Miss  Gregory's  work. 
He  assumes,  however,  the  full  responsibility  for  the  form  of  this 
book,  and  for  a  few  minor  deviations  from  the  code  of  "Catalogue 
rules,  compiled  by  Committees  of  the  American  Library  Association 
and  the  (British)  Library  Association,"  published  1908  with  the 
modifications  in  force  in  the  Catalogue  Division  of  the  Library  of 
Congress.  In  case  of  doubt  as  to  the  meaning  of  a  collation,  etc.,  the 
user  of  the  Catalogue  is  referred  to  that  publication. 

To  avoid  misunderstanding,  it  may  be  stated  that  the  entries  have 
as  a  rule  been  restricted  to  books  dealing  exclusively  or  in  an  essential 
degree  with  music.  Many  of  the  latter  are  not  shelved  in  the  Music 
Division,  but  elsewhere,  and  this  accounts  for  classification  symbols 
other  than  M,  ML  and  MT  to  be  found  in  this  catalogue.  Books  dealing 
only  incidentally  with  music,  such  as  Forkel,  for  instance,  enumerates, 
have  been  excluded  for  practical  reasons,  though  their  incidental 
musical  matter  may  possess  a  greater  scientific  value  than  treatises 
devoted  exclusively  to  music.  Finally,  a  subject  index  has  been 
dispensed  with  after  mature  reflection,  principally  because  the  old 
books  do  not  lend  themselves  satisfactorily  to  modern  subject  head- 
ings, and  because  a  really  useful  subject  index  would  have  involved 
analytical  labor  of  such  magnitude  as  to  be  clearly  out  of  proportion 
to  its  usefulness  for  the  musicological  expert,  the  person  for  whom 
alone  it  could  possess  a  practical  value.  At  the  end  of  the  volume 
will  be  found  an  ''Index  to  anonymous  works,  including  references 
to  special  contents"  as  compiled  by  me,  and  entries  for  books  received 
too  late  for  insertion  in  the  main  alphabet. 

O.    G.    SONNECK 

Chief,  Music  Division 
Herbert  Putnam 

Librarian  of  Congress 

Washington,  D.  C,  May,  1913 


EARLY  BOOKS  ON  MUSIC 


A. 

See  Sendschreiben  an  die  herren  verfasser  der  Freyen  urtheile, 
1750.      • 

A.,  J.  A. 

See  Keinspeck,  M.     Liliu  musice  plane  [1506] 

ABC  Dario  musico.     Bath,  Printed  for  the  authors,  and  sold  at 
the  rooms;  [etc.,  etc.]  1780. 

1  p.  1.,  iii,  [5]-51  p.     21^""'. 
Critical  notices  of  the  principal  muracians  of  the  period,  resident  in  England. 

ML105.A2A2 

Aaron,  Pietro. 

Compendiolo  di  molti  dvbbi,  segreti  et  sentenze  intorno  al  canto 
fermo,  et  figvrato,  da  molti  eccellenti  &  consumati  musici  dichiarate, 
raccolte  dallo  eccellente  &  scienzato  autore  frate  Pietro  Aron  del 
ordine  de  Crosachieri  &  della  inclita  citta  di  Firenze.  In  memoria 
etema  erit  Aron,  et  nomen  eius  nunquam  destruetur.  In  Milano, 
Per  lo.  Antonio  da  Castelliono  stampatore  [ca,  1545] 

[76]  p.     21i«'».* 

Printer's  mark  on  t.-p.  Signatures:  4  1.  unsigned,  A-C,  A-D  in  fours,  E  in 
six. 

ML171.A11 

Libri  tres  de  institvtione  harmonica  editi  a  Petro  Aaron  Flor^tino 
interprete  lo.  Antonio  Flam.  Foro  Cornehte.  [Colophon:  Impressum 
Bononise  in  aedibus  Benedicti  Hectoris  bibliopolae  bononiensis. 
Tempore  pontificatiis  domini  nostri  Leonis  pape  decimi.  mcccccxvi] 

62  numb.  1.     20*"™. 
Title  within  ornamental  border;  printer's  mark  at  end.    Leaf  39  numbered  38. 

ML171.A15 

Lvcidario  in  mvsica  di  alcvne  oppenioni  antiche,  et  moderne  con 
le  loro  oppositioni,  &  resolutioni,  con  molti  altri  secreti  appresso,  & 
question!  da  altrui  anchora  non  dichiarati,  composto  dall'  eccellente, 
&  consumato  musico  Pietro  Aron  del  ordine  de  Crosachieri,  &  della 
citta  di  Firenze.     [Colophon:  In  Vinegia  appresso  Girolamo  Scotto. 

Nel  M.D.XLV] 

12  unnumb.  1.,  41  numb.  1.     illus.  (port.)     21Jxl5i''™. 

ML171.A16 

Toscanello  in  mvsica  di  messer  Piero  Aron  .  .  .  nvovamente  stam- 
pato  con  laggivnta  da  Ivi  fatta  et  con  diligentia  corretto  .  .  . 
[Colophon:  Stampato  in  Vinegia  per  maestro  Bernardino  &  maestro 
Matheo  de  Vitali  Venitiani  el  di  v.  de  iuUi  mille  cinquecento.  xxix.] 

[124]  p.    illus.     29^^™. 

Initials.  Signatures:  a,  A-K  in  fours,  L  in  six,  M-N  in  fours,  O  in  six.  On 
verso  of  [a  iiii]  is  a  full  page  illustration  representing  Aaron  in  his  lecture  room 
which  appears  also  in  his  "Trattato,"  1525.  In  this  copy  the  signature  L  6,  origi- 
nally blank,  contains  in  contemporary  (?)  hand  "Versus  de  ligaturis  i  musica  " 
an'^  commentary. 

ML171.A13 


6  LIBRARY   OF   CONGRESS 

Aaron,  Pietro — Continued. 

Trattato  della  natvra  et  cognitione  di  tvtti  gli  tvoni^di  canto 
figvrato  non  da  altrvi  piv  scritti,  composti  per  Messer  Piero  Aaron 
mvsico  fiorentino  canonico  in  Rimini  maestro  di  casa  del  reve^°  et 
magnifico  cavaliere  hierosolimitano  Messer  Sebastiano  Michele  priore 
di  Vinetia.  [Colophon:  Impresso  in  Vinegia  per  Maestro  Bernardino 
de  Vitali  Venitiano  el  di  qvarto  di  agosto.  m.ccccc.xxv.  Con 
privilegio] 

[48]  p.    illus.     SOJ"". 

Signatures:  3  1.  unsigned,  a  in  three,  b-d  in  twos,  e-^  in  fours. 

Title  within  ornamental  border,  consisting  of  an  architectural  design  supported 
by  columns,  with  portraits  of  famous  classical  authors,  and  at  foot  the  Muses  in  two 
groups;  initials. 

Bound  with  L.  of  C.  copj^  of  the  author's  Toscanello  in  musica,  is  a  supplement 
to  the  present  work,  comprising  12  p.,  sig.  aa-[aa6],  with  colophon  "Stampato  ia 
Vinegia  per  Bernardino  de  Vitali  Venetiano.    m.d.xxxi,"  but  without  title. 

ML171.A14 

Abbe  lejils. 

See  Saint-Sevin,  Joseph  Barnabe. 


Abercorn,  James  Hamilton,  7th  earl  of,  1685-1744. 
See  Pepusch,  J.  C.     A  short  treatise  on  harmony,  1730. 

Abguerbe,  Quentin  Godin  d'. 
See  Godin  d' Abguerbe,  Quentin. 

Abhandlung     von     den     pantomimen,     historisch     und     critisch 
ausgefiihrt.     Hamburg,  C.  S.  Geissler,  1749. 

6  p.  1.,  81  p.    ISi-^". 

Preface  dated:  Hambui^,  im  jennennonate,  1749. 

Attributed  to  Johann  Mattheson  by  Paul  Trommsdorff  (Zeitschrift  fur  biicher- 
freunde  x  3  beiblatt  p.  7)  on  the  authority  of  the  Gesamtkatalog  der  preussi- 
schen  bibliotheken.  In  the  British  museum  catalogue  the  work  is  ascribed  to 
Johann  Christoph  Strodtmann. 

ML3460.A2A14 

Abreu,  Antonio. 

Escuela  para  tocar  con  perfeccion  la  guitarra  de  cinco  y  seis 
ordenes,  con  reglas  generales  de  mano  izquierda  y  derecha.  Trata 
de  las  cantorias  y  pasos  dificiles  que  se  pueden  ofrecer,  con  metodo 
facil  de  executarlas  con  prontitud  y  limpieza  por  una  y  otra  mano. 
Compuesta  por  D.  Antonio  Abreu  .  .  .  Ilustrada  y  aumentada  con 
varios  divertimientos  honestos  y  utiles  para  los  aficionados  a  este 
instrumento:  por  el  P.  F.  Victor  Prieto  ...  La  da  a  luz  su  apa- 
sionado  N.  N.     Salamanca,  En  la  imprenta  de  la  Calle  del  prior,  1799. 

107  p.     3  pi.  (music)     20'=°'. 

MT582.A2A2 


EARLY  BOOKS   ON   MUSIC 


Academy  of  ancient  music,  London. 

Letters  from  the  Academy  of  ancient  musick  at  London,  to  Sig"^ 
Antonio  Lotti  of  Venice :  witK  his  answers  and  testimonies.  London, 
Printed  by  G.  James,  1732. 

1  p.  1.,  41  p.     20" 


icm 


The  letters  are  given  in  the  original  Latin,  French  or  Italian,  with  English 
translation  on  opposite  pages. 

ML410.L88A2 

R.  Accademia  filarmonica,  Bologna. 

Statuti  ovvero  costituzioni  de'  signori  accademici  filarmonici  di 
Bologna  promulgati  sotto  gU  auspici  dell'  eminentissimo,  e  reveren- 
dissimo  principe  il  Sig.  cardinaie  rietro  Ottoboni'.  .  .  degnissimo 
protettore  di  detta  accademia.     Bologna,  G.  B.  Bianchi,  1721. 

4  p.  1.,  52  p.     23"°'. 

ML290.8.B68A3 

Adami  da  Bolsena,  Andrea,  1663-1742. 

Osservazioni  per  ben  regolare  il  coro  de  i  cantori  della  Cappella 
pontificia,  tanto  nelle  funzioni  ordinarie,  che  straordinarie,  fatte  da 
Andrea  Adami  da  Bolsena,  tra  gl'Arcadi  Caricle  Piseo,  maestro  della 
medesima  cappella  .  .  .     Roma,  A.  de'  Rossi,  1711. 

10  p.  1.,  xlvj,  215,  [3]  p.     illus.  (ports.)  port.     24^  x  l?""". 

Title  vignette;  tail-pieces.    Added  t.-p.,  engr. 

MT88.A2A19 

Adgate,  Andrew,  d.  1793. 

See  Introductory  lessons,  practised  by  the  Uranian  society  [1785] 

Adlung,  Jacob,  1699-1762. 

M.  Jacob  Adlungs  .  .  .  Anleitung  zu  der  musikalischen  gelahrt- 
heit;  theils  vor  alle  gelehrte,  so  das  band  aller  wissenschaften 
einsehen;  theils  vor  die  liebhaber  der  edlen  tonkunst  uberhaupt; 
theils  und  sonderlich  vor  die,  so  das  clavier  vorzilglich  lieben;  theils 
vor  die  orgel-  und  instrumentmacher.  Mit  kupfern  und  einer  vorrede 
des  .  .  .  herrn  Johann  Ernst  Bachs  .  .  .  Erfurt,  J.  D.  Jungnicol, 
1758. 


30,  814,  [34]  p.     VIII  pi.     IS"'". 

Pages  551  and  623  numbered  581  and  62  respectively. 


ML100.A2A2 


M.  Jacob  Adlungs  .  .  .  Anleitung  zur  musikalischen  gelahrt- 

heit,  worinn  von  der  theorie  und  praxis  der  alten  und  neuen  musik, 
von  den  musikaUschen  instrumenten,  besonders  der  orgel,  nachricht 
gegeben,  und  die  in  jedes  fach  gehorigen  bucher  bekannt  gemacht 
werden.  2.  aufl.,  besorgt  von  Johann  Adam  Hiller.  Dresden  und 
Leipzig,  Breitkopfische  buchhandlung,  1783. 

8  p.  1.,  976  p.     VIII  pi.     18"™. 
The  plates,  numbered  "tab.  I-VIII,"  are  on  4  folding  leaves. 

ML100.A2A23 


8  LIBRARY   OF   CONGRESS 

Adlung,  Jacob — Continued. 

Musica  mechanica  organoedi.  Das  ist:  Griiiidlicher  unterricht 
von  der  struktur,  gebrauch  und  erhaltung,  &c.  der  orgeln,  clavicym- 
bel,  clavichordien  und  anderer  instrumente,  in  so  fern  einem  orga- 
nisten  von  solchen  sachen  etwas  zu  wissen  ndhtig  ist.  Vorgesteflet 
von  M.  Jakob  Adlung  .  .  .  Aus  der  hinterlassenen  handschrift  des 
seel.  hrn.  verfassers  in  ordnung  gebracht,  mit  einigen  anmerkungen 
und  einer  vorrede  versehen,  und  zum  drucke  bef6rdert  von  M.  Johann 
Lorenz  Albrecht  .  .  .  Nebst  zwey  tabellen  und  vielen  figuren. 
Berlin,  F.  W.  Birnstiel,  1768. 

2  V.  in  1  (v.  1:  3  p.  1.,  [3]— 291  p.;  v.  2:  4  p.  1.,  xx,  185,  [13]  p.,  1  1.)     illus., 
11  diagr.  on  ii  pi.    21^  x  18<=™. 

Title  of  V.  2  varies  slightly. 

Contains  additions  by  J.  F.  Agricola,  and  an  autobiography  of  Adlung  (v. 
2,  p.  ii-xiv) 

ML550.A2A2 

M.  Jakob  Adlungs  .  .  .  Musikaliscbes  siebengestirn.  Das  ist: 
Sieben  zu  der  edlen  tonkunst  geh6rige  fragen,  welche  derselbe,  auf 
erhaltenen  befehl  der  ChurMrstl.  maynzischen  akademie  niltzlicher 
wissenschaften  in  Erfurt,  anf&nglich  in  lateinischer  sprache  beant- 
wortet,  nachgehends  aber  ins  deutsche  ilbersetzet  nat.  Aus  der 
hinterlassenen  eigenen  deutschen  handschrift  des  seel,  herm  verfas- 
sers mit  einer  vorrede  ans  licht  gestellet  von  M.  Johann  Lorenz 
Albrecht  .  .  .  Nebst  einer  noten-tabelle,  Berlin,  F.  W.  Birnstiel, 
1768. 

X,  [ll]-34  p.,  1 1.    illus.    22ixl8i«». 

MT50.A2A3 

AfaUard,  Michel  1'. 

See  L'Affillard,  Michel. 

Agricola,  Johann  Friedrich,  1720-1774. 

See  Adlung,  J.     Musica  mechanica  organoedi,  1768. 

Agricola,  Johann  Friedrich,  1720-1774,  translator. 
See  Tosi,  P.  F.     Anleitung  zur  singkunst,  1757. 

Agricola,  Martin,  1480-1556. 

Musica  II  Chora-  |l  lis  ||  Deudsch.  ||  Mart.  Agricola.  ||  1533.  [Colo- 
phon:  Gedriickt  zu  Wittemberg  durch  ||  Georgen  Rhaw] 

[96]  p.    14^''™. 

Title  within  historiated  border,  the  sides  formed  by  two  figures  playing  the 
flute  and  drum,  with  the  first  notes  of  a  Te  Deura  for  four  parts  above  and  below. 
Signatures:  A-F  in  eights  (Eij  and  Eiij  signed  Dij  and  Diij  respectively) 

ML171.A24 

Musica  II  Figu-  ||  ralis  1|  Deudsch.   ||  Mart.  Agricola.     [Colophon: 
Gedruckt  zu  Wit  ||  temberg  durch  ||  Georgen  Rhaw  1|  m.  d.  xxxij] 
[240]  p.     tables,  diagr.     15^" 


icm 


EABLY  BOOKS   ON    MUSIC  9 

Ag^ricola,  Martin — Continued. 

Title  in  red  and  black,  within  historiated  border  with  printer's  mark. 

On  verso  of  t.-p.:  Musica  figuralis  mit  ihren  zugeh6renden  exempeln  /  sampt 
einem  besunderlichen  schonen  buchlein  von  den  proportionibus  /  welche  alien 
gemeinen  sengem  /  instrumentisten  vnd  anhebem  dieser  kunst  /  gantz  ntitz- 
barlich  zu  wissen  /  auffs  einfeltigst  vnd  vorstentlichst  ins  deudsche  verfasset. 

In  two  parts.  The  second  part  has  special  t.-p.  with  ornamental  border:  Von 
den  II  Propor- 1|  cionibus.  ||  Wie  dieeelbigen  inn  |f die  Noten  wircken  /vnd  ||  wie 
eie  im  figural  ge-  ||  sang  gebraucht  ||  werden.  ||  Mart.  Agricola.  [Colophon: 
Gedruckt  zu  Wittember^  ||  durch  Georgen  |J  Rhaw] 

Signatures:  A-M  in  eights,  N  in  four,  A-B  in  eights,  C  in  four  (for  Cii  is 
printed  Bii) 

ML171.A25 

Musica  instru-  1|  metalis  deudsch  |J  ynn  welcher  begrif-  j]  fen  ist  /  wie 
man  ||  noch  dem  gesange  aufF  mancherley  ||  Pfeiffen  lernen  sol  /  Auch 


gen  /  vnd  allerley 
gegnindten  Tabel- 


wie  auff  ||  die  Orgel  /  Harffen  /  Lauten  /  Gei- 

Instrument  vnd  ||  Seytenspiel  /  noch  der  recht- 

thur  II  sey  abzusetzen.  ||  Mart.  Agricola.     [Colophon:  (jedriickt  zu  Wit- 

temberg  ||  durch  Georgen  Rhaw.  m.d.xxx.] 

Ivi  numb.  1.,  4  1.    illus.,  4  fold.  pi.    IS''"'. 

In  verse. 

Title  in  red  and  black.  Leaves  and  first  three  plates  printed  on  both  sides. 
Leaves  xxxviij,  xlvij,  liij  numbered  xxxvi,  47,  liiij  respectively.  Part  of  plate  2 
torn  off. 

Ms.  note  on  fly-leaf  (by  A.  Wotquenne?):  Edition  originale,  quoiqu'en  disc 
Eitner,  i,  60-61,  qui  confond  toutes  ces  Mitions. 

ML171.A26 

Rvdimenta  ||  mvsices,  qvibvs  canen-  ||  di  artificivm  compen- 
diosissime  complexum,  pue-  jj  ris  vna  cum  Monochor-  |  di  dimensione 
traditur,  ||  per  ||  Mar.  Agricolam.  ||  Vitebergae  apud  |  Geor.  Rhaw. 
Anno.  II  1539. 

[62]  p.     HJ^'". 

Title  within  ornamental  border. 

Signatures:  A-C  in  eights,  D  in  seven  (Biiij  signed  Ciiij)  According  to 
Weckerlin's  catalogue  of  the  library  of  the  Conservatoire  national,  Paris,  1885, 
the  work  should  comprise  40  leaves,  the  last  part  being  a  eulogy^  the  science  of 
music  in  Latin  verse  by  Johann  Spangenberg. 

ML171.A27 

Aiguino,  Uluxninato,  h,  1520? 

La  illvminata  de  tvtti  i  tvoni  di  canto  fermo,  con  alcvni  bellissimi 
secreti,  non  d'altrui  piu  scritti,  composta  per  il  reverendo  padre  frate 
Illuminato  Aiguino  aa  Bressa  .  .  .     V enetia,  A.  Gardano,  1562. 

58  numb.  1.,  [4]  p.    22'''".  *» 

Title  vignette  (port.)  initials;  printer's  mark  at  end. 

ML171.A28 

II  tesoro  illvminato  di  tvtti  i  tvoni  di  canto  figvrato,  con  alcvni 
bellissimi  secreti,  non  da  altri  piii  scritti:  nuouamente  composto  dal 
reuerendo  padre  frate  Illuminato  Aijguino  Bresciano  .  .  .  Venetia, 
G.  Varisco,  1581. 

2  p.  1.,  88  numb.  1.,  [8]  p.     port.     22^  x  17''™. 

MT55.A2A8 


ML1727.3.A2A52 


10  LIBRARY   OF   CONGRESS 

Alard,  Lambert,  1602-1672. 

Lamp.  Alardi  .  .  .  De  veterum  musica  liber  singularis:  in  fine 
accessit  Pselli  sapientissimi  Musica  e  grseco  in  latinum  sermonem 
translata,  autore  eodem  .  .  .  Schleusingae,  sumtibus  H.  Grosii  jun., 
excusus  typis  P.  Fabri,  1636. 

11  p.  1.,  203  p.    fold.  tab.    12J'='". 

"¥sUoD   Tijc  fiooacKijc  abvoipcc  TiKpc^wKhf^X]" :   p.  177-189.     "Pselli  De  musica 
compendium  exactissimum.     Interprete  Lamperto  Alardo":  p.  189-203. 

ML169.A2A6 

Albar  .  .  .  ,  Comte  d%  psevd. 

Lettre  familiere  de  M.  le  comte  d'Albar  ...  a  M™^.  la  duchesse 
de  L  *  *  *.     Sur  I'op^ra.     [n.  p.,  ca.  1790] 

15  p.    2ii<=™. 
Caption  title. 

Albert!,  J.,  editor. 

See  Reichardt,  J.  F.     Geist  des  Musikalischen  kunstmagazins, 
1791. 

Albrecht,  Johann  Lorenz,  1732-1773. 

M.  Johann  Lorenz  Albrecht.  Abhandlung  ilber  die  frage:  ob  die 
musik  bey  dem  gottesdienste  der  christen  zu  dulden,  oder  nicht  ... 
Berlin,  F.  W.  Birnstiel,  1764. 

32  p.     20i  X  l?""". 

ML3001.A5 

Grundliche  einleitung  in  die  anfangslehren  der  tonkunst.  Zum 
gebrauche  musikalischer  lehrstunden  nebst  einer  erkllirung  der  vor- 
nehmsten  sowohl  in  der  vokal-  als  instrumentalmusik  vorkommenden 
kunstw6rter,  und  einem  kurzen  abrisse  einer  musikalischen  bibho- 
thek,  abgefasset  von  m,  Johann  Lorenz  Albrecht  .  .  .  Langensalza, 
J.  C.  Martini,  1761. 

8  p.  1.,  136  p.     21i  X  17^'^'^. 

MT6.A2A34 

Albrecht,  Johann  Lorenz,  1732-1773,  editor. 

See  Adlung,  J.  Musica  mechanica  organoedi,  1768. 
MusikaUsches  siebengestim,  1768. 

Albrecht,  Johann  Wilhelm,  1703-1736. 

Tractatus  physicus  de  efFectibus  musices  in  corpus  animatum, 
authore  D.  Jo.  Wilh.  Albrecht  .  .  .  Lipsise,  apud  J.  C.  Martini, 
1734. 

4  p.  1.,  136  p.     loj'^'", 

ML3820.A2A6 


EARLY  BOOKS  ON  MUSIC  11 

Albrechtsberger,  Johann  Georg,  1736-1809. 

Johann  Georg  Albrechtsbergers  .  .  .  GriindKche  anweisung  zur 
composition;  mit  deutlichen  und  ausfuhrlichen  exempeln,  zum 
selbstunterrichte,  erl&utert;  und  mit  einem  anJiange:  von  der  be- 
schaffenheit  und  anwendung  aller  jetzt  liblichen  musikalischen  in- 
strumente.     Leipzig,  J.  G.  I.  Breitkopf,  1790 

2  p.  1.,  440  p.     24i  X  20"™. 

MT40.A2A34 

Kurzgefasste  methode  den  generalbass  zu  erlernen,  von  herrn  G. 
Albrechtsberger  .  .  .     Wien  und  Mainz,  Artaria  compagnie  [1792] 

1  p.  1.,  36  p.     24i  X  35'''". 

Engraved  throughout. 

"Beiapiele  iiber  alle  intervalla  " :  p.  17-36. 

MT49.A2A5 

Alembert,  Jean  Le  Rond  d',  1717-1783. 

Elemens  de  musique,  theorique  et  pratique,  suivant  les  principes 
de  M.  Rameau.     Paris,  David  I'aine  [etc.]  1752. 

xvj,  171,  [1]  p.,  1  1.    10  fold.  pi.  (partly  music)    20J<='°.    {With  Gresset,  Jean 
B.  L.    Discours  sur  I'harmonie.    Paris,  1737) 

ML3815.A2A5 

Siemens  de  musique,  theorique  et  pratique,  suivant  les  prin- 


cipes de  M.  Rameau,  6claircis,  developpes  et  simplifies,  par  M. 
d' Alembert  .  .  .  Nouv.  ed.,  rev.,  cor.  &  considerablement  augm. 
Lyon,  J.-M.  Bruyset,  1762. 

2  p.  1.,  xxxvj,  236,  [3]  p.     10  fold.  pi.  (partly  music)    20"'". 

"R^ponse  h  une  lettre  imprimee  de  M.  Rameau  "  (p.  211-231)  was  first  pub.  in 
Le  Mercmre,  March,  1762,  as  "Lettre  a  M.  Rameau,  pour  prouver  que  le  corps 
sonore  ne  nous  donne  et  ne  peut  nous  donner  par  lui-meme  aucune  id^e  dea 
proportions." 

ML3815.A2A52 

filemens  de  musique,  theorique  et  pratique,  suivant  les  prin- 


cipes de  M.  Rameau,  eclaircis,  developpes  et  simplifies,  par  M. 
d' Alembert  .  .  .  Nouv.  etl.,  rev.,  cor.  &  considerablement  augm. 
Lyon,  J.-M.  Bruyset,  1766. 

2  p.  1.,  xxxvj,  236,  [2]  p.,  1  1.     10  fold.  pi.  (partly  music)    20"™. 

ML315.8A2A53 

Elemens  de  musique,  theorique  et  pratique,  suivant  les  prin- 


cipes de  M.  Rameau,  eclaircis,  developpes  et  simplifies,  par  M. 
d' Alembert  .  .  .  Nouv.  ed.,  rev.,  cor.  &  considerablement  augm. 
Lyon,  J.  M.  Bruyset,  1772. 

2  p.  1.,  xxxvj,  236,  [3]  p.     10  fold.  pi.  (partly  music)     20^"™.     ( Tl^i^A  Kalkbren- 
ner,  Christian.    Histoire  de  la  musique.     Paris  [etc.]  1802) 

ML160.K14 

Hrn.  d' Alembert  .  .  .  Systematische  einleitung  in  die  musi- 


calische   setzkunst,  nach  den  lehrs&tzen  des  herrn  Rameau.     Aus 
dem  franzdsischen  libersetzt  und  mit  anmerkungen  vermehret  von 
Friedr.  Wilh.  Marpurg.     Leipzig,  J.  G.  I.  Breitkopf,  1757. 
6  p.  1.,  136  p.    22i  X  18J" 


ML3815.A2A54 


See  also  Baton,  C.     Examen  de  la  lettre  de  M.  Rousseau,  1753. 


12  LIBRARY   OF   CONGRESS 

[Alexis  de  Sainte  Anne,  brother] 

Methode  du  chant  ecclesiastique,  qui  contient  les  vraies  regies  de 
la  bonne  modulation,  &  les  premiers  elemens  de  la  composition  .  .  . 
[Paris]  Impr.  de  C.  J.  F.  Ballard,  1752. 

iv,  62,  [2]p.     ITr"". 

Signed:  Frere  Alexis  de  Sainte  Anne,  religieux  carme  de  la  province  de 
Touraine. 

MT860.A2A36 

Algarotti,  Francesco,  conte,  1712-1764. 

Saggio  sopra  I'opera  in  musica  .  .  .    Livomo,  M.  ColteUini,  1763. 

157  p.    IS*"". 

Title  vignette.    The  author's  name  occurs  in  the  caption  of  the  dedication. 
Includes  the  texts  of  Algarotti's  librettos  "Enea  in  Troja"  and  "Iphigenie 
en  Aulide." 
Ist  edition  1755. 

ML3858.A37 

An  essay  on  the  opera.     Written  in  Italian  by  Count  Alga- 

rotti  .  .  .     Glasgow,  R.  Une,  1768. 

iv,  [3]-124,  [2],  125-182  p.    16''«. 

ML3858.A39 
Allacci,  Leone,  1586-1669. 

Drammaturgia  di  Lione  Allacci,  accresciuta  e  continuata  fino  al- 
I'anno  mdcclv.     Venezia,  G.  Pasquali,  1755. 

4  p.  1.,  1016  col.     24"". 

Rev.  and  continued  by  Giovanni  Cendoni,  Apostolo  Zeno  and  others. 
1st  edition  Rome,  1666. 

Z2354.D7A4 

Allgemeine  musikalische  zeitung  .  .  .  1.-50.  jahrg.,  oct.  1798- 
1848;  neue  folge  1.-3.  jahrg.,  1863-65;  [3.  folge]  1.-17.  jahrg., 
1866-82.     Leipzig,  Breitkopf  and  Hartel;    [etc.,  etc.,  1798J-1882. 

70  V.    illus.,  plates,  ports.    25^-30"™.    weekly.^ 

Engraved  title-pages.  "Beylagen"  (music)  on  separate  sheets.  With  the  first 
series  was  issued  " Intelligenz-blatt  zur  Allgemeinen  musikalischen  zeitung." 

Founded  by  Friedrich  Rochlitz  and  ed.  by  him  till  1818;  ed.  by  G.  W.  Fink, 
1827-41;  C.  F.  Becker,  1842;  Moritz  Hauptmann,  1843;  J.  C.  Lobe,  1846-48. 

Publication  suspended  from  1849  to  1862,  inclusive. 

Ed.  by  Selmar  Bagge  and  others,  1863-68;  Friedrich  Chrysander,  1869-June 
1871^  Joseph  Muller,  July  1871-1874;   Friedrich  Chrysander,  1875-8*2. 

From  1866-68  title  reads:  Leipziger  allgemeine  musikalische  zeitung. 

Register  zu  den  ersten  zwanzig  jahrgangen  .  .  .     (1798-1818.) 


Leipzig,  Breitkopf  und  Hartel  [1819?] 
1  p.  1.,  140  p.     25i'- 


ML5.A43 


Almanach  des  theaters  in  Wien.  Nebst  einer  abhandlung  von  der 
kunst  und  dem  stande  des  schauspielers,  nach  dem  englischen 
libersetzt.     [Wien]  1774. 

[188]  p.     6  pi.     17'^'". 

"G6nnern  und  freunden  des  theaters  gewidmet  von  alien  mitgliedem  der 
K.  K.  National-schauspielergesellschaft." 

PN2616.V5A6 


EARLY  BOOKS  ON  MUSIC  13 

Almeida  Campos,  JoSlo  Ribeiro  de. 

See  RiBEiRO  de  Almeida  Campos,  Joao. 

Alsted,  Johann  Heinrich,  1588-1638. 

Templvm  mvsicvm:  or,  The  musical  synopsis,  of  the  learned  and 
famous  Johannes-Henricus-Alstedius,  being  a  compendium  of  the 
rudiments  both  of  the  mathematical  and  practical  part  of  musick: 
of  which  subject  not  any  book  is  extant  in  our  EngUsh  tongue. 
Faithfully  translated  out  of  Latin  by  John  Birchensha  .  .  .  London, 
P.  Dring,  1664. 

7  p.  1.,  93  (i.  e.  94)  p.     front.     16^'^'". 

A  translation  #f  the  6th  part  (Elementale  musicum)  of  the  author's  Elementale 
mathematicum,  Frankfort,  1611. 

MT6.A2A46 

Altenburg,  Johann  Ernst,  1736-1801. 

Versuch  einer  anleitung  zur  heroisch-musikalischen  trompeter-  und 
pauker-kunst,  zu  mehrerer  aufnahme  derselben  historisch,  theo- 
retisch  und  praktisch  beschrieben  und  mit  exempeln  erl&utert  von 
Johann  Ernst  Altenburg  .  .  .     Halle,  J.  C.  Hendel,  1795. 

ix,  [1]  p.,  1 1.,  144  p.    20  X  18'". 

Pages  133-144  ("Concerto  a  VII  clarini  con  tymp.,"  "Marach"  and  "Minu- 
etto    )  printed  on  leaves  20  x  Zb^"^. 

MT440.A2A6 

Alypius. 

See  Meibom,  M.,  translator.     Antiqvae  mvsicse  avctores,  1652. 
Meurs,  J.  VAN,  editor.     Aristoxenvs,  1616. 

Alypius  junior,  pseud. 

Qvid  sit  mvsice  aetatem  agere  ex  Plavti  Mostellaria  act.  iii.  sc.  ii. 
V.  40.  Ad  componendam  controversiam  de  vita  mvsica  inter  viros 
mvsicos  nvper  ortam  exponit  Alypivs  ivnior.     [n.  p.]  1751. 

xvi  p.     21^  X  17^"™. 

The  controversy  referred  to  was  occasioned  by  the  publication  of  a  pamphlet 
by  J.  G.  Biedermann,  entitled  De  vita  musica  ex  Plant.  Mostellar.  act.iii.  sc.  ii. 

ML64.A5 

Amiot,  Joseph  Marie,  1718-1793. 

Memoire  sur  la  musique  des  Chinois,  tant  anciens  que  modemes, 
par  M.  Amiot  .  .  .  avec  des  notes,  des  observations  &  une  table  des 
matieres,  par  M.  FabD^-E-oussier  .  .  .  faisant  partie  du  tome  sixieme 
des  Memoires  concernant  les  Chinois.     Paris,  Nyon  Faine,  1779. 

^3  p.  1.,  254  p.    XXX  pi.  (partly  fold.)  incl.  tables,  diagrs.    26^""^. 

Printer's  mark  on  t.-p.  Plate  xxix  is  in  two  states,  the  figures  of  the  first  being 
reversed  on  the  second. 

One  of  a  few  copies  printed  with  separate  title.  This  copy  belonged  originally 
to  the  Abbe  Roussier,  and  contains  many  notes  in  Roussier's  handwriting,  cf. 
Matthew,  J.  E.,  The  literature  of  music 

ML336.A2A16 


14  LIBRARY   OF   CONGRESS 

Analyse   critique   de   Tarare.     A  Ormutz,   et   se   trouve  a   Paris, 
H6tel  de  Mesgrigny,  1787. 

26  p.    20<= 


icm 


Text  has  caption:  A  Monsieur  de  *  *  *  qui  reside  en  province. 
A  criticism  of  the  libretto  of  the  opera  Tarare,  which  was  written  by  Beau- 
marchais  (music  by  Salieri) 

ML410.S16A2 

[Ancelet,        ] 

Observations  sur  la  musique,  les  musiciens,  et  les  instrumens.  Am- 
sterdam [i.  e.  Paris]  Aux  d^pens  de  la  Compagnie,  1757. 

40  p.     ISi""". 

ML270.3.A59 

[Andre,  Yves  Marie]  1675-1764.  • 

Essai  sur  le  beau,  ou  Ton  examine  en  quoi  consiste  pr4cis6ment  le 
beau  dans  le  physique,  dans  le  moral,  dans  les  ouvrages  d'esprit,  & 
dans  la  musique.     Paris,  H.-L.  Guerin,  &  J.  Guerin,  1741. 

vlij,  302,  [2]  p.     17i  X  10"=™. 

N63.A55 

Andrea  di  Modena. 

Canto  harmonico  in  cinqve  parti  diviso,  col  quale  si  puo  arriuare 
alia  perfetta  cognitione  del  canto  fermo,  del  p.  f,  Andrea  di  Modona 
.  .  .     Modana,  Per  gli  eredi  Cassiani  stampatori  episcopali,  1690. 

228,  90,  [2]  p.    pi.,  3  fold.  tab.    24^'="^. 

MT45.A2A6 

.  Andrien,  J.  F. 

See  KuRTZE  anfuhrung  zum  general-bass,  1733. 

KuRTZE  und  grundliche  anleitung  zum  generalbasse,  1744. 

Angelo  da  Picitono. 

Fior  ange-  ||  lico  di  Mvsica:  I|  Nuouamente  dal  R.  P.  frate  ||  Angelo 
da  Picitono,  Conuen  ||  tuale,  dell'  ordine  minore,  ||  Organista  pre- 
clarissi-  ||  mo,  composto.  ||  Nelqual  si  contengono  alcune  bellissime 
II  dispute  contra  quelli  che  dicono,  la  ||  Musica  non  esser  scienza: 
Con  al  II  tre  molte  questioni,  &  solu-  ||  tioni  di  varii  dubbii:  ||  Pur 
hora  da  lui  da-  ||  to  in  luce.  ||  mdxlvii.  [Colophon:  In  Vinegia  per 
Agostino  Bindoni.  ||  mdxlvii] 

[199'Jp.    illus.,  diagrs.    20J''™. 

Title  within  ornamental  border;  printer's  mark  on  last  page.  Signatures:  ■, 
A-Z,  &,  in  fours  (versos  of  ■  2,  P  4,  &  4,  blank)  N  and  Niv  transposed  in 
binding. 

ML171.A58 

Angelo  da  Conceigao. 

See  DoMiNGOS  do  Rosario.     Theatro  ecclesiastico,  1774. 

Angiolini,  Gaspare. 

Lettere  di  Gasparo  Angiolini  a  Monsieur  Noverre  sopra  i  balli  panto- 
mimi.     fMilano,  G.  B.  Bianchi,  1773] 

112  p.    20i'"". 

ML3460.A2A58 


EARLY  BOOKS  ON   MUSIC  15 

Angleria,  Camillo,  d.  1630. 

La  regola  del  contraponto,  e  della  mvsical  compositione  .  .  .     Con 
due  ricercari  I'vno  a  4.  e  Faltro  a  5.  dell'  autore,  &  vn  ricercare,  e    t^ 
canoni  &,  2.  3.  e  4.  da  cantarsi  in  vari  modi  del  Signer  Gio.  Paolo    7 
Cima,  al  quale  la  presente  opera  e  dedicata,  e  nuouamente  data  in    - 
luce  dal  rever.  padre  fr.  Camillo   Angleria  .  .  .     Milano,  G.  Rolla, 
1622. 

4p.  1.,  117,  [7]p.     lillus.     24x18^'". 

Title  within  ornamental  border.  Title  vignette,  St.  Cecilia  at  the  organ, 
appears  again  on  last  page,  somewhat  altered  and  enlarged.  Signature  0,  p. 
105-112,  irregularly  imposed  and  folded. 

MT55.A2A6 

L'anti-scurra,  ou  Pr6servatif  contre  les  Bouffons  italiens.     [n,  p., 
1753-] 

7,  [l]p.    ig^'". 

Caption  title.    Dated  "6  f^vrier  1753."    In  verse. 
See  also  Caux  de  Cappeval. 

ML1727.33.A1 

Antoniotto,  Giorgio,  1692-1776. 

L'arte  armonica;  or,  A  treatise  on  the  composition  of  musick,  in 
three  books;  with  an  introduction,  on  the  history,  and  progress  of 
musick,  from  it's  beginning  to  this  time,  written  in  Italian  by  Giorgio 
Antoniotto,  and  translated  into  English  .  .  .  London,  Printed  by 
J.  Johnson,  1760. 

2  V.  (v.  1:  5  p.  1.,  109  p.;  v.  2:  1  p.  1.,  62  pi.,  partly  fold.)     33""'. 

Engr.  t.-p.     Vol.  2,  containing  the  examples,  has  engr.  half-title  only. 

MT40.A2A6 

Antonius,  Johann  Ephraim,  1702-1749. 

Principia  musices,  oder  Ersten  anf&nge  der  music,  hat  .  .  .  seinen 
unterhabenden  schulern  des  lateinischen  Psedagogei  bremensis  zu 
mehrerm  nutzen  und  besserm  anwachs  in  derselben  entworffen  Joh. 
Ephr.  Antonius  .  .  .  Bremen,  Gedruckt  bey  sel.  H.  C.  Jani,  E. 
L6bl.  gymnasii  buchdruckers,  wittwe,  1743. 

71  p.     17'^"'. 

Interleaved.  "Scala  in  dur  durch  alle  thone"  and  "Scala  in  moll  durch  alle 
thone,"  in  ms.,  inserted  opposite  pages  25  and  26  respectively. 

MT7.A2A7 

Apligny,        Le  Pileur  d'. 
See  Le  Pileur  d' Apligny. 

Apthorp,  East,  1732  or  3-1816. 

Of  sacred  poetry  and  music.  A  discourse  at  Christ-church,  Cam- 
bridge, at  the  opening  of  the  organ,  on  Tuesday,  xxi  August, 
MDCCLXiv.  By  East  Apthorp  .  .  .  Boston,  Printed  by  Green  and 
Kussell,  1764. 

vii,  22p.    23^x184""°. 

Arbeau,  Thoinot,  pseud. 
See  Tabourot,  Jean. 


16  LIBRARY  OF   CONGRESS 

/ 

^\Arlstides  Quintilianus. 

See  Meibom,  M.,  translator.     AntiqvsB  mvsicae  avctores.  1652. 

Aristoteles. 

See  GoGAVA,  A.   H.,   translator.     Aristoxeni  .  .  .  Harmonicorvm 
elementorvm  libri  iii,  1562. 

Aristoxen  der  jiingere,  pseud. 
See  Mattheson,  Johann. 

Aristoxenus. 

See  GoGAVA,  A.   H.,   translator.     Aristoxeni  .  .  .  Harmonicorvm 
elementorvm  libri  iii,  1562. 
Meibom,  M.,  translator.     Antiqvae  mvsicae  avctores,  1652. 
Meurs,  J.  VAN,  editor.     Aristoxenvs,  1616. 

Armonici  erudimenti  nei  quali  si  contengono  le  regole  e  suoi 
esempj  per  imparare  accompagnare  sul  cimbalo  il  basso  continovo, 
il  modo  di  trasportarlo  in  altri  tuoni,  un  esempio  dal  quale  si  conosce 
qual  sia  il  metodo  da  praticarsi  per  acquistare  un  buon  portamento- 
di  mano  sopra  detto  strumento,  scale  dimostrative  per  bene  impos- 
sessarsi  della  proprieta'  de'  tuoni  si  di  terza  maggiore  come  di  terza 
minore,  e  tutto  per  maggiore  f  acilita'  e  comodo  di  chi  desidera  appli- 
carsi  a  tale  studio  .  .  .  Firenze,  Stamperia  di  A.  G.  Pagani,  e  comp., 
si  vende  da  G.  Chiari,  1790. 
2  p.  1.,  24  p.     illu8.     25'-'^. 

Ornamental  borders;  title  vignette;  head  and  tail  piece. 

MT49.A2A7 

[Amaud,  Frangois]  1721-1784. 

Lettre  sur  la  musique,  a  Monsieur  le  comte  de  Caylus,  academicien 
honoraire  de  TAcademie  royale  des  inscriptions  &  belles-lettres,  &  de 
celle  de  peinture.     [Paris]  1754. 

1  p.  1.,  36  p.    17i'='". 

Signed:  L'abb6  Amaud. 

Intended  to  serve  aa  a  preface  for  a  work  which  was  never  written. 
An  Italian  translation  of  the  letter  is  given  by  Arteagain  v.  Sofhis  Rivoluzioni 
del  teatro  musicale  italiano. 

ML3800.A2A6 

La  soiree  perdue  a  I'Opera.  A  Avignon,  et  se  trouve  a  Paris,  chez 
Esprit,  1776. 

26  p.    igi""". 

Attributed  also  to  Pascal  Boyer 

ML1727.35.A7 

See  also  Riedel,  F.  J.     Ueber  die  musik  des  ritters  Christoph  von 
Gluck,  1775. 

Amobat,  Charles  Pierre  Coste  d'. 

See  Coste  d'Arnob.\t,  Charles  Pierre. 


EARLY  BOOKS  ON  MUSIC  17 

Arrhenius,  Laurentius,  1680-1730,  praeses. 

.  .  .  Dissertatio  mythologico-historica  de  primis  musicsB  inven- 
toribus,  quam  ...  in  illustri  Upsal.  lycseo,  sub  praesidio  .  .  .  dn. 
Laurentii  Arrhenii  .  .  .  publicse  censurse  modeste  subjicit  .  .  .  Jo- 
hannes Christiern.  Durseus  .  .  .    Upsalise,  Uteris  Wemerianis  [1729] 

3  D.  1.,  32  p.     14^="'. 

ML3800.A2A7 

L'art  du  plein-chant,  ou  Traite  th^orico-pratique  sur  la  fapon  de  le 
chanter:  dans  lequel  on  propose  aux  eglises  de  province  les  regies 
&  le  golit  repus  dans  la  capitale  du  royaume  pour  le  chant  des 
offices.     Villefranche-de-Rouergue,  P.  Vedeilhie,  1764. 

6  p.  1.,  xvj,  204,  226  p.     16<'™. 
"Pieces  de  plein-chant  choisies,  et  relatives  a  cet  ouvrage":  226  p. 

MT860.A2A7 

L'art  du  plein-chant,  ou  Traits  theorico-pratique  sur  la  fapon 

de  le  chanter:  dans  lequel  on  propose  aux  eglises  de  province  les 
regies  &  le  goftt  repus  dans  la  capitale  du  royaume  pour  le  chant 
des  offices.     Villefranche-de-Rouergue,  P.  Vedeilhie,  1765. 

6  p.  1.,  xvj,  214  p.,  1 1.,  226  p.     16"°^. 
"Pieces  de  plein-chant  choisies,  et  relatives  k  cet  ouvrage":  226  p. 

MT860.A2A72 

[L'arte  del  detto  contraputo]  Per  imparare  ciascheduno,  che 
desidera  approfittarsi  nel  contraputo,  e  necessario  sapere  tutte  le 
cose  appartenenti  all'  esecuzione  di  ben  registrare,  e  modulare. 
L'arte  del  detto  contraputo. 

3-156  p.     22i  X  16"'". 

Manuscript  of  the  18th  (?)  century,  arranged  in  the  form  of  a  printed  book. 
In  2  parts,  "Libro  primo"  and  "Libro  secodo."  At  end:  Fine  delle  disposizioni 
a  tre  uoci. 

MT55.A2A65 

Arteaga,  Stefano,  1747-1799. 

Le  rivoluzioni  del  teatro  musicale  italiano  dalla  sua  origine  fino  al 
presente;  opera  di  Stefano  Arteaga  .  .  .  Bologna,  Stamperia  di 
C.  Trenti,  1783-88. 

3  v.  in  2.     fold.  pi.  (music)     19^'^™. 

"  Osservazioni  intomo  ad  un  estratto  del  tomo  secondo  della  presente  opera 
inserito  nel  Giomale  enciclopedico  di  questa  cittk  n.  xiii.  .  .  .  1786,  colle 
repliche  fatte  a  queste  osservazioni  dallo  stesso  autor  dell'  estratto  [V.  Manfre- 
dini],  e  intitolate  Difesa  della  musica  moderna":  v.  2,  207  p.  at  end. 

"Lettera  sopra  la  musica  indirizzata  al  Sig.  co.  di  Caylus  e  stampata  1'  anno 
1754"  (translation  of  the  Abbe  Amaud's  Lettre  sur  la  musique):  v.  3,  p.  56-91. 

ML1733.3.A7 

Le  rivoluzioni  del  teatro  musicale  italiano  dalla  sua  origine 


uno  al  presente;  opera  di  Stefano  Arteaga  ...  2.  ed.  accresciuta, 
variata,  e  corretta  dall'  autore  .  .  .  Venezia,  Stamperia  di  C. 
Palese,  1785. 


3  V.     6.  pi.  on  3  fold.  1.  (music)    20^'" 
51234°— 1.3 2 


18  LIBRARY   OF   CONGRESS 

Arteaga,  Stefano — Continued. 

Plates  printed  on  both  sides. 

"Lettera  d'un  celebre  scrittore  francese  che  contiene  1'  idea  d'  un'  opera  eccel- 
lente  da  farei  intomo  alia  musica"  (translation  of  the  Abb6  Arnaud's  Lettre  sur 
la  musique,  Paris,  1754):  v.  3,  p.  243-284. 

"Osservazioni  intomo  ad  un  estratto  del  tomo  2°.  della  presente  opera  inserito 
nel  Giomale  enciclopedico  di  Bologna  n.  xiii.  del  mese  d'apriie  del  corrente 
anno":  v.  3,  p.  [285]-391. 

ML1733.3.A71 

Stephan  Arteaga's  .  .  .  Geschichte  der  itali&nisclien  oper  von 

ihrem  ersten  ursprung  an  bis  auf  gegenw&rtige  zeiten  .  .  .  Aus  dem 
itali&nischen  libersetzt  und  mit  anmerkungen  begleitet  von  Johann 
Nicolaus  Forkel  .  .  .     Leipzig,  Schwickert,  1789. 

2  V.  (v.  1:  X,  [2],  344  p.;  v.  2:  vi,  [3]-532  p.)    17^'"'. 

ML1733.3.A72 

Artusi,  Giovanni  Maria,  d.  1613. 

L'arte  del  contraponto  ridotta  in  tavole  da  Gio:  Maria  Artvsi  .  .  . 
Dove  brevemente  si  contiene  i  precetti  k  quest'  arte  necessarij  .  .  . 
Venetia,  G.  Vincenzi,  &  R.  Amadino,  1586. 

2p.  l.,46p.,  11.     30«'». 
Title  within  ornamental  border;  title  vignette.     L.  of  C.  copy  has  ms.  notes. 

ML171.A78 

L'arte  del  contraponto,  del  rever.  d.  Gio.  Maria  Artvsi 


nella  quale  con  ordine,  e  modo  facilissimo  si  insegnano  tutte  quelle 
regole,  che  h  questa  arte  sono  necessarie.  Nouamente  ristampata,  & 
di  molte  nuoue  aggiunte,  dall'  auttore  arrichita.  Con  due  tauole,  vna 
de  capitoli,  &  1'  altra  delle  cose  piu  notabili.  Venetia,  G.  Vincenti, 
1598. 

6p.  1.,  SOp.     28i<^™. 

Title  within  ornamental  border. 

ML171.A79 

Seconda  parte  dell'  Artvsi  ouero  Delle  imperfettioni  della 

moderna  mvsica,  nella  quale  si  tratta  de'  molti  abusi  introdotti  da 
i  moderni  scrittori,  &  compositori.  Nuouamente  stampata.  Vene- 
tia, G.  Vincenti,  1603. 

6  p.  1. ,  56,  54  p.     30''"'.     ( With  his  L'arte  del  contraponto.     Venetia,  1586) 

Title  vignette.     Corrections  in  ms.     Author's  autograph  presentation  copy. 
"Considerationi  mvsicali,  del  r.  p.  d.  Gio.  Maria  Artvsi  .  .  .":  54  p.  at  end. 

ML171.A78 

Au  petit  prophSte  de  Boesmischbroda,  au  grand    proph^te  Monet, 
&c.     [Paris,  1753] 
13  p.    19'=°'. 

Dated:  A  Paris,  ce  21.  f^vrier  1753. 

No.  7  in  a  volume  of  pamphlets  lettered  Quere[lle]  des  Bouffo[n8] 
Attributed  to  Diderot  by  Poulet-Malassifi  and  in  the  catalogue  of  the  Biblioth^ 
que  nalionale,  Paris. 

ML1727.33.A1 


EAELY  BOOKS   ON   MUSIC  19 

[Aubert,  Jean  Louis]  1731-1814. 

Refutation  suivie  et  d^taill^e  des  principes  de  M.  Rousseau  de 
Geneve,  touchant  la  musique  fran^oise,  Adress^e  a  lui-m^me,  en 
r^ponse  a  sa  Lettre  .  .  .     Paris,  Chaubert  [etc.]  1754. 

2  p.  1.,  iii-vi,  7-98,  [3]  p.    17  x  lO""". 

ML1727.33.A88 

Aulnaye,  Frangois  Henri  Stanislas  de  1'. 

See  L' Aulnaye,  FRANgois  Henri  Stanislas  de. 

Avella,  Giovanni  d'. 

Regole  di  mvsica,  divise  in  cinqve  trattati,  con  le  quali  s'insegna  il 
canto  fermo,  e  figurato,  per  vere,  e  facili  regole.  II  modo  di  fare  il 
contrapvnto.  Di  comporre  I'vno,  e  Faltro  canto.  Di  cantare  alcuni 
canti  difficili,  e  molte  cose  nuoue,  e  curiose.  Composte  dal  padre  fra 
Giovanni  d'Avella  .  .  .     Roma,  Nella  stampa  di  F.  Moneta,  1657. 

2  p.  1.,  167,  [1]  p.     illus.    32i'"». 

MT860.A2A94 

Aventinus  i.  e.  Johannes  Turmair,  of  Abensherg,  1477-1534,  editor. 
See  Fabee,  N.     Mvsicae  rvdimenta  [1516] 

Avila,  Geronimo  Romero  de. 

See  Romero  de  Avila,  Geronimo. 

Avison,  Charles,  d.  1770. 

An  essay  on  musical  expression.  By  Charles  Avison  .  .  .  Lon- 
don, C.  Davis,  1752. 

4p.  1.,  138p.     16i<"°. 

ML3847.A95 

Azopardi,  Francesco,  1748-1809. 

Le  musicien  pratique,  ou  Lemons  qui  conduisent  les  eleves  dans 
I'art  du  contrepoint,  en  leur  enseignant  la  maniere  de  composer  cor- 
rectement  toute  espece  de  musique;  ouvrage  compose  dans  les  prin- 
cipes des  conservatoires  d'ltalie  .  .  .  par  il  Signer  Francesco  Azo- 
pardi ,  .  .  Tr.  de  Titalien,  par  M.  Framery  .  .  .  avec  des  notes  du 
traducteur  pour  en  faciliter  rintelligence  .  .  .     Paris,  Le  Due,  1786. 

2  V.    20"™  (v.  2:  21^"™) 

Collation:  v.  1,  127  p.;  v.  2  ("Exemples")  1  p.  1.,  120  p. 
"  Published  in  the  form  of  a  French  translation  only." — Grove,  Diet,  of  music. 

MT55.A2A97 

Bacchini,  Bernardino,  in  religion  Benedetto,  1651-1721. 

D.  Benedicti  Bacchini  De  sistris,  eorumque  figuris,  ac  differentia, 
ad  illustrissimum  d.  d.  Leonem  Strozza  dissertatio.  Jacobus  TuUius 
Dissertatiunculam  &  notulas  adjecit,  &  perillustri  Velthusio  conse- 
cravit.     Trajecti  ad  Rhenum,  ex  officina  Francisci  Halma,  1696. 

36  p.    fold.  pi.    2^  X  ISi'^". 

Title  vignette. 

2d  edition.     1st  edition  Bologna,  1691. 

ML1040.A2B13 


20  LIBRARY   OF   CONGRESS 

Bacchius,  senior. 

See  Meibom,  M.,  translator.     Antiqvae  mvsicae  avctores,  1652. 

Bach,  Carl  Philipp  Emanuel,  1714-1788. 

Versuch  uber  die  wahre  art  das  clavier  zu  spielen,  mit  exempeln 
und  achtzehn  probe-stiicken  in  sechs  sonaten  erl&utert  von  Carl 
Philipp  Emanuel  Bach  .  .  .  Berlin,  In  verlegung  des  auctoris, 
gedruckt  bey  C.  F.  Henning,  1753. 

2  V.  (v.  1:  4  p.  1.,  135  p.;  v.  2:  1  p.  1.,  26  pi.  on  14  1.)    22^  x  ISi""*  (v.  2:  40i«°') 

Vol.  [2]  has  title:  Exempel  nebst  achtzehn  probe-stucken  in  sechs  sonaten  zu 
Carl  Philipp  Emanuel  Bachs  Versuche  tiber  die  wahre  art  daa  clavier  zu  spielen 
auf  XXVI.  kupfer-tafeln. 

MT224.A2B10 

Carl  Philipp  Emanuel  Bachs  Versuch  ilber  die  wahre  art  das 

clavier  zu  spielen,  mit  exempeln  und  achtzehn  probe-stucken  in  sechs 
sonaten  erl&utert  .  .  .  Berhn,  In  verlegung  des  auctoris,  gedruckt 
bey  G.  L.  Winter,  1759-62. 

2v.  inl(v.  l:4p.  1.,  118p.;  V.  2:5p.  1.,  341,  [l]p.)     pi.    21x17'='°. 

Errors  in  paging.    "Exempel,"  same  as  in  1753  edition,  wanting. 

Parti:  2.  aufl.  Part  2  is  here  issued  for  the  first  time;  title  reads:  .  .  .  Versuch 
.  .  .  zweyter  theil,  in  welchem  die  lehre  von  dem  accompagnement  und  der  freyen 
fantasia  abgehandelt  wird  .  .  .    Nebst  einer  kupfertafel. 

MT224.A2B11 

Carl   Philipp    Emanuel  Bachs  .  .  .  Versuch  ijiber   die  wahre 

art  das  clavier  zu  spielen,  mit  exempeln  und  achtzehn  probe-stiicken 
in  sechs  sonaten  ermutert  .  .  .     Leipzig,  Schwickert,  1787-97. 

3  V.  in  2.    23  X  19'='°  (v.  3:  40^"™) 

Part  1:  3.  mit  zus§,tzen  und  sechs  neuen  clavier-stficken  verm.  aufl. 

Part  2:  .  .  .  Zweiter  theil,  in  welchem  die  lehre  von  dem  accompagnement 
und  der  freyen  fantasie  abgehandelt  wird.  Nebst  einer  kupfertafel.  2.  vom 
verfasser  verb.,  und  mit  zusitzen  verm.  aufl. 

Part  [3]  has  title:  Exempel  nebst  achtzehn  probe-stGcken  in  sechs  sonaten 
zu  Carl  Philipp  Emanuel  Bachs  Versuche  uber  die  wahre  art  das  clavier  zu 
spielen,  mit  sechs  neuen  clavier-stdcken  vermehrt  auf  xxxi.  kupfer-tafeln. 

MT224.A2B12 

Verzeichniss  des  musikalischen  nachlasses  des  verstorbenen  capell- 
meisters  Carl  Philipp  Emanuel  Bach,  bestehend  1)  aus  instrumental- 
compositionen  ...  2)  aus  sing-compositionen  ...  3)  aus  vermisch- 
ten  stucken,  4)  aus  compositionen  von  Johann  Sebastian  Bach, 
W.  F.  Bach,  J.  C.  F.  Bach,  J.  C.  Bach  (dem  Londner),  J.  Bernhard 
Bach,  5)  aus  dem  altbachischen  archive,  6)  aus  musikalien  von  ver- 
schiedenen  meistern,  7)  aus  instrumenten,  8)  aus  einer  sammlung 
bildnisse  von  beruhmten  tonkunstlern,  und  9)  aus  einer  sammlung 
dergleichen  silhouetten,  nebst  angeh&ngtem  verzeichnisse  verschie- 
dener  vorhandenen  zeichnungen  des  .  .  .  Joh.  Sebast.  Bach,  und 
einiger  andern  .  .  .     Hamburg,  Gedruckt  bey  G.  F.  Schniebes,  1790. 

1  p.  1.,  142  p.     17i"™. 

ML134.B15A1 


EARLY  BOOKS   ON    MUSIC  21 

Bach,  Johann  Christian,  1735-1782. 

Methode  ou  recueil  de  connoissances  elementaires  pour  le  forte- 
piano  ou  clavecin;  oeuvre  mele  de  theorie  et  de  pratique,  divise  en 
deux  parties,  compose  pour  le  conservatoire  de  Naple  par  J.  C.  Bach 
et  F.  P.  Ricci  .  .  .     Paris,  Le  Due  [17—] 

1  p.  1.,  12,  45  p.;  1  p.  1.,  48-75  p.    25^  x  32i«". 
Engraved,  with  the  exception  of  the  text,  which  occupies  only  12  pages. 

MT222.A2B12 

Bach,  Johann  Ernst,  1722-1777. 

See  Adlung,   J.     Anleitung   zu    der   musikalischen   gelahrtheit^ 
1758. 


Bach,  Johann  Michael,  &.  1754? 

Kurze  und  systematische  anleitung  zum  general-bass,  und  der 
tonkunst  liberhaupt,  mit  exempeln  erl^utert,  Zum  lehren  und 
lernen  entworfen  von  J.  M.  Bach  .  .  .  Cassel,  Gedruckt  in  der  Way- 
senhaus-buchdruckerey,  1780. 

3  p.  1.,  47,  [1]  p.     17  X  20J''™. 

MT49.A2B16 

Bacilly,  Benigne  de,  h.  1625? 

L'art  de  bien  chanter  de  M.  de  Bacilly.  Augmente  d'un  discours 
c[ui  sert  de  reponse  a  la  critique  de  ce  traits,  et  d'une  plus  ample 
instruction  pour  ceux  qui  aspirent  a  la  perfection  de  cet  art.  Ouvrage 
tres-utile,  non  seulement  pour  le  chant,  "mais  mdme  pour  la  decla- 
mation.    Paris,  Chez  Fautheur,  1679. 

7  p.  1.,  32,  428,  [2]  p.     IS*"". 

Preceding  the  printed  t.-p.  is  an  engraved  t.-p.:  "  Remarques  curieuses  sur  l'art 
de  bien  chanter  et  particulierement  pour  ce  qui  regarde  le  chant  frangois,  par 
le  eieur  B.  D.  B."  According  to  Fetis  this  is  the  title  of  the  2d  issue  of  the  1st 
edition,  1668,  the  title  of  the  1st  issue  not  containing  the  words  "par  le  sieur 
B.  D.  B."  The  main  part  of  work,  which  follows  the  Discours,  has  caption 
and  running  title:  Remarques  sur  l'art  de  bien  chanter  (caption  title  adds  "et 

f)articulierement  pour  ce  qui  regarde  le  chant  frangois  ")  Colophon:  A  Paris,  De 
'imprimerie  de  C.  Blageart,  rue  S.  Jacques,  a  la  Cloche  rouge,  1668.  Last  leaf 
has  on  recto  "Extrait  du  priuilege  du  roy,"  dated  "le  23.  mars  1668";  on  verso, 
"Errata." 

MT820.A2B2 

Bahr,  Johann,  1652-1705. 

Johann  Beerens  .  .  .  Musicalische  discurse  durch  die  principia  der 
philosophie  deducirt,  und  in  gewisse  capitel  eingetheilt,  deren  mnhalt 
nach  der  vorrede  zu  linden.  Nebst  einem  anhang  von  eben  diesem 
autore,  genannt  Der  musicalische  krieg  zwischen  der  composition  und 
der  harmonic.     Nurnberg,  P.  C.  Monath,  1719. 

7  p.  1.,  116  {i.  e.  216)  p.     front.     17J''". 

Last  signature  paged  incorrectly,  109-116.     Edited  by  Peter  Wenig? 

ML60.B27 


22  LIBRARy   OF   CONGRESS 

Bagatella,  Antonio. 

Regole  per  la  costruzione  de'  violini,  vide,  violoncelli  e  violoni; 
memoria  presentata  all'  Accademia  di  scienze,  lettere  ed  arti  di 
Padova  al  concorso  del  premio  dell'  arti  dell'  anno  mdcclxxxii.  Dal 
Signer  Antonio  Bagatella  .  .  .  Padova,  A  spese  dell'  Accademia, 
1786. 

xxiv  p.    illus.,  2  fold.  pi.     29  x  22^"™. 

Title  viffnette. 

ML802.A2B14 

Bagnall,  Gibbons,   1719-1800. 

The  antiquity  of  music,  and  the  propriety  of  admitting  it  into 
divine  worship,  asserted  from  the  example  of  beings  above  us,  and 
the  custom  of  all  the  wisest  and  politest  nations.  A  sermon  preached 
in  the  cathedral-church  of  Hereford,  at  the  anniversary  meeting  of 
the  Three  choirs  of  Worcester,  Glocester,  and  Hereford,  on  Wednes- 
dav,  September  15,  1762.  By  Gibbons  Bagnall .  .  .  Glocester, 
Printed  by  R.  Raikes  [1762] 

22  p.    22§«"». 

ML3001.B13 

Bailleux,  Antoine,  d.  1791. 

Methode  pour  apprendre  facilement  la  musique  vocale  et  instru- 
mentale,  ou  tous  les  principes  sont  developes  avec  beaucoup  de 
clarte,  et  cent  lepons  dans  le  gout  nouveau  a  une  et  a  deux  parties, 
ce  qui  enseigneen  tres  peu  de  tems  a  solfier  sur  toutes  les  clefs,  toutes 
les  mesures  et  tous  les  tons  .  .  .  Compos6e  par  M.*"  Bailleux  .  .  . 
Paris  [etc.]  L'auteur  [1770] 

2p.  1.,  127p.     34x26i«'». 

Engraved  throughout. 

MT870.A2B2 

Bailleux,  Antoine,  d.  1791,  editor. 

See  RoussiER,  P.  J.     L'harmonie  pratique  [1775] 

Bails,  Benito,  d.  1797,  translator. 

See  Bemetzrieder,  A.     Lecciones  de  clave,  1775. 

BaUiere  de  Laisement,  Charles  Louis  Denis,   1729-1800. 

Theorie  de  la  musique,  par  M.  BaUiere  .  .  .  Paris,  P.  F.  Didot  le 
jeune;  [etc.,  etc.]  1764. 

1  p.  1.,  viij,  177  p.,  1 1.     diagrs.  on  5  fold.  pi.     26  x  20*"'°. 

ML3805.A2B15 

Banchieri,  Adriano,  d.  1634. 

Cartella  mvsicale  nel  canto  figvrato,  fermo,  &  contrapunto.     Del 
p.  d.  Adriano  Banchieri  .  .  .     Nouamente  in  questa  terza  impressione 
^    ridotta  dall'  antica  alia  moderna  pratica  .  .  .     Venetia,  G.  Vincenti, 
1614. 

8  p.  1.,  4,  [2],  248  (i.  e.  244)  p.     illus.     20"'". 


EARLY  BOOKS  ON  MUSIC  23 

Banchieri,  Adriano — Continued. 

No.  77-80  omitted  in  paging. 

Imperfect,  wanting  leaf  preceding  text,  and  p.  247-248  (supplied  in  ms.) 
In  7  parts;  each  part,  except  the  first,  has  special  t.-p.,  dated  1613.  (2) 
Brevi  et  primi  docvmenti  mvsicali  a  gli  figliuoli,  &  altri,  che  desiderano  assicu- 
rarsi  sopra  il  canto  figurato  ...  (3)  Dvo  in  contrapvnto  sopra  vt,  re,  mi,  fa, 
sol,  la  .  .  .  (4)  Altri  docvmenti  mvsicali  nel  canto  fermo  ...  (5)  Dvo  spartiti 
al  contrapvnto  in  corrispondenza  tra  gli  dodeci  modi,  &  otto  tuoni  ...  (6) 
Canoni  mvsicali  a  qvatro  voci  ...  (7)  Modema  pratica  mvsicale,  opera 
trentesima  settima  .  .  . 

MT860.A2B2 

.  .  .  Direttorio  monastico  di  canto  fermo,  per  vso  particolare  della 
Congregatione  Oliuetana  in  preuenire  Foffitio  diumo  al  choro ;  nuoua- 
mente  registrato  dalli  libri  cnorali  alia  riforma  del  breuiario  impresso 
sotto  la  santitk  di  N.  S.  papa  Paolo  V.  dal  p.  d.  Adriano  Banchieri 
.  .  .     Bologna,  Per  gli  heredi  di  G.  Rossi,  1615-16. 

407,  [1]  p.    illus.    15"™. 

Title  vignette.    Composed* of  2  "books"  containing  together  4  parts.    Each 
part  has  special  t.-p.,  as  has  an  appendix  to  book  i. 
2d  edition,  Bologna,  1622,  has  title:  II  cantore  Olivetano. 

MT860.A2B21 

Organo  svonarino  del  p.  d.  Adriano  Banchieri  ...  In  questa 
quarta  impressione  accordato  con  ogni  diligenza  e  diuiso  in  cinque 
registri,  libro  vtiHssimo  a  qual  si  voglia  organista  per  alternare  in 
voce  chorista  alii  canti  fermi  di  tutto  Tanno  nelle  chiesi  secolari, 
regolari,  monache,  e  confraternita  a  secondo  I'vso  di  santa  madre 
chiesa.  Et  nel  fine  dopo  la  tauola  generale  di  tutta  Topera  aggiuntoui 
il  sesto  registro  .  .  .     Opera  xxxxiii.     Venetia,  A.  Vincenti,  1638. 

2  p.  1.,  159,  [1]  p.     24"'°. 

Errors  in  paging. 

MT190.A2B17 

Bandeira,  Jeronymo  da  Cunha. 

See  Cunha  Bandeira,  Jeronymo  da. 

Bandini,  Angelo  Maria,  1726-1803. 

Aug.  Maria  Bandini  Commentariorvm  de  vita  et  scriptis  loannis 
Bapt.  Doni  patricii  florentini  olim  Sacri  cardinal,  collegii  a  secretis 
libri  qvinqve,  adnotationibvs  illvstrati  ad  Silvium  Valenti  .  .  . 
Accedit  eivsdem  Doni  literarivm  commercivm  nvnc  primvm  in  Ivcem 
editvm.     Florentiae,  Typis  caesareis,  1755. 

2  V.  in  1  (v.  1:  xx,  cxvi  p.;  v.  2:  xii  p.,  272  col.)     front,  (port.)  vign.    37" 


rem 


Title  vignette;  initials;  tail-pieces. 

Vol.  [2]  has  title:  lo.  Baptistae  Donii  .  .  .  Commercivm  litterarivm  nvnc 
primvm  coUectvm,  digestvm  editvmqve  stvdio  et  labore  Ant.  Francisci  Gorii 
.  .  .    Florentiae,  in  Typographio  caesareo,  1754. 

"Autorum  omnium  nomina  .  .  .  qui  de  Donio  nostro  honorifice  meminerunt, 
&  quorum  potissimum  testimonio  usi  fuimus":  v.  [1]  p.  xj-xiiij. 

"Index  opervm  qvorvm  partim  lo.  Bapt.  Doniva  evvlgavit,  partim  absolvit, 
partim  incepit":  v.  [1]  p.  cxi-cxvi. 

ML423.D6B2 


24  LIBRARY   OF   CONGRESS 

Barca,  Alessandro,  1741-1814. 

Introduzione  a  una  nuova  teoria  di  musica,  memoria  prima  del  p.  d. 
Alessandro  Barca.     (Letta  il  di  xxiii.  gennajo  mdlxxxiii.) 

{In  R.  Accaderaia  di  scienze,  lettere  ed  arti  in  Padova.    Saggi  scientifici  e 
letterarj.    Padova,  1786.    29""".    1. 1,  p.  365-418) 

Detached  copy. 

ML3800.A2B2 

Introduzione  ad  una  nuova  teoria  di  musica,  memoria  seconda 
del   p.    d.   Alessandro  Barca  c.   r.    s.     (Letta  il  di  xx.   dicembre 

MDCCLXXXVI.) 

{In  R.  Accademia  di  scienze,  lettere  ed  arti  in  Padova.     Saggi  scientifici  e 
letterarj.     Padova,  1789.     29<="'.    t.  i,  p.  329-362) 

AS222.P21 

Barnickel, 

See  KuRTZGEFASSTES  musicalisches  lexicon. 

Baron,  Ernst  Gottlieb,  1696-1760. 

Ernst  Gottlieb  Barons  .  .  .  Abriss  einer  abhandlung  von  der 
melodic.  Eine  materie  der  zeit.  Berlin,  A.  Haude  und  J.  C.  Spener, 
1756. 

12  p.    21ixl7i''"'.  ML3851.B18 

Ernst  Gottlieb  Barons  .  .  .  Historisch-theoretisch  und  practische 
untersuchung  des  instruments  der  lauten  /  mit  fleiss  au%esetzt  und 
alien  rechtschaffenen  liebhabern  zum  vergnijigen  berausgegeben. 
Nurnberg,  J.  F.  Rudiger,  1727. 

15  p.  1.,  218,  [4]  p.     illus.     16i<^«. 

ML1010.A2B2 

Barradas  Muitopao  e  Morato,  Joao  Vaz. 

See  Vaz  Barradas  Muitopao  e  Morato,  Joao. 

[Barthelemy,  Jean  Jacques]  1716-1795. 

Entretiens  sur  I'etat  de  la  musique  grecque,  vers  le  milieu  du 
quatrieme  siecle,  avant  I'ere  vulgaire.  A  Amsterdam,  et  se  trouve 
a  Paris,  chez  les  freres  de  Bure,  1777. 

nop.,  11.    2P".  ML169.A2B15 

Bartholin,  Caspar,   1655-1738. 

Caspari  Bartholini  Thorn,  fil.  De  tibiis  vetervm  &  earum  antiquo 
vsu  libri  tres  .  .  .  Romse,  ex  typographia  P.  Monetae,  sumptibus 
B.  Carrarse,  1677. 

8  p.  1.,  235,  [5]  p.     3  fold.  pi.     17^'^"'. 

ML169.A2B2 

-; —  Casp.  Bartbolini  Thom.  fil.  De  tibiis  veterum,  et  earum 
antiquo  usu  libri  tres.  Editio  altera,  figuris  auctior.  Amstelaedami, 
apud  Jllenr.  Wetstenium,  1679. 

12  p.  1.,  415,  [5]  p.    illue.  (incl.  port.)  5  fold.  pi.     14''™. 
Added  t.-p.,  engr. 

ML169.A2B28 


EARLY  BOOKS   ON    MUSIC  25 

Bartl,  Franz  Konrad,  1750-1813. 

Abhandlung  von  der  tastenharmonika,  von  Franz  Konrad  Bartl  .  .  . 
Mit  5  kupfertafeln.     Briinn,  L.  Haller,  1798. 

8  p.  1.,  [15]-75  p.     V  pi.    25i  X  20'=°>. 

Engr.  t.-p. 

ML1055.A2B18 

Bartoli,  Daniello,  1.608-1685. 

Del  svono  de'  tremori  armonici  e  delF  vdito.  Trattati  del  p. 
Daniello  Bartoli  .  .  .     Roma,  A  spese  di  N.  A.  Tinassi,  1679. 

9  p.  1.,  330  p.     diagrs.     21'^'°. 

ML3805.A2B29 

Bartolus,  Abraham. 

Mvsica  mathematica,  das  ist:  Das  fundament  der  allerlieblichsten 
kunst  der  musicse,  wie  nemMch  dieselbe  in  der  natur  stecke  /  vnd  jhre 
gewisse  proportiones,  das  ist  /  gewicht  vnd  mass  habe  /  vnd  wie 
dieselben  in  der  mathematica,  iurnemlich  aber  in  der  geometria,  vnd 
astronomia  beschrieben  seind :  sonsten  genennet  die  beschreibung  des 
instrumentes  magadis  oder  monochordi  ...  in  deutzsch  gegeben  / 
durch  M,  Abrahamum  Bartolum  .  .  . 

(JnZeising,  Heinrich.     Theatrummachinarum.     Altenburg,  1614.     16^x19"™, 
V.  6,  p.  [89]-174.     pi.  21-24) 

ML3805.A2B19 

Baryphonus,  Heinrich,  1581-1655. 

Henrici  Baryphoni  .  .  .  Pleiades  musicae,  qvse  in  certas  sectiones 
distributee  prsecipuas  qusestiones  musicas  discutiunt,  &  omnia,  quae 
ad  theoriam  pertinent,  &  melopoeise  plurimtmi  inserviunt  ex  veris 
fundamentis  mathematicis  exstructa,  theorematis  septenis  propo- 
nunt,  exemplis  illustrant,  &  coram  judicio  rationis  &  sensus  exami- 
nant,  studiosis  non  solilm  musices,  vertim  etiam  matheseos  scitu 
necessariae  &  lectu  jucundse  .  .  .  Halberstadi,  ex  officin^,  typogra- 
phicS,  J.  A.  Cotenii,  1615. 

8  p.  1.,  95,  [1]  p.     14'^"'. 

ML3805.A2B3 

Basili,  Domenico  Andrea,  d.  1775? 

Musica  universale  armonico  pratica  dettata  dalP  istinto,  e  dalla 
natura,  illuminata  dai  veri  precetti  armonici;  opera  utile  per  i  studi- 
osi  di  contrapunto,  e  per  i  suonatori  di  grave  cembalo,  ed  organo. 
Esposta  in  ventiquattro  esercizi  da  Andrea  Basili  .  .  .  [Venezia, 
1776?] 

1  p.  1.,  [1],  54,  77  p.     24  X  35''">. 

Title  within  ornamental  border.     Engraved  throughout.     "L'incisione  de  rami 
e  fatiha  di  Innocente  Alesandri,  e  Pietro  Scattaglia  Veneziani." 

MT55.A2B18 

Bassi,  Antonio  Benedetto. 

Lettre  adressee  a  la  Societe  olympique  de  Paris,  a  Foccasion  de 
I'opera  bouffon   italien   de  Versailles.      Par  M.  Bassi  .  .  .      [Paris] 

1787. 

2  p.  1.,  24  p.    21i'=». 

ML1727.3.A2B18 


26  LIBRARY   OF   CONGRESS 

[Baton,  Charles]  d.  1758. 

Examen  de  la  lettre  de  M.  Rousseau,  sur  la  musique  fran^oise. 
Dans  lequel  on  expose  le  plan  d'une  bonne  musique  propre  k  notre 
langue.     Par  M.  B.  *  *  *     [Paris]  1753. 

2  p.  1.,  36  p.     17^"™. 

Georges  Cucuel  in  his  Notes  sur  Jean-Jacques  Rousseau  (Zeitschrift  d.  In*^ernat. 
musikgesellschaft  xiii,  9)  cites  from  a  contemporary  ms.  (Bibl.  nat.  ms.  franvaia 
22158  in  4°  fol.  100  k  203. 1753-1754)  a  passage  to  the  effect  that  Baton  merely  lent 
his  name  to  the  author  of  the  present  brochure,  who  was  thought  by  some  to  be 
Rousseau  himself,  by  others,  D'Alembert. 

ML1727.33.B17 

Bauderon  de  Senece,  Antoine. 

See  Senece,  Antoine  Bauderon  de. 

Baumann,  Johann  Gottfried. 

Schediasma  historico-theologicvm  de  hymnis  et  hymnopoeis  veteris 
et  recentioris  ecclesiae,  verae  atqve  christianae  religioni  promovendae 
ac  propagandae  inservientibvs,  avtore  loan.  Godofr.  Bavmann  .  .  . 
Bremae,  apvd  I.  H.  Cramer,  1765. 

54  p.    ISi""". 

Ch.  17. 1896 

Bayly,  Anselm,  1718  or  19-1794. 

The  alliance  of  musicli,  poetry  and  oratory.  Under  tlie  head  of 
poetry  is  considered  the  aUiance  and  nature  of  the  epic  and  dramatic 
poem,  as  it  exists  in  the  Iliad,  ^Eneid  and  Paradise  lost.  By  Anselm 
Bayly  .  .  .     London,  J.  Stoclidale,  1789. 

iv,  [1],  384  p.    22i='». 
Engr.  t.-p.  PN1066.B3 

A  practical  treatise  on  singing  and  playing  with  just  expression 
and  real  elegance.  Being  an  essay  on  i.  Grammar,  ii.  Pronuncia- 
tion; or,  The  art  of  just  speaking,  iii.  Singing — its  graces — their 
application. — On  cathedral  compositions.  By  Anselm  Bayly  .  .  . 
London,  J.  Ridley,  1771. 

V,  16,  99  p.     211"™. 

MT830.A2B3 

Beauford.  William. 

See  Walker,  J.  C.     Historical  memoirs,  1786. 

[Beaumarchais,  Pierre  Augustin  Caron  de]  1732-1799. 

Discours  preUminaire  de  I'opera  de  Tarare,   appauvri  de  notes. 
Par  une  societe  d'indiff^rens.     A  Ormus  [i.  e.  Paris]  1787. 
2  p.  1.,  24  p.    2P™. 

Caption  title:  Aux  abonnes  de  I'Opera,  qui  voudraient  aimer  I'opera. 

ML410.S16B3 

Beaumont,         Saunier  de. 
See  Saunier  de  Beaumont. 


EARLY  BOOKS  ON  MUSIC     '  27 

Beauveset,  Pierre  Honore  Robbe  de. 

See  Robbe  de  Beauveset,  Pierre  Honore. 

[Beche,        ] 

Abrege  de  Thistoire  de  la  Menestrandie,  dans  lequel  on  rapporte 
les  differents  arrets  du  Conseil  &  lettres-patentes  rendus  en  laveur 
de  Tart  musical,  centre  la  Communaute  de  Saint-Julien  des  men^triers. 
[Versailles  ?  1774  ?1 

36  p.     16"™. 

Caption  title.    Line  borders. 

ML270.8.P2B3 

Bedford,  Arthur,  1668-1745. 

The  great  abuse  of  musick.  In  two  parts.  Containing  an  account 
of  the  use  and  design  of  musick  among  the  antient  Jews,  Greeks, 
Romans,  and  others;  with  their  concern  for,  and  care  to  prevent  the 
abuse  thereof.  And  also  an  account  of  the  immorality  and  profane- 
ness,  which  is  occasioned  by  the  corruption  of  that  most  noble 
science  in  the  present  age.  By  Arthur  Bedford  .  .  .  London, 
Printed  by  J.  H.  for  J.  Wyatt,  1711. 

2  p.  1.,  276  p.     204-"°. 

"A  canon  of  four  parts  in  one,  according  to  Mr.  Purcell's  rule  of  fuging":  p. 
[269J-276. 

ML285.3.A2B41 

The  Temple  musick :  or.  An  essay  concerning  the  method  of  singing 
the  Psalms  of  David  in  the  Temple,  before  the  Babylonish  captivity. 
Wherein,  the  musick  of  our  cathedrals  is  vindicated,  and  supposed  to 
be  conformable,  not  only  to  that  of  the  primitive  Christians,  but  also 
to  the  practice  of  the  church  in  all  preceding  ages.  By  Arthur  Bed- 
ford .  .  .     London,  H.  Mortlock;  [etc.,  etc.]  1706. 

8  p.  1.,  253,  [1]  p.     19i<"". 

ML3001.B41 

Bedos  de  Celles,  Frangois,  1706-1779. 

L'art  du  facteur  d'orgues.  Par  D.  Bedos  de  Celles,  Benedictin. 
[Paris,  Impr.  de  L.  F.  Delatour]  1766-[78] 

1  p.  1.,  xxxii  p.,  1 1.,  676  p.     cxxxvii  pi.  (partly  fold.)     43"'". 

Paging  irregular.    Thia  copy  imperfect,  wanting  plates  lxxvii  and  lxxix  and 
a  portion  of  each  of  plates  xxx,  xxxir,  and  xxxiii.     Issued  in  4  parts. 

Forms  part  of  a  series,   Description  des  arts  et  metiers,  published  by  the 
Academic  des  sciences,  Paris. 

ML555.A2B41 

Bekuhrs,  Gottlob  Friedrich  Wilhelm,  d.  1795. 

Ueber  die  kirchen-melodien  .  .  .  von  Gottlob  Friedrich  Wilhelm 
Bekuhrs  .  .  .     Halle,  J.  C.  Hendel,  1796. 

Ip.  1.,  154p.     20''»i. 

ML3184.A2B2 


28  •  LIBBAEY   OF   CONGRESS. 

Belli,  Lazaro  Venanzio. 

Dissertazione  sopra  li  preggi  del  canto  gregoriano  e  la  necessity,  che 
haiino  gli  ecclesiastici  di  saperlo,  con  le  regole  principal!,  e  piii 
important!  per  bene  apprenderlo,  lodevolmente  pratticarlo,  ed  in  esso 
ancora  comporre.  Opera  diretta  alii  signori  chierici  del  V.  Seminario 
vescovile  tuscolano  ...  da  Lazaro  Venanzio  Belli  .  .  .  Frascati, 
Stamperia  dello  stesso  Seminario,  1788. 

xvi,  230  p.,  1 1.,  xxxii,  [2]  p.    25J  x  19^=™. 

Special  t.-p.  precedes  the  rules:  Regole  le  principali  .  .  .  per  bene  apprendere 
. ,  ,  il  canto  ecclesiastico  gregoriano,  con  i  precetti  di  ben  comporre  nuovi  sog- 
getti  .  .  .    Same  title  with  slight  alterations  is  prefixed  to  the  appendix. 

MT860.A2B44 

[Belz,  Urban  Nathanael]  d.  1776. 

Dissertation  sur  le  son  et  sur  Fouie,  qui  a  remporte  le  prix  propos6 
par  TAcademie  royale  des  sciences  et  beUes-lettres  de  Prusse,  pour 
rann^e  mdcclxii.  adjug^  en  mdcclxiii.  Berlin,  Haude  et  Spener, 
1764. 

viii,  139  p.    21^  x  18^°>. 

Half-title:  Abhandlung  vom  schalle  .  .  .  von  herm  Urban  Nathanael  Beltz  .  .  . 
Text  in  German. 

QC222.B5 

Bemetzrieder,  Anton,  d.  1817. 

Lepons  de  clavecin,  et  principes  d'harmonie,  par  M'  Bemetzrieder. 
Paris,  Bluet,  1771. 

viii,  362  p.,  11.     24  x  18<=". 

Preface  by  Diderot. 

MT224.A2B42 

Music  made  easy  to  every  capacity,  in  a  series  of  dia- 


logues; being  practical  lessons  for  the  harpsichord,  laid  down  in  a 
new  method,  so  as  to  render  that  instrument  so  little  difficult,  that 
anj  person  .  .  .  may  play  well;  become  a  thorough  proficient  in  the 
prmciples  of  harmony;  and  will  compose  music  ...  in  less  than  a 
twelvemonth.  Written  in  French  by  Monsieur  Bemetzrieder  .  .  . 
And  pub.  at  Paris,  (with  a  preface)  by  the  celebrated  Monsieur 
Diderot,  the  whole  tr.  and  adapted  to  the  use  of  the  Enghsh  student, 
by  Giffard  Bernard  .  .  .  London,  Printed  by  R.  Ayre  and  G.  Moore, 
and  sold  by  W.  Randall,  1778. 
vi,  iv,  249  p.     2^yi22Y'^. 

In  3  parts.  Parts  2  and  3  have  each  special  t.-p.,  not  included  in  paging: 
Music  made  easy  to  every  capacity.  Part  ii[-iii]  London,  Printed  by  R.  Ayre, 
1779. 

"Subscribers  to  this  work",  ^^  p.,  inserted  after  t.-p. 

MT224.A2B44 

^ Music  made  easy  to  every  capacity,  in  a  series  of  dialogues; 

being  practical  lessons  for  the  harpsichord,  laid  down  in  a  new  method, 
so  as  to  render  that  instrument  so  little  difficult,  that  any  person  may 
.  .  .  play  well ;  become  a  thorough  proficient  in  the  principles  of  har- 
mony; and  will  compose  music  ...  in  less  than  a  twelvemonth. 
Written   in   French   by  Monsieur  Bemetzrieder  .  .  .     And   pub.   at 


EARLY  BOOKS  ON  MUSIC  29 

Bemetzrieder,  Anton — Continued. 

Paris,  (with  a  preface)  by  the  celebrated  Monsieur  Diderot.  The 
whole  tr.,  and  adapted  to  the  use  of  the  English  student,  by  Giffard 
Bernard  .  .  .  [London]  Printed  by  G.  Bigg  for  Messrs.  Birchall  and 
Andrews,  1785. 

viii,  iv,  249  p.     27  x  21i<'". 

In  3  parts.  Parts  2  and  3  have  each  special  t.-p.,  not  included  in  paging: 
Music  made  easy  to  every  capacity.  Part  ii[-iii]  London,  Printed  by  R.  Ayre, 
1779. 

MT224.A2B45 

Lecciones  de  clave,  y  principios  de  harmonia.     Por  D.  Benito 

Bails  .  .  .     Madrid,  Por  D.  J.  Ibarra,  impresor,  1775. 

4  p.  1.,  vi,  291  p.     1  illua.,  fold.  pi.     22^""'. 

A  free  translation  of  Bemetzrieder's  Lemons  de  clavecin. 

MT224.A2B47 

Lettre  de  M.  Bemetzrieder  a  MM.  *  *  *  musiciens  de  profession: 
ou,  R^ponse  a  quelques  objections  qu'on  a  faites  a  sa  methode, 
pratique,  sa  theorie  &  son  ouvrage  sur  I'harmonie.  Paris,  Pissot- 
1771. 

48  p.    24  X  IS''".    ( With  his  Legons  de  clavecin.    Paris,  1771) 

MT224.A2B42 

Nouvel  essai  sur  Tharmonie,  suite  du  Trait6  de  musique  .  .  .  Par 
M.  Bemetzrieder.     Paris,  Chez  I'auteur,  et  chez  Onfroy,  1779. 

286  p.     20  pi.  on  10  fold.  1.     21<'°>. 

"Approbation"  dated  1780. 

MT50.A2B45 

Precis  d'une  nouvelle  methode  de  musique.  Les  differentes 
branches  du  savoir  musical  sont  separees,  definies,  eclaircies  & 
arrangees  suivant  I'ordre  naturel.  Par  M.  Bemetzrieder.  Londres, 
Se  vend  chez  I'auteur,  1783. 

65  p.     20'''°. 

MT35.A2B47 

Reflexions  sur  les  lepons  de  musique;  methode  pour  enseigner  la 
lecture  musicale,  I'accompagnement,  I'execution  &  les  elemens  de  la 
composition,  par  M.  Bemetzrieder  ...  A  Amsterdam,  et  se  trouve 
a  Paris,  chez  Onfroy,  1778. 

iv,  [51-66  p.     19*""'. 

MT35.A2B3 

Methode  et  reflexions  sur  les  lepons  de  musique.     Nouv.  ed. 

.  .  .     Par  M.  Bemetzrieder  .  .  .     Paris,  Chez  I'auteur,  et  chez  Onfroy, 

1781. 


2  p.  1.,  127,  [3]  p.     VI  pi.  on  3  fold.  1.     21^"°'. 
Plates  printed  on  both  sides. 


MT35.A2B33 


Le  tolerantisme  musical,  par  M.  Bemetzrieder.     Paris,  Chez  ^au^ 
teur,  et  chez  Onfroy,  1779. 

1  p.  1.,  [o]-32  p.     2V'^. 

ML3916.B33 


80  LIBEARY   OF   CONGBESS 

Bemetzrieder,  Anton — Continued. 

Traits  de  musique,  concernant  les  tons,  les  harmonies,  les  accords 
et  le  disconrs  musical;  2.  4d,  Par  M.  Bemetzrieder  .  .  .  Paris, 
Chez  Tauteur,  et  chez  Gueffier,  1780. 

viij,  254,  [2]p.;lp.  1.,  80p.  (engr.)    20""'. 

"Exemples  du  Traits  de  musique":  30  p. 

MT50.A2B43 

Bendeler,  Johann  Philipp,  6.  ca.  1660. 

Organopoeia,  oder  Unterweisung  /  wie  eine  orgel  nach  ihren  haupt- 
stiicken  /  als  mensuriren  /  abtheilimg  derer  laden  /  zufall  des  windes  / 
stimung  oder  temperatur  &c.,  aus  wahren  mathematischen  grunden 
zu  erbauen  /  samt  einer  zugabe  /  wie  alle  ilbel-khngende  spinette  / 
clavicimbel  &c.  zu  einem  Uebhchen  klange  /  ohne  ver&nderung  der 
decke  /  zu  bringen ;  ingleichen  /  wie  sie  wohl  zu  bekielen  .  .  .  neu  aus- 

fearb.  /  und  an  den  tag  gegeben  von  Johann  Philipp  Bendelern  .  . . 
ranckfurt  und  Leipzig,   In  verlegung  T.   P.   Calvisii,   Merseburg, 
druckts  C.  Gottschick  [1690?] 

4  p.  1.,  48  p.,  1 1.    diagrs.     19i  x  15^'=™. 

ML552.A2B4 

Orgel-bau-kunst,  oder:  Unterweisung,  wie   eine  orgel   nach 

ihren  haupt-stilcken,  als  mensuriren,  abtheilung  derer  laden,  zufall 
des  windes,  stimmung  oder  temperatur  &c.  aus  wahren  mathemati- 
schen gninden  zu  erbauen,  sammt  einer  angabe,  wie  alle  libel- 
khngende  spinette,  clavicimbel  &c.  zu  einem  Hebhchen  klange,  ohne 
ver§,nderung  der  decke,  zu  bringen;  ingleichen  wie  sie  wohl  zu 
bekielen  .  .  .  neu  ausgearb.,  und  an  den  tag  gegeben  von  Johann 
Phihpp  Bendelern  .  .  .     Franckfurt,  1739. 

52  p.    diagre.     19^  x  16"™. 

ML552.A2B42 

Benzoni,  Donate,  1587-1664,  translator. 

See  Secchi,  A.     Delia  hinnodia,  1643. 

Berard,  Jean  Antoine,  1710-1772. 

L'art  du  chant,  dedie  a  Madame  de  Pompadour,  par  M.  Berard. 
Paris,  Dessaint  &  Saillant  [etc.]  1755. 
9  p.  1.,  158,  [6],  34  p.(engr.)    pi.     22"'°. 

The  34  p.  contain  musical  examples. 

Authorship  claimed  by  the  Abbe  Blanchet,  who  afterward  published  his 
"L'art,  ou  les  principes  philosophiques  du  chant"  (Paris,  1756)  as  "2.  edition, 
corrigee  &  augmentee." 

MT820.A2B3 

Berardl,  Angelo,  d.  1693? 

Arcani  mvsicali  suelati  dalla  vera  araicitia,  ne'  quali  appariscono 
diuersi  studij  artificiosi,  molte  osseruationi,  e  regole  concernenti  alia 
tessitura  de  componimenti  arraonici,  con  vn  modo  facilissimo  per 
sonare  trasportato.  Dialog©  del  can.  Angelo  Berardi  .  .  .  Bologna, 
P.-M.  Monti,  1690. 

32  p.     22^  X  16^"™.     ( With  his  Miscellanea  mvsicale.     Bologna,  1689) 

MT55.A2B50 


EARLY  BOOKS   ON   MUSIC  31 

Berardi,  Angelo — Continued. 

Docvmenti  armonici  di  D.  Angelo  Berardi  .  .  .  nelli  quali  con 
varij  discorsi,  regole,  &  essempij  si  dimostrano  gli  studij  arteficiosi 
della  musica,  oltre  il  mode  di  vsare  le  ligature,  e  d'intendere  il  valore 
di  ciascheduna  figura  sotto  qual  si  sia  segno  .  .  .  Bologna,  G. 
Monti,  1687. 

178  (i.  e.  180)  p.     24"™. 

Title  vignette:  coat  of  arms;  initials;  tail-pieces.     Errors  in  paging;  p.  67,  97, 
132,  133  numbered  76,  95,  130,  131  respectively;  no.  95  and  96  repeated. 

MT55.A2B48 

Miscellanea  mvsicale  di  D.  Angelo  Berardi  .  .  .  divisa  in  tre  parti 
done  con  dottrine  si  discorre  delle  materie  piii  curiose  della  musica: 
con  regole,  &  essempij  si  tratta  di  tutto  il  contrapunto  con  I'intreccio 
di  bellissimi  secreti  per  li  professori  armonici  .  .  .  Bologna,  G.  Monti, 
1689. 


6  p.  1.,  210,  [6]  p.    22i  X  lej""". 
Title  vignette:  coat  of  arms. 


MT55.A2B50 


II  perche  mvsicale,  overo  Staffetta  armonica  nella  quale  la  ragione 
scioglie  le  difficolta,  e  gli  esempi  dimostrano  il  modo  d'isfuggire  gli 
errori,  e  di  tessere  con  artificio  i  componimenti  musicaU;  opera  del 
canonico  D.  Angelo  Berardi  .  .  .     Bologna,  P.-M.  Monti,  1693. 

60  p.    22i  X  16J''°>.     ( With  his  Miscellanea  mvsicale.    Bologna,  1689) 

Title  vignette:  coat  of  arms. 

MT55.A2B50 

Ragionamenti  mvsicali  composti  dal  Sig.  D.  Angelo  Berardi  .  .  . 
Dedicati  all'  illustriss.  e  reuerendiss.  Sig.  il  Sig.  abbate  Carlo  Antonio 
Sampieri  da  Givseppe  Orsolini  .  .  .     Bologna,  G.  Monti,  1681. 

190  p.     14  X  71"™. 
A  resum6  of  lessons  given  by  Berardi,  written  by  Orsolini. 

MT6.A2B48 

Aggivnta  di  D.  Angelo  Berardi  .  .  .  alii  svoi  Ragionamenti 


mvsicali,  nella  quale  si  pruoua,  che  la  musica  e  vera,  e  reale  scienza 
.  .  .     Bologna,  G.  Monti,  1681. 

34  p.    14  X  7^"™.     (TFt^Ais  Ragionamenti  mvsicali.    Bologna,  1681) 

MT6.A2B48 

Berlin,  Johann  Daniel,  1711-1787. 

Anleitung  zur  tonometrie,  oder  wie  man  durch  hulfe  der  logarith- 
mischen  rechnung  nach  der  geometrischen  progressionsrechnung  die 
so  genannte  gleichschwebende  musikalische  temperatur  leicht  und 
bald  ausrechnen  kann;  nebst  einem  unterrichte  von  dem  1752. 
erfundenen  und  eingerichteten  monochordum,  von  Johann  Daniel 
Berlin  .  .  .     Kopenhagen  und  Leipzig,  F.  C.  Pelt,  1767. 

1  p.  1.,  2,  5-48  p.     Ill  fold.  pi.     17J"™. 

ML3809.A2B36 


32  LIBRARY   OF   CONGRESS 

Berlinische  musikalische  zeitung.  Historischen  und  kritischen  in- 
halts.  Mit  funfzig  musikstucken  von  verschiedenen  meistern. 
Hrsg.  von  Carl  Spazier  .  .  .  1.-52.  stuck;  9.  feb.  1793-4.  Jan.  1794. 
Berlin,  Im  verlage  der  neuen  musikhandlung,  1794. 

210  p.    25  X  21"™.    weekly. 

2  numbers  issued  for  Oct.  19,  26,  Nov.  2  and  Jan.  4  respectively. 

ML4.B4 

Bermudo,  Juan,  h.  1510? 

Comienpa  el  libro  llamado  Declaracio  de  instumetos[ !]  musicales  .  .  . 
copuesto  por  el  muy  reuerendo  padre  fray  lua  Bermudo  ...  en  el 
qua!  hallara  todo  lo  que  en  musica  desseare,  y  cStiene  seys  libros  .  .  . 
1555.  [Colophon:  Fin  delos  cinco  libros  dela  declaracion  delos  instru- 
mento  [!]  musicales  los  quales  compuso  el  muy  reueredo  padre  fray 
lua  Bermudo  .  .  .  y  fuero  impressos  ela  villa  de  Ossuna  por  luan  de 
Leo  ...  Y  acabarose  de  imprimir  a  treze  dias  del  mes  de  iulio  siendo 
bispera  de  Sanct  Buenauentura  ano  de.  m.d.l.v.] 

8  p.  I.,  cxlij  numb.  1.     illus.     29" 


icm 


Title  within  ornamental  border;  title  vimette:  coat  of  arms.    The  1st  edition, 
1548,  comprised  only  the  first  "book."     The  sixth  was  not  published. 

ML171.B52 

Bernard,  Giffard,  translator. 

See  Bemetzrieder,  A.     Music  made  easy. 

Bernardo  da  Concei§ao. 

O  ecclesiastico  instruido  scientificamente  na  arte  do  canto-chao, 
composta  pelo  P.  P.  Fr.  Bernardo  da  Concei^ao  .  .  .  e  dada  a'  luz  por 
Jeronymo  da  Cunha  Bandeira  .  .  .     Lisboa,  F.  L.  Ameno,  1788. 

3  p.  1.,  xii  p.,  1 1.,  1091  {i.  e.  1094),  [1]  p.  incl.  pi.,  tables.    20^"°^. 

"Alguns  hymnos  selectos,  tirados  do  Psalterio  romano":  p.  341-360. 
"Vario  canto-chao  pratico,  para  uso  dos  principiantes  " :  p.  361-1028. 
"Psalmos,  e  li^-oes  dos  tres  officios  da  Semana  santa;   e  tambem  do  Officio  dos 
defuntos"  (text  only):  p.  1029-1086. 

MT860.A2B4 

Bertalotti,  Angelo  Michele,  h.  1665? 

Regole  facilissime  per  apprendere  con  facilita,  e  prestezza  li  canti 
fermo,  e  figvrato,  dati  alle  stampe  per  comodo  delli  putti  delle  scvole 
pie  di  Bologna.     Bologna,  M.  Silvani,  1698. 

54  p.     2P™. 

Tail-piece. 

MT860.A2B5 


Ilegole  facilissime,  per  apprendere  il  canto  fermo,   con  vn 

dialot:jo  che  puo  servire  tanto  per  esaminare  li  scolari,  che  per  esser 
esaminato,  ed  una  spiegazione  de'  tuoni  per  chi  volesse  comporre 
antifone,  o  altro  in  canto  fermo;  nuovamente  per  la  quinta  volta  ri- 
stampate,  e  ricorrette  .  .  .  da  Angelo  Michele  Bertalotti  .  .  .  Bologna, 
Stamperia  di  L.  dalla  Volffe,  1756. 

44  p.    illus.    24^"™. 

MT860.A2B53 


EARLY  BOOKS  ON  MUSIC  33 

Bertalotti,  Angelo  "Michele— Continued. 

Solfeggi  a  canto,  e  alto,  dati  gia  alle  stampe  per  comodo  delle 
scuole  pie  di  Bologna  da  Angelo  Bertalotti  .  .  .  Nuova  ed.  con  ag- 
giunta  degli  elementi,  del  solfeggio,  e  de'  terzetti.  Bologna,  Stamperia 
di  L.  dalla  Volpe,  1764. 

72  p.     20i  X  26i<="». 

MT870.A2B4 

Bertezen,  Salvatore. 

Principj  di  musica  teorico-prattica,  di  Salvatore  Bertezen.  Roma, 
Stamperia  Salomoni,  1780. 

350,  [2]  p.     16i  X  9""^. 

MT6.A2B5 

Principj  della  musica,  di  Salvatore  Bertezen  .  .  .     Londra,  E. 


Reynell,  1781. 

iv,  xiii,  14-189,  [2]  p.    xviir  pi.    20"=™. 


MT6.A2B52 


Extract  of  the  work  entitled  Princif)les  of  music  by  Salvatore 

Bertezen.     Estratto  dell'  opera  de'  Principj  della  musica,  &c.     Lon- 
don, Printed  for  the  author,  1782. 

1  p.  1.,  5-46  p.     IV  pi.     20"°'. 

Italian  and  English  in  parallel  columns. 

MT6.A2B53 

[Berthet,  Pierre] 

Lemons  de  musique,  ou  Exposition  des  traits  les  plus  necessaires 
pour  apprendre  a  chanter  sa  partie  a  livre  ouvert.  P.  L.  S.  B. 
Paris,  C.  Ballard,  imprimeur,  1691. 

47,  [1]  p.     12  X  19"". 

145  p.  of  music  in  ms.,  by  Berthet  and  others,  appended.    On  fly-leaf  at  end: 
"  Le  14  avril  1693 .    P .  Berthet . ' ' 

MT870.A2B5 

Bertouch,  Georg  von,  1668-1743. 

See  Stryk,  E.  A.     Disputatio  juridica  [1693] 

Bethisy,  Jean  Laurent  de,  1702-1781. 

Exposition  de  la  theorie  et  de  la  pratique  de  la  musique,  suivant 
les  nouvelles  decouvertes.  Par  M.  de  Bethizy.  2.  ed.  Cor.  &  augm. 
par  I'auteur.     Paris,  F.  G.  Deschamps,  1764. 

xvi,  331,  [4]  p.,  60  p.  (music,  engr.)     20"™. 

MT6.A2B56. 

Beuf,  Jean  le. 

See  Lebeuf,  Jean. 

51234°:— 13 3 


34  LIBRARY   OF   CONGRESS 

Beurhusius,  Friedrich,  1536-1609. 

Erotematum  mvsicse  libri  dvo,  ex  optimis  hvivs  artis  scriptoribvs 
vera  perspicvaqve  methodo  descripti,  per  Fredericvm  Bevrhvsivm 
.  .  .     Cum  prsefatione  d.  loannis  Thomse  Freigii.     Noribergae,  1580. 

[126]  p.     16^ 


5cin 


Colophon:    Noribergse,    imprimebatvr   in   officina    typographica    Caiharinse 
Gerlacnin,  &  hseredum  loannis  Montani. 
/         Signatures:  A-G  in  eights,  H  in  seven. 

The  first  edition  quoted  is  that  of  Dortmund,  1573. 

ML171.B55 

[Bianchi,  Giovanni  Antonio]  1686-1758. 

De  i  vizj,  e  de  i  difetti  del  moderno  teatro  e  del  mode  di  correg- 
gergli,  e  d'  emendarli,  ragionamenti  vi.  di  Lauriso  Tragiense  pastore 
arcade.     Roma,  N.,  e  M..  Pagliarini,  1753. 

xii,  345,  [1]  p.     illus.,  4  pi.  (1  fold.)  2  plans.     27  x  20'"". 

Title  vignette;  initials;  head  and  tail  pieces. 

Ch.34,3018 

Bianchini,  Francesco,  1662-1729. 

Francisci  Bianchini  Veronensis  .  .  .  De  tribus  generibus  instru- 
mentorum  musicse  veterum  organicse  dissertatio.  Romae,  impensis 
Fausti  Amidei,  1742. 

xi,  58  p.     VIII  pi.     25^^^™. 

Title  vignette;  head-pieces;  initials. 

ML162.A2B6 

Bicknell,  John  Laurence,  1740-1787. 

See  Veal,  G.     Musical  travels  through  England. 

Biedermann,  Johann  Gottlieb,  1705-1772. 

M.  Johann  Gottlieb  Biedermanns  .  .  .  Abgendthigte  ehren-rettung 
wider  die  unversch^mten  l&sterungen  uber  seine  einladungsschrifft 
De  vita  mvsica.     Leipzig,  M.  C.  F.  Muller,  1750. 

15  p.     21i  X  17i''«. 

ML64.B4 

See  also  Nachgedanken  herm  m.  Joh.  Gottl.  Biedermanns,  1750. 

Birchensha,  John.  • 

See  Salmon,  T.     An  essay,  1672. 

Birchensha,  John,  translator. 

See  Alsted,  J.  H.     Templvm  mvsicvm,  1664. 

Bisse,  Thomas,  d.  1731. 

Musick  the  deUght  of  the  sons  of  men.  A  sermon  preached  at  the 
cathedral  church  of  Hereford,  at  the  anniversary  meeting  of  the  three 
choirs,  Glocester,  Worcester,  Hereford,  September  7.  1726.  By  Tho. 
Bisse  .  .  .     London,  W.  and  J.  Innys,  1726. 

52  p.    20'="'. 

ML63.B62 


EARLY  BOOKS  ON  MUSIC  35 

Blainville,  Charles  Henri,  1711-1769. 

L'esprit  de  Tart  musical,  ou  Reflexions  sur  la  musique,  et  ses  diffe- 
rentes  parties,  par  C.  H.  Blainville.     Geneve,  1754. 
2  p.  1.,  126,  [2]  p.     front.     21i<'°». 

A  German  translation,  taken  from  "Vermischte  beytr&ge  zur  philosophie  und 
den  sch6nen  wissenschaften",  was  pub.  by  J.  A.  Hiller  in  his  " W6chentliche 
nachrichten",  1767, 

ML1727.33.B63 

Harmonie  theorico-pratique,  divisee  en  six  parties  .  .  .  Paris,  Chez 
I'auteur  [etc.]  1751. 

iv,  55,  [1]  p.     20i  X  27^"". 

Caption  title:  Regies  de  composition. 

Blainville  is  given  as  author  in  the  privilege. 

An  earlier  edition  was  published  by  Ballard  in  1746. 

MT50.A2B5 

Histoire  gen6rale,»  critique  et  philologique  de  la  musique  .  .  .  par 
M.  de  Blainville.     Paris,  Pissot,  1767. 

xj,  [1],  189,  [3]  p.     LXix  (i.  e.  61)  pi.  (incl.  front.)     27^  x  21^'". 
Plates  (partly  music)  numbered  irregularly  and  in  part  printed  on  both  sides. 

ML159.B63 

Blanc,  Hubert  le. 

See  Le  Blanc,  Hubert. 

Blanchet,  Jean,  1724-1778. 

L'art,  ou  les  principes  philosophiques  du  chant:  par  M.  Blanchet. 
2.  ed.,  cor.  &  augm.  .  .  .     Paris,  A.  M.  Lottin  [etc.]  1756. 

xlviij,  148,  [4]  p.    pi.    le^'^"'. 
For  the  Ist  edition  of  this  work  see  Berard,  J.  A.,  L'art  du  chant. 

MT820.A2B4 

Bland,  John. 

.  .  .  Catalogue  of  subjects  or  beginnings  of  the  several  works,  for 
the  harpsichord,  piano  forte,  &  organ,  which  are  printed  &  sold  by 
J.  Bland,  n.°  45,  Holborn,  London  .  .  .  Catalogue  thematique,  ou 
commencement  de  chaque  ouvrage  pour  le  clavecin,  forte  piano  ou 
I'orgue  qui  sont  pubH^s  &  vendus  par  J.  Bland  .  .  .     London  [1790] 

18  p.    25«". 

At  head  of  title:  N?  2.    Decem'-  1790. 

ML145.A2B41 

Blankenburg,  Christian  Friedrich  von,  1744-1796,  editor. 

See  SuLZER,  J.  G.   Allgemeine  theorie  der  schdnen  kunste,  1792-99. 


36  LIBRARY   OF    CONGRESS 

Blankenburg,  Quirinus  van,  h.  1654. 

Elementa  musica,  of  Niew  licht  tot  het  welverstaan  van  de  musiec 
en  de  bas-continuo.  Door  regelen,  met  reden  en  bewys,  gebouwd  op 
oen  klare  ontledinge  der  eerste  beginselen;  na  een  voorafgaande 
wederlegging  van  de  dwalingen  dezes  tyds.  Waar  nevens  de  vinding 
en  opkomst  der  konst ;  de  musiec  der  ouden ;  de  redenmaat  der  klan- 
ken;  de  ontdekking  van  een  wiskunstige  cirkel,  waar  in  de  wet  der 
nature  al  de  toonen  verdeelt;  de  stelkonst;  de  speeltuigen  en  de 
grondlegging  van  de  zangkunst.  Door  Quirinus  van  Blankenburg  .  .  . 
's  Gravenhage,  L.  Berkoske,  1739. 

15p.  1.,  200p.,  11.     front,  (port.)  29  pi.  (partly  fold.)    26  x  201-^"^. 

MT49.A2B64 

Blewitt,  Jonas,  d.  1805. 

A  complete  treatise  on  the  organ,  to  which  is  added  a  set  of  explan- 
atory voluntaries  composed  expressly  for  the  purpose  of  rendering 
theory  and  practice  subservient  to  mutual  elucidation.  By  Jonas 
Blewitt  .  .  .  Op:  4  .  .  .  London,  Printed  by  Longman  and  Bro- 
derip  [17 — ] 

1  p.  1.,  9,  59  p.     24  X  ?,2V^. 

Engraved,  except  the  treatise  (9  p.)  which  is  followed  by  the  dedication  (p.  1), 
12  voluntaries  (p.  2-42)  and  psalm-tunes  with  preface  (p.  43-59) 

MT182.A2B6 
Bocchi,  Francesco,  1548-1618. 

Discorso  di  Francesco  Bocchi  sopra  la  musica,  non  secondo  Parte  di 
quella,  ma  secondo  la  ragione  alia  poHtica  pertinente.     Fiorenza,  1581. 
39  p.    16''™. 

Colophon:   In  Fiorenza,  Nella  stamperia  di  Giorgio  Marescotti  .  .  .  mdlxxx. 
Title  within  ornamental  border;  printer's  mark  at  end. 

ML171.B57 
Boch,  Jean,  1555-1609. 

See  Straet,  J.  van  der.     Enconivm  mvsices  [ca.  1600] 

Boecklin  von  Boecklinsau,  Franz  Friedrich  Siegmund  August 
von,  reichsfreiherr  zu  Rust,  1745-1813. 

Beytr&ge  zur  geschichte  der  musik,  besonders  in  Deutschland;  nebst 
freymuthigen  anmerkungen  uber  dfe  kunst.  Von  F.  F.  S.  A.  von 
BoeckUn.     Freyburg  im  Breisgau,  Gedruckt  be}^  N.  A.  Zehnder,  1790. 

loO  p.     19"™. 

A  second  title  precedes  the  text:  xviii.  briefe  uber  die  tonkunst. 

ML275.3.B73 
Boethius,  Anicius  Manlius  Severinus. 

Arithmetica,  geometria  et  musica  Boetii.  Venetiis,  Johannes  et 
Gregorius  de  Gregoriis,  1492. 

32cni 

From  Opera  Boetii,  1492,  '91  (2  v.)  v.  1,  1  p.  1.,  numb.  1.  1.5fr-220  {i.  e.  222) 
(According  to  Hain:  157-222;  according  to  Pellechet:  157-220  (z.  e.  175-242)) 

In  Pellechet,  f.  157'',  col.  1:  '"table";  in  Hain  and  this  copy,  col.  1:   C  Inci- 
piunt  duo  libri  de  Arithmetica. 

Book-plate  of  James  E.  Matthew. 

C  omplete  work  listed  as  follows:  Hain  *3351,  Pellechet  2490,  Proctor  4517  (3 
Venice  45-16,  17,  20) 

Incun.1492.B67 


EARLY  BOOKS  ON  MUSIC  S7 

Boethius,  Anicius  Manlius  Severinus — Continued. 

Opera.     [Venetiis,   Johannes   et   Gregorius   de   Gregoriis,  fratres, 
1497-99] 

3  V.  in  1.     S'Z"™. 

Hain  *3352;  Proctor  4555,  4559;  Pellechet  2491. 

Incun.l499.B6 

AnitiiManliiSeveriniBoethi  .  .  .  opera  omnia  .  .  .   Accesservnt 


loannis  Murmelij  in  v.  lib.  De  consolatione  philosophise  commentaria. 
et  in  eosdem  Rodolphi  Agricolae  enarrationes.  Item,  Gilberti  Porretae^ 
episcopi  pictauiensis,  in  iiii.  Hb.  De  trinitate  commentarij,  ante  nun- 
quam  sediti.  Prseter  reliquos  doctiss.  uiros,  Henricvs  Loritvs  Glarea- 
nvs,  Arithmeticam  &  Musicam  demonstrationibus  &  figuris  auctiorem, 
redditam,  suo  pristino  nitori  restituit  .  .  .  et  Martianvs  Rota,  opus 
de  tota  disserendi  ratione,  hoc  est,  Organum  .  .  .  illustrauit.  et  huius 
autorisuitam  .  .  .  descripsit.     Basile9e,exofficinaHenricpetrina  [1570] 

23 


3  p.  1.,  1546,  [2]  p.    diagrs.    31^"°'. 
Printer's  mark  on  t.-p.  and  on  last  page;  initials. 


Ch.40 

Bogatzky,  Carl  Heinrich  von,  1690-1774. 
See  Der  eitle  musicant,  1760. 

Boiseul,  Jean. 

Traitte  contre  les  danses.     Par  Jean  Boiseul.     La  Rochelle,  Les 
heritiers  de  Hierosme  Havltin,  1606. 

50  p.     16"™. 

Printer's  mark  on  t.-p. 

GV1740.B7 

Boissy,  M.  A.  Laus  de. 

See  Laus  de  Boissy,  M.  A. 

Bollioud-Mermet,  Louis,  1709-1793. 

De  la  corruption  du  goust  dans  la  musique  franpoise.     Par  M. 
Bollioud  de  Mermet  .  .  .     Lyon,  Lupr.  d'A.  Delaroche,  1746. 

53,  [1]  p.  \^'^. 

Title  v^ette. 

ML270.3.B68 

Herrn  Bollioud  von  Mermet  abhandlung  von  dem  verder- 

ben  des  geschmacks  in  der  franz6sischen  musik.  Aus  dem  franzd- 
sischen  ubersetzt  und  mit  einigen  historischen  anmerkungen  verse- 
hen  von  F[riedrich]  G[otthiK]  F[reytag]  Altenburg,  Bey  P.  E.  Rich- 
tern,  1750. 

78  p.    nY"^. 

Title  vignett«. 

"A.  G.  K§,stners  .  .  .  schreiben  an  den  uebersetzer,  die  ursachen,  warum  man 
in  den  kunsten  auf  das  unnatfirliche  verf§,llt,  betreffend":  p.  69-78. 

ML270.3.B69 

Bologna.     R.  Accademia  filarmonica. 

See  Accademia  filarmonica,  Bologna. 


38  LIBRAE Y   OF   CONGRESS 

Bona,  Giovanni,  cardinal,  1609-1674. 

De  divina  psalmodia,  eivsqve  cavsis,  mysteriis,  et  discii)linis,  deque 
variis  ritibus  omnium  ecclesiarum  in  psallendis  diuinis  officiis, 
tractatvs  historicvs,  symbolicvs,  asceticvs.  Sive  Psallentis  ecclesise 
harmonia,  opus  nouum,  &  curiosum,  ac  multiplici  eruditione  illus- 
tratum.  Auctore  d.  loanne  Bona  .  .  .  Ed.  2.  avctior  et  emen- 
datior.  Nunc  primiim  prodit  in  Galliis.  Parisiis,  apud  Lvdovicvm 
Billaine,  1663. 

12  p.  1.,  534  p.     23i<"". 

"Notitia  avctorvm,  et  librorvm,  qvi  in  hoc  opere  citantvr,  notantvr,  illvstran- 
tvr":  p.  1-48. 

ML3270.A2B6 

Bona,  Valerio. 

Essempi  delli  passaggi  delle  consonanze,  et  dissonanze,  et  d'altre 
cose  pertmenti  al  compositore.  Del  r.  p.  Valerio  Bvona  .  .  .  Milano, 
Appresso  li  heredi  di  F.,  &  S.  Tini,  1596. 

28  p.    19  X  14i«°'. 

ML171.B69 

Bonaventura  da  Brescia. 

Regula  musice  plane.     [Venetia,  Jacomo  di  Penci  da  Lecho,  1500] 
16 1.     21i''">. 
±*roctor5589(3Venicel36— 8,9,11)     Copinger  1200.    NotinHainorPellechet. 

ML171.B7 

Regula  musice  pla  ||  ne  VenerabilisfratrisBo  [j  nauenture  de  Bri- 


xia  ordinis  ||  mino-  |[  ru.  [Colophon:  d  Impressum  Mediolani  per 
Joannem  Angelum  Scinzenze  ||  ler.  Anno  dni.  M.ccccc.xiiij.  Die  xxvij. 
Mensis  Septebris] 

[40]  p.     1  illua.     20^''°'. 

Title  within  woodcut  border;  printer's  mark  on  t.-p.  above  title;  Guidonian 
hand  on  recto  of  third  leaf.     Gothic  type.     Signatures:  a  in  eight,  b-d  in  fours. 
1st  edition  pub.  at  Brescia  in  1497  under  title:  Breviloquium  musicale. 

ML171.B71 

Regula  musice  plane  vene-   ||  rabilis  fratris  Bonauen  ||  ture 


de  brixia  ordinis    ||  Minorum.     [Colophon:   G  Stampato  in  Venetia 
per  Giouanni  An-  ||  drea  Valuaflore  detto  Guadagnino  ||  m.d.l.] 
[45]  p.     1  illus.     ISi'^". 

Signatures:  A-B  in  eights,  C  in  seven.    Woodcut  on  t.-p.,  Guidonian  hand  on 
recto  of  A  iii,  printer's  mark  on  last  leaf. 

ML171.B73 

Bonlini,  Giovanni  Carlo,  1673-1731. 

Le  glorie  della  poesia,  e  della  musica  contenute  nell'  esatta  notitia 
de  teatri  della  citt&,  di  Venezia,  e  nei  catalog©  purgatissimo  de  drami 
musicali  quiui  sin'  hora  rapresentati.  Con  gl'  auttori  della  poesia,  e 
della  musica,  e  con  le  annotationi  a  suoi  luoghi  proprij.  In  Venezia 
[C.  Bonarigo  stampatore,  1730] 

1  p.  1.,  264,  [2]  p.,  11.     18  X  10"°^. 

ML1733.8.V4B5 


EARLY  BOOKS  ON  MUSIC  39 

Bonnet,  Jacques,  1644-1724. 

Histoire  de  la  musique,  et  de  ses  effets,  depuis  son  origine  jusqu'«i 
present  .  .  .     Paris,  J.  Cochart  [etc.]  1715. 

8  p.  1.,  487,  [1]  p.     17='". 

Dedication  signed:  Bonnet. 

The  work  was  begun  by  the  Abb6  Bourdelot,  continued  by  hia  nephew,  Pierre 
Bonnet,  and  completed  and  pub.  by  the  brother  of  the  latter,  Jacques  Bonnet. 

ML159.B7 

Histoire  de  la  musique  et  de  ses  effetS;  depuis  son  origine 


i'usqu'^  present:    &  en  quoi  consiste  sa  beaute  .  .  .     Amsterdam,  C. 
je  Cene,  1726. 

4  V.  in  2.     16«™. 

Vol .  2-4  of  this  edition  are  a  reprint  of  the  ' '  Comparaison  de  la  musique  itali- 
enne  et  de  la  musique  franpoise"  of  J.  L.  Le  Cerf  de  La  Vieville. 

ML159.B8 

Histoire  generale  de  la  danse,  sacree  et  prophane ;  ses  progres  &  ses 
revolutions,  depuis  son  origine  jusqu'k  present.  Avec  un  supplement 
de  I'Histoire  de  la  musique,  &  le  Paralele  de  la  peinture  &  de  la  po^sie 
...     Par  M.  Bonnet  .  .  .     Paris,  D'Houry  fils,  1724. 


leva 


xl,  269  p.     15^" 

Based  upon  material  left  in  manuscript  by  the  Abb6  Bourdelot. 


GV1601.B71 


Bonnet-Bourdelot,  Pierre,  1638-1708. 
See  Bonnet,  J.     Plistoire  de  la  musique. 

Bonnot  de  Mably,  Gabriel. 

See  Mably,  Gabriel  Bonnot  de. 

Bononcini,  Giovanni  Maria,  1640-1678. 

Mvsico  prattico  che  breuemente  dimostra  il  modo  di  giungere  alia 
perfetta  co^nizione  di  tutte  quelle  cose,  che  concorrono  alia  compo- 
sizione  de  i  canti,  e  di  cio  en'  all'  arte  del  contrapunto  si  ricerca. 
Opera  ottava  di  Gio.  Maria  Bononcini  .  .  .     Bologna,  G.  Monti,  1673. 

5  p.  1.,  164  p.     front.     20i<"". 

MT55.A2B71 

Johannis  Mariae  Bononcini  .  .  .  Musicus  practicus.     Welcher 

in  kiirtze  weiset  die  art  /  wie  man  zu  vollkommener  erk^ntniss  aller 
der  jenigen  sachen  /  welche  bey  setzung  eines  gesangs  unterlauffen  / 
und  was  die  kunst  des  contra-puncts  erfordert  /  gelangen  kan.  Stut- 
gart /P.  Treu  /  1701. 

1  p.  1.,  101,  [1]  p.     20  X  16'^°'. 

Translation  of  the  second  part  of  his  "Mvsico  prattico." 

MT55.A2B73 


t^ 


40  LIBBAEY   OF   CONGRESS 

Bontempi  Angelini,  Giovanni  Andrea,  1624-1705. 

Historia  mvsica,  nella  quale  si  ha  piena  cognitione  della  teorica,  e 
della  pratica  antica  deUa  mvsica  harmonica;  secondo  la  dottrina  de' 
Greci  .  .  .  e  come  dalia  teorica,  e  dalla  pratica  antica  sia  poi  nata  la 
pratica  moderna,  che  contiene  la  scientia  del  contrapunto  ...  Di 
Grio:  Andrea  Angehni  Bontempi  .  .  .     Pervgia,  Pel  Costantini,  1695. 

6  p.  1.,  278,  [2]  p.,  1 1.    diagrs.    SO'"*. 

Title  vignette. 

ML159.B85 

Borde,  Jean  Baptiste  de  la. 

See  La  Borde,  Jean  Baptiste  de. 

Borde,  Jean  Benjamin  de  la. 

See  La  Borde,  Jean  Benjamin  de. 

Bordier,  Louis  Charles,  d.  1764. 

Nouvelle  methode  de  musique,  par  M"".  Bordier  .  .  .  Paris,  Des 
Lauriers  [1760] 

1  p.  1.,  lis  p.     33i  X  25^'^"'. 

Engraved  throughout.  Label  mounted  over  imprint  on  t.-p.:  Chez  M*""*  Cas- 
tagnery  ...  , 

A  new  edition  was  published  in  1781  under  title:  Methode  pour  la  voix. 

MT870.A2B71 

Traits  de  composition,  par  feu  M.  Bordier  .  .  .  mis  au  jour  par  M. 
Boiiin  .  .  .     Paris,  Chez  I'editeur;  [etc.,  etc.,  1770?] 

2  p.  1.,  86  p.    24^''". 

Engraved  throughout. 

MT40.A2B78 

Borghese,  Antonio  D.  R. 

L'art  musical  ramene  a  ses  vrais  principes;  ou,  Lettres  d'Antoine 
D.  R.  Borghese,  a  JuUe,  tr.  de  I'italien  par  I'auteur  .  .  .  Paris,  Har- 
douin  &  Gattey,  1786. 

Ip.  l.,16,  178,  [2]p.     2P™. 

Gaspari  gives  also  a  volume  of  17  plates,  published  1785,  containing  the  musical 
examples  for  the  work. 

MT6.A2B73 

[Borjon,  Charles  Emmanuel]  1633-1691. 

Traite  de  la  mvsette,  avec  vne  novvelle  methode,  pour  apprendre 
de  soy-mesme  a  joiier  de  cet  instrument  facilement,  &  en  peu  de 
temps.     A  Lyon,  Chez  lean  Girin,  &  Barthelemy  Riviere,  1672. 

5  p.  1.,  39,  19  p.  incl.  illus.,  pi.     front.,  2  pi.     29f<'". 

Title  vignette;  head-pieces;  historiat«d  initials.  In  two  parts;  the  second 
part,  "  Livre  de  tablature,''  engraved  throughout,  consists  of  a^ias  and  dance  music 
in  tablature  with  transcription  in  modern  notation  on  opposite  pages,  followed 
by  the  words  of  the  songs. 

MT530.B78 


EAELY  BOOKS  ON  MUSIC  41 

Borromeo,  Carlo,  Saint. 

See  Carlo  Borromeo,  Saint. 

Borromeo,  Federico,  cardinal,  1564-1631. 
See  Regole  d'alcuni  capi,  1795. 

Bos,  Jean  Baptiste  du. 
See  DuBOs,  Jean  Baptiste. 

Bossier,  Heinrich  Philipp  Carl,  d.  1812,  editor. 
See  Musikalische  real-zeitung  [1788-90] 

Bottrigari,  Ercole,  1531-1612. 

II  Patricio,  overo  De'  tetracordi  armonici  di  Aristosseno,  parere,  et 
vera  dimostratione  dell'  illustre  Signor  caualiere  Hercole  Bottrigaro. 
Bologna,  V.  Benacci,  1593. 

47,  [1]  p.     21  X  15i<^"'. 

ML171.B75 

Bourdelot,  Pierre,  originally  Pierre  Michon,  1610-1685. 

See  Bonnet,  J.     Histoire  de  la  musique. 

Histoire  generale  de  la  danse,  1724. 

Boyer,  Pascal,  6.  1743. 

Lettre  a  Monsieur  Diderot,  sur  le  projet  de  Funite  de  clef  dans  la 
musique.  Et  la  reforme  des  mesures,  proposes  par  M.  I'abbe  La  Cas- 
sagne,  dans  ses  Elemens  du  chant.  Par  M.  Boyer  ...  A  Amster- 
dam, et  se  trouve,  a  Paris,  chez  Vente,  1767. 

1  p.  1.,  ij,  70  p.,  1 1.     fold.  pi.     19^"°'. 

ML432.A2B6 

See  also  Arnaud,  F.     La  soiree  perdue  a  I'Op^ra,  1776. 

Bradbury,  Thomas,  1677-1759. 
See  Practical  discourses,  1708. 

Bravo,  Jose  de  Torres  Martinez. 

See  Torres  Martinez  Bravo,  Jose  de. 

Breitkopf,  Johann  Gottlob  Immanuel,  1719-1794. 
Catalogo  .  .  .     [Lipsia]  1762-65. 
6  pt.  in  1  V.     22^'^™. 

Thematic  catalogue  of  ms.  music  only. 

Each  part  has  special  t.-p.  (1)  Catalogo  delle  sinfonie  che  si  trovano  in  manu- 
ecritto  nella  officina  musica  di  Giovanno  Gottlob  Imnaanuel  Breitkopf,  in  Lipsia. 
Parte  ima.  1762.  (2)  Catalogo  deisoli,  duetti,  trii  e  concerti  per  il  violino  [etc.] 
chi  si  trovano  in  manuscritto  nella  officina  musica  di  Breitkopf  in  Lipsia.  Parte 
iida.  1762.  (3)  Catalogo  de'  soli  [etc.]  per  il  flauto  traverso  [etc.]  .  .  .  Parte 
iiiza.  1763.  (4)  Catalogo  de'  soli  [etc.]  per  il  cembalo  e  I'harpa  .  .  .  Parte  ivta. 
1763.  (5)  Catalogo  de'  qvadri,  partite,  divertimenti,  cassat.  scherz.  ed  intrade 
...  a  diversi  stromenti  .  .  .  Parte  va.  1765.  (6)  Catalogo  delle  arie,  duetti, 
madrigali  e  cantate,  con  stromenti  diversi  e  con  cembalo  solo  .  .  .  Parte  vita. 
1765. 


42  LIBRARY   OF   CONGRESS 

Breitkopf,  Johann  Gottlob  Innnanuel — Continued. 

Svpplemento  i[-xii]  dei  catalog!  delle  sinfonie,  partite,  ouver- 

ture,  soli,  duetti,  trii,  quattri  e  concerti  per  il  violino,  fl«.uto  traverso, 
cembalo  ed  altri  stromenti,  che  si  trovano  in  mancscritto  nella  officina 
musica  di  Breitkopf  in  Lipsia.     [Lipsia]  1766-78. 

12  pt.  in  2  V.     22i^™. 

Supplements  xiii-xvi  wanting  in  L.  of  C.  set. 

ML145.A2B83 

Bremner,  Robert,  d.  1789. 

The  rudiments  of  music :  or,  A  short  and  easy  treatise  on  that  sub- 
ject. To  which  is  added,  a  collection  of  the  best  church-tunes,  canons, 
and  anthems.  By  Robert  Bremner.  Edinburgh,  Printed  for  the 
author,  1756. 

2  p.  1.,  [ui]-ix,  [1],  35  p.     12,  52  p  .(music,  engr.)    2  fold.  pi.    IG''". 

Page  52  and  4  unnumb.  p.  following  are  ruled  but  otherwise  blank. 

MT7.A2B8 

The  rudiments  of  music :  or,  A  short  and  easy  treatise  on  that 

subject.  The  3d  ed.  With  considerable  additions;  particularly, 
Instructions  for  song;  and,  A  plan  for  teaching  a  number  of  persons 
collectively  the  four  parts  of  psalmody.  By  Kobert  Bremner.  To 
which  is  annexed,  a  collection  of  the  best  church-tunes,  canons,  and 
anthems.     London,  Printed  for  the  author,  1763. 

1  p.  1.,  [v]-xix,  [1],  59  p.,  1 1.,  72  p.  (music,  engr.)    3  fold.  pi.     17''™. 

MT7.A2B83 

[Bretagne,  Pierre  de]  &.  ca.  1666. 

De  excellentia  musicse  antiquse  Hebrseorum  et  eorum  instrumentis 
musicis  tractatus  ex  S.  Scriptura,  ss.  patribus,  &  antiquis  authoribus 
illustratus  .  .  .     Monachii,  sumptibus  Joannis  J.  Remy,  1718. 

6  p.  1.,  100  p.     fold.  pi.     16'^'". 

Dedication  signed:  F.  P.  de  Bretagne,  a.  s.  e.  b.  c.  &  t. 
According  to  F^tis  this  is  a  reprint  of  the  1st  edition,  Paris,  1707. 

ML166.A2B8 
Brett,  John,  d.  1785,  translator. 

See  Feijoo  y  Montenegro,  B.  J.     Three  essays,  1778. 

Briefwechsel  uber  Danziger  musik  und  musiker.     Berlin,  1785. 

71  p.   le'^". 

Letters  to  H.  W.  Gulden  (r/.  Reichardt)  concerning  a  pamphlet  by  J.  G. 
Hingelberg,  published  anonymously,  "  Ueber  Danziger  musik  und  musiker." 

ML279.8.D16 
Brijon,  C.  R.,  6.  ca.  1720. 

L'ApoUon  moderne,  ou  Le  developpement  intellectuel  par  les  sons 
de  la  musique.  Nouvelle  devouverte  [!]  de  premiere  culture,  aisee 
&  certaine  pour  parvenir  a  la  reussite  dans  les  sciences,  &  nouveau 
moyen  d'apprendre  facilement  la  musique.  Par  C.  R.  Brijon  .  .  . 
Deuxieme  oeuvre  .  .  .     Lyon  [A.  A.  Belion]  1782. 

xxxij,  264,  [7],  64  p.     22^"°'. 

In  two  parts.  The  second  part  has  special  t.-p.:  L'Apollon  moderne.  Ou, 
Principes,  exemples  et  leyons  de  musique.  Grave  par  Meunier  graveur  du  roy, 
1782  a  Lyon. 

MT6.A2B84 


EARLY  BOOKS  ON  MUSIC  43 

Brijon,  C.  R. — Continued. 

Reflexions  sur  la  musique,  et  la  vraie  mani^re  de  I'ex^cuter  sur  le 
violon.     Par  M.  Brijon  .  .  .     Paris,  Chez  I'auteur  [etc.]  1763. 

2  p.  1.,  32,  V,  11  p.     26i  X  20^'='". 

In  two  parts.    The  second  part,  "  Principes  de  musique,  pour  parvenir  k  jouer 
du  violon,    ia  engraved  throughout. 

MT260.A2B85 

Brocarte,  Antonio  de  la  Cruz. 

See  Cruz  Brocarte,  Antonio  de  la. 

[Brocklesby,  Richard]  1722-1797. 

Reflections  on  antient  and  modern  musick,  with  the  application 
to  the  cure  of  diseases.  To  which  is  subjoined,  an  essay  to  solve  the 
question,  wherein  consisted  the  difference  of  antient  musick,  from 
that  of  modern  times  .  .  .     London,  IVI.  Cooper,  1749. 

1  p.  1.,  82  p.,  1 1.    19°™. 

ML3920.A2B76 

Brookbank,  Joseph,  h.  1612. 

See  The  organs  fvnerall  [1642  ?] 

Brossard,  Sebastien  de,  d.  1730. 

Dictionaire  de  musique,  contenant  une  expUcation  des  termes 
grecs,  latins,  itahens,  &  fran^ois  les  plus  usitez  ...  A  I'occasion 
desquels  on  rapporte  ce  qu'il  y  a  de  plus  curieux,  &  de  plus  necessaire 
a  s^avoir;  tant  pour  I'histoire  &  la  theorie,  que  pour  la  composition, 
&  la  pratique  .  .  .  de  la  musique  .  .  .  Ensemble,  une  table  alphabe- 
tique  des  termes  franpois  qui  sont  dans  le  corps  de  I'ouvrage  .  .  .  Un 
traite  de  la  maniere  de  bien  prononcer,  sur  tout  en  chantant,  les 
termes  itaUens,  latins,  &  franpois.  Et  un  catalogue  de  plus  de  900. 
auteurs  qui  ont  ecrit  sur  la  musique  .  .  .  Par  M^  Sebastien  de  Bros- 
sard .  .  .     Paris,  C.  Ballard,  1703. 

[112]  p.     37'"°. 

ML108.A2B6 

See  also  Grassineau,  J.     A  musical  dictionary,  1740. 

Brouncker,   William  Brouncker,   2d  viscount,   1620  or  21-1684, 
editor. 

See  Descartes,  R.     Excellent  compendium  of  musick,  1653. 

Brown,  John,  1715-1766. 

A  dissertation  on  the  rise,  union,  and  power,  the  progressions, 
separations,  and  corruptions,  of  poetry  and  music.  To  which  is 
prefixed,  The  cure  of  Saul.  A  sacred  ode.  Written  by  Dr.  Brown 
.  .  .     London,  L.  Davis  and  C.  Reymers,  1763. 

iv,  [5]-244  {i.  e.  248)  p.     26^  x  20i«"'. 

Last  page  numbered  244  for  248. 

ML3849.A2B87 


44  LIBRARY  OF   CONGRESS 

Brown,  John — Continued. 

Dr.  Brown's  Betrachtungen  uber  die  poesie  und  musik,  nach 

ihrem  ursprunge,  ihrer  vereinigung,  gewalt,  wachsthum,  trennung 
und  verderbniss.  Aus  dem  englischen  ubersetzt,  mit  anmerkungen 
und  zween  anh&ngen  begleitet,  von  Johann  Joachim  Eschenburg. 
Leipzig,  Weidmanns  erben  und  Reich,  1769. 

7p.  1.,  494,  [2]p.,  11.     front.     IS-"". 

"Die  heilung  Sauls,  eine  ode  von  dr.  Brown":  p.  [395]-43i. 

ML3849.A2B871 

Deir  origine,  unione  e  forza,  progressi,  separazioni,  e  corru- 

zioni  della  poesia,  e  della  musica,  dissertazione  del  dottor  Giovanni 
Brown,  tr.  m  lingua  italiana  dall'  originale  inglese,  ed  accresciuta  di 
note  dal  dottor  Pietro  Crocchi  ...  A  cui  si  aggiunge  La  cura  di 
Saule,  ode  sacra  dell'  istesso  autore,  tr.  fedelmente  in  poesia  italiana 
di  metre  irregolare  a  confronto  del  testo  inglese  da  Oresbio  Agieo 
p.  A.  .  .  .     Firenze,  Stamperia  Bonducciana,  1772. 

2  p.  1.,  248  p.     22«™. 

"Oresbio  Agieo,"  academic  name  of  Fitincesco  Corsetti. 

ML3849.A2B872 

Brown,  John,  1752-1787. 

Letters  upon  the  poetry  and  music  of  the  Italian  opera;  addressed 
to  a  friend.  By  the  late  Mr.  John  Brown,  painter.  Edinburgh,  Bell 
and  Bradfute;  [etc.,  etc.]  1789. 

2  p.  1.,  [iiij-xx,  141  p.     16<=™. 

ML3858.B87 

Letters  on  the  Italian  opera:  addressed  to  the  Hon.  Lord 

Monboddo.  By  the  late  Mr.  John  Brown.  2ded.  London,  T.  Cadell, 
1791. 

xviii,  141  p.,  1  1.     17<=". 

ML3858.B872 

Browne,  Richard. 

Medicina  musica:  or,  A  mechanical  essay  on  the  effects  of  singing, 
musick,  and  dancing,  on  human  bodies.  Revis'd  and  corrected.  To 
which  is  annex'd  a  new  essay  on  the  nature  and  cure  of  the  spleen 
and  vapours.     By  Richard  Browne  .  .  .     London,  J.  Cooke,  1729. 

XV,  125  p.     \AY^. 

Ist  edition  1674. 

ML3920.A2B75 

Bruce,  Thomas. 

The  common  tunes;  or,  Scotland's  church  musick  made  plain.  By 
Mr.  Thomas  Bruce  .  .  .     Edinburgh,  Printed  for  the  author,  1726. 

3  p.  1.,  viii,  46  p.     front.,  21  pi.  (music)     17''™. 

Caption  title  and  running  title:  The  gam-ut,  or  scale  of  musick  explain'd. 

MT7.A2B92 

[Brumbey,  Carl  Wilhelm]  I.  1757. 

Brief e  uber  musikwesen,  besonders  Cora  in  Halle.  Quedlinburg, 
In  commission  bey  C.  A.  Reussner,  1781. 

109  p.     18'^"'. 

ML410.N29B8 


EARLY  BOOKS   ON   MUSIC  46 

Brunnelius,  Eric,  b.  ca.  1708. 

See  BuRMAN,  E.     Elementa  musices  planse  [1728] 

Bulyovszky,  Mihaly,  d.  1711. 

Michaelis  Bvliowski  .  .  .  Brevis  de  emendatione  organi  musici  trac- 
tatio.  Kurtze  vorstellung  von  verbesseriing  des  orgelwercks.  Ar- 
gentorati,  apud  J.  E.  Zetznervm,  1680. 

6  p.  1.,  121,  [11]  p.     IS''-". 

Text  in  Latin  and  German  on  opposite  pages;  "  Register,"  Latin  and  German 
in  parallel  columns. 

"Lobspruch  dieses  grundlichen  berichts  von  verbesserung  des  orgelwercks," 
poem,  signed  Jo.  Ernestus  Saur:  [4]  p.  preceding  p.  [1] 

ML552.A2B9 

Buonanni,  Filippo,  1638-1725. 

Gabinetto  armonico  pieno  d'istromenti  sonori,  indicati,  e  spiegati 
dal  padre  Filippo  Bonanni  .  .  .     Roma,  Stamperia  di  G.  Placho,  1722. 

8  p.  1.,  177,  [1]  p.     front.,  cxlviu  {i.  e.  149)  pi.     25''". 

Plates  numbered  irregularly. 

ML460.A2B61 

Descrizione  degl'  istromenti  armonici  d'ogni  genere,  del  padre 

Bonanni.  2.  ed.  riv.,  cor.,  ed  accrescivta  dalF  abbate  Giacinto 
Cervti.  Ornata  con  cxl.  rami  incisi  d'Arnoldo  Wanwesterout. 
Roma,  A  spese  di  V.  Monaldini,  1776. 

xvi,  xxiij,  [1],  114  ({.  e.  214),  [2]  p.     cxl  (i.  e.  142)  pi.  (1  fold.)    26i<'"». 

Title  and  text  in  Italian  and  French,  arranged  in  parallel  columns.  The 
t.-p.  (engr.  and  folded)  is  counted  as  4  pages  in  numbering.  Page  214  wrongly 
numbered  114. 

ML460.A2B62 

Burette,  Pierre  Jean,  1665-1747. 

Dissertation,  ou  Ton  fait  voir,  que  les  merveilleux  effets,  attribuez 
a  la  musique  des  anciens,  ne  prouvent  point,  qu'elle  fust  aussi  parfaite 
que  la  ndtre.     Par  M.  Burette. 

{In  Academic  des  inscriptions  et  belles-lettres,  Paris.  Memoires.  Paris, 
1729.     25^  X  19«'".     [i.  ser.]  t.  v  [2.  ptie.]  p.  133-151) 

Detached  copy. 

ML169.A2B8 

Paragone  dell'  antica  colla  moderna  musica.     Dissertazione 


del  Signor  Burette.     In  cui  si  dimostra,  che  i  maravigliosi  effetti 

attribuiti  alia  musica  degli  antichi  non  provano  in  niun  modo,  ch'  essa 

fosse  pill  perfetta  della  nostra.     N°.  xiv.     Venezia,  A.  Groppo,  1748. 

12  p.     22^'"^. 

Title  vignette. 

ML169.A2B82 

Dissertation    sur    la    melopee    de    I'ancienne    musique.     Par    M. 
Burette. 

(In   Academic   dea   inscriptions  et  belles-lettres,    Paris.    Memoires.     Paris, 
1729.     25i  X  19''°'.     [i.  ser.]  t.  v  [2.  ptie.]  p.  169-199) 

Detached  copy. 

ML169.A2B8 


46  LIBRARY   OF   CONGRESS 

Burette,  Pierre  Jean — Continued. 

Addition  a  la  Dissertation  sur  la  m^lop^e  .  .  . 

{In  Acad^mie  des  inscriptions  et  belles-lettres,  Paris.    M^moires.    Paris,  1729. 
[i.  ser.]  t.  V  [2.  ptie.]  p.  200-206) 
Detached  copy. 


Dissertation  sur  la  symphonie  des  anciens.     Par  M.  Burette 

(In  Acad^mie 
746.     25i  X  19"=" 

Detached  copy 


(In  Academic  des  inscriptions  et  belles-lettres,   Paris.    Memoires.    Paris, 
1746.     25i  X  19"=".     [i.  ser.]  t.  iv,  p.  116-131) 


ML169.A2B8 

Dissertation  sur  le  rhythme  de  I'ancienne  musique.  Par  M. 
Burette. 

(In  Academic  des  inscriptions  et  belles-lettres,   Paris.    Memoires.    Paris, 
1729.    25^x19^"°.     [i.  ser.]  t.  V.  [2.  ptie.]  p.  152-168) 

Detached  copy. 

ML169.A2B8 

Extrait  d'une  lettre  ecrite  aux  auteurs  du  Mercure,  suivie  d'un 
memoire  qui  repond  a  la  question  proposee  dans  celui  du  mois  de  juin 
dernier,  au  sujet  du  plainchant  &c.     [Paris?  1733?] 

19  p.    16^=". 

Caption  title. 

The  memoir  has   caption    title  "Memoire  sur  I'autorit^  des  musiciens  en 
matiere  de  plainchant,"  and  is  signed:  Burette  et  Falconnet,  fils. 

ML3082.A2B8 

Prima,  e  seconda  memoria  per  servire  alia  istoria  del  ballo  degli 
antichi,  del  Signer  Burette.     n<*.  ii.     Venezia,  1746. 
1  p.  1.,  33-44,  33-42  p.     25  x  19<-'». 

Title  vignette. 

The  French  original  was  printed  in  '•  Histoire  de  I'Acad^mie  royale  des  in- 
scriptions et  belles-lettres",  Paris,  1717. 

GV1787.B8 

Burette,  Pierre  Jean,  1665-1747,  translator. 
See  Plutarchus.     IJep}  ptouoiKfjc,  1735. 

Burman,  Erik,  1692-1729,  praeses. 

...  Dissertatio  musica,  De  basso  fundamentali  .  .  .  Upsaliae,  Ute- 
ris Wernerianis  [1728] 

4p.  1.,  15,  [l]p.    15i^°. 

Diss. — Upsala  (A.  Lofgron,  respondent  and  author) 

MT49.A2B92 

.  .  .  Elementa  musices  planae  exercitio  academico  .  .  .  Upsaliae, 
typis  Wernerianis  [1728] 

4  p.  1.,  40,  [4]  p.     15^''='. 

Diss. — Upsala  (E.  Brunnelius,  respondent  and  author) 

MT44.A2B78 


EARLY  BOOKS   ON   MUSIC 

Burmeister,  Joachim,  h.  ca.  1560. 

Miisica  auzooxsdcaariKij  qvae  per  aliquot  accessiones  in  gratiam 
philomusorum  quorundam  ad  tractatum  de  hypomnematibus  musicse 
poeticse  ejusdem  auctoris  anozad-Qv  quondam  exaratas,  in  unum  cor- 

Eusculum  concrevit,  in  qu^  redditur  ratio  i.  Formandi  &  componendi 
armonias;  ii.  Administrandi  &  regendi  chorum;  iii.  Canendi  melo- 
dias  modo  hactenus  non  usitatd.  Edita  studio  &  labore  M.  Joachimi 
Burmeisteri  Lunseburgensis.  Rostochii,  excudebat  C.  Reusnerus^ 
1601. 

[244]  p.     illuB.,  2  fold.  1.  (mmic)     18^  x  Hi"™. 

Title  within  ornamental  border. 

MT6.A2B96 

Musica  poetica:  definitionibus  et  divisionibus  breviter  delineata, 
quibus  in  singulis  capitibus  sunt  hypomnemata  praeceptionum  instar 
GuvonrcKibc  addita,  edita  studid  &  oper^,  M.  Joacnimi  Bvrmeisteri .  .  . 
Rostochii,  excudebat  S.  Myliander,  1606. 

4  p.  1.,  76,  [4]  p.     18^x14^"™.     {WithhisUvisicSiajlnoaxedcmriK^.     Rostochii,  1601) 

Title  withia  ornamental  border. 

MT6.A2B96 

Burney,  Charles,  1726-1814. 

An  account  of  the  musical  performances  in  Westminster-abbey^ 
and  the  Pantheon,  Ma}?^  26th,  27th,  29th;  and  June  the  3d,  and  5th, 
1784.  In  commemoration  of  Handel.  By  Charles  Burney  .  .  .  Lon- 
don, Printed  for  the  benefit  of  the  musical  fund,  and  sold  by  T.  Payne 
and  son  [etc.]  1785. 

[237]  p.     vii  pi.  (incl.  front.)     27^  x  22'^'°. 

Various  paging. 

"Sketch  of  the  life  of  Handel":  p.  [l]-38.  "Chronological  list  of  Handel's 
works":  p.  [42]-46.  "Abstract  of  the  laws  and  resolutions  of  the  Fund  for  the 
support  of  decayed  musicians  and  their  families":  p.  129-136. 

ML410.H13B9 

Dr.  Karl  Burney's  Nachricht  von  Georg  Friedrich  H&ndel's 

lebensumst^nden  und  der  ihm  zu  London  im  mai  und  juni  1784 
angestellten  ged&chtnissfeyer.  Aus  dem  enghschen  ilbersetzt  von 
Johann  Joachim  Eschenburg  .  .  .  Mit  kupfern.  Berlin  und  Stettin, 
F.  Nicolai,  1785. 

14p.  1.,  [iii]-lii,  102p.,  1  ].     front.,  1  illus.,  fold.  plan.     25x20''™. 

ML410.H13B93 

A  general  history  of  music,  from  the  earliest  ages  to  the  present 
period.  Bv  Charles  Burnev  .  .  .  London.  Printed  for  the  author, 
1776-89. 

4  V.     fronts,  (v.  1:  port.),  illut,.,  10  pi.  (4  fold.)     28  x  22''"'. 

,  In  L.  of  C.  copy  v.  1  is  of  the  2d  edition,  1789.  Engraved  musical  illustrations 
throughout  text.  "Chronological  list  of  the  principal  books  published  on  the 
subject  of  music  in  England,  during  the  present  century":  v.  4,  p.  [687]-688. 

ML159.B96. 


48  LIBRARY   OF   CONGRESS 

Bumey,  Charles — Continued. 

Memoirs  of  the  life  and  writings  of  the  Abate  Metastasio.  In 
which  are  incorporated,  translations  of  his  principal  letters.  By- 
Charles  Burney  .  .  .     London,  G.  G.  and  J.  Robinson,  1796. 

3  V.     front,  (port.)     21<=°'. 

ML429.M4B9 

The  present  state  of  music  in  France  and  Italy:  or,  The  journal  of 
a  tour  through  those  countries,  undertaken  to  collect  materials  for  a 
general  history  of  music.  By  Charles  Burney  .  .  .  London,  T.  Becket 
and  CO.,  1771. 

vii,  396,  [10]  p.,  2  1.     21=^. 

ML195.B96 

The  present  state  of  music  in  Germany,  the  Netherlands,  and 
United  Provinces.  Or,  The  journal  of  a  tour  through  those  coun- 
tries, undertaken  to  collect  materials  for  a  general  history  of  music. 
By  Charles  Burney  .  .  .     London,  T.  Becket  and  co.,  1773. 

2  V.  (v.  1:  viii,  376  p.;  v.  2:  1  p.  1.,  \-\i,  352  p.)     21^  x  12^'='°. 

ML195.B962 

The  present  state  of  music  in  Germany,  the  Netherlands,  and 


United  Provinces.  Or,  The  journal  of  a  tour  through  those  coun- 
tries, undertaken  to  collect  materials  for  a  general  history  of  music. 
By  Charles  Burney  ...     2d  ed.,  cor.     London,  T.  Becket  [etc.]  1775. 

2  V.  (v.  1:  viii,  380  p.;  v.  2:  2  p.  1.,  352  p.)     21^'='°. 

ML195.B963 

Busby,  Thomas,  1755-1838. 

A  complete  dictionary  of  music.  To  which  is  prefixed,  a  familiar 
introduction  to  the  first  principles  of  that  science.  By  Thomas 
Busby,  LL.  D.     London,  R.  PhilUps  [1786] 

xxxiii,  [294]  p.     18 J  x  10^'^°'. 

Scheme  of  staves  ("Treble  stave,"  "Soprano  stave,"  etc.)  on  one  folding 
leaf,  takes  the  place  of  p.  [xxi-xxii]  of  the  Introduction. 

ML108.A2B9 

Butler,  Charles,  d.  1647. 

The  principles  of  musik,  in  singing  and  setting:  with  the  two-fold 
use  therof,  <  ecclesiasticall  and  civil.  >  By  Charles  Butler  .  .  .  Lon- 
don, Printed  by  J.  Haviland,  for  the  author,  1636. 

viii,  135  p.     illus.     18  x  14'^™. 

Imperfect,  wanting  pages  13-14. 

MT6.A2B995 

Buttstett,  Johann  Heinrich,  1666-1727. 

Ut,  re,  mi,  fa,  sol,  la,  tota  musica  et  harmonia  seterna,  oder  Neu- 
eroffnetes,  altes,  wahres,  eintziges  und  ewiges  fundamentum  musices, 
entgegen  gesetzt  dem  Neu-er6ffneten  orchestre,  und  in  zweene  partes 
eingetheilet.  In  welchen  /  und  zwar  im  ersten  theile  /  des  herrn 
authoris  des  Orchestre  irrige  me3'nungen  .  .  .  wiederleget  /  im  andern 
theile  aber  das  rechte  fundamentum  musices  gezeiget  .  .  .  von  Johann 


EABLY  BOOKS  ON  MUSIC  49 

Buttstett,  Johann  Heinrich — Continued. 

Heinrich  Buttstett  .  .  .     Erffurt,  Gedruckt  bey  O.  F.  Werthern,  zu 
finden  in  Leipzig,  bey  J.  H.  Kloss  [1717] 

5  p.  1.,  176  p.,  1 1.     26  pi.  on  25  1.  (partly  fold.),  fold.  tab.     20  x  16i<"". 

Added  t.-p.,  engr.    The  plates  contain  musical  examples. 

MT44.A2B98 

Der  wieder  Das  beschiltzte  orchestre  ergangenen  oeffentlichen 
erkl&rung  zweyte  auflage.  Von  dem  verfasser  nachgesehen  /  mit 
anmerckungen  eri&utert  /  und  mit  seinem  angebohrnen  insiegel 
bekr^fftiget ;  auch  an  vielen  orten  weit  vollstandiger  /  anders  /  besser 
und  wahrhafFtiger  als  die  erste  vom  21.  sept.  1718.     [Erffurth?  1718] 

broadside.    20  x  l?^*"". 

Dated:  Erffurth,  den  21.  oct.  1718.    Signed:  J.  H.  Buttstett. 

MT44.A2B982 

C,  G.  M. 

See  Mattei,  S.     Se  i  maestri  di  cappella  son  .  .  .  artigiani  [1785  ?] 

Cahusac,  Louis  de,  1706-1759. 

La  danse  ancienne  et  moderne,  ou  Traite  historique  de  la  danse. 
Par  M.  de  Cahusac  ...  A  La  Haye  [^.  e.  Paris]  Chez  J.  Neauhne, 
1754. 

3  V.     13^<"". 

GV1600.C2 

Calderon,  Manuel  Perez. 

See  Perez  Calderon,  Manuel. 

Calendrier  musical  universel,  contenant  I'indication  des  ceremonies 
d'eglise  en  musique;  les  d^couvertes  et  les  anecdotes  de  Fannee  .  .  . 
la  notice  des  pieces  en  musique  representees  .  .  .  sur  les  difFerens 
theatres  de  I'Europe  .  .  .  le  releve  des  ouvrages  sur  la  musique  et 
des  productions  musicales  pub.  a  Londres  et  a  Paris  .  .  .  &c.  &c.  &c. 
Pour  Fannee  1788.  Paris,  Prault  [etc.,  1788] 
3  p.  1.,  3-288,  [4]  p.     15i^™. 

By  N.  E.  Framery,  who  is  given  as  author  in  the  privilege. 
Framery  issued  a  second  calendar,  for  1789,  after  which  the  publication  was 
discontinued. 

ML20.C15 

CaUcott,  John  WaU,  1766-1821. 

Explanation  of  the  notes,  marks,  words,  &°,  used  in  music,  by  I.  W. 

Callcott  .  .  .     London,  Printed  for  the  author  [1792] 

2p.  1.,  29p.     26x32^"°'. 

Engraved,  with  the  exception  of  the  2d  prelim,  leaf  and  pages  27-29. 

MT7.A2C2 

51234°— 13 4 


50  LIBRARY   or   CONGRESS 

Calmet,  Augustin,  1672-1757. 

Tr^sor  d'antiquitez  sacr^es  et  profanes,  tirees  des  Commentaires 
du  R,  P.  D.  Augustin  Calmet  .  .  .  sur  I'ficriture  Sainte  .  .  .  Amster- 
dam, P.  Marret,  1723. 

2v.  inl  (v.  1:  xl,  131p.;  V.  2:  Ip.  1.,  190p.)    fold.pl.     17  x  r^". 

General  t.-p.  wanting;  title  supplied  from  the  Catalogue  g^n^ral  of  the  Biblio- 
th^que  nationale,  Paris. 

Added  t.-p.:  Dissertations  sur  la  poesie  et  la  musique  des  anciens  en  g^n^ral  et 
des  H6breux  en  particulier,  avec  lee  figures  des  instrumens  de  musique.    Tome 

eremier.  Premiere  [-seconde]  partie.  Amsterdam,  D.  P.  Marret,  1723.  (Part  2 
as  special  t.-p.:  Dissertations  sur  le  Livre  des  Pseaumes  .  .  .)  No  more  pub.  of 
this  edition.  Edition  of  Paris,  1720,  in  3  vols., , appeared  under  title:  Disser- 
tations qui  t>euvent  servir  de  prol^gomfenes  de  I'Ecriture  Sainte  .  .  . 

ML166.A2C2 


Calsabigi,  Ranieri  de%  1714  (yr  15-1795. 

Risposta  che  ritrovo'  casualmente  nella  gran  citta'  di  Napoli  il 
licenziato  Don  Santigliano  di  Gilblas,  y  Guzman,  y  Tonnes,  y  Alfarace, 
discendente  per  linea  paterna,  e  materna  da  tutti  quegli  insigni 
personaggi  delle  Spagne;  alia  critica  ragionatissima  delle  poesie 
drammatiche  del  C.  de'  Calsabigi,  fatta  dal  baccelliere  D.  Stefano 
Arteaga  .  .  .     Venezia,  Stamperia  Curti,  1790. 

224  p.     20^'^™. 

ML429.C14A8 


Calvisius,  Seth,  1556-1615. 

Exercitationes  musicse  duse.  Qvarvm  prior  est,  de  modis  mvsicis, 
qvos  vulg6  tonos  vocant,  rect^  cognoscendis,  &  dijudicandis.  Poste- 
rior, de  initio  et  progressv  mvsices,  alijs^  rebus  eo  spectantibus. 
Institutae  a  Setho  Calvisio  .  .  .     Lipsise,  impensis  I.  Apebj,  1600. 

1  p.  1.,  138  (i.  e.  139),  [1]  p.     15' 


;cin 


Number  75  repeated  in  paging,  p.  77  wrongly  numbered  78. 
Colophon:    Lipsise,    Franciscvs    Schnelboltz    excvdebat.    Typis    haeredum 
Beyen .     Anno  m  .  dc  . 

MT45.A2C18 

— —  Exercitatio  mvsica  tertia  Sethi  Calvisii  de  praecipuis  quibus- 
s/    dam  in  arte  musicA  qusestionibus,  auibus  prsecipua  ejus  theoremata 
continent ur;  instituta  ad  .  .  .  Hippolytum  Hubmeierum  .  .  .     Ldpsise, 
impensis  T.  Schiireri,  M.  Lantzenberger  excudebat,  1611. 

1  p.  1.,  180  p.     24^'^™. 

MT45.A2C182 

Campion,  Thomas,  1575-1620. 

See  Playford,  J.     An  introduction  to  the  skill  of  musick. 

Campos,  Joao  Ribeiro  de  Alm.eida. 

iiee  Ribeiro  de  Almeida  Campos,  J040. 


EARLY  BOOKS   ON   MUSIC  51 

Cantorinus.  Ad  eorum  instructionem :  qui  cantum  ad  chorum 
ptinentem:  breuiter  &  qj  facillime  discere  concupiscunt :  &  non 
clericis  modo :  sed  omnibus  etiam  diuino  cultui  deditis,  perqj  utilis, 
&  necessarius.  In  quo  facilis  modus  est  additus  ad  discendam 
manti:  ac  tonos  psalmorum:  vt  sequens  tabula  indicabit.  Nouis- 
sime  castigatus,  cui  etiam  addite  sunt  Letanie.  Venetiis,  1550. 
8  p.  1.,  104  numb.  1.    illus.     17^" 


icm 


Rubricated;  printer's  mark  on  t.-p.  The illuBtrations are  (1)  Guidonian  hand 
on  verso  of  3d  prelim,  leaf,  (2)  the  Crucifixion,  on  verso  of  8th  prelim,  leaf,  (3) 
the  Annunciation,  on  verso  of  leaf  55.  Colophon:  Explicit  Cantorinuswd  com- 
modum  nouitiorum  cleiicoru  factus:  nouissime  impressus  &  diligetissime 
reuisus.  In  oflBcina  heredti  Luceantonij  Junte.  Venetijs  anno  salutis.  1550. 
mense  januario. 

"Compendium  musice:"  p.  1.  [3]  v°-p.  1.  [8]  r°. 

ML171.C32 

Cantorinvs  pro  his,  qui  cantum  ad  chorum  pertinentem,  breuiter 

et  ^  facillime  discere  concupiscunt :  &  non  clericis  modo,  sed  omnibus 
etiam  diuino  cultui  deditis,  perquam  vtilis,  et  necessarius.  In  quo 
facilis  modus  est  additus  ad  discendam  manum :  ac  tonos  psalmorum, 
vt  sequens  tabula  indicabit.     Nouissime  castigatus.    Venetiis,  1566. 

8  p.  1.,  104  numb.  1.     ITi""*. 

Rubricated.  Printer's  mark  on  t.-p.,  Guidonian  hand  on  verso  of  2d  prelim, 
leaf.  Colophon:  Venetijs  in  officina  h^redum  Luceantonij  JuntQ  anno  Do- 
mini.1566. 

"Compendium  musics":  p.  1.  [2]  -p.  1.  [7] 

ML171.C34 

See  also  Compendiu  musices  [1513] 

Cantus  diversi  ex  Gradual!  romano,  pro  singulis  solemnitatibus, 
dominicis,  festis  &  feriis  per  annum.  Lugduni,  ex  officina  Petri 
Valfray,  1724. 

190,  105,  [5]  p.     14i«'°. 

In  two  parts.  The  second  part  contains:  (1)  Trois  methodes  faciles  pour 
apprendre  le  plein  chant,  (2)  Les  divers  tons  ou  intonations  des  chants 
communs  de  I'eglise,  (3)  Cantus  diversi  ad  usum  ecclesise  lugdunensie, 
(4)  Maniere  pour  bien  chanter  dans  un  choeur. 

An  earlier  edition  was  published  at  Lyons  by  Claude  Moulu  in  1700. 

M2150.A2C23 

Capalti,  Francesco. 

II  contropuntista  pratico,  o  siano  Dimostrazioni  fatte  sopra  I'espe- 
rienza  da  Francesco  Capalti  .  .  .  Terni,  A.  Saluzj,  stampator  vesco- 
vile  [1788] 

2  p.  1.,  242  p.,  1 1.     18^' 


cm 


MT55.A2C2 


Capella,  Martianus. 

See  Martianus  Capella. 

Cappeval,  N.  de  Caux  de. 

See  Caux  de  Cappeval,  N.  de. 

Cardano,  Girolamo,  1501-1576. 

See  Spangenberg,  J.     Qvaestiones  mvsicse  [1536] 


52  LIBRARY   OF   CONGRESS 

Carissimi,  Giovanni  Giacomo,  d.  1674. 

Ars  cantandi ;  das  ist :  Richtiger  und  aussfuhrlicher  weg  /  die  jugend 
aus  dem  rechten  grund  in  der  sing-kunst  zu  unterrichten;  durch 
weiland  den  welt-beriihmten  musicum,  herrn  Giovan  Giacomo  Caris- 
simi, in  welscher  sprach  aufgesetzt;  nunmehro  aus  derselben  aber  von 
einem  music-freund  in  unsere  mutter-sprach  gebracht  /  und  /  so  vil 
m6glich  /  deutlich  gegeben  .  .  .     Augspurg,  J.  Koppmayer,  1693. 

16  p.    16  X  20i'="». 

MT35.A2C22 

See  also  Vermehrter  .  .  .  wegweiser,  1693. 

Carl,  Johann  Gteorg,  editor. 

See  Werckmeister,  A.     Cribrvm  mvsicvm,  1700. 

Carlo  Borromeo,  Saint,  1538-1584. 

S.  Caroli  Borromaei  .  .  .  Opvscvlvm  de  choreis  et  spectaculis  in 
fastis  diebus  non  exhibendis,  accedit  collectio  selectarum  sententiarum 
ejusdem  ad  versus  choreas,  et  spectacula,  ex  ejus  statutis,  edictis, 
institutionibus,  homiliis.     Romse,  apud  fratres  Palearinos,  1753. 

xii,  93,  [1]  p.     le^"'". 

GV1740.C3 

Traitte  contre  les  danses  et  les  comedies.     Compose  par  S. 

Charles  Borromee  .  .  .     Paris,  G.  Soly,  1664. 

7  p.  1.,  198  p.     14J  X  8<"°. 

"Lettrede  I'evesque  d'Agnani,  pour  la  defense  d'vne  ordonnance  synodale, 
par  laquelle  il  auoit  defendu  de  danser  les  ioura  dea  festes:"  p.  154-176. 

GV1740.C32 

[Carlos  de  Jesus  Maria]  1713-1747. 

Resumo  das  regras  geraes  mais  importantes,  e  necessarias  para  a 
boa  intelHgencia  do  cantocham,  com  huma  breve  instrucpam  para  os 
presbyteros,  diaconos,  e  subdiaconos  conforme  o  uso  romano.  [n.  p., 
n.  d.] 

47  p.     21^  X  16'='°. 

Caption  title.     Title-page  wanting? 

Perhaps  identical  with  the  edition  of  Coimbra,  1726  (!)  described  by  Vascon- 
cellos. 

MT860.A2J58 

Resumo  das  regras  geraes  mais  importantes,  e  necessarias  para  a 


boa  intelli^encia  do  cantocham,  com  huma  instrucpam  para  os  pres- 
byteros, diaconos,  e  subdiaconos,  conforme  o  uso  romano.  Dado 
novamente  ao  pre'lo  pelo  P.  Luis  da  Maia  Croesse'r  {'pseud.]  .  .  .  Com 
varios  accrescentamentos,  que  vam  notados  com  este  signal*.  Coim- 
bra, Na  officina  de  A.  S.  Ferreyra,  impressor,  1741. 

1  p.  1.,  92,  [2]  p.     22^"'". 

L.  of  C.  has  also  an  issue  with  the  following  variations:  cantochao  for  cantocham 
in  title;  different  arrangement  of  type  on  p.  28  and  29,  with  a  paragraph  of  text 
at  foot  of  p.  29  which  in  the  present  L^sue  appears  on  last  page,  following  index; 
alterations  in  four  lines  of  index;  paragraph  2  of  p.  52  m  corrected  form,  the 
correction  being  found  at  foot  of  last  page  in  this  issue. 

MT860.A2J59 


EABLY   BOOKS    ON    MUSIC  53 

Caron  de  Beaumarchais,  Pierre  Augustin. 

See  Beaumarchais,  Pierre  Augustin  Caron  de. 

Caroso,  Marco  Pabrizio. 

11  ballarino  di  M.  Fabritio  Caroso  .  .  .  diuiso  in  due  trattati;  nel 
prime  de'  quali  si  dimostra  la  diuersita  de  i  nomi,  che  si  danno  a  gli 
atti,  &  mouimenti,  che  interuenc^ono  ne  i  balli:  &,  con  molte  regole  si 
dichiara  come  debbano  farsi.  Nel  secondo  s'insegnano  diiierse  sorti 
di  balli,  &  balletti  si  all'  vso  d'ltalia,  come  a  quello  di  Francia,  & 
Spagna.  Omato  di  molte  figure.  Et  con  I'intauolatura  di  liuto  nel- 
la  sonata  di  ciascun  ballo,  &  il  soprano  della  musica  alia  maggior 
parte  di  essi.  Opera  nuouamente  mandata  in  luce  .  .  .  Venetia, 
F.  Ziletti,  1581. 

2  V.  in  1  (v.  1:  7  p.  1.,  16  numb.  1.;    v.  2:  184  numb.  1.,  [8]  p.)    illus.,  port. 
23  X  18"™. 

Title  vignettes;  head  and  tail  pieces;  initials. 

Vol.  2  has  title:  Trattato  secondo  del  Ballarino  .  .  .  nel  quale  s'insegnano  varie 
sorti  di  balletti,  cascarde,  tordiglione,  passo  e  mezo,  pauaniglia,  canario,  &  ga- 
gliarde  all'  vso  d'ltalia,  Francia,  &  Spagna  .  .  . 

GV1600.C35 

Carre,  Remi,  h.  1706. 

Le  maistre  des  novices  dans  I'art  du  chanter:  ou,  Regies  .  .  .  pour 
apprendre  parfaitement  le  plein-chant;  pre'ce'de'es  de  quelques  mo- 
tifs &  exemples  ^difians  .  .  .  de  quelques  observations  sur  la  for- 
mation, conservation,  destruction,  enrouement,  extinction  de  la  voix 
.  .  .  suivies  d'un  ample  recueil  d'antiennes,  repons,  &  messes  .  .  .  Par 
frere  Remy  Carre'  .  .  .     Paris,  Le  Breton,  1744. 

xii,  54  p.,  1  1.,  Ixxxiv  p.     27^  x  20^"^". 

MT860.A2C31 


Casali,  Lodovico,  6.  1594. 

Generale  inuito  alle  grandezze,  e  marauiglie  della  mvsica  oue  per 
ogni  raggion  tanto  diuina,  come  naturale,  e  positiua,  si  mostra  la  sua 
antichita,  e  valore;  e  come  sia  necessaria  a  chi  di  reUgion  professa; 
e  quanto  di  buono  apporta,  a  chi  ciuilmente  I'apprende.  All'  il- 
lvstr.™°  Sig.""®  il  Sig.'"  conte  Alessandro  Rangoni  .  .  .  Lodovico  Casali 
.  .  .  consacra,  e  dona.  Opera  qvarta.  Modana,  G.  B.  Gadaldino, 
1629. 


9p.  1.,  211,  [l]p.     20<^ 


ML3920.A2C3 


[Case,  John]  d.  1600. 

The  praise  of  mvsicke:  wherein  besides  the  antiquitie,  dignitie, 
delectation,  &  vse  thereof  in  ciuill  matters,  is  also  declared  the  sober 
and  lawfull  vse  of  the  same  in  the  congregation  and  church  of  God 
.  .  .     Oxenford,  Printed  by  I.  Barnes,  1586. 

4p.  1.,  152p.    m"». 

ML3001.C28 


54  LIBRARY   OF   CONGRESS 

Caselli,  Domenico  Antonio. 

II  canto  fermo  in  prattica  per  vso  di  qual  si  voglia  sorte  di  religiosi, 
e  religiose,  che  bramano  con  un  metodo  facilissimo,  e  breve  imparare 
il  canto  gregoriano  per  il  buon  concerto,  e  regolamento  de'  cori.  Del 
p.  fr.  Domenico  Antonio  Caselli  .  .  .  Roma,  Stamperia  del  Chracas, 
1724. 

32  p.    coat  of  arms.    20<="». 

MT860.A2C38 

Castagneres,  PranQois  de,  abhe  de  CMteauneuf. 

See  Chateauneuf,  Francois  de  Castagneres,  abhe  de. 

Castel,  Louis  Bertrand,  1688-1757. 

Beschreibung  der  augen-orgel  oder  des  augen-clavicimbels,  so  der 
beruhmte  mathematicus  und  Jesuit  zu  Paris,  herr  pater  Castel, 
erfunden  und  ins  werk  gerichtet  hat;  aus  einem  franz6sischen  brief e 
libersetzet  von  Telemann.  Hamburg,  Gedruckt  mit  Piscators  schrif- 
ten,  1739. 

[8]  p.     22  X  18'="'. 

Written  in  the  3d  person  and  only  in  part  translated  from  Castel 's  "  Nouvelles 
experiences"-  (Memoires  de  Tr^voux,  Dec.  1735)  Published  also  in  Mizler'a 
"Musikalische  bibliothek." 

ML1055.A2C3 

Reponse  critique  d'un  academicien  de  Rouen,  a  I'academicien  de 
Bordeaux,  sur  le  plus  profond  de  la  musique.     [Paris  ?  1754] 

36  p.    lei""". 

Caption  title.    At  foot  of  p.  [1]:  Tome  1.    No  more  published. 

A  pretended  reply  to  his  own  "Lettres  d'un  academicien  de  Bordeaux  sur  le 
fond  de  la  musique,  a  I'occasion  de  la  lettre  de  M.  R.  *  *  *  [i.  e.  Rousseau] 
contre  la  musique  frangoise." 

ML1727.33.C34 

Catalisano,  Gennaro,  d.  1793. 

Grammatica-armonica  iisico-matematica  ragionata  su  i  veri  principj 
fondamentali  teorico-pratici  per  uso  della  gioventii  studiosa,  e  di 
qualunque  musicale  radunanza.  Composta  dal  m.  r.  p.  Gennaro 
Catalisano  .  .  .  Roma,  Nella  stamperia  di  S.  Michele  a  Ripa,  per 
P.  Giunchi,  1781. 

xxxii,  166  p.     illus.,  XV  fold,  pi.,  tables  (1  fold.)     28"™. 

Title  vignette. 

ML3805.A2C3 

[Cattaneo,  Giovanni,  conte] 

La  liberty  del  cantare.     Lucca,  F.  M.  Benedini,  1752. 

204  p.     17J''™. 

Letters  to  "MadamaN.  N."  chiefly  on  philosophical  subjects,  but  including  sev- 
eral on  music .  Pages  175-204  contain ' '  Ragionamento  sopra  il  medico,  impropria- 
mente  attaccato  da  un  autore  spagnolo." 

ML63.C35 


EARLY  BOOKS   ON   MUSIC  55 

Caus,  Salomon  de,  d.  1626. 

Institvtion  harmoniqve,  diuis^e  en  deux  parties;  en  la  premiere 
sont  monstr^es  les  proportions  des  interualles  b.armoniques,  et  en  la    i^- 
deuxiesme    les    compositions    dicelles.     Par    Salomon    de    Cans  .  .  . 
Francfort,  En  la  boutique  de  J.  Norton,  1615. 

4p.  1.,  23numb.  1.;  Ip.  1.,  [2],  47(i.  e.  59)p.     illua.,  diagrs.     38^  x  25«°». 

Engr.  t.-p.  with  architectural  border ;  red  line  borders.  Leaves  6  and  16 
numbered  8  and  13  respectively;  p.  59  numbered  47. 

MT40.A2C19 

Les  raisons  des  forces  movvantes  auec  diuerses  machines  tant 
vtilles  que  plaisantes  aus  quelles  sont  adioints  plusieurs  desseings  de 
grotes  et  fontaines.  Par  Salomon  de  Cavs  .  .  .  Francfort,  En  la 
boutique  de  I.  Norton,  1615. 

3  V.  in  1.    illus.,  plates,  diagrs.  (I  double)     37^"™. 

The  general  t.-p.  and  the  special  t.-p.  of  "livre  "  2  are  illustrated  and  engraved. 

Vol.  2  has  special  t.-p.:  Livre  second  ov  sent  desseignees  plusieurs  grotes 
et  fontaines  propres  pour  I'ornement  des  palais,  maisons  de  plaisances  et  iardins. 
par  Salomon  de  Cavs  .  .  .     Francfort  .  .  .  1615. 

Vol.  3  has  special  t.-p.:  Liure  troisiesme  traitant  de  la  fabriqve  des  orgves. 
Par  Salomon  de  Cavs  .  .  .     Francfort  .  .  .  1615. 

"Mesures  de  madrigal,  Che  sera  sed  al  cielo.  d'  Alessandro  Strigio,  mis  en  tab- 
lature  par  Pierre  Filippe  " :  vol.  1,  1.  38  vM.  39  r°. 

TJ144.C4 

[Caux  de  Cappeval,  N.  de]  d.  1774. 

Apologie  du  gotit  franpois,  relativement  a  I'opera:  poeme,  avec  un 
Discours  apologetique,  et  des  Adieux  aux  Bouffons.     [n.  p.]  1754. 

2  p.  1.,  3-^0  p.    20'=°'. 

Engr.  t.-p.  The  "Adieux  aux  Bouffons'--  is  a  revised  version  of  "L'anti- 
scurra'-  {see  title) 

ML1727.33.C37 

Cavazza,  Manuel,  d.  1790. 

El  musico  censor  del  censor  no  musico,  6  Sentimientos  de  Lucio 
Vero  Hispano,  contra  los  de  Simplicio  Greco,  y  Lira.  Discurso  unico 
publicale  D.  Manuel  Cabazza  .  .  .     Madrid,  A.  Lopez  [etc.,  178-?] 

2  p.  1.,  176,  [4]  p.     M-^tt. 

The  work  was  completed  in  1786,  but  was  published  somewhat  later  (c/. 
Note  preceding  p.  1) 

"Es  contestacion  al  discurso  97  de  El  Censor  que,  abundando  en  las  ideas  de 
Eximeno,  habia  ridiculizado  los  artificios  de  loa  contrapuntistas." — Pedrell,  Dic- 
cionario  de  musicos. 

ML63.C37 

Cavelier,  Louise. 

See  Levesque,  Mme.  Louise  (Cavelier) 

[Gazette,  Jacques]  1719-1792. 

La  nouvelle  Rameide,  poeme,  revu,  corrige,  et  presque  refondu; 
par  M.  Rameau,  fils  &  neveu  de  deux  grands  hommes,  qu'il  ne  fera 
pas  revivre.     A  Amsterdam  {%.  e.  Paris]  1766. 

vj  p.,  1 L,  [9h30  p.    ISi''^. 

A  parody  on  Jean  Francois  Rameau'a  "La  Rameide." 

ML410.R2C3 


56  LIBBARY   OF   CONGRESS 

[Gazette,  Jacques] — Continued. 

Observations  sur  la  lettre  de  J.  J.  Rousseau  au  sujet  de  la  musique 
fran^oise  ...     [n.  p.]  1753. 

1  p.  1.,  19  p.     16|  X  Qio"*. 

ML1727.33.C38 

La  guerre  de  I'opera.  Lettre  ecrit  a  une  dame  en  province,  par 
quelqu'un  qui  n'est  ni  d'un  coin,  ni  de  I'autre.     [n.  p.,  1753] 

24  p.     \9''^. 
No.  2  in  a  volume  of  pamphlets  lettered  Quere[lle]  dea  Bouffo[ns] 

ML1727.33.A1 

Celles,  FranQois  Bedos  de. 

See  Bedos  de  Celles,  Franqols. 

Celma,  Gaspar  Francisco  Bartolome  Sanz  y. 

See  Sanz  y  Celma,  Gaspar  Francisco  Bartolome. 

Cendoni,  Giovanni. 

See  Allacci,  L.     Dranunaturgia,  1755. 

Cepede,  Bernard  Germain  fitienne  de  La  Ville  sur  Hlon,  comte 
de  la. 

See  Lacepede,  Bernard  Germain  Etienne  de  La  Ville  sur 
Illon,  comte  de. 

Cephise,  pseud. 

See  Levesque,  Mme.  Louise  (Cavelier) 

Cerf  de  La  Vieville,  Jean  Laurent  le. 

See   Le   Cerf   de   La   Vieville,   Jean   Laurent,    seigneur  de 
Freneuse. 

Cerone,  Domenico  Pietro,  h.  1566. 

...  El  melopeo  y  maestro.  Tractado  de  mvsica  theorica  y  pratica: 
en  que  se  pone  por  extenso,  lo  que  vno  para  hazerse  perfecto  musico 
ha  menester  saber:  y  por  mayor  facilidad,  comodidaci,  y  claridad  del 
lector,  esta  repartido  en  xxii.  libros  .  .  .  Compue^to  por  el  R.  D. 
Pedro  Cerone  .  .  .  Napoles,  Por  I.  B.  Gargano,  y  L.  Nucci,  impres- 
sores,  1613. 

8  p.  1.,  1160  p.,  1  1.     illus.,  diagrs.     30J''™. 

Title  in  red  and  black  within  line  border;  title  vignette.  On  verso  of  2d  leaf 
an  illustration  representing  the  Virgin  and  Child;  on  verso  of  3d  leaf,  coat  of 
arms  of  Philip  in  of  Spain;  on  verso  of  4th  leaf,  port,  of  Cerone. 

Errors  in  paging;  no.  294-295,  375-376  repeated;  no.  371-372,  1157-1158 
omitted . 

"A  work  .  .  .  founded  on  the  system  of  Zarlino;  indeed  there  is  some  reason 
to  believe  that  it  is  a  mere  redaction  of  a  work  with  the  same  title  which  Zarlino 
speaks  of  as  having  completed  in  ms.,  but  which  has  totally  disappeared." — 
Grove,  Diet,  of  music  (c/.  also  F^tis) 

MT6.A2C3 

See  also  Guzman,  J.  de.     Cvriosidades  del  cantollano,  1709. 


EABLY  BOOKS  ON  MUSIC  57 

Cerreto,  Scipione,  h.  1551. 

Scipione  Cerreto  Napolitano.  Delia  prattica  mvsica  vocale,  et 
strvmentale,  opera  necessaria  a  coloro,  che  di  musica  si  dilettano. 
Con  le  postille  poste  dall'  avtore  a  maggior  dichiaratione  d'alcune 
cose  occorrenti  ne'  discorsi.     Napoli,  G.  I.  Carlino,  1601. 

4  p.  1.,  335,  [1]  p.     illus.  (port.)  diagr.    21'^'". 

Head  and  tail  piece;  initials;  eide-noteB.  On  t.-p.  is  a  short  four  part  eong 
without  key  (Omnes  per  ostium  intrant)  each  part  forming  the  side  of  a  square. 

MT6.A2C38 

Ceruti,  Giacinto,  h.  1737  ?  translator. 

See  BuONANNi,  F.     Descrizione  degl'  istromenti  armonici,  1776. 

Chabanon,  Michel  Paul  Gui  de,  1730-1792. 

filoge  de  M.  Rameau,  par  M.  Chabanon  .  .  .  Paris,  Impr.  de  M. 
Lambert,  1764. 

63,  [1]  p.     19<^". 

"Ouvrages  de  musique,  par  M.  Rameau":  p.  58-59.  "Ouvrages  de  theorie": 
p.  60-63. 

ML410.R2C4 

Observations  sur  la  musique,  et  principalement  sur  la  metaphy- 
sique  de  I'art  .  .  .     Paris,  Pissot,  pere  &  fils,  1779. 

2  p.  1.,  XX,  215,  [1]  p.     lOJ^™. 
At  end:  "  Fin  de  la  premiere  partie."     No  more  published  of  this  edition. 

ML3800.A2C4 

De  la  musique  consideree  en  elle-meme  et  dans  ses  rapports 

avec  la  parole,  les  langues,  la  po^sie,  et  le  theatre  .  .  .     Paris,  Pissot, 
1785. 

2  p.  1.,  459,  [1]  p.     20^^™. 

A  rev.  edition  of  the  "Observations  sur  la  musique,"  with  an  additional 
part,  "Des  proprietes  musicales  des  langues"  and  "Considerations  eur  les 
langues." 

ML3800.A2C5 

Ueber  die  musik  und  deren  wirkungen,  mit  anmerkungen  hrsg. 


von  Johann  Adam  Hiller.     Leipzig,  F.  G.  Jacobaer  und  sohn,  178L 

xxviii,  228  p.     18  x  10*'''". 

A  translation  of  Chabanon 's  "Observations  sur  la  musique." 

ML3800.A2C43 

Chagas,  Lulz  das,  d.  1640. 

See  Raymundo  da  Conver^ao.     Manval  de  tvdo  o  qve  se  canta 
fora  do  choro,  1675. 

[Chastellux,  Frangois  Jean,  marquis  de]  1734-1788. 

Essai  sur  T union  de  la  poesie  et  de  la  musique.     A  La  Haye,  et  se 
trouve  a  Paris,  chez  Merlin,  1765. 

1  p.  1.,  iv,  94  p.    17'="'. 

ML3849.A2C5 


58  LIBRARY   OF   CONGRESS 

[Chateauneuf,  FranQois  de  Castagneres,  ahhe  de]  d.  1709. 

Dialogue  sur  la  musique  des  anciens.     A  Monsieur  de  *  *  *.     Paris, 

N.  Pissot,  1725. 

4  p.  1.,  126,  [4]  p.,  1 1.     VII  pi.     17  X  9^"'^. 

Published,  with  a  preface,  by  Jacques  Morabin. 

ML169.A2C4 

Chauncey,  Nathaniel,  1681-1756. 

Kegular  singing  defended,  and  proved  to  be  the  only  true  way  of 
singing  the  songs  of  the  Lord;  by  arguments  both  from  reason  and 
Scripture:  having  been  heard  and  approved  of,  by  the  General  asso- 
ciation at  Hartford,  May- the  12th.  1727.  with  their  recommendation 
of  it  to  the  pubUck.  By  Nathaniel  Chauncey  ...  N.  London,  T. 
Green,  1728. 

2  p.  1.,  54  p.     15^'''°. 

Half-title:  Mr.  Chauncey 'a  arguments  for  regular  singing. 

George  Hood,  Hist,  of  music  in  New  England,  Boston,  1846,  quotes  Chauncey 'a 
arguments  at  some  length,  apropos  of  the  discussion  which  was  going  on  at  the 
time  concerning  a  reform  in  church  music. 

ML3001.C49 

[Chevrier,  Frangois  Antoine]  1721-1762. 

Constitution  du  Patriarche  de  I'Opera.  Qui  condamne  cent  une 
propositions  extraites  de  deux  ecrits  intitules :  Reflexions  sur  les  vrais 
principes  de  Fharmonie,  &  Lettre  sur  I'origine  &  les  progres  de  I'Aca- 
demie  royale  de  musique.     Cytheropolis  [i.  e.  Paris]  1754. 

32  p.     16i<"°. 

Author's  pseud,  follows  caption  title  (Pancrace  .  .  .  archevSque  de  Cythero- 
polis, &  patriarche  de  I'Opera) 

Reprint  of  "La  constitution  de  I'Opera,"  Amsterdam  [Paris?]  1736.  At- 
tributed to  Chevrier. 

ML1727.33.C39 

Chiavelloni,  Vincenzo. 

Discorsi  della  mvsica,  composti  da  Vincenzo  Chiavelloni  ,  .  .  Roma, 
I.  de  Lazeri,  1668. 

8  p.  1.,  5.56  p.     25'^°». 

Added  t.-p.,  engr.;  printer's  mark  (?)  on  t.-p. 

ML3920.A2C4 

Chiodino,  Giovanni  Battista. 

Arte  prattica  &  poetica,  das  ist :  Ein  kurtzer  unterricht  /  wie  man 
einen  contrapunct  machen  und  componiren  sol  lernen  (in  zehen 
bucher  abgetheilet)  sehr  kilrtz-  und  leichtlich  zu  begreilfen:  so  vor 
diesem  von  Giov.  Chiodino  latein-  und  italienisch  beschrieben 
worden.  Dessgleichen :  ii,  Ein  kurtzer  tractat  und  vnterricht  /  wie 
man  einen  contrapunct  h  mente,  non  k  penna  .  .  .  componiren  und 
setzen  soUe:  vnd  letzUchen:  in.  CoroUarii  loco :  eine  mstruction  und 
vnterweisung  zum  general-bass  ...  in  die  hochteutsche  sprach 
vereetzet  .  .  .  anjetzo  pubUciret  und  zum  truck  verfertiget  /  durch 
Johann-Andream  Herbst  .  .  .  Getruckt  zu  Franckfurt  /  bey  A. 
Hummen,  in  verlegung  /  T.  M.  G6tzens,  1653. 

4  p.  1.,  48  p.     20  X  16J<='". 

The  last  part  (p.  43-47)  has  caption:  .  .  .  CoroUarii  loco,  eine  kurtze  instruc- 
tion .  .  .  zum  general-bass:  vor  diesem  von  Wolff  Ebner  .  .  .  lateinisch  be- 
schrieben /  nun  aber  ...  in  die  teutsche  sprach  versetzet  durch  J.  A.  H. 

MT55.A2H5I 


EARLY  BOOKS   ON   MUSIC  5\> 

[Choquel,  Henri  Louis]  d.  1767. 

La  musique  rendue  sensible  par  la  mechanifiue,  qu  Nouveau 
systeme  pour  apprendre  facilement  la  musique  soi-meme.  Ouvrage 
utile  et  curieux.     Nouv.  ed.  .  ,  .     Paris,  C.  Ballard,  1762. 

3  p.  1.,  19,  10,  [xi]-xiv,  213,  [4]  p.    2  fold,  tab.,  diagra.     20*"°. 

Title  vignette.     Dedication  signed:  Choquel. 

"La  m^thode  de  Choquel  consiste  a  enseigner  I'intonation  par  I'usage  du 
monocorde,  et  la  mesure  par  le  chronom^tre." — F6tis,  Biog.  univ.  dea  rausiciens. 

MT7.A2C54 

Christmann,  Johann  Friedrich,  1752-1817,  editor. 
See  MusiKALiscHE  real-zeitung  [1788-90] 

Cizzardi,  Liborio  Mauro. 

II  tutto  in  poco,  overo  II  se^eto  scoperto;  composto  da  Liborio 
Mauro  Cizzardi  ...  diviso  in  cinque  libri,  ne'  quali  si  mostra  un 
modo  facilissimo,  per  imparare  if  vero  canto  fermo  con  le  giuste 
regole,  e  con  alcune  altre  osservazioni  necessarie  ad  un  cantore  .  .  . 
Parma,  G.  Rosati,  1711. 

6  p.  1.,  166,  [2]  p.     illu3.,  3  pi.     30J<"". 

Title  vignette:  coat  of  arms. 

MT860.A2C54 

[Clagget,  Charles] '1740?-1820? 

Musical  phaenomena,  founded  on  unanswerable  facts;  and  a  proof 
that  musical  instruments  have  been  hitherto  fabricated  on  [!]  the 
most  uncertain,  therefore  the  most  improper  materials  .  .  .  This 
work  will  extend  to  several  numbers.  No.  i.  contains  an  account  of 
the  aiuton,  and  the  cromatic  trumpets  and  the  French  horns,  capable 
of  fine  tune  and  regular  harmony  m  all  the  keys  in  use,  minor  as  well 
as  major.     London,  Printed  for  the  author,  1793. 

4  p.  1.,  [7]-22,  4  p.     illua.     29^  x  23<^'". 

Added  t.-p.:  No.  "1  of  Musical  phaenomena.  An  organ,  made  without  pipes, 
strings,  bells,  or  glasses  ...  a  cromatic  trumpet,  capable  of  producing  just 
intervals  and  regular  melodies  in  all  keys  .  .  .  without  undergoing  any  change 
whatever;  a  French  horn,  answering  the  above  description  of  the  trumpet  .  .  . 
The  above  instruments  .  .  .  may  be  seen  and  heard  at  the  Musical  museum, 
Greek  street,  Soho  .  .  . 

Prefixed  is  a  portrait  of  Clagget,  which  according  to  Grove  was  published  with 
his  "Discourse  on  musick,"  1793.  An  advertisement  of  Clagget's  Musical 
museum  is  appended. 

ML1055.A2C5 

Clemens  XTTT,  pope,  1693-1769. 

Sanctissimi  in  Christo  patris,  et  domini  nostri  domini  dementis 
divina  providentia  papse  xiii.  constitutio  svper  regimine  &  direc- 
tione  Collegii  cantorum  Pontificise  cappellae;  cvm  opportunis  ordina- 
tionibus.  Romae,  ex  typographia  reverendse  Camerae  apostolicse, 
1762. 


xii  p.     25  X  19<=". 
Title  vignette;  head-piece.     Signed:  N.  card.  Antonellus. 


ML291  1762 


60  LIBRARY   OF   CONGRESS 

Clement,  Charles  Frangois,  h.  1720? 

Essai  sur  raccompagnement  du  clavecin,  pour  parvenir  facilement 
&  en  pen  de  terns  k  accompagner  avec  des  cmffres  ou  sans  chiffres  par 
les  pnncipes  les  plus  clairs  &  les  plue  simples  de  la  composition.  Par 
M.  Clement.     Paris,  Impr.  de  C.  Ballard,  1758. 

22  p.     20  X  25J''".  MT68.A2C6 

Essai  sur  la  basse  f ondamentale ;  pour  servir  de  supplement  a 


I'Essai  sur  I'accompagnement  du  clavecin,  &  d'introduction  a  la  com- 
position-pratique .  .  .  Par  M.  Clement  .  .  .  Paris,  Impr.  de  C.  Bal- 
lard, 1762. 

35  p.    20  X  25^"^™.     ( TFi7/s  Ai«  Essai  sur  raccompagnement  du  clavecin.    Paris, 
1758) 

MT68.A2C6 

[Clement,  Jean  Marie  Bernard]  1742-1812. 
Anecdotes  dramatiques  .  .  ,     Paris,  Veuve  Duchesne,  1775. 
3  V.     17i^". 

By  Clement  and  the  Abb6  de  Laporte. 

Title  in  full:  Anecdotes  dramatiques,  con  tenant,  1°.  Toutes  les  pieces  de 
theatre,  tragedies,  comMies,  pastorales,  drames,  opera,  opera-comiques,  para- 
des, proverbes,  qui  ont  ^te  joues  a  Paris  ou  en  province,  sur  des  theatres  publics, 
ou  dans  des  societes  particulieres,  depuis  I'origine  des  spectacles  en  France, 
jusqu'a  I'annee  1775,  ranges  par  ordre  alphabetique.  2°.  Tous  les  ouvrages 
dramatiques  qui  n'ont  ete  representes  sur  aucun  theatre,  mais  qui  sout  imprimis, 
ou  conserves  en  manuscrits  dans  quelques  bibliotheques.  3°.  Un  recueil  de 
tout  ce  qu'on  a  pu  rassembler  d'anecdotes  imprimees,  manuscrites,  verbales, 
connues  ou  peu  connues;  d'evenements  singuliers,  serieux,  ou  comiques;  de 
traits  curieux,  d'epigrammes,  de  plaisanteries,  de  naivetes  &  de  bons-mots, 
auxquels  ont  donne  lieu  les  representations  de  la  plupart  des  pieces  de  theatre, 
Boit  dans  leur  nouveaute,  soit  a  leurs  reprises.  4°.  Les  noms  de  tous  les  auteurs, 
poetes  ou  musiciens,  qui  ont  travaille  pour  tous  nos  theatres;  de  tous  les  acteurs  . 
ou  actrices  celebres  qui  ont  joue  a  tous  nos  spectacles,  avec  un  jugement  de  leura 
ouvrages  &  de  leurs  talents,  un  abrege  de  leur  vie,  &  des  anecdotes  sur  leura 
personnes.  5°.  Un  tableau,  accompagn^  d'anecdotes,  des  theatres  de  toutes  les 
nations. 

ML102.O6C6 

Bibliotheque  des  theatres,  dictionnaire  dramatique  .  .  .    Paris, 

Veuve  Duchesne,  1784. 

3  V.     front,  (port.)     17<^™. 

Caption  title:  Anecdotes  dramatiques. 

PN2208.C4 

[Cleonides] 

EukMooj  Eicayaj-j'rj  dpfiovcicTj.  Too  auzou  Kararofiij  kouovoc-  Euclidis 
Rudimenta  mvsices.  Eiusdem  Sectio  regulse  harmonicas.  E  Regia 
bibliotheca  desumpta,  ac  nunc  primiim  grsece  &  latine  excusa, 
loanne  Pena  regio  mathematico  mterprete  .  .  .  Parisiis,  apud  A. 
Wechelum,  sub  Pegaso,  1557. 

2  p.  1.,  .S-16,  10  numb.  1.     20^^". 

Printer's  mark  on  t.-p. 

The  Rudimenta  musices  is  now  attributed  to  Cleonides. 

ML171.E9 

See  also  Meibom,  M.,  translator.     Antiqvse  mvsicse  avctores,  1652. 


EARLY  BOOKS  ON  MUSIC  61 

Clerc,  Jean  Baptiste  le. 

See  Leclerc,  Jean  Baptiste. 

Cochlaeus  i.  e.  Johannes  Dobnek,  of  Wendelstein,  1479-1552. 

Tetrachordu  musices  Joannis  Coclei  Norici  .  .  .  Nurnbergae  aedi- 
tum:  pro  iuuentute  laurentiana  in  primis:  dein  pro  ceteris  quoqj 
musarum  tyrunculis  .  .  .  Hvivs  tetrachordi  qvatvor  tractatus,  quoru 
quilibet  decern  capita  complectitur.  Primus,  De  musices  elementis; 
secundus,  De  musica  gregoriana;  tertius,  De  octo  tonis  meli;  quar- 
tus,  De  musica  mensurali.  [Colophon:  C  Finis  Tetrachordi  musices 
Nurnbergse  iinpressi  in  officina  excusoria  Friderici  Peypus  anno 
salutis  1514] 

[59]  p.     20i'^°'. 

Ist  edition,  Nuremberg,  1511.    Said  to  be  based  on  his  "Musica,"  Cologne, 
1507. 

ML171.C66 

Coferati,  Matteo. 

II  cantore  addottrinato,  ovvero  Regole  del  canto  corale,  oue  con 
breue,  e  facil  metodo  s'insegna  la  pratica  de'  precetti  piti  necessarj  del 
canto  fermo;  il  modo  di  mantenere  il  coro  sempre  alia  medesima 
altezza  di  voce;  di  ripigliare  done  resta  I'organo;  d'intonare  molte 
cose,  che  fra  I'anno  si  cantano;  ed  in  particolare  tutti  gl'  inni.  Con 
varie  aggiunte  dell'  autore  in  questa  seconda  impressione.  Opera  di 
Matteo  Coferati  .  .  .     Firenze,  II  Vangelisti  [1691 J 

xvj,  391  p.    illus.     15""". 

MT860.A2C67 

Manvale  degli  invitatorj  c5  suo'  salmi  da  cantarsi  nell'  ore  cano- 
niche  per  ciascuna  festa,  e  feria  di  tutto  I'anno:  nell'  Vfizio  paruo 
della  Beatissima  Vergine,  e  de'  morti.  Coll'  aggiunta  delle  sequenze, 
e  lor  canto,  e  antifone  da  cantarsi  alia  distribuzione  delle  candele,  e 
delle  palme.  Opera  raccolta  da  Matteo  Coferati  .  .  .  Firenze,  V. 
Vangelisti  stamp.,  1691. 

vij,  196  p.     15''°'. 

MT860.A2C39 

Coll,  Antonio  Martin  y. 

See  Martin  y  Coll,  Antonio. 

CoUe,  Francesco  Maria,  1744-1815. 

Dissertazione  sopra  il  quesito:  Dimostrare,  che  cosa  fosse,  e 
quanta  parte  avesse  la  musica  nelV  educazione  de'  Greci.  qual  era  la 
forza  di  una  siffatta  istituzione,  e  qual  vantaggio  sperar  si  potesse, 
se  fosse  introdotta  hel  piano  della  moderna  educazione,  })resentata 
dal  Signor  Francesco  Maria  Colle  de'  nobili  di  S.  Bartolommeo  de 
Colle,  e  de'  conti  di  Cesana,  Bellunese,  socio  dell'  Accademia  lette- 
raria,  e  georgica  di  Belluno  al  concorso  dell'  anno  1774  .  .  .  Mantova, 
Per  I'erede  di  A.  Pazzoni,  stampatore,  1775. 

140  p.     27^  X  20'''". 

" Corona tadalla  Reale  accademia  di  scienze  e  belle  lettere  di  Mantova." 

ML1G9.A2C6 

Collier,  Joel,  pseud. 
See  Veal,  George. 


62  LIBBARY   OF   CONGRESS 

Colonna,  Fabio,  1567-1650. 

La  sambvca  lincea,  overo  Dell'  istromento  mvsico  perfetto  lib.  lu. 
di  Fabio  Colonna  Linceo,  ne'  quali  oltre  la  descrittione,  et  costruttione 
deir  istromento  si  tratta  della  diuisione  del  monacordo:  della  pro- 
portione  de  tuoni,  semituoni,  et  lor  minute  parti.  Della  differenza 
de  tre  geni  di  musica,  de  gradi  enarmonici  et  chromatici:  et  in  che 
differiscano  da  quelli  de  gli  antichi  I'osseruati  et  descritti  dall'  autore; 
con  gli  esempi  di  numeri,  di  musica,  et  di  segni  .  .  ,  Con  I'organo 
hydraulico  di  Herone  Alessandrino  dichiarato  aall'  istesso  autore  .  ,  . 
Napoli,  C.  Vitale,  1618. 

3  p.  1.,  116  p.     illus.,  port.,  tables.     21<"°. 

Title  within  architectural  border. 

ML697.A2C75 

Comes  y  de  Puig,  Bernardo. 

Fragmentos  musicos.  Caudalosa  fuente  gregoriana,  en  el  arte  de 
canto  llano.  Cuyos  fundamentos,  teorica,  reglas,  practica,  y  exem- 
plos,  copiosamente  se  explican  sobre  los  ocho  tonos,  con  sus  entradas, 
clausulaciones  finales,  y  diversidad  de  seculorums,  que  en  la  obra  se 
manifiestan.  Con  la  addicion  de  las  processiones  mas  solemnes,  que 
en  la  santa  iglesia  se  practican.  For  el  P.  Fr.  Berardo  Comes,  y  de 
Pvig  .  .  .     Barc[elona]  Herederos  de  J.  Pablo,  y  M.  Marti,  1739. 

11  p.  ].,  197,  [3]  p.    fold.  tab.    20'='". 

MT860.A2C7 

[Compan,  Charles]  h,  ca.  1740. 

Dictionnaire  de  danse,  contenant  Thistoire,  les  regies  &  les  prin- 
cipes  de  cet  art,  avec  des  reflexions  critiques,  &  des  anecdotes  curi- 
euses  concernant  la  danse  ancienne  &  moderne;  le  tout  tire  des 
meilleurs  auteurs  qui  ont  6crit  sur  cet  art  .  .  .  Paris,  Cailleau  [etc.] 
1787. 

1  p.  1.,  [v]-xvj,  395,  [2]  p.     ly^". 

Dedication  signed:  Compan. 

GV1585.C7 

Coinx)endiu  musices  ||  confectu  ad  faciliore  instructione  can-  ||  turn 
chorale  discentiu:  necno  ad  intro-  ||  ductione  huius  Hbelli:  qui 
Catorinus  II  intitulatur:  omnibus  diuino  cultui  de-  ||  ditis  putilis  i 
necessarius:  vt  in  tabula  ||  hie  immediate  secjueti  latius  apparet. 
[wdct.]  [Colophon:  ([  Finis  Cantorini  Romani :  impressi  ||  \  enetijs 
p  dnm  Lucantoniti  de  ||  Giunta  Florentinu3:  Anno  ||  dni  millesimo 
ongente  !|  simo  tertiodecimo  ||  die  vo  tertia  ||  decebris.  jl  .  81  .  || 
Kegistrum.  !J  A  .  .  .  P.  [|  Omnia  sunt  quaterna.]  ||  [Printer's  mark 
of  Lucantomo  Giunta,  m  red] 

t.-p.,  [2]-120  numb.  1.  incl.  2  diagr.,  wdcts.     14^^^™. 

Printed  in  red  and  black;  gothic  type;  initials.  Sig.  Aij  and  Bij  are  wrongly 
signed  Pij,  and  for  Biiij  stands  Aiiij. 

The  Comf)endium  ends  with  1.  16,  r°.  At  foot  of  page:  C  Hie  modus  cantadi 
revelat'  fuit  a  dno  ieau  chri- 1|  sto  sancte  Brigide  vidue:  vt  habet  in  suo  volumine 
I  II  in  libro  extrauaganti  cap.  iiij. 

The  Cantorinus  begins  with  1.  17,  and  has  caption:  Catorinus.  ||  C  Romani 
cantus  vtilissimu  ropedi-  ||  olu:  ola  diuino  officio  p-soluedo  ?cerne  |l  tia  i  se 
includes:  clericis  oibus    Z  diuino  ||  cultui  dedicatis  pmaxime  necessariu. 

MT860.A2C73 


EARLY  BOOKS   ON   MUSIC  63 

Compendiu  musices — Continued. 

Tractatvs   mvsices  .  .  .     [Colophon:  Impressum  Venetijs  per 


Joannem  Baptistam  Sessa] 

8 1.    20^"™. 

Guidonian  hand  on  t.-p.  with  the  letters  I.  B.  S. ;  printer's  mark  at  end;  gothic 
type.    Signatures:  a-b  in  fours. 

II  presente  trattatello  6  fedelissima  copia  del  Compendium  musices  posto  nelle 
prime  carte  di  tutti  gli  antichi  Cantorini.  L'operetta  qui  citata  fu  per  certo  data 
in  luce  nel  principio  del  sec.  xvi." — Gaspari,  Catalogo  d.  bibl.  d.  Liceo  musicale 
di  Bologna. 

ML171.T81 
See  also  Cantorinus. 

Compendium  regularum  generalium  cantus  ecclesiastici  regularis, 
seu  plani.  Pro  instrvctione  novitiorvm  secundum  usum  FF.  ordinis 
Prsedicatorum.     Romae,  ex  typographia  H.  Mainardi,  1736. 

28  D      18*^™ 

MT860.A2D67 

Comipleat  instructions  for  the  German  flute,  containing  the  easiest 
&  most  modern  methods  for  learners  to  obtain  a  proficiency,  care- 
fully corrected  by  the  most  eminent  masters.  To  which  is  added, 
a  favourite  collection  of  minuets,  marches,  song  tunes  &  duetts, 

f)roperly    dispos'd    for   that  instrument  .  .  .     London,   J.   Bland 
178-?] 

1  p.  1.,  36  p.     front.     17  x  24«™.     (With  Entire  new  .  .  .  instructions  for  the 
fife.    London  [17—]) 

Caption  title:  New  instructions  for  the  German  flute  and  the  method  of  double 
tongueing  with  proper  examples.    Engraved  throughout. 

MT356.A2E62 

New  instructions  for  the  German  flute  and   the  method  of 

double  tongueing,  with  proper  examples  &c.     [n.  p.,  n.  d.] 

32  p.     23«™. 

Caption  title.     Title-page  wanting? 

MT342.A2N5 

New  instructions  for  the  German  flute,  containing  the  easiest 


and  most  modern  methods  for  learners  to  play.  To  which  is  added 
a  favorite  collection  of  minuets,  marches,  song  tunes,  duets,  &c. 
Also  the  method  of  double  tongueing.  And  a  complete  scale  and 
description  of  the  German-flute  with  all  the  additional  keys,  invented 
by  M'  Tacet.     London,  Longman  &  Broderip  [17 — ] 

1  p.  1.,  42  p.     front.     17  x  24''™.     (With  Entire  new  .  .  .  instructions  for  the 
fife.     London  [17—]) 

Engraved  throughout.     Frontispiece  colored  by  hand. 

MT356.A2E62 
Compleat  instructions  for  the  violin  [ca.  1790?] 

See  Geminiani,  F. 

The  compleat  tutor  for  the  fife,  containing  easy  rules  for  learners 
after  a  new  method,  with  a  choice  collection  of  all  the  celebrated 
marches  that  are  played  upon  that  instrimient  which  all  are  in  proper 


keys  for  the  German  flute.     London,  D.  Rutherfoord  [1756  ?^ 

1  p.  1.,  21  p.     23^°'. 
Engraved  throughout 


MT356.A2E6 


64  LIBRARY  OF   CONGRESS 

The  compleat  tutor  for  the  fife — Continued. 

New  and  complete  instructions  for  the  fife,  containing  the  best 


\ 


and  easiest  directions  to  learn  that  instrument,  with  a  collection  of 
the  most  celebrated  marches,  airs,  &c.  performed  in  the  Guards  and 
other  regiments  .  .  .     London,  G.  Goulding  [17 — 1 

1  p.  1.,  26,  [6]  p.  17  X  24°'".  {With  Entire  new  .  .  .  instructions  for  the  fife. 
London  [17—]) 

Engraved  throughout. 

MT356.A2E62 

— —  Entire  new  and  compleat  instructions  for  the  fife;  containing  the 
best  and  easiest  directions  to  learn  that  instrument,  with  a  collec- 
tion of  the  most  celebrated  marches,  airs  &c  perform' d  in  the  Guards 
&  other  regiments.  N.  B.  The  tunes  in  tnis  book  are  proper  for 
the  German  flute.     London,  J.  Preston  [1780?] 

1  p.  1.,  32  p.     front.     17^  x  25^'"°. 

Engraved  throughout. 

MT356.A2E61 

Entire  new  and  compleat  instructions  for  the  fife,  containing  the 

best  and  easiest  directijons  to  learn  that  instrument,  with  a  coUec^ 

_  tion  of  the  most  celebrated  marches,  airs  &c  perform' d  in  the  Guards 
&  other  regiments.  N.  B.  The  tunes  in  this  book  are  proper  for  the 
German  flute.     London,  Printed  by  Longman  and  Broderip  [17 — ] 

1  p.  1.,  36  p.     front.     17  x  24''". 

Engraved  throughout.    Frontispiece  colored  by  hand. 

MT356.A2E62 

The  compleat  tutor  for  the  German  flute,  containing  the  best  and 
easiest  instructions  for  learners  to  obtain  a  proficiency.  Trans- 
lated from  the  French.  To  which  is  added  a  choice  collection  of  y® 
most  celebrated  Italian,  English,  &  Scotch  tunes,  curiously  adapted 
to  that  instrument.     London,  J.  Simpson  [17 — ] 

30,  2  p.     front.     21^^°^. 

Engraved  throughout. 

Apparently  a  much  altered  edition  of  "The  newest  method  for  learners  on  the 
German  flute"  which  forms  the  third  part  of  Peter  Prelleur's  "Modern  musick- 
master,"  London,  1738.  The  "Newest  method"  is  itself  a  free  translation  from 
Hotteterre's  "Principes  de  la  flute  traversiere,"  Amsterdam,  1708. 

MT342.A2C76 

The  compleat  tutor,  for  the  German  flute;  containing  the  best 


and  easiest  instructions  for  learners  to  obtain  a  proficiency.  Trans- 
lated from  the  French.  To  which  is  added  a  choice  collection  of  y® 
most  celebrated  Italian,  English  &  Scotch  tunes;  curiously  adapted 
to  that  instrument.     London,  J.  Fentum  [n.  d.] 

32  p.     2W' 


MT342.A2C7 


—  The  compleat  tutor  for  the  German  flute,  containing  the  best 
and  easiest  instructions  for  learners  to  obtain  a  proficiency.  Trans- 
lated from  the  French.  To  which  is  added  a  choice  collection  of  y* 
most  celebrated  Italian,  English,  &  Scotch  tunes  curiously  adapted 
to  that  instrument.     London,  J.  Johnson  [17 — ] 

Ip.  l.,36p.     front.,  fold.  pi.     22'=°'. 
Engra>'ed  throughout.  MT342.A2C78 


EAELY  BOOKS  ON  MUSIC  ^      65 

The  compleat  tutor  for  the  German  flute — Continued. 

The  compleat  tutor  for  the  flute.     Containing  the  best  and 

easiest  instructions  for  learners  to  obtain  a  proficiency.  To  which 
is  added  a  choice  collection  of  the  most  celebrated  Italian,  English, 
and  Scotch  tunes.  Curiously  adapted  to  that  instrument.  Lon- 
don, J.  Johnson  [17 — ] 

Ip.  l.,36p.    front.     22<="'.  MT342.A2C79 

The  compleat  tutor  for  the  harpsichord  or  spinnet ;  wherein  is  shewn 
the  Italian  manner  of  fingering,  with  suits  of  lessons  for  beginners  & 
those  who  are  already  proficients  on  that  instrument  &  the  organ: 
with  rules  for  tuneing  the  harpsichord  or  spinnet.  London,  P. 
Thompson  [175-] 

2  p.  1.,  33  p.     front.     21^"™. 

Engraved  throughout. 

Forms  the  sixth  part  of  Peter  Prelleur's  "Modem  musick-master, "  London, 
1738,  where  it  appears  under  title  "The  harpsichord  illustrated  and  improv'd." 
In  the  present  edition  the  "Rules  for  attaining  to  play  a  thorough  bass"  are 
omitted  and  a  part  of  the  musical  examples  of  the  earlier  edition  have  been  re- 
placed by  others. 
Copy  2.     23i'"". 

Imperfect,  wanting  last  leaf. 

MT252.A2C76 

See  also  The  harpsichord  illustrated  [174 — ] 

Conceigao,  Angelo  da. 

See  Angelo  da  Concei^ao. 

Conceigao,  Bernardo  da. 

See  Bernardo  da  CoNCEigXo. 

Conceigao,  Manuel  da. 

See  Manuel  da  Concei^ao, 

Contamine,         Cousin  de. 

See  Cousin  de  Contamine. 

[Contant  d'Orvllle,  Andre  Guillaume]  1730?-1800. 

Histoire  de  I'opera  bouffon,  contenant  les  jugemens  de  toutes  les 
pieces  qui  ont  paru  depuis  sa  naissance  jusqu'a  ce  jour.  Pour  servir 
a  riiistoire  des  theatres  de  Paris  ...  A  Amsterdam,  et  se  trouve  a 
Paris,  chez  Grange',  1768. 

2  V.  (v.  1:  4p.  1.,  266,  [2]  p.;  v.  2:  2  p.  1.,  214,  [2]  p.)     17''^. 

Vol.  2  dated  1748  by  printer's  error. 

"Cet  ouvrage  esfc  I'amusement  de  deux  freres,  q^ui  .  .  .  toujours  separes  I'un 
de  I'autre,  se  sent  rendu  compte  des  bagatelles  qui  .  .  .  fixoient  rattention  du 
public . '  '^A  vertissement . 

ML1727.3.A2C6 

Contant  de  La  Molette,  Philippe  du. 

See  Du  Contant  de  La  Molette,  Philippe. 

Conver§ao,  Raymundo  da. 

See  Raymundo  da  CoxvERgAO. 

51234°— 13 5 


66  LIBRARY   OF   CONGRESS 

[Coqueau,  Claude  Philibert]  d.  1794. 

Entretiens  sur  Fetat  actuel  de  Fopera  de  Paris.  Amsterdam,  et 
se  trouve  a  Paris,  chez  Esprit,  1779. 

vi,  [71-174  p.     21'='". 

ML1727.35.C67 

Suite  des  Entretiens  sur  I'^tat  actuel  de  I'op^ra  de  Paris,  ou 

Lettres  a  M.  S.  ...  [i.  e.  Suard]  auteur  de  Textrait  de  cet  ouvrage 
dans  le  Mercure.     [Paris,  1779] 

iv,  [5]-48  p.     19i''". 

ML1727.35.C672 

Corrette,  Michel. 

Le  maitre  de  clavecin  pour  I'accompagnement,  methode  theorique 
et  pratique,  qui  conduit  en  tres  peu  de  terns  a  accompagner  a  livre 
ouvert.  Avec  des  lemons  chantantes  ou  les  accords  sont  notes  pour 
faciliter  1' etude  des  commen^ans.     Ouvrage  utile  a  ceux  qui  veulent 

f)arvenir  a  I'excelence  de  la  composition.     Le  tout  selon  la  regie  de 
'octave  et  de  la  basse  fondamentale.     Par  Monsieur  Corrette  .  .  . 
Paris,  L' auteur  [etc.]  1753. 

3  p.  1.,  94  p.    30^^°. 

Engraved  throughout. 

MT68.A2C7 

Methode  pour  apprendre  aisement  a  jouer  de  la  flute  traversiere. 
Avec  des  principes  de  musiq^ue,  et  des  brunettes  a  i.  et  ii.  parties. 
Ouvrage  utile  et  curieux,  qui  conduit  en  tres  peu  de  tems  a  la  par- 
faite  connoissance  de  la  musique  et  a  jotier  a  livre  ouvert  les  sonates 
et  concerto.  Par  M"^.  Corrette  . .  .  Paris,  Chez  Fauteur;  [etc.,  etc., 
177-?] 

2  p.  1.,  50  p.     front.     26  x  1^"^. 

Engraved  throughout. 

MT342.A2C8 

Methode,  theorique  et  pratique.  Pour  apprendre  en  peu  de  tems 
le  violoncello  dans  sa  perfection.  Ensemble  des  principes  de  musique 
avec  des  lepons  a  i,  et  ii,  violoncelles.     La  division  de  la  corde  pour 

{)lacer  s'il  on  veut  dans  les  commencemens,  des  lignes  traversalles  sur 
e  manche  du  violoncelle.  Plus  une  petite  methode  particuhere  pour 
ceux  qui  jotient  de  la  viole,  et  qui  veuUent  joiier  du  violoncelle. 
Compos^e  par  Michel  Corrette.  xxiv.®  ouvrage  .  .  .  Paris,  Chez 
Fauteur;  [etc.,  etc.]  1741. 

3  p.  1.,  46  p.     front.,  illus.     29  x  22<=™. 


Engraved  throughout. 

"Catalogue  des  ouvrages  de  M'.  Corrette":  [1]  p.  preceding  p.  1. 


MT302.A2C824 


Le  parfait  maitre  a  chanter,  methode  pour  apprendre  facilement 
la  musique  vocale  et  instrumentale,  ou  tous  les  principes  sont  d6ve- 
lopes  nettement  et  distinctement.  Avec  des  lemons  dans  le  gout 
nouveau  ^  une  et  a  deux  parties,  ce  gui  enseigne  en  tres  peu  de  tems 
h,  solfier  toutes  sortes  de  musique  a  livre  ouvert,  et  des  regies  invari- 
ables  pour  ceux  qui  veulent  se  servir  de  la  transposition  .  .  .     Par 


EARLY  BOOKS   ON   MUSIC  67 

Corrette,  Michel — Continued. 

Michel  Corrette  .  .  .     Nouv.  ed.  auguementee  de  nouveaux  signes  de 
musique  et  d'airs  a  chanter.     Paris,  Chez  I'auteur  [1782] 

1  p.  1.,  A-B,  61  p.     front.     29«™. 

Engraved  throughout;  line  borders.  Label  of  Melle.  Castagnery  mounted 
over  imprint. 

MT6.A2C56 

Corsetti,  Francesco,  d.  1774,  translator. 

See  Brown,  J.     Dell'  origine  .  .  .  della  poesia,  1772, 

Corvinus,  Johannes  Michaelis. 
See  Ravn,  Hans  Mikkelsen. 

[Coste  d'Arnobat,  Charles  Pierre]  &.  1732. 

Doutes  d'un  Pyrronien,  proposes  amicalement  a  J.  J.  Rousseau  .  .  . 
[Paris]  1753. 

1  p.  1.,  36  p.     17^"™. 

ML1727.33.C68 

[Couppe,  Marie  Angelique]  6.  1723. 

Requeste  de  deux  actrices  d'Opera  a  Momus,  avec  son  ordonnance. 
A  la  Haye  [i.  e.  Paris]  1743. 

1  p.  1.,  [5]-21  p.     15J''™. 

In  verse. 

Caption  title:  Requeste  presentee  k  Momus  par  les  Demoiselles  Couple  &  Des- 
granges,  actrices  de  1' Opera,  tant  pour  elles  que  pour  celles  de  leurs  compagnes  qui 
se  trouvent  dans  le  cas  de  I'article  xx.  du  Code  lyrique,  ou  reglement  pour 
rOpera,  imprime  au  mois  de  juin  1743. 

ML1727.8.P2R35 

[Cousin  de  Contamine,        ]  6.  1704. 

Traite   critique  du   plain-chant,   usite   aujourd'hui   dans  I'eglise; 
contenant  les  principes  qui  en  montrent  les  defauts,  &  qui  peuvent 
conduire  a  le  rendre  meilleur.     Paris,  P.  G.  Le  Mercier,  1749. 
xxiv,  69,  [3]  p.     8  {i.  e.  9)  fold.  pi.     16  x  Si''™. 

Imperfect,  wanting  plates  2  and  6;  plate  8  (in  2  parts)  supplied  in  ms. 

ML3082.A2C6 

[Coxe,  William]  1747-1828. 

Anecdotes  of  George  Frederick  Handel,  and  John  Christopher 
Smith.  With  select  pieces  of  music,  composed  by  J.  C.  Smith,  never 
before  published.  London,  Printed  by  W.  Buhner  and  co.,  sold  by 
Cadell  and  Davies;  [etc.,  etc.]  1799. 

4  p.  1.,  iv,  64,  34  p.     2  port.  (incl.  front.)     27^  x  21i<^™. 

ML410.H13C87 

Cramer,  Carl  Friedrich,  1752-1807,  editor. 
See  Magazin  der  musik  [1783-86] 


/ 


68  LIBRARY  OF   CONGRESS 

Crivellati,  Cesare. 

Discorsi  mvsicali,  nelli  qvali  si  contengono  non  solo  cose  pertinenti 
alia  teorica,  ma  etiandio  alia  pratica;  mediante  le  quali  si  potra  con 
facilita  peruenire  all'  acquisto  di  cosi  honorata  scientia.  Raccolti  da 
diuersi  buoni  aiitori  da  Cesare  Criuellati  .  .  .  Viterbo,  Agostino 
Discep.,  1624. 
196,  [3]  p.  ISi""!. 
Title  in  red  and  black;  title  vignette:  ecclesiastical  coat  of  arms. 

MT6.A2C8 

Crocchi,  Pietro,  translator. 

See  Brown,  J.     DelF  origine  .  .  .  della  poesia,  1772. 

Croesse'r,  Luis  da  Mala,  pseud. 
See  Carlos  de  Jesus  Maria. 

Croix,  A.  Pherotee  de  la. 

See  La  Croix,  A.  Pherotee  de. 

Crousaz,  Jean  Pierre  de,  1663-1750,  praeses. 

Systematis  physici  disputatio  decima  quinta.  Quam  .  .  .  praeside 
N.  J.  P.  de  Crosa  .  .  .  deiendere  conabitur  Gabriel  Jacobus  Ballivus 
Lucinensis.  In  publico  Academise  lausanensis  auditorio  .  .  .  Bernse, 
ex  officina  illustns.  Reipubl.  bernensis,  1713. 

67  p.    19  X  IS""". 

ML3809.A2C95 

Crudeli,  Tommaso,  1703-1745. 

In  lode  del  Signor  Carlo  Broschi  detto  Farinello,  musico  celebre, 
ode  di  Tommaso  Crudeli.     Firenze,  A.  M.  Albizzini,  1734. 

18  p.  incl.  port.     20^"™. 

ML420.B8C8 

Criiger,  Johann,  1598-1662. 

Synopsis  musica  continens  rationem  constituendi  &  componendi 
melos  narmonicvm.  Conscripta,  varijsqj  exemplis  illustrata  a  Jo- 
hanne  Criigero  ,  .  .     [Berolim]  sumtibus  lohannis  Kally,  1630. 

[127]  p.     19i  X  15" 


^nm 


Engr.  t.-p.,  illustrated   (allegorical  figures  of  the  seven   liberal   arts)  with 
printer's  mark.     Signatures:  A-Q  in  fours. 

Several  authorities  cite  an  earlier  edition,  Berlin,  1624,  but  Fetis  considers  the 
present  the  first  edition. 

MT55.A2C75 

Cruz,  Joao  Chrysostomo  da,  1707-1748. 

Method©  breve,  e  claro,  em  que  sem  prolixidade,  nem  confusao  se 
exprimem  os  necessarios  principios  para  inteligencia  da  arte  da 
musica  .  .  .  por  Joao  Chrysostomo  da  Cruz  .  .  .  Com  hum  appendix 
dialogico  que  servira  de  index  da  obra,  e  lipao  dos  principiantes. 
Lisboa,  I.  Rodrigues,  1745. 

9  p.  1.,  75,  [33]  p.    tables,  diagr.    20"™. 

MT7.A2C95 


EAELY  BOOKS  ON  MUSIC  69 

Cruz  Brocarte,  Antonio  de  la. 

Medula  de  la  mvsica  theorica.  Cuya  inspeccion  manifiesta  clara- 
mente  la  execucion  de  la  practica,  en  division  de  quatro  discursos; 
en  los  quales  se  da  exacta  noticia  de  las  cosas  mas  principales,  que 
pertenecen  al  canto  llano,  canto  de  organo,  contrapunto,  y  compo- 
sicion,  con  toda  brevedad,  y  claridad.  Por  Don  Antonio  de  la  Crvz 
Brocarte  .  .  .     Salamanca,  E.  A.  Garcia,  1707. 

9  p.  1.,  234  p.     illus.     15«"». 

Paging  irregular. 

MT6.A2C95 

Cuisse,         de  la. 

See  La  Cuisse,  de. 

Cunha  Bandeira,  Jeronymo  da,  editor. 

See  Bernardo  da  CoNCEigAO.     O  ecclesiastico  instruido,  1788. 

D.  *  *  *,  M. 

See  Dissertations  en  forme  de  lettres,  1788. 

The  dancing -master;  or.  Directions  for  dancing  country  dances, 
with,  the  tunes  to  each  dance  for  the  treble- violin.  The  10th  ed. 
cor. ;  with  the  addition  of  several  new  dances  and  tunes  never  before 
printed.     [London]  Printed  by  J.  Heptinstall,  for  H.  Playford,  1698. 

2  V.  in  1  (v.  1  :4  p.  1.,  215  p.;  v.  2  :2  p.  1.,  48  p.)     11  x  19^"'°. 

Vol.  2  has  title:  The  second  part  of  the  Dancing  master:  or,  Directions  for 
dancing  country  dances,  with  the  tunes  to  each  dance  for  the  violin  or  flute.  The 
2d  ed.,  with  additions.     (^London]  Printed  for  H.  Playford,  1698. 

The  1st  edition,  comprising  vol.  1  only,  was  published  by  John  Playford  in 
1651,  under  title:  The  English  dancing-master. 

MT950.A2D3 

Dard, 

Nouveaux  principes  de  musique,  qui  seuls  doivent  suffire,  pour 
I'apprendre  parfaitement.  Auxquels  I'auteur  a  joint  I'histoire  de  la 
musique  et  de  ses  progressions,  depuis  son  origine  juscju'a  present  .  .  . 
par  M*"  Dard  .  .  .  Graves  par  M®"«  Girard  .  .  .  Paris,  Chez  I'auteur 
[1769] 

1  p.  1.,  149,  19  p.     24  X  19^'^'°. 

Title  within  ornamental  border,  text  within  line  borders. 

Forms  the  second  part  of  his  "Nouveaux  principes  de  musique,  avec  histoire 
suivi  du  paralelle  de  Lully  et  de  Rameau  et  du  catalogue  de  tous  les  operas 
repres.  depuis  1671,"  Paris,  1768.     cf.  Eitner,  Biog.-bibl.  quellen-lexikon. 

MT6.A2D2 

Daube,  Johann  Friedrich,  1730-1797. 

Anleitun^  zur  erfindung  der  melodie  und  ihrer  fortsetzung.  Von 
Johann  Friedrich  Daube  .  .  .  Wien*  Gedruckt  bey  C.  G.  Taubel, 
1797-98. 

2v.ini  (v.  1:4  p.  1.,  [5]-51,  [1]  p.;  v.  2:  2  p.  1.,  [3]-68  p.)    illus.    22^  x  17^"™. 

Vol.  2  (Zweyter  theil,  welcher  die  composition  enthilt)  has  imprint:  Wien,  In 
commission  der  Hochenleitterschen  buchhandlung,  1798. 

Published  also  under  title:  Anleitung  zum  selbstunterricht  in  der  musika- 
lischen  composition,  sowohl  f  iir  die  instrumental-  als  vocalmusik. 

MT47.A2D2 


70  LIBRARY   OF   CONGRESS 

Daube,  Johanii  Friedrich — Continued. 

General-bass  in  drey  accorden,  gegriindet  in  den  regeln  der  alt-  und 
neuen  autoren,  nebst  einem  hierauf  gebaueten  unterricht:  wie  man 
aus  einer  jeden  aufgegebenen  tonart,  nur  mit  zwey  mittels-accorden, 
in  eine  von  den  drey  und  zwanzig  tonarten  die  man  begehret,  gelangen 
kann,  xmd  der  hierauf  gegriindeten  kunst  zu  pr^ludiren,  wie  auch  zu 
ieder  melodie  einen  bass  zu  setzen,  dass  also  durch  diese  neue  und 
leichte  anleitung,  zugleich  auch  zur  composition  unmittelbar  der  weg 
gebahnet  wird,  von  Johann  Friedrich  Daube  .  .  .  Leipzig,  J.  B. 
Andr&,  Frankfurt  am  Mayn,  1756. 

xxii,  [2],  215,  [1]  p.    fold.  pi.    21^''°'. 

MT49.A2D23 

Der  musikalische  dilettanti  eine  abhandlung  der  komposition, 
welche  nicht  allein  die  neuesten  setzarten  der  zwo-  drey-  und  mehr- 
stimmigen  sachen:  sondern  auch  die  meisten  kilnstlichen  gattungen 
der  alten  kanons:  der  einfachen  und  doppelfugen,  deutlich  vortr&gt, 
und  durch  ausgesuchte  beyspiele  erkUret.  von  Johann  Friederich 
Daube  .  .  .  Wien,  Gedruckt  bey  Johann  Thomas  edlen  von  Tratt- 
nern,  1773. 

3  p.  1.,  [3]-333,  [1]  p.     22i  x  18'''". 

MT40.A2D23 

See  also  Der  Musikalische  dillettante,  1770. 

David,  Prangois. 

Methode  nouvelle  ov  principes  generaux  pour  apprendre  facilement 
la  musique,  et  I'art  de  chanter.  Par  M.""  David  .  .  .  Paris,  M.®  la 
v."  Boivm;  [etc.,  etc.]  1737. 

1  p.  1.,  142  p.     16  X  24J<="i. 

Engraved  in  part. 

MT835.A2D3 

Davy,  Charles,  1722-1797. 

Letters,  addressed  chiefly  to  a  young  gentleman,  upon  subjects  of 
literature:  including  a  translation  of  Euclid's  Section  of  the  canon; 
and  his  treatise  on  harmonic;  with  an  explanation  of  the  Greek 
musical  modes,  according  to  the  doctrine  of  Ptolemy.  By  Charles 
Davy  .  .  .  Bury  St.  Edmunds,  Printed  for  the  author,  by  J.  Rack- 
ham,  1787. 

2  V.  (2  p.  1.,  iii-xii,  423  p.,  11.;  2  p.  I.,  541,  [1]  p.,  1 1.)     plates,  tables,  diagrs. 
23cm 

"Balaam:  an  attempt  towards  an  oratorio,  for  a  private  concert.  1769  "  (words 
only):  v.  1,  p.  [341J-352.  "Ruth:  an  attempt  towards  an  oratorio,  for  a  private 
concert.     1769"  (words  only):  v.  1,  p.  [353J-368. 

PN45.D3 

De  ceteris  GrsBcorum  musices  in  omnes  scientias  usu,  et  energia 
divinatio.  Rem  tibi  Socraticse  poterunt  ostendere  chartse.  Venetiis, 
typis  Antonii  Zatta,  1762. 

1  p.  1.,  XXXV  p.    30*"°. 

Title  vignette. 

ML169.A2D3 


EARLY  BOOKS  ON  MUSIC  71 

Declaration  du  public,  au  sujet  des  contestations  qui  se  sont  elevees 
sur  la  musique.     [n.  p.,  175-] 

7  p.    W"^. 

Caption  title. 

No.  13  in  a  volume  of  pamphlets  lettered  Quere[lle]  dea  Bouffo[n8] 

ML1727.33.A1 

Copy  2. 

ML1727.33.D2 

Dedekind,  Henning,  d.  1628? 

See  GoETTiNG,  V.     Compendium  mvsicse  [1587] 

Deimling,  Ernst  Ludwig,  h.  ca.  1760. 

Beschreibung  des  orgelbaues  und  der  verfabrungsart  bei  unter- 
sucbung  neuer  und  verbesserter  werke.  Ein  buch  fiir  organisten, 
scbulmeister  und  orts-vorgesetzte.  Von  Ernst  Ludwig  Deimling. 
2.  aufl.     Offenbach,  Gedruckt  bei  C.  L.  Brede  [1796] 

1  p.  1.,  X,  [13]-216  p.,  1  1.     1^'"^. 

"Etwas  vom  choral-gesang " :  p.  193-216. 

ML555.A2D3 

Dellain, 

Nouveau  manuel  musical,  contenant  les  Clemens  de  la  musique, 
des  agremens  du  chant  et  de  I'accompagnement  du  clavessin  .  .  .  Par 
M.  Dellain.     Paris,  Veuve  Ballard  &  fils;  [etc.,  etc.]  1781. 

viij,  52,  [2]  p.     27  x  20J<^°^. 

Given  by  Fetis  as  Charles  Henri,  by  Michel  Brenet  as  Charles  Louis  Joseph, 
Dellain. 

MT7.A2D35 

Demantius,  Johann  Christoph,  1567-1643. 

Isagoge  artis  musicse  ad  incipientium  captum  maxime  accommo- 
data.  Kurtze  anleitung  recht  und  leicht  singen  zu  lernen  /  neben 
kurtzer  /  doch  grundlicher  erkl&,rung  /  der  griechischen  /  lateinischen 
und  itali&nischen  w6rtlein  /  so  bey  den  neotericis  .oder  ietzigen  neuen 
musicis  hin  und  wieder  ilblichen  [!]  und  in  gebrauch  seyn.  Auctore 
Christophoro  Demantio  .  .  .  Ed.  9.  &  ultima,  prioribus  multo  auctior 
&  correctior  .  .  .     Freibergse,  impensis  G.  Beutheri,  1656. 

[192]  p.   le-^^. 

Colophon:  Jense,  typis  Samuelis  Krebsi.     Anno  m.dc.lvii. 
Text  in  Latin  and  German  on  opposite  pages. 

MT870.A2D37 

[Demotz  de  La  Salle,  Jean  Prangois]  d.  ca.  1741. 

Methode  de  musique  selon  un  nouveau  syst^me  tres-court,  tres- 
facile  &  tres-slir,  approuve'  par  messieurs  de  T Academic  royale  des 
sciences,  &  par  les  plus  habiles  musiciens  de  Paris.  Dediee  a  la  reine. 
Par  M.  *  *  =^  pretre.     Paris,  P.  Simon,  1728. 

6  p.  1.,  3-216,  [4]  p.     1  illus.    20<=™. 

ML432.A2D3 


72  LIBRARY   OF   CONGRESS 

Denis,  Jean. 

Traits  de  I'accord  de  I'espinette,  auec  la  comparaison  de  son  ciauier 
a  la  musique  vocale.  Augments  en  cette  edition  des  quatre  chapitres 
suiuants.  i.  Traite  des  sons  &  combien  il  j  en  a.  ii.  Traite  des  tons 
de  I'eglise  &  de  leurs  estendues.  iii.  Traite  des  fugues  &  comme  il 
les  faut  traiter.  iv.  La  maniere  de  bien  jouer  de  I'espinette  &  des 
orgues  .  .  .  Par  I.  Denis  .  .  .  Paris,  Par  R.  Ballard,  imprimeur,  et  se 
vendent  chez  I'autheur,  1650. 

40  p.    fold.  tab.     19^'="'. 

MT252.A2D36 

Denis,  Pierre. 

Nouvelle  methode  pour  apprendre  en  peu  de  terns  la  musique  et 
Tart  de  chanter,  avec  un  nombre  de  lepons  dans  plusieurs  genres. 
Par  M""  Denis  .  .  .     Paris,  De  La  Chevardiere  [17 — ] 

72  p.     20J  X  25^'^'°. 
"Grave  par  M«"«  Vendome." 

MT6.A2D4 

Denis,  Pierre,  translator. 

See  Fux,  J.  J.     Traite  de  composition  musicale  [17 — ] 

Tartini,  G.     Traite  des  agremens  de  la  musique  [1782] 

Dennis,  John,  1657-1734. 

An  essay  on  the  opera's  after  the  Italian  manner,  which  are  about 
to  be  establish'd  on  the  English  stage:  with  some  reflections  on  the 
damage  which  they  may  bring  to  the  publick.  By  Mr.  Dennis  .  .  . 
London,  J.  Nutt,  1706. 

4  p.  1.,  15,  [11  p.     23  X  l?'^". 

ML1731.3.A2D3 

Dentice,  Luigi. 

Dvo  dialoghi  della  mvsica  del  Signor  Lvigi  Dentice  .  .  .  Deili 
quali  I'uno  tratta  della  theorica,  &  Faltro  della  pratica:  raccolti  da 
diuersi  autori  greci,  &  latini.  Nuouamente  posti  in  luce.  Roma,  V. 
Lucrino,  1553. 

[79]  p.    diagrs.     lOf"™. 
.Title  vignette.    Signatures:   A  in  two,  B-K  in  fours,  L  in  two. 

ML171.D47 

[Desboulmiers,  Jean  Auguste  Julien,  Tcnovm  as]  1731-1771. 

Histoire  anecdotique  et  raisonnee  du  Theatre  italien,  depuis  son 
retablissement  en  France  jusqu'a  Fannee  1769.  Contenant  les  ana- 
lyses des  principales  pieces,  &  un  catalogue  de  toutes  celles  tant 
italiennes  que  fran^aises,  donnees  sur  ce  theatre,  avec  les  anecdotes 
les  plus  curieuses  &  les  notices  les  plus  interessantes  de  la  vie  &  des 
talens  des  auteurs  &  acteurs  .  .  .     Paris,  Lacombe,  1769. 

7  V.     IS"^"". 

PX2633.D4 

Histoire  (Ui  theatre  de  I'Opera  comique  .  .  .    Paris,  Lacombe,  1769. 
2  V.  (v.  1:  1  p.  1.,  497,  [5]  p.,  1  1.;  v.  2:   1  p.  1.,  558,  [2]  p.)     17^". 


EARLY  BOOKS   ON   MUSIC  73 

Desboulmiers,  Jean  Auguste  Julien — Continued. 

An  analysis  of  pieces  represented  1712  to  1761,  followed  by  "Catalogue  raisonne 
des  auteurs,  des  acteurs,  et  des  pieces,  qui  n'ont  point  4t4  compris  dans  I'Histoire 
de  rOp^ra  comique"  (v,  2,  p.  133-558) 

ML1727.8.P2D44 

Desbout,  Luigi. 

Ragionamento  fisico-chirurgico  sopra  I'effetto  della  musica  nelle 
malattie  nervose,  dedicate  all'  illustriss.  Sig.  dottore  Giorgio  de 
Lagusius  ...  da  Luigi   Desbout  .  .  .     Livorno,   Calderoni,   e   Faina, 

1780. 

40  p.    ISJ''™. 

ML3920.A2D4 

Dissertation  sur  Teffet  de  la  musique  dans  les  maladies  ner- 


veuses,  par  Louis  Desbout  ...     St.  Petersbourg,  Impr.  de  Breitkopf , 
1784. 

3  p.  1.,  75  p.,  1 1.     20«'°. 

ML3920.A2D42 

Descartes,  Rene,  1596-1650. 

Renati  ||  Des-Cartes  ||  Musicse  ||  Compendium.  ||  Trajecti  ad  Rhenum,|( 
Typis  Gisberti  a  Zyll,  &  TheodOri  ab  Ackersdyck,  ||  cioiocl. 

58  p.    diagrs.    184  x  15<''». 

ML3805.A2D2 

Renati    Des-Cartes    Musicae    compendium.     Francofvrti     ad 

Moenvm,  sumptibus  F.  Knochii,  1695. 

48  p.    diagrs.     19^  x  16'='". 

Title  vignette. 

ML3805.A2D3 


Renatus  Des-Cartes  excellent  compendium  of  musick :  with    ^ 

necessary  and  judicious  animadversions  thereupon.     By  a  person  of 
honour.     London,  Printed  by  T.  Harper,  for  H.  Moseley,  1653. 

8  p.  1.,  94  p.,  1 1.     diagrs.     19^  x  15'=™. 


The  "Animadversions,"  p.  [59};-94,  have  special  t.-p. 
A  person  of  honour:   William  viscount  Brouncker. 


ML3805.A2D32 


Desessarts,  Nicolas  Toussaint  Lemoyne,  1744-1810. 

Les  trois  theatres  de  Paris,  ou  Abreo;e  historique  de  retablissement 
de  la  Comedie  franpoise,  de  la  Comedie  italienne  &  de  I'Opera;  avec 
un  precis  des  loix,  arrets,  reglemens  &  usages,  qui  concernent  chacun 
de  ces  spectacles.     Par  M.  Des  Essarts  .  .  .     Paris,  Lacombe,  1777. 

3  p.  1.,  300,  [3]  p.    20i«"i. 

PN2636.P3D4 


74  LIBKARY   OF   COlifGKESS 

[Desforges,  ] 

Memoires  anecdotes  pour  servir  a  Thistoire  de  M.  Duliz.  Et  la 
suite  de  ses  avantures,  apres  la  catastrophe  de  celle  de  Mademoiselle 
Pelissier,  actrice  de  I'Opera  de  Paris.     Londres,  S.  Harding,  1739. 

1  p.  1.,  206  p.,  1 1.,  75  p.    front.    IG^"*. 

Title  vignette. 

"Le  triomphe  de  I'intergt.    Comedie.    [Par  Laus  de  Boissy] ":  1 1.,  75  p. 

ML429.D88 

[Desgranges,  MUe.] 

Requeste  de  deux  actrices  d'Opera  a  Momus,  avec  son  ordonnance. 
A  la  Haye  [i.  e.  Paris]  1743. 

1  p.  1.,  [5}-21  p.     15i=™. 

In  verse. 

Caption  title:  Requeste  pr6sent6e  h  Momus  par  les  Demoiselles  Couple  & 
Desgranges,  actrices  de  I'Opera,  tant  pour  elles  que  pour  celles  de  leura  com- 
pagnes  qui  se  trouvent  dans  le  cas  de  I'article  xx.  du  Code  lyrique,  ou  regle- 
ment  pour  I'Opera,  imprime  au  mois  de  juin  1743. 

ML1727.8.P2R35 

Desperiers,  Bonaventure,  (Z.  1544? 

See  DiscouRS  non  plus  melancoliqves  qve  divers,  1557. 

Dibdin,  Charles,  1745-1814. 

The  musical  tour  of  Mr.  Dibdin ;  in  which — previous  to  his  embar- 
kation for  India — ^he  finished  his  career  as  a  public  character  .  .  . 
Sheffield,  Printed  for  the  author  by  J.  Gales,  1788. 

3  p.  1.,  iv,  443,  [1]  p.    19  pi.  on  15  1.  (music)    26  x  20"°^. 

ML410.D44D5 

Diderot,  Denis,  1713-1784,  editor. 

See  Au  petit  prophete  de  Boesmischbroda  [1753] 
Bemetzrieder,  a.     Lemons  de  clavecin,  1771. 
Music  made  easy. 

Dingley,  William,  1672  or  3-1735. 

Cathedral  service  decent  and  useful.  A  sermon  preach'd  before 
the  University  of  Oxford  at  S*  Marv's  on  Cecilia's  dav,  1713.  By 
W.  Dingley  .  .  .     Oxford,  A.  Peisley,'l713. 

2  p.  1.,  19  p.     19"^™. 

ML64.D4 

Dionigi,  Marco. 

Primi  tvoni,  overo  introdvzione  del  canto  fermo,  con  I'aggiunta 
d'altri  tuoni;  del  Sig.  dottor  Marco  Dionigi  .  .  .  Parma,  M,  Vigna, 
1667. 

112  p.     illus.     28''™. 

Dedication,  p.  3-4,  wanting  in  this  copy. 

The  present  IS  the  2d  edition;  the  1st  edition  was  published  at  Parma  in  1648. 

MT860.A2D59 


EARLY  BOOKS  ON  MUSIC  75 

Discours  non  plus  ||  melancoliqves  qve  divers,  ||  de  choses  mesme- 
ment,  qui  appartiennent  ||  a  notre  France :  &  a  la  fin  La  maniere 
de  II  bien  &  lustement  entoucher  les  lues  &  \\  guiternes.  ||  APoitiers,|j 
De  rimprimerie  d'Enguilbert  de  Marnef.  jj  1557  |1  Auec  priuilege 
du  roy. 

4  p.  1.,  112  p.  incl.  tab.,  diagr.    19^"™. 

Title,  with  printer's  mark. — Priuilege  du  roy,  donne  a  Enguilbert  de  Mamef. 
t.-p.  verso. — Engvilbert  de  Mamef  imprimevr  av  lectevr  salvt.  [3]  p. — Table 
des  choses  contenues  en  ce  liure.  [2]  p. — Fautes  aduenues  en  I'impression  de  ce 
liiu*e.  [1]  p. — Text,  followed  by  colophon:  Acheue  d'imprimer  a  Poitiers,  le 
13  de  may  1556  par  Enguilbert  de  Mamef.     112  p. 

The  table  (Les  noma  des  jours  de  la  semaine)  which  is  counted  as  page  9,  is 
wanting  in  L.  of  C.  copy,  being  replaced  by  a  printed  facsimile. 

Attributed  to  B.  Desperiers  by  some  authorities,  by  others  to  Jacques  Peletier 
and  Elie  Vinet.  cf.  Notice  by  L.  Lacour  in  (Euvres  fr.  de  B.  Des  reriers,  1856, 
V.  1. 

ML171.D58 

Dissertations  en  forme  de  lettres  sur  differens  sujets  de  litt^rature 
et  des  beaux-arts :  ouvrage  divis^  en  deux  parties.  Par  M.  D.  *  *  * 
de  Dijon  ...     A  Londres,  et  se  trouve  a  Paris,  chez  Brunet,  1788. 

150,  [2]  p.     16^^=^. 

Contents. — Entretien  d'un  musicien  frangois  avec  un  gentilhomme  russe, 
sur  les  effets  de  la  musique  modeme;  ou.  Tableau  des  concerts  de  province. — 
Lettre  a  M.  d'Alembert,  sur  la  seconde  Edition  de  ses  El^mens  de  musique. — 
Lettre  k  M.  de  Marmontel,  sur  les  nouveaux  spectacles  de  I'Opera. — Lettre  k 
M.  Rousseau,  dans  laquelle  on  fait  le  paralelle  de  ce  celebre  Gene  vols,  mentor 
d'Emile,  avec  son  illustre  compatriote  Lefort,  le  mentor  de  Pierre  le  Grand. — 
Lettre  a  messieurs  de  I'Academie  des  sciences  de  Dijon,  sur  la  graisse  du  vin. — 
Lettre  k  M.  de  Voltaire,  sur  son  histoire  de  la  guerre  de  1741. — Lettre  ^  M.  B6  *  *  * 
sur  la  force  de  I'imagination. — Dissertation,  ou  lettre  adressee  a  M.  d'Alembert, 
sur  les  honneurs  rendus  h  Rome  aux  com^diens. 

ML3877.A2D45 

Doane,  Joseph,  editor. 

See  A  MUSICAL  directory  [1794] 

Dodwell,  Henry,  1641-1711. 

A  treatise  concerning  the  lawfulness  of  instrumental  musick  in 
holy  offices.  By  Henry  Dodwell,  m.  a.  To  which  is  prefixed,  a 
preface  in  vindication  of  Mr.  Newte's  sermon,  concerning  the  law- 
fulness and  use  of  organs  in  the  Christian  church,  &c.,  from  the 
exceptions  of  an  anonymous  letter  to  a  friend  in  the  country,  con- 
cerning the  use  of  instrumental  musick  in  the  worship  of  God,  &c. 
The  2d  ed.,  with  large  additions.     London.  W.  Haws,  1700. 

1  p.  1.,  84,  [3],  143,  [1]  p.     20<=». 

ML3001.D64 

Domenjoud,  Jean  Baptiste. 

De  la  preference  des  vis  aux  chevilles,  pour  les  instrumens  de 
musique.  Et  un  Essai  sur  la  maniere  de  changer  I'A,  mi,  la,  en 
tendant  ou  detendant  toutes  les  cordes  a  la  fois,  sans  detruire  I'har- 
monie.  Ce  qui  donne  lieu  a  des  manches  d'une  forme  nouvelle, 
beaucoup  plus  commodes  que  les  anciens.  Presente  a  I'Academie 
royale  des  sciences,  le  13  aotit  1756,  par  M.  Domenjoud  .  .  .  Paris, 
Thiboust,  1757. 

22,  [2]  p.     fold.  pi.     16i«»». 

ML845.A2D6 


76  LIBRAEY   OF   CONGRESS 

Dozningos  do  Rosario. 

Theatre  ecclesiastico,  em  que  se  acham  muitos  documentos  de 
cantochao  para  qualquer  pessoa  dedicada  ao  culto  divine  nos  officios 
do  coro,  e  altar  .  .  .  ordenado  por  seu  author  o  padre  fr.  Domingos 
do  Rosario  .  .  .  novamente  disposto  com  melhor  ordem,  correcto,  e 
accrescentado  com  todas  as  missas  de  Nossa  Senhora,  e  as  que  em 
todos  OS  dias  festivos  do  anno  se  cantam,  &c.  pelo  padre  fr.  Angelo 
da  ConceicaS.  5.  impressao.  Lisboa,  Officina  de  M.  Coelho  Amado, 
1774. 

xi,  580  p.    21"™ 

MT860.A2D77 


Doni,  Giovanni  Battista,  1593  or  4-1647. 

Compendio  del  trattato  de'  ^eneri  e  de'  modi  della  mvsica.  Di 
Gio.  Battista  Doni.  Con  vn  discorso  sopra  la  perfettione  de'  con- 
centi.  Et  vn  saggio  k  due  voci  di  mutationi  di  genere,  e  di  tuono  in 
tre  maniere  d'intauolatura:  et  d'vn  principio  di  madrigale  del  prin- 
cipe,  ridotto  nella  medesima  intauolatura  .  .  .     Roma,  A.  Fei,  1635. 

20  p.  1.,  171,  [1]  p.     5  fold,  diagr.     22''">. 

Title  vignette:  ecclesiastical  coat  of  arms. 

Abstract  of  a  larger  work  which  was  never  published.  The  present  work  was 
completed  by  the  publication  of  "Annotazioni  sopra  il  Compendio,"  Rome,  1640. 

ML3805.A2D7 

lo:  Baptistae  Doni  .  . .  De  prsestantia  musicse  veteris  libri  tres 
totidem  dialogis  comprehensi,  in  quibus  vetus  ac  recens  musica,  cum 
singulis  earum  partibus,  accurate  inter  se  conferuntur.  Adiecto  ad 
finem  onomastico  selectorum  vocabulorum,  ad  banc  facultatem  cum 
elegantia,  &  proprietate  tractandam,  pertinentium  .  .  .  Florentise, 
typis  A.  Masses  Foroliuien.,  1647. 

4  p.  1.,  266  p.     24^'=^. 

ML169.A2D6 

lo.  Baptistae  Doni  .  .  .  Lyra  Barberina  dficficxopdoc.  Accedvnt 
eivsdem  opera,  pleraqve  nondvm  edita,  ad  veterem  mvsicam  illvs- 
trandam  pertinentia,  ex  avtograf)his  collegit,  et  in  Ivcem  proferri 
cvravit  Antonivs  Franciscvs  Gorivs  .  .  .  Absolvta  vero  stvdio  et 
opera  lo.  Baptistae  Passeri  .  .  .     Florentiae,  Typis  caesareis,  1763. 

2  V.  (v.  1:  xii,  424  p.;  v.  2:  xii,  306  p.,  1  1.,  iv,  100  p.)     front,  (port.)  plates 
(partly  fold.)  diagrs.     37^<=™. 

Title  vignette;  head  and  tail  pieces;  initials. 

Vol.  2  has  title:  De'  trattati  di  mvsica  di  Gio.  Batista  Doni  .  .  .  tomo  secondo, 
ne'  qvali  si  esaniina  e  dimostra  la  forza  e  I'ordine  della  mvsica  antica  e  per  qval 
via  rid\T  si  pos'sa  alia  pristina  efficacia  la  moderna;  raccolti  e  pvbblicati  per 
opera  di  Anton  Francesco  Gori  .  .  .  Aggiuntovi  un  lessico  delle  voci  musiche, 
e  I'indice  generale,  per  opera  e  studio  del  p.  maestro  Gio.  Batista  Martini  .  .  . 
Firenze,  Stamperia  iraperiale,  1763. 

"Index  aliorvm  opervm  lo.  Baptistae  Donii  ad  mvsicam  spectantium " :  v.  1, 
p.  180. 

ML60.D68 

See  also  Baxdixi,  A.  M.     Commentariorvm  de  vita  .  .  .  loannis 
Bapt.  Doni,  1755. 


EARLY  BOOKS   ON   MUSIC  77 

[Dorat,  Claude  Joseph]  1734-1780. 

Euterpe;   or,  Remarks  on  the  use  and  abuse  of  music,  as  a  part  of 
modern  education  .  ,  .     London,  J.  Dodsley  [1779] 

2  p.  1.,  28  p.    25J  X  20«"». 

ML63.D77 


Douwes,  Klaas,  h.  1668. 

Grondig  ondersoeli  van  de  toonen  der  musijlv:  zijnde  een  lilaare 
betooninge  van  de  wijdte  of  grootheit  van  octaven,  quinten,  quarten 
en  tertien,  geheele  en  halve  toonen:  van  de  imperfecte,  ende  valsche 
spetien.  Als  mede  of  in  een  goed  musijk  de  octaven,  ende  hoe  veel 
malen  de  quinten,  quarten  en  tertien  met  malkanderen  mogen  gaan. 
Van  de  twaalf  toonen  der  musijk;  ende  eenige  exempelen  om  de 
musifk-nooten  te  componeren.  Met  een  tweede  deel;  handelende 
van  verscheidene  musijk-instrumenten.  Alles  kort  en  Idaar  aange- 
weesen,  door  Klaas  Douwes  .  .  .     Franeker,  A.  Heins,  1699. 

5  p.  1.,  3-132  p.     fold.  pi.     16'^'°. 

Added  t.-p.,  illustrated. 

MT6.A2D68 


Dowland,  John,  1563-1626,  translator. 

See  Ornithoparcus,  A.     Micrologvs,  1609. 

Draghetti,  Andrea,  1736-1825.  ^   , 

Replica  del  padre^  Andrea  Draghetti  .  .  .  alia  Risposta  del  padre 
D.  Giovenale  Sacchi  .  .  .     Milano,  G.  Galeazzi,  1772. 


94  p.,  1  1.     diagr.     ISJ""". 
Half-title:  Delia  legge  di  continuita  nella  ecala  musica. 


ML3809.A2D7 


Drechssler,  Johann  Gabriel,  d.  1677,  praeses. 

nn"?  1^3  sive  De  cithara  Davidica  .  .  .  Ed.  3.  ob  defectum  exem- 
plarium  denuo  excusa  .  .  .     Lipsiae,  hteris  Colerianis,  1675. 

[48]  p.     19i  X  IS^^'". 

Diss. — Leipzig  (Casparus  Felmerius,  respondent) 

ML166.A2D7 

Dressier,  Ernst  Christoph,  1734-1779. 

Fragmente  einiger  gedanken  des  Musikalischen  zuschauers  die  bes- 
sere  aufnalime  der  musik  in  Deutschland  betreffend  .  .  .  Gotha,  C. 
Mevius  seel,  erben,  1767. 

2  p.  1.,  8,  36  p.     23^  X  18"°". 

Title  vignette;  head-piecea. 

ML66.A2D7 


78  LIBRARY  OF   CONGRESS 

Dressier,  Ernst  Christoph — Continued. 

Ernst  Christoph  Dresslers  Theater-schule  fir  die  Deutschen,  das 
ernsthafte  singe-schauspiel  betrefifend.  Hannover  und  Cassel,  J.  W. 
Schmidt,  1777. 

4  p.  1.,  200,  [14]  p.     17''™. 

ML3858.D77 

Dressier,  Gallus,  h.  ca.  1530. 

Mvsicse  practicae  elementa  in  vsum  Scholse  magdeburgensis  edita, 
a  M.  Gallo  Dreslero  .  .  .  Magdebvrgi,  excudebat  Wolffgangus 
Kirchner,  1571. 

[205]  p.     14<=°«. 

Signatures:  A-M  in  eights,  N  in  seven.    Ms.  notes, 

ML171.D72 

Drewis,  F.  G. 

Freundschaftliche  briefe  liber  die  theorie  der  tonkunst  und  com- 
position.    Von  F.  G.  Drewis  .  .  .     Halle,  J.  C.  Hendel,  1797. 

iv,  88  p.    pi.    20i«'°. 

MT6.A2D77 

Dubos,  Jean  Baptiste,  1670-1742. 

Reflexions  critiques  sur  la  poesie  et  sur  la  peinture  .  .  .  Nouv.  ed. 
rev.  &  cor Utrecht,  E.  Neauhne,  17.32-36. 

3  V.     16=™. 

Vol.  3  has  caption  title:    Supplement  aux  Reflexions  critiques  .  .  .     Disserta- 
tion Bur'les  representations  th^trales  des  anciens. 

N63.D8 

Reflexions  critiques  sur  la  poesie  et  sur  la  peinture.     Par  M. 

I'abbe  Du  Bos  .  .  .     6.  6d.  .  .  .     Paris,  Pissot,  1755. 

5  V.     16<=«. 

Vol.  3  has  caption  title:    Reflexions  critiques  .  .  .    Troisieme  partie.     Qui 
contient  une  dissertation  sur  les  representations  theatrales  des  anciens. 

X63.D83 

Critical  reflections  on  poetry,  painting  and  music.     With  an 


inquiry  into  the  rise  and  progress  of  the  theatrical  entertainments  of 
the  ancients.     Written  in  French  by  the  Abbe  Du  Bos  .  .  .     Tr.  into 
English  by  Thomas  Nugent,  gent.     From  the  5th  ed.  rev.,  cor.,  and 
inlarged  by  the  author  .  .  .     London,  J,  Nourse,  1748. 
3  V.    21^''™. 

Vol.  2  has  title:  Critical  reflections  on  poetry  and  painting  .  .  . 

N63.D88 

Dubreuil,  Jean,  d.  1775. 

Manuel  harmonique,  ou  Tableau  des  accords  pratiques,  pour  faci- 
hter  a  toutes  sortes  de  personnes,  I'intelligence  de  rliarmonie  &  de 
Taccompagnement,  avec  une  partie  chiffree  pour  le  clavessin,  &  deux 
nouveaux  menuets  en  rondeau.  Par  M.  Dubreuil  .  .  .  Paris,  La- 
combe  [etc.]  1767. 

viii,  60  p.,  2  1.,  [2]  p.    2P™. 

Four  folding  leaves  of  music  included  in  paging. 

MT50.A2D81 


EARLY  BOOKS  ON  MUSIC  79 

Du  Contant  de  La  Molette,  Philippe,  1737-1793. 

Traits  sur  la  poesie  et  la  musique  des  Hebreux,  pour  servir  d'in- 
troduction  aux  Pseaumes  expliques  .  .  .  par  M.  I'abbe  du  Contant  de 
La  Molette  .  .  .     Paris,  Moutard,  1781. 

2  p.  1.,  251,  [1]  p.    18i'"°. 

ML166.A2C67 

Diinkelfeind,  Caspar,  pseud. 
See  Leopold,  G. 

Dufayel,  Sophie. 

Memoire  pour  la  D"®  Dufayel  I'ainee,  actrice  de  la  Comedie  itali- 
enne,  pensionnaire  du  roi.     [n.  p.,  1779  ?] 

29  p.     Idi""^. 

Written  to  refute  the  accusation  that  she  had  tried  to  poison  her  sister. 
"Reflexions  sur  le  memoire  ci-dessus":  p.  17-29. 

ML420.D93 

Dufort,  Giovanni  Battista. 

Trattato  del  ballo  nobile  di  Giambatista  Dufort,  indirizzato  all'  ec- 
cellenza  delle  signore  dame,  e  de'  signori  cavalieri  napoletani.  Napoli, 
Stamperia  di  F.  Mosca,  1728. 

12  p.  1.,  160  p.     diagrs.     ITJ""*. 

GV1600.D8 

Dumas,  Antoine  Joseph,  h.  1705. 

L'art  de  la  musique  enseigne  et  pratique  par  la  nouvelle  methode  du 
bureau  typografique  etablie  sur  une  seule  cle,  sur  un  seul  ton,  et  sur  un 
seul  signe  de  mesure  .  .  .  par  M""  Dumas.  Grav6  par  M®"®  Vandome. 
Paris,  Chez  I'auteur  [1753] 

3  p.  L,  427,  10  p.,  1 1.  incl.  7  fold.  pi.     fold.  pi.    20^  x  26'=°'. 

"Le  bureau  typografique  musical  est  compose  de  trente  colonnes  con  tenant 
huit  cases  chacunes.  Trois  de  ces  colonnes  .  .  .  contiennent  I'exposition  des 
elemens  de  la  musique.  Dix  huit  autres  partagees  en  trois  octaves  .  .  .  ensei- 
gnentau  moyendel'arrangement  des  cartes  .  .  .  une  lecture  de  la  musique  prompte 
et  facile.  Les  neuf  dernieres  colonnes  .  .  .  donnent  une  parfarte  connoissance 
des  transpositions  Diezees  et  Bmolees,  et  mettent  en  etat  de  chanter  dans  la  parti- 
tion."— Avertissement. 

MT6.A2D86 

[Dumont,         ] 

Le  vol  plus  haut,  ou  L'espion  des  principaux  theatres  de  la  capitale; 
contenant  une  histoire  abregee  des  acteurs  &  actrices  de  ces  memes 
theatres,  enrichie  d' observations  philosophiques  &  d'anecdotes  recre- 
atives.  Dedie  aux  amateurs  ...  A  Memphis,  chez  Sincere,  libraire 
refugie  au  Puits  de  la  Yerite.     [Paris]  1784. 

viij,  [9]-142  p.    ll^""^. 

"Je  ne  .  .  ..pr^sente  que  I'histoire  du  Concert  spirituel  &  de  I'Op^ra." — ^Avis 
de  I'editeur. 
Attributed  also  to  Francois  Marie  Mayeur  de  Saint-Paul. 

ML1727.3.A2D88 


80  LIBRAE Y   OF   CONGRESS 

Dupont,  Henri  Bonaventure. 

Principes  de  musique,  par  demande  et  par  reponce,  par  lequel  toutes 
personnes,  pouront  aprendre  d'eux  meme  a  connoitre  toutte  la  mu- 
sique .  .  .     Far  le  S/ Dupont  .  .  .     Paris,  L'Hauteur,  1718. 

2  p.  1.,  45,  [1]  p.     25i  X  19i<^°». 

Engraved  throughout. 

MT7.A2D93 

Durseus,  Johannes  Christiern. 

.  .  .  Dissertatio  mythologico-historica  de  primis  musicse  inventori- 
bus,  quam  ...  in  illustri  Upsal.  lycaeo,  sub  prsesidio  .  .  .  Dn.  Lau- 
rentii  Arrhenii  .  .  .  publicse  censurse  modeste  subjicit  .  .  .  Johannes 
Christiern.  Durseus  .  .  .     Upsalise,  Uteris  Werneriams  [1729] 

3  p.  1.,  32  p.     14^*^". 

ML3800.A2A7 

[Durey  de  Noinville,  Jacques  Bernard]  1683-1768. 

Histoire  du  theatre  de  I'opera  en  France.  Depuis  I'^tabUssement 
de  FAcademie  royale  de  musique,  jusqu'&.  present  .  .  .  Paris,  J. 
Barbou,  1753. 

2  V.  in  1  (v.  1:  4  p.  1.,  264  p.;  v.  2:  1  p.  1.,  221,  [3]  p.)    20"°^. 


Vol.  2  dated  m.lcc.liii. 

Dedication  signed:  D  *  *  * 

By  Durey  de  Noinville  and  Louis  Travenol. 


ML1727.3.A2D8 


Histoire   du   theatre  de  1' Academic  royale   de  musique  en 

France,  depuis  son  etablissement  jusqu'k  present.  2.  6d.,  cor.  & 
augm.  des  pieces  qui  ont  ete  representees  sur  le  theatre  de  I'Opera  par 
les  musiciens  italiens,  depuis  le  premier  aotit  1752.  jusqu'a  leur  depart 
en  1754.  avec  un  extrait  de  ces  pieces  &  des  ecrits  qui  ont  paru  a  ce 
sujet  .  .  .     Paris,  Duchesne,  1757. 

2v.ini  (v.  1:  6,  [8],  320 p.;  v.  2:  1  p.  1.,  221,  [3],  221-222  p.,  1 1.,  11  p.)    20<"". 

Dedication  signed :  D  *  *  * 

ML1727.3.A2D82 

[Du  Roullet,  Frangois  Louis  Gaud  Lebland,  marquis]  1716-1786. 

Lettre  sur  les  drames-opera.     A  Amsterdam,  et  se  trouve  a  Paris, 
chez  Esprit,  1776. 

55  p.    19i<'°'. 

ML3858.D9G 

Duval,  alhe,  d.  1781. 

Principes  de  la  musique  pratique.     Par  demandes  et  par  reponses. 
De  M.  I'abbe  Duval.     Paris,  Cailleau  [etc.]  1764. 

X,  [ll]-66,  [3]  p.     4  fold.  pi.     igi^"". 

In  the   "Catalogue  general"  of  the  Bibliothfeque  nationale,  Paris,  this  Is 
ascribed  to  the  Abbe  Pierre  Duval  (1730-1797) 

MT7.A2D98 


EARLY  BOOKS  ON  MUSIC  81 

Dwight,  Josiah,  1671-1748. 

An  essay  to  silence  the  outcry  that  has  been  made  in  some  places 
against  regular  singing.  In  a  sermon  preach' d  at  Framingham,  by 
the  Reverend  Mr.  Josiah  Dwight  .  .  .     Boston,  J.  Eliot,  1725. 

16  p.    17^"™. 

Last  leaf  mutilated. 

ML3001.D84 

Earle,  Jabez,  1676?-1768. 

See  Practical  discourses,  1708. 

Eastcott,  Richard,  1740-1828. 

Sketches  of  the  origin,  progress  and  effects  of  music,  with  an  account 
of  the  ancient  bards  and  minstrels.  Illustrated  with  various  historical 
facts,  interesting  anecdotes,  &  poetical  quotations.  By  the  Rev. 
Richard  Eastcott  .  .  .     Bath,  S.  Hazard,  1793. 

vii,  [3],  ^dii,  iv  p.,  1 1.,  277  p.    22^'=°'. 

ML60.E13 

Ebner,  Wolfgang,  d.  1665. 

See  Chiodino,  G.  B.    Arte  prattica,  1653. 

Einige  zum  allgemeinen  nutzen  deutlicher  gemachte  musikalische 
erwegungs-  und  andere  leichter  eingerichtete  uibun^s-wahrheiten, 
hrsg.  von  einem  freunde  dieser  wissenschafft.  Leipzig,  In  commis- 
sion zu  haben  bey  M,  Blochbergern  [1750?] 

viii,  90  {i.  e.  76)  p.     21  x  17"™. 

No.  66-79  omitted  in  paging. 
Attributed  to  Georg  Friedrich  Lingke. 

ML3805.A2E4 

[Eisel,  Johann  Philipp]  1698-1763. 

Musicus  duxod'cdaKxoc ,  oder  Der  sich  selbst  informirende  musicus, 
bestehend  sowohl  in  vocal-  als  liblicher  instrumental-musiqve,  welcher 
uber  24.  sorten  sowohl  mit  saiten  bezogener  als  blasender  und  schla- 
gender  instrumente  beschreibet,  die  ein  jeder  .  .  .  nach  denen  princi- 
piis  fundamentalibus  erlernen  kan  .  .  .  ans  licht  gestellet,  und  mit 
vielen  darzu  dienlichen  figuren  und  handgriffen  erl&utert  von  einem 
der  in  praxi  erfahren.     Erfurt,  J.  M.  Funck,  1738. 

4  p.  1.,  108  p.    1  illus.,  17  pi.  on  16  1.    21  x  17^"™. 

MT6.A2E44 

Der    sich    selbst    informirende    musicus,    oder :    Griindliche 

anweisung  zu  der  vocal-  und  instrumental-music,  welcher  uber  24. 
sorten,  sowohl  mit  saiten  bezogener,  als  blasend-  und  schlagender 
instrumenten,  zugleich  auch  achtzehen  darzu  dienliche  figuren  und 
handgriffe  enthalt  .  .  .     Augsburg,  J.  J.  Letter,  1762. 

7  p.  1.,  90  p.     illus.     17  X  21<^°». 

MT6.A2E46 
51234°— 13 G 


82  LIBEARY   OF   CONGRESS 

Der  eitle  miisicant  und  schenkwirth  als  zwey  wunder  in  der  christen- 
heit,  besonders  in  den  itzigen  betrubten  kriegsl&uften,  nebst  ange- 
wiesener  allgemeinen  heilsordnung  und  einer  auf  die  itzige  krieges- 
zeit  gerichteten  vorrede  .  .  .     [Halle,  Waisenhaus-b.]  1760. 

8p.  1.,  104p.    lej'^'". 

By  Carl  Heinrich  von  Bogatzky? 

HV5478.A3E4 

filoge  de  M.  d'Acquin,  musicien,   organiste  de  la  chapelle  du  roi. 

[Paris,  1773  ?] 

p.  191-203.     le*"". 

Caption  title. 

From  "Le  Necrologe  des  hommes  celebres  de  France,"  edited  by  Palissot  de 
Montenoy,  Poinsinet  de  Sivry,  and  others. 

ML416.A37 

filoge  de  Monsieur  Duni.     [Paris,  1776?] 

1  p.  1.,  p.  [165H69-     ISi'""- 
Caption  title. 

From  the  same  source  as  the  preceding. 

ML410.D91 

Eloge  de  M.  Le  Clair.     [Paris,  1767  ?] 

p.  119-131.     16^°'. 

Caption  title. 

From  the  same  source  as  the  preceding. 

ML410.L41E5 

Elsmann,  Heinrich. 

Compendivm  mvsicae  latino-germanicum,  cum  brevi  tractatu  de 
modis.  Accesserunt  hymni  sacri  intercalares  pro  horis  scholasticis, 
georgiani  ut  vocant,  fvnebres:  omnia  in  usum  inventutis  [ !  ]  con- 
scripta  &  congesta  a  m.  Henrico  Elsmano  .  .  .  Wolferbyti,  Autore 
sumptum  faciente  imprimebatur  per  Eliam  Holwein,  1619. 

[128]  p.     15'="'. 

MT860.A2E5 

Elst,  Joannes  van  der,  1594?-1670. 

Notse  Avgystinianae,  sive  Mvsices  figvrse  sev  notse  novse  concinendis 
modvlis  faciliores,  tabvlatvris  organicis  exhibendis  aptiores;  qvas 
firmamento  ecclesise  magno  patriarchae  divo  Avrelio  Avgvstino  mvsices 
ecclesiasticae  protectori  venerabvndvs  dedicat  F.  loannes  vander  Elst 
.  .  .     Gandavi,  typis  IVfaximiliani  Graet,  1657. 

2  p.  1.,  16  p.    11  pi.    23  X  18^^™. 

In  2  parts.    The  second  part,  " Explicatio  ad  musices  voces,"  p.  9-16,  is  dated 
at  end,  1659.    Bound  with  "  Den  ouden  .  .  .  grondt  vande  musiicke." 

MT6.A2E49 

Den  ouden  ende  nieuwen  grondt  vande  musiicke  .  .  .  Inde  welcke 
met  korte  ende  klare  reghels  ende  redenen  wt-ghelej^dt  wordt  het 
mergh  vande  musijcke,  soo  kerckelicke,  figurele,  als  instrumentele, 
soo  voor  de  theorie  als  voor  de  practijcke,  door  P.  I.  V.  E.  A.  Ghendt, 
M.  Graet,  1662. 

xii,  76  p.     diagrs.     23  x  IS"""". 

Dedicatory  letter  signed:  F.  loannes  vander  Elst  Augiistinianus. 
Plates,  same  as  in  the  '•  Notae  Avgvstinianee, "  wanting. 

MT6.A2E49 


EARLY  BOOKS   OiST   MUS'kS 


83-' 


Emmanuel  a'  Conceptione. 
See  Manuel  da  CoNCEigAO. 

Engel,  Johann  Jakob,  1741-1802. 

Ueber  die  musikalische  malerey.  An  den  k6nigl.  kapell-meister, 
heirn  Reichardt.  Von  J.  J.  Engel.  Berlin,  C  F.  Voss  und  sohn, 
1780. 

48  p.     15^"™. 

ML3855.A2E5 

Engramelle,  Marie  Dominique  Joseph,  1727-1781. 

La  tonotechnie,  ou  Fart  de  noter  les  cylindres,  et  tout  ce  qui  est 
susceptible  de  notage  dans  les  instrumens  de  concerts  mechaniques. 
Ouvrage  nouveau,  par  le  pere  Engramelle  . . .  Paris,  P.  M.  Dela- 
guette,  1775. 

4  p.  1.,  xxvij,  [1],  236,' [4]  p.     front.,  v  fold.  pi.     20'=™. 

Pages  43-50,  "Table  des  caract^res,"  are  printed  on  leaves  27  x  20"™. 

ML1051.A2E6 

Entire  new  and  compleat  instructions  for  the  fife. 
See  The  compleat  tutor  for  tbe  fife. 

[Erculeo,  Marzio]  1623-1706. 

II  canto  ecclesiastico.  All'  Altezza  serenissima  del  Sig.  prencipe 
cardinal  d'Este,  d.  d.  d.  Modana,  Per  gli  eredi  Cassiani  stamp, 
episc,  1686. 

15  p.  1.,  3-65,  [7]  p.    illus.    25<=™. 

Title  vignette:  ecclesiastical  coat  of  arms.  Dedication  signed:  D.  Marzio 
Erculeo. 

A  second  title  precedes  the  text:  Lvmi  primi  del  canto  fermo,  ecclesias- 
tico, gregoriano,  corale,  5  piano,  cioe  stabile,  et  vniforme  k  tvtti  gli  ecclesiastici. 
Emendato,  composto,  &  insegnato  da  S.  Gregorio  Magno  .  .  .  Per  M.  E.  ad  vso 
de  scolari  chienci  delle  scuole  pie  della  Congregazione  della  B.  V.,  e  S.  Carlo, 
h  per  loro  essercizio  il  Confiteor,  Fratres,  antifone  della  B.  Vergine,  Adoma 
talamum,  Si  quaeris,  e  messa  de'  morti  con  lisuoi  cinc^ue  responsorij  nelle  essequie 
pid  solenni,  &c.  Modana,  Nella  stampa  delli  eredi  Cassiani  stamp,  episcopali, 
1686. 

MT860.A2E65 

Erste  musikalische  preisaustheilung  fiir  das  jahr  1791.  Nebst 
vierzig  kupfertaf6ln  die  aus  dem  Magnificat  beider  preistr&ger  ein 
stuck  und  die  umarbeitung  beider  stiicke  vom  preisrichter  liefern. 
Frankfurt  am  Main,  Varrentrapp  und  Wenner,  1794. 

2v.ini  (v.  1:32  p.     19  x  11  J"™;  v.  2:  40  p.     32  x  25i«™) 

Vol.  [2]  engraved  throughout,  has  caption  title:    Notenbeyspiele  ziu*  Ersten 
musikalischen  preisaustheilung  fiir  das  jahr  1791. 
Listed  under  Abt  Vogler  in  Kayser's  "Biicher-lexicon." 

ML76.V25 

Eschenburg,  Johann  Joachim,  1743-1820,  translator. 

See  Brown,  J.     Betrachtungen  uber  die  poesie,  1769. 

Burney,  C.     Nachricht  von  Georg  Fnedrich  Handel's  lebens- 
umst&nden,  1785. 


'    '    ''  '84'     '  '         '  LIBRARY 


OF   CONGRESS 


Eschstruth,  Hans  Adolf,  freiherr  von,  1756-1792. 

Musicalische  bibliothek,  hrsg.  von  H.  A.  fr.  v.  Eschstruth  ...  1. 
stiick.     Marburg  unci  Giesen,  Bei  Krieger  dem  jiingern,  1784. 

152  p.     IS^^'". 

Imperfect,  wanting  port,  and  "zwei  etucke  des  .  .  .  herrn  kapellmeisters  C.  P. 

E.  Bach." 

The  "2.  stiick"  appeared  in  1785;  a  "3.  stuck"  was  announced  but  not  pub- 
lished,   cf.  Freystatter,  Die  musikal.  zeitschriften. 

ML4.E74 

Espic  de  Lirou,  Jean  Frangois,  1740  or  41-1806. 

Explication  du  syst^me  de  rharmonie,  pour  abreger  Fetude  de  la 
composition,  &  accorder  la  pratique  avec  la  theorie;  par  le  chevaHer 
de  Lirou.     A  Londres,  et  se  trouve  a  Paris,  chez  Merigot  [etc.]  1785. 

2  p.  1.,  239  p.    7  pi.  (1  fold.)    21i«™. 

ML3815.A2L7 

L'Esprit  des  journaux,  franpais  et  strangers,  par  une  societe  de  gens 
de  lettres.     Paris  [etc.]  1783-1805. 

6  V.     17"™.     monthly. 

Incomplete  collection  of  the  parts  of  ''L'Esprit  des  journaux"  devoted  to 
theater  and  music,  detached  from  their  respective  volumes  and  bound  together. 
Binder's  subtitle  reads  "  Comptes-rendus  de  musique  et  theatre." 

ML270.3.E56 

Essai  methodique  pour  apprendre  aux  enfans  a  lire  aussi  aisement  la 
musique,  qu'on  leur  apprend  a  lire  I'ecriture  ordinaire.     Liege, 

F.  J.  Desoer  [1763?] 

58  p.     16 J'^'". 

MT35.A2E78 

An  essay  on  the  church  plain  chant  .  .  .     London,  J.  P.  Coghlan, 

1782. 

3  V.  in  1.     18<=™. 

Appended:  Antiphons  which  are  sung  whilst  th«  Blessed  Sacrament  is  exposed 
in  the  church  of  the  English  dames  of  St.  Clare,  at  Aire  in  Artois.  London,  Printed 
by  J.  P.  Coghlan,  1783.     1  p.  1.,  6  p.  " 

Contents. — pt.  1.  Instructions  for  learning  the  church  plain  song. — pt.  2. 
Several  anthems,  litanies,  proses  and  hymns,  as  they  are  sung  in  the  public 
chapels  at  Loudon. — pt.  3.  A  supplement  of  several  anthems,  litanies,  proses  and 
hymns. 

MT860.A2E8 

Essex,  John,  translator. 

See  Rameau,  P.     The  dancing-master,  1728. 

Esteve,  Pierre. 

Xouvelle  decouverte  du  principe  de  I'harmonie,  avec  un  examen  de 
ce  que  M.  Rameau  a  publie  sous  le  titre  de  Demonstration  de  ce 
principe.     Par  M.  Esteve  .  .  .     Paris,  S.  Jorry,  1752. 

xvj,  54,  [3]  p.     21J'-'". 

ML3815.A2E8 
See  also  Morand,  P.  de.     Justification  de  la  musique  frangoise,  1754. 


EAELY  BOOKS   ON    MUSIC  85 

Estwick,  Sampson,  d.  1739. 

The  usefulness  of  church-musick.  A  sermon  preach' d  at  Christ- 
church,  Novemb.  27.  1696.  upon  occasion  of  the  anniversary- 
meeting  of  the  lovers  of  musick,  on  St.  Cseciha's  day.  By  S.  Est- 
wick .  .  .     London,  T.  Bennett,  1696. 

2  p.  1.,  22  p.     19i  X  15"". 

ML3001.E77 

£itat  actuel  de  la  musique  du  roi  et  des  trois  spectacles  de  Paris. 
Paris,  Vente,  1772. 

1  p.  1.,  iv,  [12],  140,  vj,  [6]  p.     5  pi.  (incl.  front.)     13^'=°'. 

Engr.  t.-p.  with  ornamental  border  and  coat  of  arms;  line  borders.  Lettered: 
Almana[chj  du  theatr[e] 

Issued  annually  1759-60,  and  1767-78.  The  volumes  for  1759-60  have  title 
"Etat  actuel  de  la  musique  de  la  chambre  du  roi  et  des  trois  spectacles  de 
Paris  ..."  In  these  two  issues  Vente's  name  does  not  appear  on  the  t.-p.,  but 
is  found  in  the  privilege,    cf.  Grand-Carteret,  Lea  almanachs  franyais. 

L.  of  C.  has  only  the  issue  of  1772. 

ML1727.8.P2S4 

Ettmiiller,  Michael  Ernst,  1673-1732,  praeses. 

Disputatio  effectus  musicse  in  hominem  .  .  .  Lipsise,  litteris  J.  G. 
Bauchii  [1714] 

39  p.     18  X  Hjo^i. 

Diss. — Leipzig  (C.  G.  Jocher,  respondent  and  author) 

ML3920.A2E7 

Euclides. 

YtUKMdou  ^Icotyajyii  app.ovcKrj.  Toy  aoxoo  IS^arazoixrj  Kavovof. 
Euclidis  Rudimenta  mvsices.  Eiusdem  Sectio  regulse  harmonicse. 
E  Regia  bibliotheca  desumpta,  ac  nunc  primiim  grsece  &  latine  excusa, 
loanne  Pena  regio  mathematico  interprete  .  .  .  *Parisiis,  apud  A. 
Wechelum,  1557. 

2  p.  1.,  5-16,  10  numb.  1.    20=='. 

Printer's  mark  on  t.-p. 

The  Rudimenta  musices  is  now  attributed  to  Cleonides. 

ML171.E9 

See  also  Davy,  C.     Letters,  1787. 

Meibom,  M.,  translator.     Antiqvse  mvsicee  avctores,  1652. 

Eugenius  junior,  pseud. 
See  Owen,  James. 

Euler,  Leonhard,  1707-1783. 

Tentamen  novae  theoriae  mvsicae  ex  certissimis  harmoniae  prin- 
cipiis  dilvcide  expositae.  Avctore  Leonhardo  Evlero.  Petropoli,  ex 
typographia  Academiae  scientiarvm,  1739. 

263  p.    plates  (3  fold.)  tables  (2  fold.)    27i'^">. 

Title  vignette. 

ML3805.A2ES 

See  also  Unger,  J.  F.  von.     Entwurf  einer  maschine,  1774. 


86  LIBRARY   OF   CONGRESS 

Eximeno  y  Pujades,  Antonio,  1729-1808. 

Deir  origine  e  delle  regole  della  musica,  colla  storia  del  sue  pro- 
ffresso,  decadenza,  e  rinnovazione.  Opera  di  D.  Antonio  Eximeno  fra 
1  Pastori  Arcadi  Aristosseno  Megareo  .  .  .  Roma,  Stamperia  di  M.  A. 
Barbiellini,  1774. 

6  p.  1.,  466  p.,  1 1.    illus.,  23  fold.  pi.  (music,  tables)  port.    27'='°. 

ML159.E9 

Del  origen  y  reglas  de  la  musica,  con  la  historia  de  su  progreso, 


decadencia  y  restauracion.  Obra  escrita  en  italiano  por  el  abate  Don 
Antonio  Eximeno.  Y  traducida  al  castellano  por  D.  Francisco  An- 
tonio Gutierrez  .  .  .     Madrid,  Imprenta  real,  1796. 

3  V.    illus.,  22  fold.  pi.  (music,  tables)    20'="». 

ML159.E93 

Dubbio  di  D.  Antonio  Eximeno  sopra  il  Saggio  fondamentale 
pratico  di  contrappunto  del  reverendissimo  padre  maestro  Giam- 
battista  Martini.     Roma,  M.  Barbiellini,  1775. 

viii,  120  p.    28i<'">. 

MT55.A2E9 

Exmes,  Frangois  Le  Prevost  d'. 

See  Le  Prevost  d'Exmes,  FRANgois. 

Exposition  de  quelques  nouvelles  vues  mathematiques  dans  la 
theorie  de  la  musique.  A  Amsterdam,  et  se  trouve  a  Paris,  chez 
Cailleau,  1760. 

30  p.'    IS"". 

ML3809.A2E97 

Fabbrizi,  Pietro. 

Regole  generali  di  canto  fermo  raccolte  da  diuersi  autori  da  D. 
Pietro  Fabritii  Fiorentino.  In  questa  quarta  impressione  corrette,  & 
ampUate.     Roma,  M.  A.,  &  O.  (Jampana,  1689. 

80  p.  incl.  pi.    15^'=°'. 

MT860.A2F12 

Regole  generali  di  canto  fermo  raccolte  da  diuersi  autori  da  D. 


Pietro  Fabritii  Fiorentino,  in  questa  quarta  impressione  corrette,  & 
ampliate.     Roma,  II  Mascardi,  1708. 

80  p.  incl.  pi.    IS""". 

MT860.A2F13 

Faber,  Gregorius. 

Mvsices  practicse  erotematum  libri  ii,  avtore  M.  Gregorio  Fabro 
Luczensi,  in  Academia  tubingensi,  musices  professore  ordinario. 
Basilese  [1553] 

4  p.  1.,  230,  [2]  p.    diagrs.    15^"'°. 

Colophon:  Basileae,  per  Henrichvm  Petri,  anno  salvtis  m.d.liii.  raense  martio. 

Guidonian   hand    on    t.-p.;  initials;  printer's    mark   at   end.     Original    t.-p. 
wanting;  replaced  by  a  facsimile. 

Contains  musical  examples  taken  from  the  works  of  Josquin  de  Pr^s,  Okeghem, 
Anton  Brumel  and  others. 

ML171.F14 


EARLY  BOOKS   ON   MUSIC  -87 

Faber,  Heinrich,  d.  1552. 

Compen-  ||  diolvm  mvsicse  ||  pro  incipientibvs.  ||  Per  mas^istrvm  || 
Henricvm  Fabrvm  conscri-  ||  ptum,  ac  nunc  denuo,  cum  additio  ||  ne 
alterius  Compendioli,  ||  recognitum.  ||  Noribergae,  ||  In  Officina 
loannis  Montani,  ||  &  Vlrici  Neuberi  [15 — ] 

[32]  p.     15"'". 

The  1st  edition  cited  is  of  Brunswick,  1548.  In  that  issue  the  title  reads  as 
in  this  one,  indicating  the  existence  of  an  earlier  edition,  cf.  Eitner,  "Magister 
Heinrich  Faber"  (Monatshefte  ftir  musikgeschichte,  2  jahrg.,  1870,  p.  26  ff.) 

ML171.F11 

See  also  Gumpeltzhaimer,  A.     Compendivm  mvsicse,  1616. 

Faber,  Nicolaus. 

Mvsicae  rvdimenta  admodvm  brevia  atqve  vtilia  .  .  .  loannes 
Auentinus  Thurinomarus  edidit.  [Colophon:  Excusa  in  officina  Mil- 
lerana  Augustse  Vindelicorti  xii.  cal.  iunias.  Anno  a  natiuitate 
Domini,  m.d.xvi.] 

[34]  p.     illus.     21<'=». 

Title  as  above  taken  from  first  two  lines  and  last  line  of  leaf  Aij  recto.. 

Frontispiece:  Illvstrissimo  prin  ||  cipi  Arionisto  vtrivsqve  Boiari-  ||  ae  dvci 
dedicatvm  ||  [woodcut]  \\  Nicolaus  Faber  Vuolazanus  illustrissimi  principis 
Arioni- 1|  sti  vtriusque  Boiarise  cantor  &  a  sacris.  Ad  lectorS  ||  [musical  canon:] 
Crede  mihi  melius  nihil  est  qua  musica  quae  te  ||  Efficiet  doctu  magnificuq,  virum. 

Signatures:  A-B  in  fours,  C  in  six,  D  in  three.     Printer's  mark  at  end. 

L.  of  C.  has  also  another  issue,  in  which  the  inscription  of  poem  on,  recto  of 
last  leaf  is  arranged  in  six  lines  instead  of  seven,  as  in  this  issue,  and  has  uni- 
form type,  the  first  line  here  being  in  much  larger  type. 

ML171.F13 

Faber,  Petnis,  1540  or  41-1600. 

Agonisticon  Petri  Fabri  .  .  .  sive,  De  re  athletica  Ivdisqve  vetervm 
gymnicis,  mvsicis,  atque  circensibus  spicilegiorum  tractatus,  tribus 
Ebris  comprehensi.  Opvs  tessellatvm.  Nunc  primum  in  lucem  editum. 
Cum  indice  rerum  ac  verborum  memorabihum  locupletissimo  .  .  . 
Lvgdvni,  apud  F.  Fabrum,  1592. 

12  p.  1.,  363,  [17]  p.     24"'". 

Printer's  mark  on  t.-p. ;  side-notes. 

GV17.F2 

Faber  Stajmlensis,  Jacobus. 

See  Le  Fevre,  Jacques,  d'  Staples.. 

Fabricius,  Werner,  1633-1679. 

Werneri  Fabricii  .  .  .  Unterricht,  wie  man  ein  neu  orgelwerk,  obs 
gut  und  best^ndig  sey,  nach  alien  stucken,  in-  und  auswendig  exami- 
niren,  und  so  viel  m6glich,  probiren  soil.  Frankfurt  und  Leipzig, 
1756  [sic] 

86  p.     17^'^™. 

ML555.A2F12 


88  X  LIBRARY   OF   CONGRESS 

Palck,  Georg,  d.  1688  ? 

.  .  .  Idea  boni  cantoris,  das  ist :  Getreu  und  griindliche  anleitung  / 
wie  ein  miisic-scholar  /  so  wol  im  singen  /  als  auch  auf  andern  instru- 
mentis  musicalibiis  in  kurtzer  zeit  so  weit  gebracht  werden  kan  /  dass 
er  ein  stilck  mitzusingen  oder  zu  spielen  sich  wird  unterfangen 
ddrffen;  aus  verschiedenen  berilhmten  musicis  colligirt  /  und  der 
music-liebenden  jugend  zu  sonderbakrer  lust-erweck-  und  nutzlichen 
beOTeiffung  zusammen  geschrieben  /  und  heraus  gegeben  von  Georg 
Falcken  dem  aelteren  .  .  .  Niirnberg  /  Gedruckt  bey  W.  M.  Endter  / 
1688. 

16  p.  1.,  209,  [3]  p.    17  X  204^'°. 

In  two  parts.  Caption  title  reads  "  Institutionis  musicse  practicae  er8ter[-  an- 
derer]  theil." 

MT770.A2F27 

Falconnet, 

Extrait  d'une  lettre  ecrite  aux  auteurs  du  Mercure,  suivie  d'un 
memoire  qui  repond  a  la  question  proposee  dans  celui  du  mois  de  juin 
dernier,  au  sujet  du  plainchant  &c.     [n.  p.    1733  ?] 

19  p.    16^"°'. 

Caption  title. 

The  memoir  has  caption  "Memoire  sur  I'autorite  des  musiciens  en  matiere 
'  de  plainchant,"  and  is  signed:  Burette  et  Falconnet,  fils. 

ML3082.A2B8 

Fanzago,  Francesco,  1749-1823. 

Elogi  di  tre  uomini  illustri,  Tartini,  Vallotti,  e  Gozzi,  con  una  ora- 
zione  gratulatoria.     Padova,  C.  Conzatti,  1792. 

212  p.     20'=™. 

"Nel  solenne  ingresso  alia  dignita  di  procvtrator  di  S.  Marco  di  S.  E.  Sig. 
cavalier  Andrea  Memmo  gratulatoria  della  magnifica  citta  di  Padova":  p. 
[157]-205. 

ML390.A2F2 

Orazione  del  Signor  abate  Francesco  Fanzago  Padovano  delle  lodi 
di  Giuseppe  Tartini,  recitata  nella  chiesa  de'  rr.  pp.  Serviti  in  Padova 
li  31.  di  marzo  I'anno  1770,  con  varie  note  illustrata,  e  con  un  breve 
compendio  della  vita  del  medesimo.  Padova,  Stamperia  Conzatti, 
1770. 

48  p.  incl.  front,  (port.)  illus.     24  x  Vd"'^. 

Title  vignette. 

ML410.T18F1 

Fayser,  Johann,  of  Arnstein. 

'  \  riacdt'ca  \\  Mvsicae.  ||    Kindtliche  Anlaytung  oder  ||  vnderweysung 

1  der  Edlen  j|  Kunst  Musica.  ||     Authore  M.  loanne  Fessero  ||  Arnstei- 

nensi  Franco.     ||     G.  Fabricivs.   ||  Diuina  res  est  Musica,  ||  Mulcet 

^       Deum,  mulcet  uiros.    ||   Quicuiiqi  Musicam   colunt,    ||   Amat  Deus, 

coluntuiri.    |l    Cum  gratia  &  Priuilegio  Imperiali.  ||  Avgvstse  Vinde- 

licorvm  ||  Philippus  Vlhardus  ||  excudebat  [1572] 

[56]  p.     1  illus.     15^'''". 

Signatures:  A-C  in  eights,  D  in  four, 

ML171.F27 


EARLY  BOOKS  ON  MUSIC  89 

Febure,  Louis  Fran§ois  Henri  le. 

See  Lefebure,  Louis  Francois  Henri. 

Fedeli,  Giuseppe. 

.  .  .  Principj  di  canto  fermo  dati  alia  luce  da  D.  Givseppe  Fedele  .  .  . 
Cremona,  Mt  Antonio  dal  Re  intaglia  e  stampa  apresso  S.  Catterina 
in  Borgheto,  1722. 

25  numb.  1.     29  x  22^"™. 
Title  within  ornamental  border;  title  vignette  (port.)    Engraved  throughout. 

MT860.A2F29 

Feijoo  y  Montenegro,  Benito  Jeronimo,  1675-1764. 

Three  essays  or  discourses  on  the  following  subjects,  a  defence  or 
vindication  of  the  women,  church  music,  a  comparison  between 
antient  and  modern  music.  Tr.  from  the  Spanisk  of  Feyjoo;  by  a 
gentleman.     London,  T.  Becket,  1778. 

2  p.  1.,  187  p.     21'==». 
Translated  by  John  Brett. 


ML60.F34 


Feillee,  Frangois  de  la. 

See  La  Feillee,  Francois  de. 


Feind,  Barthold,  1678-1721. 

Barth.  Feindes  /  It.  Deutsche  gedichte  /  bestehend  in  musicalischen 
schau-spielen  /  lob-  gKickwiinschungs-  verliebten  und  moralischen 
gedichten/ernst-  und  schertzhafften  sinn-  und  grabschriff ten  /  saty- 
ren/cantaten  und  allerhand  gattungen.  Sammt  einer  vorrede  Von 
dem  temperament  und  gemiihts-beschaffenheit  eines  poeten  /  und 
Gedancken  von  der  opera.  Erster  theil.  Mit  kupffern  und  einem 
voUst&ndigen  register.     Stade,  H.  Brummer,  1708. 

7  p.  1.,  678,  [18]  p.,  2  1.,  [10],  651-786  p.    plates.     17'". 

Double  engr.  t.-p.  added. 

Appended  is  a  translation  of  Jeremias  de  Decker's  "Lof  der  geldsucht,"  with 
special  t.-p.:  Hm.  lie.  Feindes  aus  dem  holl&ndischen  ubersetzte  ausbundige 
satyre  vom  lobe  der  geldsucht  /  an  einigen  hundert  oerthem  verbessert  und 
vermehrt,  ans  licht  gestellt  von  Ferdinand  Gasto  von  Perlensee  .  .  .  C611n  / 
Bey  P.  Marteau,  auf  kosten  der  Societat;  [etc.,  etc.]  1709, 

ML49.F34 

Feldtenstein,  C.  J.  von. 

Erweiterung  der  kunst  nach  der  chorographie  zu  tanzen,  tanze  zu 
erfinden,  und  aufzusetzen;  wie  auch  anweisung  zu  verschiedenen 
national-tanzen ;  als  zu  englischen,  deutschen,  schw&bischen,  pohl- 
nischen,  hannak-  masur-  kosak-  und  hungarischen;  mit  kupfern; 
nebst  einer  anzahl  englischer  t&nze.  Von  C.  J.  von  Feldtenstein. 
Braunschweig,  1772. 

109,  [1]  p.    VIII  fold.  pi.    17<^™. 

GVieoi.rs 


90  LIBRAE Y   OF   CONGRESS 

Fernandes,  Antonio. 

Arte  de  mvsica  de  canto  dorgam,  e  canto  cliam,  &  proporpoes  de 
musica  diuididas  harmonicamente.  Composta  por  Antonio  Fernan- 
dez .  .  .     Lisboa,  P.  Craesbeeck,  impressor,  1626. 

6  p.  1.,  125  numb.  1.    fold,  pi.,  diagre.    19J'=°'. 

Title  vignette  (coat  of  arms) 

MT860.A2F36 

[Fernandez  de  Rojas,  Juan]  d.  1817. 

Crotalogfa;  6,  Ciencia  de  las  castanuelas.  Instruccion  cientifica  del 
modo  de  tocar  las  castanuelas  para  baylar  el  bolero  .  .  .  Parte 
primera  ...  Su  autor  el  licenciado  Francisco  Agustin  Florencio 
[pseud.'l    Madrid,  Imprenta  real,  1792. 

3  p.  1.,  X,  92  p.    15''™. 

"Este  opiisculo,  que  pasa  por  ser  un  tratado  de  tocar  laa  castafiuelas,  no  ea  en 
realidad  Bino  una  finisima  satira  contra  el  furor  enciclopedista  que  a  fines  del 
siglo  pasado  se  no3*\'ino  de  Francia." — Salva  y  Mallen,  Catdlogo  de  la  biblio- 
teca  de  Salvd,  1872.  (For  history  see  Pedrell's  Cat.  de  la  Bibl.  mus.  de  la  Dipu- 
tatio  de  Barcelona,  1908-09,  v.  2,  p.  331) 

MT720.A2F3 

Ferrari,  Carlo  Antonio  Porta. 

See  Porta  Ferrari,  Carlo  Antonio. 

Ferrari,  Ottavio,  1607-1682. 

Octavii  Ferrarii  De  pantomimis  et  mimis,  dissertatio,  in  Patavino 
lyceo  publice  olim,  magnoque  cum  adplausu  recitata,  nunc  vero 
primum  in  lucem  edita.  Cum  duabus  epistolis  vna  lacobi  Facciolati, 
altera  lo.  Phil.  Slevogtii,  &  lo.  Fabricii  ad  non  neminis  dubia  de 
orthographia  latina  responsionibvs.  Wolffenbvttelii,  svmtibvs  G. 
Freytagil  [1714] 

63  p.     16i<"°. 

Cli.34.3015 

Ferte,  Denis  Pierre  Jean  Papillon  de  la. 

See  Papillon  de  La  Ferte.  Denis  Pierre  Jean. 

Feiiillet,  Raoul  Auger. 

Reciieil  de  dances  contenant  un  tres  grand  nombres,  des  meil- 
lieurea  entries  de  ballet  de  M.'  Pecour,  tant  pour  homme  que  pour 
femmes,  dont  la  plus  grande  partie  ont  6t6  danc4es  k  I'Opera.  Reciieil- 
lies  et  mises  au  jour  par  M.'  Feiiillet  .  .  .  Paris,  Chez  le  sieur  Feiiillet, 
1704. 

1  p.  1.,  5  numb.  1.,  128  (i.  e.  228),  16  p.    diagrs.    24^'''". 

Engraved  throughout.  "Airs  des  dances  contenues  en  ce  reciieil,  qui  sert  de 
table  h.  ce  volume  " :  16  p.  at  end. 

MT950.A2F48 

Fevre,  Jacques  le. 

See  Le  Fevre,  Jacques,  d' Staples. 

Feytou,  Jean  £tienne,  1742-1816,  editor. 
See  Framebt,  N.  £.     Musique,  1791-1818. 


EARLY  BOOKS  ON  MUSIC  91 

Flaminio,  Giovanni  Antonio,  d.  1536,  translator. 
See  Aaron,  P.     Libri  tres  . . .  [1516] 

Florencio,  Francisco  Agustin,  pseud. 
See  Fernandez  de  Rojas,  Juan. 

Florido,  Francesco,  editor. 

See  Scaletta,  O.     Scala  di  mvsica,  1642.  • 

[Fludd,  Robert]  1574-1637. 

.  .  .  De  temple  mvsicae  ...    [n.  p.,  n.  d.] 

p.  159-259.    illus.,  fold,  pi.,  diagrs.    3P™. 

Full  title  reads:  Tractatus  secundi  pars  II.  De  templo  musica;  in  quo  musica 
iiniversalia  tanquam  in  speculo  conspicitur:  in  libros  septem  divisa. 

Detached  from  v.  1,  "De  macrocosmi  historia,"  of  Fludd's  "Utriusque  cosmi 
.  .  .  metaphysica,  physica  atque  technica  historia,"  probably  of  the  edition  of 
Oppenheim  and  Frankfurt,  1617-24. 

Signatures:  1  1.  unsigned,  X-Z,  Aa-Ii  in  fours,  Kk  in  two.  The  greater  part 
of  the  illustrations  are  printed  from  engraved  pRites. 

ML100.A2F4 

Fogliani,  Lodovico,  d.  ca.  1540. 

Mvsica  theorica  Ludouici  Foliani  Mutinensis:  docte  simul  ac  dilu- 
cide  pertractata:  in  qua  quaplures  de  harmonicis  interuallis:  non 
prius  tentatae:  continentur  speculationes.  [Colophon:  C.  Venetiis  per 
lo.  Antonium  &  fratres  de  Sabio.  Anno  Donuni  mdxxix.  Mense 
iulii] 

2  p.  1.,  xliii  numb.  1.     wdcts.     29^  x  20''™. 
Leaves  xiv  and  xlii  numbered  xix  and  xli  respectively. 

ML171.F65 

Foglietti,  Ignazio  Domenico,  translator. 

See  La  Feilx,ee,  F.  de.     II  cantore  ecclesiastico,  1786. 

Foliot,  Madame,  pseud. 

Ce  que  Ton  doit  dire.  Re'ponse  de  Madame  Foliot,  a  la  lettre  de 
Monsieur  *  *  *.     [n.  p.,  1752] 

8  p.    19<"". 

Caption  title. 

No.  5  in  a  volume  of  pamphlets  lettered  Quere[lle]  des  Bouffo[na] 

A  reply  to  F.  L.  C.  Marin's  "Ce  qu'on  a  dit  .  .  .     Lettre  a  Madame  Foliot." 

ML1727.33.A1 

Fond,  Jean  Frangois  de  la. 

See  Lafond,  Jean  FKANgois  de. 


92  LIBKAKY  OF   CONGRESS 

[Fontana,  Francesco  Luigi]  cardinal,  1750-1822. 

Vita  di  Benedetto  Marcello,  patrizio  veneto.  Con  Fa^unta  delJe 
risposte  alle  censure  del  Signor  Saverio  Mattel.  Con  T'lndice  delle 
opere  stampate,  e  manoscritte,  e  alquante  testimonianze  intorno  al- 
r  insigne  suo  merito  neUa  faculta  musicale.  Venezia,  A.  Zatta  e 
figli,  1788. 

2  p.  1.,  108  p.     20<- 


icm 


Note  at  foot  of  p.  1:   Questa  vita  fu  scritta  in  lingua  latina  dal  p.  d.  Francesco 
Fontana  .  .  .  e  trovasi  inserita  nel  tome  ix.  dell  aiirea  opera:  vitse  Italorum 
^  doctrina  excellentium,  qui  saeculo  xvu.  &  xviu.  floruerunt,  auctore  Angelo  Fa- 
bronio  .  .  . 

Translated  by  Giovenale  Sacchi. 

ML410.M31F5 

Fontego,  Silvestro  Ganassi  dal. 
See  Ganassi,  Silvestro,  dal  Fontego. 

Ford,  Thomas,  1598-1674. 

Singing  of  psalmes  the  duty  of  Christians  under  the  New  Testa- 
ment, or  A  vindication  of  that  gospel-ordinance  in  v.  sermons  upon 
Ephesians  5.  19.  wherein  are  asserted  and  cleared  1.  that,  2.  what, 
3.  how,  4.  why,  we  must  sing.  By  T.  F.  .  .  .  London,  Printed  by 
A.  M.  for  C.  Meredith,  1653. 

4  p.  1.,  175  {i.  e.  159)  p.     14"™. 
Errors  in  paging. 

ML3001.F67 

Singing  of  psalmes  the  duty  of  Christians  under  the  New  Testa- 


ment, or  A  vindication  of  that  gospel-ordinance  in  v.  sermons  upon 
Ephesians  5.  19.  wherein  are  asserted  and  cleared  1.  that,  2.  what, 
3.  how,  4.  why,  we  must  sing.  The  2d  ed.,  with  manv  additions. 
By  Tho.  Ford  .  .  .  London,  Printed  by  W.  B.  for  F.  "^Eaglesfield, 
1659. 


4  p.  1.,  164  p.     15  X  8i= 


ML3001.F69 


Forkel,  Johann  Nicolaus,  1749-1818. 

Allgemeine  geschichte  der  musik,  von  Johann  Xicolaus  Forkel  .  .  . 
Leipzig,  Schwickert,  1788-1801. 

2  V.  (v.  1:  xxxvi,  504  p.;  v.  2:  xviii,  776  p.)    10  pi.  (5  fold.)    24J  x  2P™. 
Title  vignette. 

Closes  with  the  first  half  of  the  sixteenth  centurj-.  Further  material  for  the 
work,  left  by  Forkel,  came  into  the  hands  of  Schwickert,  but  no  more  was  pub- 
lished. 

ML159.F3 

Allgemeine  litteratur  der  musik;  oder,  Anieitung  zur  keimtniss 
musikahscher  biicher,  welche  von  den  &ltesten  bis  auf  die  neusten 
zeiten  bey  den  Griechen,  R6mem  und  den  meisten  neuern  euro- 
p^ischen  nationen  sind  geschrieben  worden.  Systematisch  geordnet, 
und  nach  veranlassung  mit  anmerkungen  und  urtheilen  begleitet,  von 
Johann  Nicolaus  Forkel.     Leipzig,  Schwickert,  1792. 

xxiv,  540  p.     23^'^™. 


EARLY  BOOKS  ON   MUSIC  93 

Forkel,  Johann  Nicolaus — Continued. 

Contains  a  reprint  of  Joannes  Tinctoris'  "Terminorum  musicae  diflBnitiorum  " 
(p.  204-216) 
"  Verzeichnisa   musikali^cher   manuscripte,    -svielche   in   verschiedenen   euro- 
•    p&ischen,  theils  6ffentlichen,  theils  privatbibliotheken  aufbewahrt  werden": 
p.  485-504. 

ML105.F72 

Musikalisch-kritische  bibliothek,  von  Jolianii  Nicolaus  Forkel  .  .  o 
Gotha,  C.  W.  Ettinger,  1778-79. 

3  V.     20^"™. 

ML4.M31 

Ueber  die  theorie  der  musik,  insofem  sie  liebhabem  und  kennern 
nothwendig  und  niitzlich  ist.  Eine  einladungsschrift  zu  musikali- 
schen  vorlesungen  von  Johann  Nicolaus  Forkel  .  .  .  Gdttingen,  Im 
verlag  der  wittwe  Vandenhilck,  1777. 

38  p.     21  X  17"™. 

ML63.F72 

Forkel,  Johann  Nicolaus,  1749-1818,  editor. 

See  MusiKALiscHER  ahnanach  fur  Deutschland  [1782-89] 

Forkel,  Johann  Nicolaus,  1749-1818,  translator. 

See  Aeteaga,  S.     Geschiclite  der  itali&nischen  oper.  1789. 

Fournier,  Pierre  Simon,  1712-1768. 

Traite  historique  et  critique  sur  I'origine  et  les  progres  des  carac- 
teres  de  fonte  pour  Fimpression  de  la  musique,  avec  des  ^preuves  de 
nouveaux  caracteres  de  musique,  pr^sentes  aux  imprimeurs  de  France. 
Par  M.  Fournier  le  jeune.  A  Berne,  et  se  trouve  a  Paris,  chez  Barbou, 
1765. 

47,  [2]  p.     26  X  20-^°^. 

"Ariette,  mise  en  musique  par  M.  I'abbe  Dugue.     A  Paris,  Des  nouveaux 
caracteres,  de  Fournier  le  jeuhe.  m.dcc.lxv":  p.  [39]-47. 

ML112.A2F7 

[Fraguier,  Claude  Frangois]  1666-1728. 

Examen  d'un  passage  de  Platon  sur  la  musique. 

{In  Academie  des  inscriptions  et  belles-lettres,  Paris.     Histoire  de  I'Acade- 
mie  .  .  .     Paris,  1746.    26^™.     [1.  S(5r.]  t.  rn,  p.  111-122) 

Separate. 

ML168.P6F8 

Framery,  Nicolas  Etienne,  1745-1810. 

Avis  aux  poetes  IjTiques,  ou  De  la  necessity  du  rhythme  et  de  la 
cesure  dans  les  hymnes  ou  odes  destines  a  la  musique;  par  N.  E. 
Framery  .  .  .  Imprime  par  ordre  du  Comite  d 'instruction  publique. 
Paris,  Imprimerie  de  la  republique,  brumaire,  an  iv  [1795] 

2p.  1.,  36p.    2r"'. 

ML3849.A2F8 


94  LIBRARY   OF   CONGRESS 

Framery,  Nicolas  fitienne,  1745-1810,  editor. 

.  .  .  Musique,  pub.  par  MM.  Framery  et  Ginguene  .  .  .  Paris,  Pan- 
ckoucke,  1791-1818. 

2  V.  (v.  1:  xij,  760  p.;  v.  2:  2  p.  1.,  557,  [3],  74, 114  p.)    tables  (1  fold.)    26i<"".  , 

Forms  part  of  the  Encyclopedia  m^thodique  (half-title  reads:  Encyclop^die 
methodique  .  .  .  par  une  soci^te  de  gens  de  lettres  .  .  .) 

Vol.  2:  "Pub.  par  MM.  Framery,  Guingene  et  de  Momigny."  (Vol.  1  ed.  by 
Framery  with  the  assistance  of  the  Abb6  Feytou  and  P.  L.  Guinguen6;  vol.  2, 
by  J.  J.  Momigny) 

The  "Dictionnaire  de  musique"  of  J.  J.  Rousseau  is  incorporated  entire  in 
this  work,  and  such  articles  of  the  original  "  Encyclop6die  "  and  its  supplements 
as  were  judged  to  be  of  interest  are  preserved  in  this  edition. 

Musical  illustrations,  engr.,  at  end  of  v.  2  (74,  114  p.) 

ML100.A2F8 

See  also  Calendrier  musical  universel  [1788] 

Framery,  Nicolas  Etienne,  1745-1810,  translator. 
See  AzoPARDi,  F.     Le  musicien  pratique,  1786. 

France. 

Memoire,  lettres  {)atentes  et  arrets.  Pour  les  organistes  composi- 
teurs de  musique,  faisans  profession  d'enseigner  a  toucher  le  clavecin, 
les  instrumens  d'harmonie,  &  servans  a  I'accompagnement  des  voix. 
Contra  le  roi  &  maitre  des  menestriers,  &  la  Communaute  des  maitres 
a  danser,  joueurs  d'instrumens  tant  haut  que  bas  &  hautbois.  Paris, 
Impr.  de  Delaguette,  1751. 

2  p.  1.,  60  p.     25  X  19"^™. 

Heraldic  head-piece. 

ML271    1751 

Recueil  d'^dit,  arrSt  du  Conseil  du  roi,  lettres-patentes,  memoires, 
et  arrets  du  Parlement,  &c.  en  faveur  des  musiciens  du  royaume. 
[Paris]  Impr.  de  P.  R.  C.  Ballard,  1774. 

2  p.  1.,  ij,  227  p.    20"'". 

"Le  Corps  de  la  musique  de  Sa  Majesty  ...  a  fait  r^diger  ce  recueil,  &  .  .  . 
en  a  demand^  I'impression." — Avertissement. 

ML271     1774 

LIBRARY  OP  CONGRESS  HAS   ALSO  IN  ML  271: 

Arrest  du  Conseil  d'estat  du  roy.  Sur  la  requete  du  sieur  de  LuUy,  pour 
I'ex^cution  du  priAdlege  a  lui  accord^,  pour  ^tablir  une  Academic  royale  de 
musique  k  Paris.     Donnj^  .  .  .  le  14  avril  1672.     [2]  p. 

Permission  povr  tenir  Academic  royale  de  musique,  en  faveur  du  sieur  de 
Lully.     [Le  vingt-septi^me  iuin  mil  six  cens  soixante-douze]    [5]  p. 

Arrest  du  Conseil  d'etat  du  roy,  qui  ordonne  que  les  comediens,  farceurs, 
operateurs,  &  autres  persohnes  de  cette  quality,  ne  pourront  s'(5tablir  dans  la 
ville  d^  Grenoble,  &  ne  pourront  y  representer  aucuns  jeux  .  .  .  sans  avoir 
obtenu  la  permission  des  officiers  de  police  .  .  .     Du  29.  aoust  1702.    4  p. 

Lettres  patentes  du  roi,  extraites  des  registres  du  Parlement.  [Les  maitres  k 
danger  ne  pourront  prendre  d'autres  qualit^s  que  celle  de  maitres  a  danser, 
joueurs  d'instrumens,  tant  hauts  que  bas,  &  hautbois.  Impr.  de  la  veuve 
Ballard,  1773]    4  p. 

Edit  du  roy,  portant  crfetion  d'oflBces  de  greffiers  altematifs  &  triennaux  dans 
les  villes  de  Paris  &  Lyon,  &  dans  tons  les  h6tels-de- ville  du  royaume:  et  de 
BOTgens,  archers  .  .  .  trompettes,  tambours,  fifres,  portiers  &  gardes  dans  lesdits 
hotels-de- ville.  Donn6  k  Versailles  au  mois  de  mars  1709  .  .  ,  [Paris,  Prault 
pere]    8  p. 


EAKLY  BOOKS  ON  MUSIC  •  95 

France — Continued. 

Ordonnance  de  Sa  Majesty  pour  la  tranquillity  des  spectacles.  Du  16  novembre 
1720.     [J.  de  La  Caille]    3  p. 

Arrest  de  la  Cour  de  Parlement,  portant  condamnation  de  mort  centre  Louis- 
Dominique  Cartouche;  Jean-Baptiste  Madelaine,  dit  Beaulieu  .  .  .  Jean  Blan- 
chard,  dit  Gaillard  ou  Champagne,  ou  le  Chanteur  de  chanson  .  .  .  Jean- 
Baptiste  Messi^,  &  le  nomm^  le  Camus  .  .  .  [Paris,  L.  D.  Delatour  &  P. 
Simon,  1721]    4  p. 

Arrest  de  la  Cour  de  Parlement,  portant  condamnation  d'estre  rompu  vif  .  .  . 
centre  Charles  Le  Clerc,  dit  Picard  La  Valine,  joueur  de  violons  aux  guin- 
guettes,  convaincu  de  vols  sur  les  grands  chemins  .  .  .  Paris,  L.-D.  Delatour 
&  P.  Simon,  1722.     4  p. 

Ordonnance  du  roy,  concemant  les  spectacles  des  Comddies  fran^oise  &  ita- 
lienne.     Du  25  avril  1751  .  .  .     [Paris,  Imprimerie  royale,  1751]    2  p. 

Arrest  du  Conseil  d'etat  du  roi,  et  lettres  patentes  sur  icelui,  du  11  fevrier  1764. 
Concemant  la  reconstruction  de  la  salle  de  specta,cle,  k  I'usage  de  I'Academie 
royale  de  musique  .  .  .     [Impr.  de  la  veuve  d'Houry]     16  p. 

Lettres  patentes  du  roi,  en  faveur  de  I'Academie  royale  de  musique.  Donneea 
k  Versailles  au  mois  de  juin  1769  .  .  .     [Paris,  Imprimerie  royale,  1769]    6  p. 

Ordonnance  du  roi,  portant  augmentation  de  hautbois  dans  les  compagnies  de 
mousquetaires  de  la  garde  du  roi.  Du  16  fevrier  1772  .  .  .  [Paris,  Impri- 
merie royale,  1772]    [2]  p. 

£:dlt  du  roi,  portant  suppression  de  I'oflSce  de  roi  &  maitre  des  m^nestriers. 
Donne  k  Versailles  au  mois  de  mars  1773  .  .  .     [Paris,  P.  G.  Simon7'1773]    3  p. 

Lettres  patentes  du  roi,  qui  annullent  les  concessions  des  charges  de  lieutenans 
gen^raux  &  particuliers  du  roi  des  violons.  Denudes  .  .  .  le  trois  avril  1773  .  .  . 
[Paris,  P.  G.  Simon,  1773]    4  p. 

Ordonnance  du  roi,  portant  rfeglement  sur  les  entr^s  aux  representations  .  .  . 
de  rOp^ra  ...  &  sur  la  police  int^rieure  pendant  la  duree  du  spectacle.    Du  • 
29  mars  1776  .  .  .     [Paris,  Imprimerie  royale,  1776]    6  p.  ' 

Arrest  du  Conseil  d'etat  du  roi,  portant  nouveau  r&glement  pour  I'Academie 
royale  de  musique.  Du  30  mars  1776  .  .  .  [Paris,  Imprimerie  royale,  1776] 
12  p. 

Arret  du  Conseil  d'etat  du  roi,  contenant  reglement  pour  I'Academie  royale  de 
musique.     Du  27  fevrier  1778  .  .  .     [Paris,  Imprimerie  royale,  1778]    12  p. 

Arret  du  Conseil  d'etat  du  roi,  concemant  les  honoraires  des  auteurs  qui  travail- 
lent  pour  I'Academie  royale  de  musique.  Du  10  avril  1778  .  .  .  [Paris,  Impri- 
merie royale,  1778]    3  p. 

Arret  du  Conseil  d'etat  du  roi,  concemant  les  loges  louees  ^  I'annee  k  I'Opera. 
Du  10  avril  1778  .  .  .     [Paris,  Imprimerie  royale,  1778]    3  p. 

Arret  du  Conseil  d'etat  du  roi',  qui  ordonne  I'execution  des  reglemens,  &  notam- 
mentdel'arretdu  Conseildu  10  avril  1778,  concemant  les  honoraires  des  auteurs 
de  poemes  &  de  musique  pour  I'Academie  rovale  de  musique.  Du  16  octobre 
1779  .  .  .     [Impr.  de  Lottin  I'aine,  1779]    4  p. 

Arret  du  Conseil  d'etat  du  roi,  concemant  I'Opera.  Du  17  mars  1780  .  .  . 
[Paris,  Imprimerie  royale,  1780]    6  p. 

Ordonnance  du  roi,  concemant  les  spectacles.  Du  2  avril  1780  .  .  .  [Paris, 
Imprimerie  royale,  1780]    4  p. 

Lettres-patentes  du  roi,  pour  I'etablissement  de  I'Academie  royale  de  danse 
en  la  ville  de  Paris,  donnees  au  mois  de  mars  mil  six  cent  soixante-un  .  .  . 
Impr.  de  P.  R.  C.  Ballard,  1781.     15  p. 

Declaration  du  roi,  portant  reglement  pour  les  spectacles  etablis  a  la  suite  de  la 
cour.  Du  vingt-huit  fevrier  mil  sept  cent  quatre-vingt-deux  .  .  .  [Paris, 
P.  G.  Simon,  1782]    8  p. 

ifedit  du  roi,  concemant  le  corps  de  la  musique  du  roi.  Donne  .  .  .  au  mois  de 
mai  1782  .  .  .     [Paris,  Imprimerie  royale,  1782]    20  p. 

Arrest  du  Conseil  d'etat  du  roi,  concemant  I'Opera.  Du  trois  Janvier  1784  .  .  . 
[Paris,  P.  G.  Simon,  &  N.  H.  Nyon,  1784]    8  p. 

Arret  du  Conseil  d'etat  du  roi,  contenant  reglement  pour  I'Academie  royale  de 
musique.     Du  13  mars  1784.     Paris,  Imprimerie  royale,  1784.     1  p.  1.,  33  p. 

Reglement  pour  I'Academie  royale  de  musique.  Du  13  Janvier  1787  .  .  . 
[Paris,  N.  H.  Nyon,  1787]    3  p. 


96  LIBBAKY  OF   CONGRESS 

Yrance— Continued. 

Proclamation  du  roi,  sur  un  d^ret  de  I'Asseinblee  nationale,  portant  que 
toutea  les  anciennes  ordonnances  sur  la  nature  &  les  fonnea  du  service,  notam- 
ment  sur  la  police  des  spectacles,  doivent  etre  executees  provisoirement.  Du 
17  juia  1790  .  .  .     [Chaumont,  Impr.  de  Bouchard]    2  p. 


[Franceschi,  Francesco] 

Apologia  clelle  opere  drammatiche  di  Metastasio  .  .  .     Lucca,  D. 

Marescandoli  [17 — ^J 

vi,  300  p.     21^"™. 

The  author's  name  is  given  in  caption  of  dedicatory  poem,  p.  iii. 

ML3858.F81 

Franck  de  Franckenau,  Georg,  1643-1704,  praeses. 

.  .  .  Dispvtatio  medica  ordinaria  de  musica  .  .  .     Heidelbergse,  typis 
J.  C.  Walter!  [1672] 

[4]  p.     ISi  X  15''™. 

Diss. — Heidelberg  (Benedictus  Herrmannus,  respondent) 

ML3920.A2F81 

Franco,  Cirillo, 

See  JoAO  IV,  Mng  of  Portugal.     Difesa   della  mvsica   moderna 
[16-] 

Franqueville,  Mme.  de  Latour  de. 

See  Latour  de  Franqueville,  Mme.  de. 

Frjeigius,  Johann  Thomas,  1543-1588. 

See  Beurhusius,  F.     Erotematum  mvsicse,  1580. 

[Freron,  Elie  Catherine]  1719-1776. 

Lettres  sur  la  musique  fran^oise.     En  reponse  a  celle  de  Jean- 
Jacques  Rousseau.     A  Geneve  [i.  e.  Paris]  1754. 

64  p.     20''°». 

A  reprint  of  two  letters  previously  published  in  Freron's  "Lettres  sur  quelques 
Merits  de  ce  temps,"  London  and  Paris,  1752-54. 

ML1727.33.R72F7 

See   also  Hertel,    J.  W.     Sammlung   musikalisclier    schrLften, 
1757-58. 

Freudenberg,  Frdulein  von. 

See  KuRTZE  anfuhrung  zum  general-bass,  1733. 

Kurtze  und  grundliche  anleitung  zum  generall3asse,1744. 

Freytag,  Friedrich  Gotthilf,  1723-1776,  translator. 
See  Bollioud-^Iermet,  L.     Abhandlung,  1750. 


'      EARLY  BOOKS  ON  MUSIC  97 

Frezza,  Giuseppe,  dalle  Grotte. 

11  cantore  ecclesiastico ;  breve,  facile,  ed  essatta  notizia  del  canto 
fermo  per  istruzzione  de'  Religiosi  mihori  conventuali,  e  beneficio     ^ 
commune  di  tutti  gl'  ecclesiastic!,  raccommandato  alia  protezzione     ^ 
del  reverendissimo  padre  maestro  Felice  Rotondo  da  Monte  Leone  ...     i 
ministro  generale  dell'  istess'  ordine  de'  Minori  conventuali.     Da  f . 
Gioseppe  Frezza  dalle  Grotte  .  . .     Padova,  Stamperia  del  Seminario, 
opera  di  G.  Manetti,  1698. 

166  (i.  e.  164),  [6]  p.     pi.     22'"°. 

Title  vignette:    heraldic  device.     Added   t.-p.,   illustrated.      No     161-162 

omitted  in  paging.  — 

MT860.A2F89 

Frick,  Christoph,  1577-1640. 

Music-buchlein,  oder  Nutzlicher  bericht  von  dem  uhrsprunge  / 
gebrauche  vnd  erhaltung  christlicher  music  vnd  also  von  dem  lobe 
Gottes  /  welches  die  Cnriste  .  .  .  verrichten  sollen  .  .  .  Mit  vorher 
gesetztem  sunmiarischem  inhalt  /  vnd  zu  ende  hinzu-gethanem 
register  .  .  .  Durch  m.  Christophorum  Friccium  .  .  .  Liineburg  / 
Gedruckt  bey  J.  vnd  H.  Sternen  /  1631. 

12  p.  1.,  347,  [13]  p.     U^"^. 

Title  within  ornamental  border.     In  2  parts,  part  2  with  special  t.-p. 

1st  edition,  Leipzig,  1615,  has  title:  Musica  Christiana,  oder  rredigt  iiber  die 
worte  Psalm  98:  Lobet  den  Harm  mit  harfen  und  psalmen.  In  this  (2d)  edi- 
tion another  sermon  is  added. 

ML3001.F73 

Frick,  Philipp  Joseph,  1740-1798. 

The  art  of  musical  modulation  rendered  easy  and  familiar,  digested 
in  twelve  tables;  shewing  the  shortest  method  of  modulating  tliro'  all 
the  keys,  in  tliree  and  four  parts.  To  which  is  perfixed  [!]  an  explana- 
tory preface,  by  P:  I:  Frike.     [London]  Printed  by  W.  Napier  [1786] 

1  p.  1.,  iv,  33  p.     24  X  33'^'". 

Engraved  with  the  exception  of  p.  i-iv. 

MT52.A2F7 

A  guide  in  harmony,  containing  the  various  manners  in  which  every 
chord  in  four  parts  can  be  prepared,  resolved,  or  otherwise  freely 
used  .  .  .  composed  by  Joseph  Frike  .  .  .  London,  Printed  for  and 
sold  by  the  author,  1793. 

1  p.  1.,  viii,  93  p.     24  x  33"™. 

Engraved  with  the  exception  of  p.  i-vi  ("Introduction  -'-) 

MT50.A2F8 

A  treatise  on  thorough  bass,  containing  a  plain  and  easy  method  for 
the  performer  by  the  help  of  many  examples  and  several  new  essential 
rules,  the  pure  manner  of  figuring  and  a  repertory  of  every  chord  in 
harmony  worthy  the  attention  of  young  composers  .  .  .  bj'  Joseph 
Frike  .  .  .     London,  Printed  for  and  sold  by  the  author  [1786] 

1  p.  1.,  109  p.    23  x  30««. 

Engraved  throughout. 

MT49.A2F7 

51234°— 13 7 


98  LEBEARY  OF   CONGRESS 

Frischmuth,  Marcus  Hilarius,  psevd. 
See  FuHRMANN,  Martin  Heinrich. 

Fritz,  Barthold,  1697-1766. 

Anweisung,  wie  man  claviere,  clavecins,  \md  orgeln,  nach  einer 
mechanischen  art,  in  alien  zw6lf  tdnen  gleich  rein  stimmen  k6nne,  dass 
aus  solchen  alien  sowol  dur  als  moll  wohlklingend  zu  spielen  sey. 
Aufgesetzet  von  Barthold  Fritzen  ...  2.  verm,  und  verb.  aufl. 
Leipzig,  J.  G.  I.  Breitkopf,  1757. 

6  p.  1.,  24  p.     22  X  18'''°. 

MT165.A2F5 

Anweisung,  wie  man  klaviere,  clavecins,  und  orgeln  nach 


einer  mechanischen  art  in  alien  zwdlf  t6nen  gleich  rein  stimmen  k6mie, 
dass  aus  solchen  alien  so  wohl  dur-  als  moll-kUngend  zu  spielen  sey. 
Nebst  beygefilgtem  unterrichte,  wie  man  klaviere  gehdrig  hehandeln 
soil  und  gut  erhalten  kann.  Von  Barthold  Fritzen  .  . .  Wien,  Bin- 
zische  buchhandlung,  1799. 

2  p.  1.,  19  p.    21^  X  17<="». 

MT165.A2F7 

Frosch,  Johann,  d.  1533. 

Rervm  ||  mvsicarvm  ||  opvscvlvm  rarvm  ac  in-  I|  signe,  totius  eius 
negotii  rationem  mira  in-  ||  dustria  &  breuitate  complectens,  iam  || 
recens  publicatum.  loan.  ||  Froschio,  |j  autore.  [Colophon:  Argento- 
rati  apvd  Petrvm  |j  SchoefFer  &  Mathiam  Apiarium.     Anno  Salutis  || 

M.D.XXXV] 

[78]  p.  incl.  2  tab.    fold,  diagr.    28^'^'". 

Printer's  mark  on  t.-p.;  side-notes.  Signatures:  1  1.  unsigned,  3  1.  signed  2,  3 
and  4  respectively,  2  1.  unsigned,  A-D  in  sixes,  E  in  four,  F  in  five.  Dedication 
has  date  1532. 

"Exempla":  1.  E  v°-l.  [Fv]  r°. 

ML171.F93. 

Frustabirbe,  awocato,  pseud.? 

Lettera  dell'  awocato  Frustabirbe,  indirizzata  al  Signor  Antonio 
Sacchini,  maestro  di  cappella.  Tormi  I'onor  cercasti  ed  il  danaro  Solo 
per  odio,  e  senza  tuo  projitto:  PercJie  non  m'hai  o  pezzo  di  sornaro  Col 
coltej,  di  Baretti  il  cor  trajitto? — Badini.  In  Roma,  AJla  bocca  della 
Verita,  1774. 


Jem 


94,  [1]  p.     23« 
"Elogj  de'  congiurati  contro  il  Badini:"  p.  [79]-88. 


ML410.S13F8 


[Fuhrmann,  Martin  Heinrich]  h.  1669. 

Die  an  der  kirchen  Gottes  gebauete  satans-capelle;  darin  dem 
Jehova  Zebaoth  zu  leid  und  verdruss,  und  dem  Baal-Zebub  zur  freud 
und  genuss,  (1.)  Die  operisten  und  comcedianten  mancher  orten  ihren 
zuschauern  eine  theologiam  gentilium  aus  den  griechischen  und 
lateinischen  fabel-m^tzen,  und  eine  moral  aus  des  verlohmen  sohns 
catechismo  vorbringen;   und  (2.)  Die  menschhche  welsche  wallachen 


EARLY  BOOKS  OIT   MUSIC  99 

[Fuhrmann,  Martin  Heinrich] — Continued. 

und  Amadis-sirenen  aus  dem  hohen  lied  Ovidii  De  arte  amandi,  lieb- 
liche  Venus-lieder  dabey  singen;  und  (3.)  Die  Jubalisten  mit  geigen 
und  pfeiffen  nach  des  alten  Adams  lust  und  wust  darzu  kUngen;  und 
(4.)  Sylvester  mit  seiner  Herodias-schwester,  und  Arlequin  in  einem 
frantzosischen  k^lber-tantz  herum  springen;  in  einem  wald-discours 
uber  des  autoris  zwey  letzte  tract^tlein  wider  die  hamburgischen 
operisten  und  herrn  d.  Mayern  betrachtet,  von  Caspar,  Baltzer,  Mel- 
cner.  Und  alien  christlichen  seelen  zur  anschau  und  abscheu  vorge- 
stellet,  von  Marco  Hilario  Frischmuth  {'pseud.^  Gedruckt  zu  C611n  am 
Rhein,  und  verlegt  von  der  heil.  drey  k6nige  erben.     [Berlin,  1729] 

96  p.    ISi*''". 

ML63.F78 

Das  in  unsern  opern-theatris  und  comoedien-biihnen  siechende 
cbristenthum  und  siegende  heidenthum,  auf  veranlassung  zweyer 
wider  den  Musicalischen  patrioten  sich  emp6renden  hamburgischen 
theatral-malcontenten,  Musandri  und  Harmonii,  betrachtet,  und  .  .  . 
in  einem  gespr&ch  vorgestellet  von  Liebhold  und  Leuthold  .  .  .  Ge- 
druckt zu  Canterbury  [i.  e.  Berlin,  1728] 

32  p.     15^'^"'. 

"Zuschrift"  signed:  N.  N.  N.  Dated:  Ascher-mittwoch,  1728.  Canterburj-, 
in  dem  musicalischen  haupt-quartir,  36.  meilen  von  Hamburg. 

Written  in  reply  to  an^ anonymous  work  pub.  the  same  year  under  title:  Ein 
paar  derbe  musikalisch-patriotische  ohrfeigen  dem  .  .  .  herrn  Mattheson  .  .  .  zu 
wiederherstellung  seines  verlomen  geh6r8  und  verstandes  .  .  .  ertheilt  von  .  .  . 
Musandern  und  Harmonic. 

ML63.F821 

Musica  vocalis  in  nuce,  das  ist:  Richtige  und  v611ige  unterweisung 
zur  singe-kunst  /  in  wenig  bl&ttern  /  nach  welcher  ein  informator  seinen 
informandis  die  gantze  vocal-music  nach  heutiger  manier  bald  und 
leicht  beybringen  kan  /  ausgefertigt  von  Martin  Henrich  Fuhrmann 
. .  .     BerUn  /  Gedruckt  bey  J.  Lorentz  [1715] 

64  p.     17§^™. 

MT6.A2F91 

M.  H.  F.  G.  F.  C.  Musicalische  strigel  /  womit  (1.)  Diejenige  super- 
lativ-virtuosen  aus  der  singenden  und  klingenden  gesellschafft  /  so 
nicht  chor-m&ssig  als  kunstler  die  gr&ntzen  des  Apollinis  seines  musi- 
cahschen  reichs;  sondern  thor-m&ssig  als  bumpier  die  platze  des 
Apollyonis  seiner  music-kahlen  barbarey  vermehren;  (2.)  Diejenige 
super-kluge  quacksalber  aus  der  musical,  guide,  so  in  des  autoris 
Musical,  trichter  /  sine  fronte  &  fonte  herum  stdhren,  s&uberHch 
geputzet  werden.  Denen  canonicis  zur  nachricht  /  denen  apocryphis 
zum  unterricht  /  und  dem  neid  zu  leid  herausgegeben,  un  in  diese  form 
gedruckt,  damit  dis  tractMchen  auf  verlangen  an  dessen  auchange- 
fochtenen  Musica  in  nuce  kdnne  beygebunden  werden.  Athen  an  der 
Pleisse  [i.  e.  Leipzig,  17 — ^ 

36  p.    16  X  9i<="'. 

MT6.A2F8 


100  LIBRARY  OF   CONGRESS 

[Fuhrmann,  Martin  Heinrich] — Continued, 

Musicalischer-trichter  /  dadurch  ein  geschickter  informator  semen 
informandis  die  edle  singe-kunst  nach  heutiger  manier  bald  und  leicht 
einbringen  kan  /  darinn  vitiosa  ausgemustert :  obscura  erl^utert : 
deficienta[!]  aber  erstattet  /  mit  einer  vorrede  /  von  der  heutigen  music 
vollkommenheit  /  krafft  /  nutz  und  nothwendigkeit  /  hrsg.  durch  ein 
mitglied  der  singenden  und  klingenden  gesellschafft  ...  In  verle- 
gung  des  autoris.  Franckfurt  /  an  der  Spree  [i.  e.  Berlin]  gedruckt 
1706. 


I  cm 


96p.     15J  X  ISJ" 
Preface  signed:  Meines  hertzens  freude. 


MT6.A2F9 


Funk,  Christlieb  Benedict,  1736-1786. 

De  sono  et  tone  .  .  .     Lipsiae,  litteris  Langenhemiorvm  haered.  et 
EQavberthiis  [1779] 

16  p.     20i  X  16"°!. 

Programm  (Ad  capessendos  summos  in  philosophia  honores  invitat  procancel- 
larius  C.  B.  Funccius) — Univ.  Leipzig. 

ML3809.A2F9 

Disquisitionem  in  doctrinam  de  sono  et  tono  continvat 


Christlib    Benedictvs    Fvnk  .  .  .     Lipsiae,    ex    officina    Klavbarthia 
[1782] 

8  p.    20^  X  16°"». 

Programm  (Ad  celebrandam  memoriam  Henricianam,  Ridelianam  et  Seyfer- 
tianam) — Univ.  Leipzig. 

ML3S09.A2r9 

Fusee  de  Voisenon,  Claude  Henri  de. 

See  Voisenon,  Claude  Henri  de  Fusee,  ahM  de. 

Fux,  Johann  Joseph,  1660-1741. 

Gradus  ad  Parnassum,  sive  Manuductio  ad  compositionem  musicse 
regularem,  methodo  nova  ac  cert^,  nondum  ante  tam  exacto  ordine 
in  lucem  edita:  elaborata  a  Joanne  Joseplio  Fux  .  .  .  Viennse  Aus- 
trise,  typis  Joannis  Petri  van  Ghelen,  1725. 

5p.  L,  280p.    lillus.    32<=™. 

Added  t.-p.,  engr. 

MT40.A2F99 

Practical  rules  for  learning  composition,  translated  from  a 


work  intitled  Gradus  ad  Parnassum,  written  originally  in  Latin  by 
John  Joseph  Feux  .  .  .     London,  J.  Preston  [1791  ?] 

1  p.  L,  49  p.     351"^™. 

Engraved  throughout. 

MT40.A2F998 


EARLY  BOOKS  ON  MUSIC  101 

Pux,  Johann  Joseph — Continued. 

Traite  de  composition  musicale,  fait  par  le  celebre  Fux,     On 

pent  en  etudiant  ce  traits  avec  attention  parvenir  a  bien  composer 
en  tres  pen  de  tems  .  .  .  Tr.  en  franpais  par  le  &".  Pietro  Dems  . . . 
Paris,  M.  Boyer  [etc.,  17 — ] 

Ip.  1.,  272p.     24= 


icm 


Engraved  throughout.    Only  a  partial  translation  of  the  "Gradus." 
1st  edition,  Paris,  1773. 

MT40.A2F996 

Gradvs  ad  Parnassvm,  oder  Anfiihrung  zur  regekn&ssigen 


musikalischen  composition  .  .  .  ausgearb.  von  Johann  Joseph  Fux 
Aus  dem  lateiniscnen  ins  teutsche  ubersetzt,  mit  .  .  .  anmerckungen 
versehen  und  heraus  gegeben  von  Lorenz  Mizlern  .  .  .  Mit  sieben 
und  fimfzig  kupfertafeln  in  quart.     Leipzig,  Mizler,  1742. 

4  p.  1.,  197,  [3]  p.    Lvii  pi.  on  29  fold.  1.  (music)    21^  x  16^"'°. 

Title  vignetto 

MT40.A2F^3 
Gabler,  Matthias,  1736-1805. 

Der  instrumentahon ;  eine  physikahsche  abhandlung  verf asset  von 
Matthias- Gabler  .  .  .  als  Joseph  Hubbauer  .  .  .  Mr  den  grad  des  magi- 
steriums  aus  der  weltweisheit  geprufet  wurde.  Im  monate  august 
1775.     [Ingolstadt]  Gedruckt  bey  J.  F.  Lutzenberger  [1776] 

1  p.  1.,  42  p.     20  X  16'=°'. 

ML3807.G12 

Gabriel  da  Annuiicia§ao,  h.  1681. 

Arte  de  cantocham  resumida,  para  o  uso  dos  Rehgiosos  Franciscanos 
observantes  da  Santa  Provincia  de  Portugal.  Composta  pelo  padre 
Fr.  Gabriel  da  Annunciapam  .  .  .  Lisboa  Occidental,  Officina  da 
musica,  1735. 

6  p.  1.,  83  p.     1  illus.    2P°». 

MT860.A2A61 

Gaffurio,  Franchino,  1451-1522. 

Angelicum  ac  diuinum  opus  musice  ||  Franchini  Gafurii  laudensis 
Re  11  gii  musici :  ecclesieq^  Me  ||  diolanensis  phonasci :  ||  materna  lingua 
II  scriptum.  [Colophon:  Impressum  Mediolani  per  Gotardum  de  pote 
Anno  Salutis  Millesimo  quin  ||  getesimo  octauo  die  sextadecima  sep- 
tembris  .  .  .] 

[96]  p.     illus.,  diagrs.     28i« 


I  cm 


Signatiues:  A  in  four,  B-F  in  sixes,  G-H  in  fours,  I  in  six.     Ist  ed.  Milan,  1496. 

ML171.G10 

C  Apologia  Franchini  Gafurii  musici  aduersus  loannem  ||  Spata- 
rium  &  complices  musicos  bononienses.  [Colophon:  C  Impressum 
Taurini  per  magistrum  Augustinum  de  Vi  ||  comercato.  Anno  do- 
mini.  M.D.xx.  die  XX.  ApriUs] 

[19]  p.    diagrs.    28<'"». 

Caption  title.    Signature:  A  of  ten  leaves. 

Ends  with:  Cum  opera  nostra  eana  sint  si  sane  intelligantur  /  &  sententiae 
nostree  rectse  nisi  peruertantur.  Quo  fit:  ut  &  si  incocessa  rabie  torquearis: 
harmonia  Gafurii  &  loannes  Grolierius  patronus  setemum  uiuant  (followed  by 
the  arms  of  Jean  Grolier) 

ML171.G105 


102  LIBRARY   OF   CONGRESS 

Gaffurio,  rranchino — Continued. 

(L  Franchini  Gafurii  Laudensis  Regii  Musici  publice  ||  profitentis : 
Delubriqj  Mediolanensis  Phona  ||  sci:  de  Harmonia  Musicorum  In  || 
strumentorum  Opus.  ||  lo.  lacobi  Lomatii  Epygrama,  ||  Vt  quon- 
dam e  Phrygia  matrem  Nasica  Deorum  ||  Aduectam  meruit  solus  ut 
exciperet,  ||  Sic  fieri  solus  noster  Grolierius  hospes  ||  Coelestis  meruit 
cultor  &  Harmonise  ||  Et  merito:  nam  cum  foueat  pascatc^  sorores :  |j 
Quae  poterat  Diuse  gratior  esse  domus?  [Colophon:  (E  Impressum 
Mediolani  per  ||  Gotardum  Pontanum  Calco  ||  graphum  die.  xxvii. 
Nouem  II  bris.  1518.  Authoris  praef ectu  J|  rse  Anno  trigesimoquinto. 
Leo  II  ne  Decimo  Potifice  Maximo:  Jl  ac  Christianissimo  Francorum  || 
Rege  Francisco  Duce  Medio  ||  lani.  Foelici  Auspicio  Regnan  |!  tibus] 

4  p.  1.,  c  numb.  1.,  [4]  p.     Ulna.,  diagra.     28'"'". 

Woodcut  on  t.-p.;  initials;  on  verso  of  4th  prelim,  leaf  the  arms  of  Jean  Grolier; 
printer's  mark  at  end.    lxi  omitted  in  numbering  leaves;  lxiii  repeated. 

ML171.G11 

Practica  musicae.     [Mediolani,  Guillermus  Le  Signerre,  1496] 

Hain  7407,  Proctor  6067,  Panzer,  v.  2,  p.  83,  Copinger. 

ML171.G12 

Practica  Musicae  vtriuscj)  ||  cantus  excellentis  fran  ||  chini  gaf- 

fori  Lau-  |jdesis.  quatuor  ||  libns  mo  ||  dulatis  ||  sima.||  [Colophon: 
Impressa  Brixie  opera  &  impensa  Angeli  Britannici:  anno  salutis. 
M.D.viii.  II  die  ultimo  maii] 

[222]  p.    Sli""". 
Signatures:  4  1,  imsigned,  a-b  in  eights,  c  in  six,  A-K  in  eights,  L  in  five. 

ML171.G121 

Practica  musicae  vtriusq*  catus  excelletis  Frachini  Gaffori 


Laudesis.  Quattuor  libris  modulatissima :  sumaqj  diligetia  nouissime 
ipressa.  [Colophon:  Musicae  Franchini  Laudensis:  cantoris  solemni&- 
simi  pratica  quattuor  libris  compraehesa  explicit.  Impressa  nouissime 
Venetiis:  multisoj  erroribus  expurgata  per  Augustinum  de  Zannis  de 
Portesio  bibliopoTam  accuratissimum.  Anno  dominicse  incarnationis. 
M.D.xii.  die.  xxviii.  iulii] 

82  numb.  1.    illus.    30^"™. 

Title-page  has  woodcut  21 J  x  16i«™,  signed  "L."  4  large  initials,  2  full  page 
illustrations.  The  woodcut,  initials  and  illustrations  are  in  this  copy  roughly 
colored  by  hand. 

ML171.G13 

Qaleazzi,  Francesco,  1758-1819. 

Element!  teorico-pratici  di  musica,  con  un  sag^io  sopra  I'arte  di 
suonare  il  violino  analizzata,  ed  a'  dimostrabili  principj  ridotta.  Opera 
utilissima  a  chiunque  vuol  appUcar  con  profitto  alia  musica,  e  speci- 
almente  a'  dilettanti,  e  professori  di  stromenti  d'arco,  di  Francesco 
Galeazzi  .  .  .     Ascoli,  F.  Cardi,  1817,  1796. 

2  V.  (v.  1:  xviii,  [2],  286,  [2]  p.;  v.  2:  viii,  xxvi,  327,  [1]  p.l    14  fold,  pi.,  fold. 
tables.    21^'^™. 


EARLY  BOOKS  ON   MUSIC  103 

Galeazzi,  Francesco — Continued. 

Vol.  1:  Ed.  2.,  ricorretta,  e  considerabilmente  dall'  autore  accresciuta  col'- 
I'aggiuiita  di  molte,  e  nuove  tavole  in  rame,  e  specialmente  di  quattro  gran  pro- 
Bpetti  concernenti  I'arte  dell'  arco. 

Vol.  2  has  slightly  varying  title.with  imprint:  Roma,  Stamperia  di  M.  Puccinelli, 
1796. 

MT6.A2G15 

Gkileota,  Onofrio,  pseud. 
See  Galiani,  Ferdinando. 

Galiani,  Ferdinando,  1728-1787. 

See  Mattei,  S.     Se  i  maestri  di  cappella  son  .  .  .  artigiani  [1785?] 

Gralilei,  Vincenzo,  d.  1591. 

Dialogo  di  Vincentio  Galilei  nobile  fiorentino  della  mvsica  antica, 
et  della  modema.     Fiorenza,  G.  Marescotti,  1581. 

2  p.  1.,  149,  [10]  p.    Ulua.,  diagrs.  (1  fold.)    32""'. 

Title  within  ornamental  design;  printer's  mark  at  end.  The  folding  diagram  is 
yxSl"".  Between  p.  40  and  41  in  this  copy  is  inserted  a  pen  and  mk  illustra- 
tion, headed:  Cithara  nova  et  antiqua.  Ms.  notes  throughout  the  book  and  the 
following  note  on  t.-p.:  Con  le  note  e  correttioni  di  ,  .  .  Don  Barttolomeo  Cara- 
sciolo. 

ML171.G15 

Fronimo,  dialogo  di  Vincentio  Galilei  .  .  .  sopra  I'arte  del  bene  inta- 
volare,  et  rettamente  sonare  la  mvsica  negli  strumenti  artificiali  si  di 
corde  come  di  fiato,  &  in  particulare  nel  liuto.  Nuouamente  ristam- 
pato,  &  dall'  autore  istesso  arrichito,  &  ornato  di  nouitk  di  concetti, 
&  d'essempi.     Vineggia,  Appresso  Therede  di  G.  Scotto,  1584. 

4  p.  1.,  182  p.     32^"™. 

Title  vignette  (repeated  on  last  p£^e) 

MT640.G25 

Cralle,  Daniel. 

See  SchurtZfleisch,  C.  S.     De  hymnis  ecclesise  veteris  [1725] 

GaUe,  PhiUppe,  1537-1612. 

See  Straet,  J.  van  der.     Enconivm  mvsices  [ca.  1600] 

Gtalliard,  John  Ernest,  1687  ?-1749,  translator. 

See  Raguenet,    F.     A   comparison   between    the    French    and 
Italian  musick,  1709. 
Tosi,  P.  F.     Observations  on  the  florid  song,  1743. 

GktUiculus,  Johannes. 

Isagoge  jl  loannis  ||  Gallicv-  l|  li  de  ||  compo-  ||  sicione  ||  cantvs.  |1 
Lipsise,  apud  Valenti-  ||  num  Scnumannu  An.  ||  Christi.  m.d.xx. 

[46]  p.     16^''™.      (In    Rhaw,    Georg.     Enchiridion    vtriusq^  musicQ  practice. 
[Lipsi«,  1520]    [pt.  3]) 

ML171.R42 


104  LIBRARY   OF   CONGRESS 

Galliculus,  Johannes — Continued. 

Libellvs  de  ||  compositione  ||  cantvs.   ||   loannis  Gallicvli.  || 

Vitebergae  ||  apud  Georgium  ||  Rhau.  ||  Anno  m.d.xlvi. 

[19]  p.    I5<="i. 

Title  within  ornamental  border,  colored  by  hand.    Signatiu-es:  a-B  in  eights, 
C  in  four. 
"Exemplvm  omnivm  regvlarvm":  [2]  p.  at  end. 

ML171.G17 

Gallini,  Giovanni  Andrea  Battista,  1728-1805. 

A  treatise  on  the  art  of  dancing.  By  Giovanni  Andrea  Gallini. 
London,  Printed  for  the  author  and  sold  by  R.  Dodsley  [etc.]  1772. 

2  p.  1.,  [ix]-xvi,  [17]-292  p.     fold,  front.     20^""^. 

Copy  2. 

GV1601.G17 

Ganassi,  Silvestro,  dal  Fontego. 

Opera  Intitulata  Fontegara  ||  Laquale  isegna  a  sonare  di  flauto  chs 
tutta  Tarte  opportuna  a  esso  istrumento  ||  massime  il  diminuire 
ilquale  sara  utile  ad  ogni  istrumento  di  fiato  et  chorde:  et  achora 
a  II  chi  si  dileta  di  canto,  cSposta  per  syluestro  di  ganassi  dal  fOtego 
sonator  d  la  111'"*.  S*.  D.  V*.  [CotopJion  :  C  Impressum  Venetiis  per 
Syluestro  di  ganassi  ||  dal  fontego  sonator  della  illustrissima  si  || 
gnoria  di  Venetia  hautor  pprio.  ||  mdxxxv] 

[158]  p.     15J  X  21'=™. 

Title  and  accompanying  woodcut  within  heavy  black  border.     Signatures:  4  1. 
unsigned,  ■,  A-S  in  fours  (last  1.  blank) 

MT342.A2F55 

[Garcin,  Laurent]  d.  1788. 

Traite  du  melo-drame,  ou  Reflexions  sur  la  musique  dramatique 
.  .  .     Paris,  Vallat-la-Chapelle,  1772. 

xxxij,  380,  [3]  p.    Idi"^. 

ML1727.35.G2 

Gaspar,  Michael,  psevd. 
See  MiCHELL,  Henry. 

Gasparini,  Francesco,  1668-1727. 

L'armonico  pratico  al  cimbalo.  Regole,  osservazioni,  ed  avver- 
timenti  per  ben  suonare  il  basso,  e  accompagnare  sopra  il  cimbalo, 
spinetta,  ed  organo.  Di  Francesco  Gasparim  .  .  .  Venezia,  A.  Bor- 
toli,  1708. 

lis,  [2]  p.    22  X  17^"°'. 

MT68.A2G17 

^ ^L'armonico  pratico  al  cimbalo,  regole,  osservazioni,  ed  avver- 

timenti  per  ben  suonare  il  basso,  e  accompagnare  sopra  il  cimbalo, 
spinetta,  ed  organo.  Di  Francesco  Gasparini  ...  4.  impressione. 
Venezia,  A.  Bortoli,  1745. 

4  p.  1.,  86  p.,  1  1.     24i<="». 

Title  vignette. 

MT68.A2G175 


EARLY  BOOKS  ON  MUSIC  105 

Gatta,  Marco  della. 

Breve  ra'gguaglio  delle  principali  regole  del  canto  fermo  gregoriano 
parte  prima  divisa  in  nove  dialoghi  con  breve  appendice  del  canto 
iratto,  opera  del  rev.  sacerdote  D.  Marco  della  Gratta  . .  .  per  uso,  e 
studio  de'  convittori  del  seminario  diocesano  . . .  Napoli,  V.  Orsini, 
1793-94. 

2  V.  in  1  (v.  1:  xxvi,  [2],  132  p.;  v.  2:  viii,  85,  [2],  137,  [2]  p.)    1  iUus.    26"°'. 

Vol.  2  has  title:  Esempj  e  cantilene  di  canto  fermo  gregoriano  con  appendice 
di  messe,  ed  officiatura  de'  morti.    Parte  eeconda  .  .  . 

MT860.A2G26 

Gaudentius. 

See  Meibom,  M.,  translator.     Antiqvae  mvsicse  avctores,  1652, 

Gaultier,  Aloisius  fidouard  Camille,  1746  ?-1818. 

Methode  pour  apprendre  a  lire  la  musique,  et  a  battre  la  mesure 
en  tres-peu  de  temps,  faisant  partie  du  cours  d'etudes  elementaires 
de  M.  I'abbe  Gaultier,  destine  a  instruire  les  enfans  en  les  amusant, 
par  le  moyen  de  plusieurs  jeux  .  .  .  Paris,  Au  Cours  des  jeux  instruc- 
tifs  pour  la  jeunesse,  1789. 

24  p.     3  fold  pi.     ISi'^'". 

Appended:  Cours  de  jeux  instructifs  pour  la  jeunesse,  sous  la  protection  du 
gouvemement  .  .  .     Par  M.  I'abb^  Gaultier.     14  p.,  1 1. 

MT35.A2G18 

[Gauthier,  Frangois  Louis]  1696-1780. 

Traite  contre  les  danses  et  les  mauvaises  chansons,  dans  lequel  le 
danger  &  le  mal  qui  y  sont  renfermes  sont  demontres  par  les  temoi- 
gnages  multiplies  des  Saintes  Ecritures,  des  ss.  pp.  des  conciles,  de 
plusieurs  ev^ques  du  siecle  passe  &  du  notre,  d'un  nombre  de  theo-  ^ 
logiens  moraux  &  de  casuistes,  de  jurisconsultes,  de  plusieurs  ministres 
protestans,  &  enfin  des  payens  m^me.     Paris,  FrouUe,  1785. 

36,  347  p.     l?^"". 

"Revu  par  L.-E.  Rondet." — Barbier,  Diet,  dee  ouvrages  anonymes. 
First  edition,  1765. 

ML3920.A2G19 

[Gauthier  de  Montdorge,  Antoine]  1700-1768. 

Reflexions  d'un  peintre  sur  I'opera.     La  Haye,  P.  Gosse,  1743. 

41  p.     16^"=™. 

ML3858.G27 

Gavinies,  Pierre,  1726-1800. 

See  Latour  de  Franqueville,  Mme.  de.     Mon  dernier  mot  [1781] 

Gebst,  Volckmarus  Leisringius. 

Corona  musices,  qvam  ex  lectissimis  &  svavissimis,  ac  ex  musarti 
charitumqj  viridario  decerptis  flosculis,  ctim  antiquitatis  dignitate,  et 
multiplici  utilitate;  tum  concinna  jucunditate,  e  perpetua  durabili- 
tate,  sestimandis,  collegit,  &  sub  orationis  ju^um  coegit  ac  revocavit: 
et  deniqj  publice  exhibuit  Volckmarus  Leisringius  Gebst  .  .  .  Jense, 
typis  VVeidnerianis,  1611. 

[16]  p.     19i  X  loi'^'". 

Title  witbiu  ornamental  border.     Signatures:  A-B  in  fours. 

ML64.G3 


106  LIBEARY  OF  CONGBESS 

Gedanken  uber  die  welschen  tonkijnstler.  Zur  beantwortung  des 
im  sieben  und  dreissigsten  stiicke  der  hamburgischen  Freyen 
urtheile  beimdlichen  Schreibens  an  den  herrn  verfasser  des 
Kritischen  musikus  an  der  Spree.  Halberstadt,  C.  E.  I.  Weldige, 
1751. 

23  p.    21J  X  IT-^™. 

ML275.3.G26 

Gehot,  Jean,  h.  ca.  1756. 

The  art  of  bowing  on  the  violin,  calculated  for  the  practice  & 
improvement  of  juvenile  performers,  by  Joseph  Gehot.  London,  G. 
Goulding[179-?] 

9  p.    25  X  SP"*. 

MT267.A2G31 

Gteminiani,  Francesco,  1680?-1762. 

The  art  of  accompaniament,  or  A  new  and  well  digested  method  to 
learn  to  perform  the  thorough  bass  on  the  harpsichord,  with  propriety 
and  elegance,  by  F.  Geminiani.  Opera  11"*  .  .  .  London,  Preston 
and  son  [1753 «] 

2  V.  (v.  1:  1  p.  1.,  4,  33  p.;  v.  2:  1  p.  1.,  4,  36  p.)    36i'>'°. 

Engraved,  with  exception  of  preliminary  matter  (p.  1^)  in  each  vol. 
Vol.  2:  Op)era  11*''.     Part  the  2**.    Treatmg  of  position  and  motion  of  harmony, 
and  the  preparation  and  resolution  of  discorda. 

MT49.A2G4 

The  art  of  playing  on  the  violin;  containing  all  the  rules 
necessary  to  attain  to  a  perfection  on  that  instrument,  with  great 
variety  of  compositions,  which  wiU  also  be  very  useful  to  those  who 
study  the  violoncello,  harpsichord  &c.  Composed  by  F.  Geminiani 
, . .     Opera  ix.     London,  Printed  for  the  author  by  J:  Johnson,  1751. 

1  p.  1.,  9,  51  p.    34  X  25^''™.     {With  his  Rules  for  playing  in  a  true  taste.    [Lon- 
don, 1745?]) 

Not  identical  with  pt.  v  of  Prelleur's  "Modem  musick-master."  The  first 
edition,  according  to  the  Oxford  history  of  music,  can  not  have  been  issued 
before  1734. 

MT262.A2G32 

L'art  de  jouer  le  violon,  contenant  les  regies  necessaires  a  la 

perfection  de  cet  instrument,  avec  une  grande  variete  de  compositions 
trds-utiles  a  ceux  qui  jouent  le  violoncelle  ou  le  clavessin,  &c.  Par 
F.  Geminiani.  Opera  ix.  Grave  par  Madame  de  Lusse  ...  Paris, 
De  la  Chevardiere;  [etc.,  etc.,  17 — J 

2  p.  1.,  55  p.    34<^™. 

Added  t.-p.,  illustrated. 

MT262.A2G31 

The  art  of  playing  the  guitar  or  cittra,  containing  several  compo- 
sitions with  a  Dass  for  the  violoncello  or  harpsichord  ...  by  F.  Gemi- 
niani .  .  .     Edinburgh,  Printed  for  the  author  by  R:  Bremner,  1760. 

1  p.  1.,  2-51  p.    35^'='". 

Engraved  throughout. 

MT582.A2G2 


EARLY  BOOKS  ON  MUSIC  107 

Oeminiani,  Francesco — Continued. 

Compleat  instructions  for  the  violin,  containing  the  easiest  and 
best  methods  for  learners  to  obtain  a  proficiency,  with  some  useful 
directions,  lessons,  graces,  &c.  by  Geminiani.  To  which  is  added  a 
favorite  collection  of  airs,  marches,  minuets,  &c.  with  several  excellent 
peices  [!]  for  two  violins  .  .  .     [London]  G.  Goulding  [ca.  1790?] 

1  p.  1.,  28,  [2]  p.    front.,  pi.    17  x  24"™.     {With  Entire  new  .  .  ,  instructions 
for  the  fife.    London  [17—]) 

Caption  title:  New  instructions  for  the  violin.    Engraved  throughout. 

MT356.A2E62 

Guida  armonica,  o  Dizionario  armcaiico.  Being  a  sure  guide  to 
harmony  and  modulation,  in  which  are  exhibited,  the  various  com- 
binations of  sounds,  consonant,  and  dissonant,  progressions  of  har- 
mony, hgatures  and  cadences,  real  and  deceptive.  By  F.  Geminiani. 
Opera  x  .  .  .     London,  Printed  for  the  author,  by  J.  Johnson  [1742] 

3  p.  1.,  34  p.     front.     33^"™. 

Engr.  t.-p. 

MT52.A2G3 

A  supplement  to  the  Guida  armonica,  with  examples  shewing 


it's  use  in  composition:  by  F.  Geminiani.  London,  Printed  for  the 
author,  by  J.  Johnson  [17 — ] 

4p.  1.,  lOp.    33i«™.     (TFi«A;^w  Guida  armonica.    London  [1742]) 

MT52.A2G3 

Dictionaire  harmonique^  ou  Guide  sur  pour  la  vraie  modu- 

laison.  Par  F.  Geminiani.  Dictionarium  harmonicum,  of  Zeekere 
wegwyzer  tot  de  waare  modulatie  .  .  .  Amsterdam,  Aux  depena  de 
I'auteur,  1756. 

4  p.  1.,  34  p.    34^"™. 

Title-page,  verso  blank. — Privilegie.  p.  1.  [2] — Au  lecteur  (French  and  Dutch 
in  parallel  columns)  p.  1.  [3] — Methode  de  composer  suivant  ce  dictionaire 
(French  and  Dutch)    p.  1.  [4]— {Modulations]    34  p.,  engr. 

MT52.A2G32 

Rules  for  playing  in  a  true  taste  on  the  vioHn,  German  flute, 
violoncello  and  harpsicord,  particularly  the  thorough  bass;  exem- 
pUfy'd  in  a  variety  of  compositions  on  the  subjcts  [!]  of  EngUsh, 
Scotch  and  Irish  tunes;  by  F.  Geminiani.  Opera  viii.  [London, 
1745  ?] 

2  p.  1.,  2-19  p.     34  X  25^"°". 

MT262.A2G32 

A  treatise  of  good  taste  in  the  art  of  musick  ...  by  F.  Geminiani. 

London,  1749. 

1  p.  1.,  4,  [2],  30  p.     front.     37^'"". 

Engraved,  with  the  exception  of  4  pages  following  t.-p. 

MT80.A2G32 


108  LIBEARY   OF   CONGKESS 

Gerber,  Ernst  Ludwig,  1746-1819. 

Historisch-biographisches  lexicon  der  tonkiinstler,  welches  nach- 
richten  von  dem  leben  und  werken  musikalischer  schriftsteller, 
benlhmter  componisten,  s&nger,  meister  auf  instrumenten,  dilet- 
tanten,  orgel-  und  mstrumentenmacher  .  .  .  enth&lt;  zusammen- 
getragen  von  Ernst  Ludwig  Gerber  .  .  .  Leipzig,  J.  G.  I.  Breitkopf, 
1790-92. 

2  V.  (v.  1:  xiv,  [2]  p.,  992  col.;  v.  2:  1  p.  1.,  860  col.,  xvi,  86  p.)    22i«"». 

"  Verzeichniss  derjenigen  musikalischen  werke,  welche  bey  dem  sammeln 
dieser  nachrichten  am  meisten  zu  rathe  gezogen  worden  eind:"  v.  1,  2  p.  fol- 
lowing p.  xiv. 

"Anhang,  welcher  nachrichten  von  bildnissen,  bfieten  und  etatfien  beruhmter 
tonlehrer  und  tonkfinstler  .  .  .  desgleichen  von  beruhmten  orgelwerken  und 
ein  instrumenten-register  enthilt":  v.  2,  xvi,  86  p.  at  end. 

ML105.A2G36 
Gterbert,  Martin, /rei^rr  von  Homau,  1720-1793. 

De  cantv  et  mvsica  sacra  a  prima  ecclesiae  aetate  vsqve  ad  praesens 
tempus.     Avctore  Martino  Gerberto  .  .  .     Typis  San-Blasiams,  1774. 

2  v.  (v.  1:  10  p.  1.,  590  p.;  v.  2:  6  p.  1.,  409,  [29],  112  p.)    illus.,  xxxv  pi.  (partly 
fold.,  incl.  facsims.)     26  x  20"=™. 

Title  vi^ette;  head-pieces;  initials. 

"Misea  in  coena  Dommi":  112  p.  at  end  of  v.  2. 

ML3002.A2G3 

Martini  Gerberti  .  .  .  Iter  alemannicum,  accedit  italicum  et  galli- 
cum.  Sequuntur  Glossaria  theotisca  ex  codicibus  manuscriptis  a 
sseculo  IX.  usque  xiii.     Typis  San-Blasianis,  1765. 

4  p.  1.,  519,  [15],  144  p.     18''™. 

Z1001.G44 
Gerbert,  MaTtin,  freiherr  von  Homau,  1720-1793,  editor. 

Scriptores  ecclesiastici  de  musica  sacra  potissimum.  Ex  variis 
Italise,  Galliae  &  Germanise  codicibus  manuscriptis  collecti  et  nunc 
primum  publica  luce  donati  a  Martino  Gerberto  monasterii  et  congreg. 
S.  Blasii  in  Silva  Nigra  abbate,  s,  q.  b.  i.  p.  ...  Typis  San-Blasianis 
1784. 

3  V.    fronts.,  fold,  tables.    26  x  20i''"». 

ML170.G3 

Gervasio,  Giovanni  Battista. 

Methode  tres  facile  pour  apprendre  k  jouer  de  la  mandoline  k 
quatre  cordes,  instrument  fait  pour  les  dames.  Avec  les  regies  les 
plus  exactes  pour  la  fa?on  de  se  servir  de  la  plume  .  .  .  Par  M"".  J.  B. 
Gervasio  .  .  .     CEuvre  F.     Paris,  Boiiin;  [etc.,  etc.,  17 — ] 

1  p.  1.,  15  p.     34^^'°. 

Engraved  throughout. 

MT602.A2G3 

Gesius,  Bartholomaus,  d.  1613. 

Synopsis  mysicse  practicae,  variis  exemplis  illustrata,  et  exercitiis 
ad  12.  modos  in  utroque  cantu,  regulari  scilicet  ac  transposito  ampli- 
ficata.  In  usum  scholasticse  juventutis  francofurtensis  cis  Viadrum 
conscripta  a  Bartholomseo  Gesio  .  .  .  Francofurti  MarcMonum,  typis 
&  impensis  Johannis  Eichom,  1609. 

[240]  p.    14'=«. 

Signatxires:  A-P  in  eights. 

MT6.A2G39 


EABLY  BOOKS  ON"  MUSIC  109 

G«strinius,  Sueno. 

See  LuNDius,  D.     Dissertatio  gradualis  [1707] 

Gianotti,  Pietro,  d.  1765. 

Le  guide  du  compositeur,  contenant  des  regies  sures  pour  trouver 
d'abord,  par  les  consonnances,  ensuite  par  les  dissonnances,  la  basse 
fondamentale  de  tous  les  chants  possibles,  &  dans  tous  les  genres  de 
musique;  avec  les  moyens  les  plus  stirs  pour  reussir  dans  la  recherche 
&  la  connoissance  du  ton  dans  le  sujet  .  . .  Par  M.  Gianotti.  Paris, 
Durand  [etc.]  1759. 

xxiv,  310,  [6],  39  p.  (engr.)    20=™. 

"Exemples":  39  p.  at  end. 

MT68.A2G43 
Gibel,  Otto,  1612-1682. 

Ottonis  Gibelii  . .  .  Introductio  musicae  theoreticse  didacticae,  in 
quS,  prsecipua  ejus  principia,  cum  primis  vero  mathematica  .  .  .  summ^ 
pariter  perspicuitate  ac  brevitate  proponuntur ;  nee  tanttim  ad  mono- 
chordum,  sed  alia  quoq^  hodie  usitatiora  &  nobiHora  instrumenta,  tiim 
secundilm  veterem  tilm  novam  musices  rationem,  accurate  applican- 
tur.     Pars  generalis  .  .  .     Bremae,  typis  &  sumptibus  J.  Kohleri,  1660. 

6 p.  1.,  128  p.     diagrs.  on  fold.  1.    19 x  14^"™.    {With  his  Propositiones  mathe- 
matico-musicse.    Minden  an  der  Weser,  1666) 

The  second  and  concluding  part  mentioned  in  the  preface  was  not  published. 

ML3809.A2G4 

Propositiones  mathematico-musicse,  das  fst :  Etliche  f ilrnehme  und 
gar  niltzliche  musicalische  auffgaben  /  auss  der  mathesi  demonstriret, 
und  nach  beschaffenheit  in  beygefugten  kupfferstilcken  kunstlich 
repraesentiret  und  fiir  augen  gesteUet  /  alien  wahren  music-liebhabern 
zum  besten  aufFgesetzet  und  an  tag  gegeben.  Von  Ottone  Gibelio. 
Minden  an  der  Weser,  J.  E.  Heydorn,  1666. 

2  p.  1.,  53  (i.  «.  44)  p.    fold,  pi.,  fold.  tab.     19  x  14§''«». 

Last  four  pages  numbered  50-53  for  41-44. 

ML3809.A2G4 

Ginguene,  Pierre  Louis,  1748-1816,  editor. 
See  Framery,  N.  fi.     Musique,  1791-1818. 

Glareanus  i.  e.  Heinrich  Loiiti,  ofGlarus,  1488-1563. 

Glareani  JcodeKaxopdov  .  .  .  Basileae.  [Colophon:  Basileae  per  Hen- 
richvm  Petri  mense  septembri  anno  post  Virgihis  partym.  m.d.xlvii] 

10  p.  1.,  470,  [6]  p.    illus.,  diagrs.    Sli"^. 

Printer's  mark  at  end. 

Glareanus'  autograph  presentation  copy  to  Francisco  Spinola.  Inserted  at 
end  are  4  leaves  containmg  in  ms.  (1)  Presentation  note:  Anno  a  Jesu  Christi 
natali  mdliii.  Clarissimo  viro  P.  Francisco  Spinola  Glareanus  a  Friburgo  Brisgoa.^ 
D.  M.  (2)  Ode:  Ad  omatissimum  virum  P.  Franciscum  Spinolam  Glareani 
Trimetri.  (3)  Codex  Glareani  manu  emendatus  in  his  maximfe,  quae  neces- 
sitaa  postulabat,  csetera,  quae  innumera  quidem  sunt,  et  k  mediocris  ingenij 
cantoribus  videri  faciliter  poterunt,  in  genere  duntaxat  ac  breuiter  hie  perstricta 
conspiciuntur.  (4)  Alia  huius  codicis  errata  quae  prima  relectione  minus  anim- 
aduersa  fuere  denuo  ipsius  Glareani  cura  ac  manu  hue  pemotata  conspiciuntur. 
At  end,  in  a  different  hand:  Decessit  anno  1563,  setatis  75. 

The  third  part  contains  examples  from  the  works  of  Okeghem,   Obrecht, 
Joaquin  de  Pres  and  others. 

ML171.G54 


/ 


110  LIBRARY   OF   CONGRESS 

Glareanus  i.  e.  Heinrich  Loriti — Continued. 

Dvo  eleffiarvm  libri  ||  Henrici  Glareani  ||  Helvetii  ad  ||  Vlderi-  j! 
cvm.  jl  Ziniivm  ||  Doggivm.  [Colophon:  Basileae  in  aedibvs  loannis  |) 
Frobenij  Hammelburgensis  diligen-  ||  tissimi  apud  Alemannos  ||  Chal- 
cographi,  ||  expensis  ||  aute  ||  Gertrudae  ||  Lachnerae  uxoris  ||  Frobenijw 
Anno  domini  ||  m.d.xvi.     Decimooctauo  ]|  Calendas  Decembreis.] 

[42]  p.    21'™.     (PTiYA  Ais  Isagoge  in  mvsicen.    Basilese,  1516) 

Title  within  ornamental  border;  initials;  printer's  mark  at  end.  Signatiires 
continuous  with  those  of  his  Isagoge  in  mvsicen:  F-I  in  fours,  K  in  five. 

ML171.G56 

Isagoge  in  mvsicen  ||  Henrici  Glarea  ||  ni  Helvetii  ||  poe.  lav.  ||  e 
quibusqj  bonis  au  |J  thorib^  latinis  &  graecis  ad  ||  studiosorii  utilitate  || 
multo  labore  ||  elaborata.  ||  Ad  Falconem  coss.  ||  vrbis  Aventicensis. 
[Basilese,  1516] 

[39]  p.     diagrs.     21""'. 

Title  within  woodcut  border  by  Hans  Holbein  the  younger;  initials;  printer's 
mark  of  J.  Frobenius^on  t.-p.  Signatures:  A-E  in  fours.  Preface  dated:  Basilese, 
1516. 

ML171.G56 

Musicse  epitome  ex  Gla-  ||  reani  Dodecacbordo  ||  Vna  cum  ||  qvinqve 
vocvm  melodiis  svper  ||  eivsdem  Glareani  Panegyrico  de  Helve  ||  tica- 
rum  XIII  urbium  laudibus,  per  Manfredum  ||  Barbarinum  Coregien- 
sem.  II  Basilese  [1559] 

8  p.  1.,  150,  [2]  p.     1  illus.,  fold,  tab.,  diagrs.     15  x  ll^''™. 

Colophon  on  p.  103  and  on  recto  of  last  leaf:  Basileae,  ||  ex  oflScina  Hieronymi  |1 
Cvrionis,  impensis  Hen  ||  rici  Petri,  anno  ||  m.d.lix.  men- 1|  se  martio. 

Guidonian  hand  on  t.-p.  (repeated  on  p.  5)  Preliminary  leaves  7-8  blank. 
Printer's  mark  on  p.  [104]  and  on  last  page. 

Caption  of  preface:  Joannes  Litauicus  Vuonnegger  lectori  S. 

"Mensuralis  Musices  ||  ex  Glareani  Dode-  ||  cachordo  Compendium":  p.  105- 
150. 

ML171.G55 

See  also  Boethius,  A.  M.  S.     Opera  omnia  [1570] 

Glaser,  Johann  Adam. 

See  Weidling,  C.     Exercitatio  philologica  [1686] 

Godin  d'Abguerbe,  Quentin. 

See  Parfaict,  F."   Dictiormaire  des  theatres,  1756. 

Goetting,  Valentin. 

Compendium  ||  mvsicse  mo-  ||  dulativse,  quale  brevitate  ordinis  || 
commoditate  &  facilitate  nun-  ||  quam  visum,  Jj  Observatum  &  in 
usum  puero-  |l  rum  jam  primum  ad  Musicam  adniben-  ||  dorum  Col- 
lectum  a  ||  Valentino  GcEttingi  Witzen-  ||  husano  Musicse  studioso,  || 
Anno  salutis  1587.  editum  secund6  in  gratiam  ||  tam  docentium  quam 
discentium,  J|  Accessit  Exercititi  Musicum,  ad  ||  duodecim  Dode- 
cachordi  modos  &  puerorum  inci-  ||  pientium  captum  acconmiodatum, 
11  Cum  Prsefatione  Henningi  Deaekindi  ||  Cantoris  Salzensis.  ||  .  .  . 
[ColopTion:  Erphordise  Georgius  Bauman  excudebat] 

[64]  p.   le-^". 


EARLY  BOOKS  ON  MUSIC  111 

Goetting,  Valentin — Continued. 

Signatures:  A-D  in  eights.  Ms.  note  on  fly-leaf:  "Deux  exemplaires  connus: 
k  la  Bibl.  Fetis  (n»  5465)  et  celui-ci.    A[lfred]  W[otquenne] " 

Title,  with  dedicatory  verse  "Ad  Fridericum  Beurhusium"  at  foot  of  page. — 
Insignia  nobilium  de  Sachsa.  t.-p.  verso. — Poem  "In  insignia  nobilium  de 
Sachsa"  signed  H.  D.  N.  F.  1.  [2]  r°. — Aeqvo  lectori,  bonis  viris,  et  iuvenibus 
musicae  studiosis  salutem  dicit  Henningus  Dedekindus  Neostadianus.  (Run- 
ning title  "Prsefatio")  1.  [2]  v°-l.  [11]  r°. — Epistolanobilibvsingenvisethonestis 
adolescentibvs,  stemmatissui  nobilitatem  liberalium  artium  studio  illustrantibus: 
Sigismvndo  de  Sachsa  [et  al.]  ingeniis  musicae  amantibus,  salutem  &  plenum 
liberalium  studiorum  amorem  optat  Valentinus  Goettingi  VVitzenhus,  (dated 
1586)     1.  [11]  vM.  [13]  r°.— Instrvctio  ad  docentes  initia  musicae.    1.  [13]  v°-l. 

114]  v". — Methodus  hujus  Compendii.  1.  [15]  r". — Compendivm  mvsicae  modu- 
ativae.  1.  [15]  vM.  [19]  v°.— Ad  lectorem.  1.  [20]  r».— Henricvs  Gottingi  ludi 
Gebeseni  moderator  suo  fratri  s.  d.  p.  (poem)    1.  [20]  v". — ^Exercitivm  musicum 

f)ro  incipientibus.  1.  [21]  r°-l.  [32]  v». — Fragmentum  ex  Henningi  Dedekindi 
iteris  ad  autorem  missis.     [Colophon]    1.  [32]  v*>. 

ML171.G63 
Goeze,  Johann  Melchior,  d.  1727. 

Der  weit-beruhmte  musicus  und  organista  wurde  bey  trauriger 
leich-bestellung  des  weyland  edlen  una  kunst-hoch-erfahrnen  herrn 
AndresB  Werckmeisters,  treu-verdient-gewesenen  organistens  bey 
unserer  St,  Martini-kirche,  und  kdnigl.  preuss.  wohl-bestallt-gewese- 
nen  inspectoris  liber  alle  orgel-wercke  im  Mrstenthumb  Halberstadt, 
welcher  am  abgewichenen  26.  octobr.  des  1706ten  jahres  in  Jesu  seelig 
verstorben,  in  einer  stand-rede  dargestellet  von  lohann  Melchior 
G6tzen  .  .  .     [Quedlinburg  ?]  Gedruckt  1707. 

[16]  p.    19^x16"™.    {With  Werckmeister,  Andreas.     Musicalische  paradoxal- 
discoiuBe.    Qvedlinburg,  1707) 

ML3800.A2W4 

Grogava,  Antonius  Hermannus,  1529-1569,  translator. 

Aristoxeni  mvsici  antiqviss.  Harmonicorvm  elementorvm  libri  iii. 
CI.  Ptolemsei  Harmonicorum,  seu  de  musica  lib.  iii.  Aristotelis  de 
obiecto  auditus  fragmentum  ex  Porphyrij  commentarijs.  Omnia 
nunc  primum  latine  conscripta  &  edita  ab  Ant.  Gogauino  .  .  .  Vene- 
tijs,  apud  V.  Valgrisium,  1562. 

165,  [1]  p.     diagrs.     22^'^'°. 

Printer's  mark  on  t.-p.  and  on  last  page. 

ML171.G65 

Goldschad,  Gotthelf  Conrad,  h.  1719. 

Chorvm  mvsicvm  gloriam  Christi  celebrantem  ex  Ps.  Lxviit  v.  26. 
sistit  .  .  .  M.  Gotthelff  Conrad  Goldschad.  Dresdae,  hteris  Harpe- 
terianis  [1751] 

[12]  p.     19^°". 

Programm — St.  Annaschule,  Dresden. 

ML3001.G62 

Gomes  da  Silva,  Alberto  Jose,  d.  1795. 

Regras  de  acompanhar  para  crave,  ou  orgao,  e  ainda  tambem  para 
qualquer  outre  instrumento  de  vezes,  reduzidas  a  breve  methode,  e 
facil  percep^ao  .  .  .  por  Alberto  Joseph  Gomes  da  Silva  .  .  .  Lisboa, 
F.  L.  Amene,  1758. 

4  p.  1.,  39  (i  e.  47),  [2]  p.    tab.,  diagr.    20^x16"'°. 

Pages  45-47  wrongly  numbered  37-39.  Pages  [21-24]  and  [35-42]  contain 
"exemplos." 

MT68.A2G63 


112  LIBRARY   OF   CONGRESS 

Gonzaga,  Silvio  Valenti-,  cardinal. 

See  Valenti-Gon'zaga,  Silvio,  cardinal. 

Gori,  Antonio  Francesco,  1691-1757,  editor. 

See  Bandini,  A.  M.     Commentariorvm  de  vita  .  .  .  loannis  Bapt. 
Doni,  1755. 
DoNi,  G.  B.     Lyra  Barberina,  1763. 

Gori  Pannilini,  Francesco  de'. 

Lettera  dell'  abate  Francesco  de'  Gori  Pannilini  .  .  .  sopra  I'opera 
deir  abate  Giuseppe  Pizzati  che  ha  per  titolo  La  scienza  de'  suoni  e 
delV  armonia,  diretta  specialmente  a  render  ragione  de'  fenomeni,  e  a 
conoscer  la  natura  e  le  teggi  delta  medesima,  ed  a  giovare  alia  pratica 
del  contrappunto.  Opera  dell'  ah.  Giuseppe  Pizzati  divisa  in  cinque 
parti.     In  Venezia  1782.  appresso  Gio.  Gatti.     Pisa,  J.  Grazioli,  1782. 

39  p.    15  X  8i<"n. 

MT50.A2P692 

Gorton,  William. 

Catechetical  questions  in  musick,  containing  a  hundred  and  seventy 
questions,  fairly  answered  and  made  plain  to  the  meanest  capacity. 
By  William  Gorton  .  .  .  London,  Printed  by  W.  Pearson  for  the 
author,  1704. 

3  p.  1.,  41  p.    U'^^^. 

MT7.A2G7 

Gottsched,  Luise  Adelgunde  Viktoria  (Kulmus)  1713-1762. 

See  Grimm,  F.   M.,  freiherr  von.     Ici   sont  ecrits  les  vingt-un 
chapitres  [17 — ] 

[Goudar,  Angel  1720-1791. 
Le  brigandage  de  la  musique  italienne  ...     [n.  p.]  1777. 

2  p.  1.,  viij,  156  p.     19^"™. 

The  dedication,  "Epitre  aux  amateurs  de  la  musique  italienne  du  parterre  de 
r Opera  de  Paris, "  is  signed:  Jean-Jacques  Sonnette  [pseud,  of  Ange  Goudar] 

ML1727.35.G6 

Goudar,  Mme.  Sara,  d.  ca.  1800. 

De  Yenise.  Remarques  sur  la  musique  &  la  danse,  ou  Lettres  de 
Mr.G  .  .  .  a  Milord  Pembroke.     Venise,  C.  Palese,  1773. 

3  p.  1.,  3-136  p.     igi^"*. 

ML3845.A2G68 

Supplement  aux  Remarques  sur  la  musique,  &  la  danse,  ou 

Lettres  de  Mr  G  .  .  .  a  Milord  Pembroke.     Venise,  C.  Palese,  1773. 

95  p.     16^'=='. 

ML3845.A2G69 

CEuvres  m616es  de  Madame  Sara  Goudar  .  .  .     Amsterdam,  1777. 

2  V.  in  1  (v.  1:  xij,  203  p.;  v.  2:  2  p.  1.,  198  p.)     17'=°>. 

Contents. — t.  1.  Lettres  sur  les  divertissements  du  camaval  de  Naples  &  de 
Florence. — t.  2.  Remarques  eur  la  musique  italienne  &  sur  la  danse,  a  Milord 
Pembroke. 

DG447.G6 


EARLY  BOOKS   01^   MUSIC  113 

Gournay,  B.  C.,d.  ca.  1794. 

Lettre  a  M.  FabM  Roussier,  sur  une  nouvelle  regie  de  I'octave  que 
propose  M.  le  marquis  de  Culant;  par  M.  Gournay  .  .  .  Paris, 
Koyez  [etc.]  1785. 

36,  [2]  p.    21J'''". 

MT50.A2G6 

Graaf,  Christiaan  Ernst,  h.  ca.  1726. 

Proeve  over  de  natuur  der  harmonie  in  de  generaal  has,  benevens 
een  onderricht  eener  korte  en  regelmaatige  becyffering,  door  C.  E. 
Graaf  ...     's  Graavenhaage,  B.  Wittelaer,  1782. 

46  p.    XI  fold.  pi.    20^"'". 

MT49.A2G8 

Grassineau,  James,  d.  1769. 

A  musical  dictionary;  being  a  collection  of  terms  and  characters, 
as  well  ancient  as  modern;   including  the  historical,  theoretical,  and 

Practical  parts  of  music  .  .  .     The  whole  carefully  abstracted  from  the 
est  authors  in  the  Greek,  Latin,  Italian,  French,  and  EngUsh  lan- 
guages.    By  James  Grassineau  .  .  .     London,  J.  Wilcox,  1740. 
xii,  347  p.    4  pi.  (3  fold.)    20='". 

Paging  irregular. 

Translated,  with  additions,  from  the  French  of  Sebastian  de  Brossard,  probably 
tinder  the  supervision  of  Dr.  Pepusch. 

ML108.A2B7 

Gratus,  Veridicus,  pseud. 

See  Printz,  W.  C.     Phrynis  Mitilengeus,  1696. 

[Gresset,  Jean  Baptiste  Louis]  1709-1777. 

Discours  sur  Fharmonie.     Paris,  J.-N.  Le  Clerc,  1737. 
2  p.  1.,  89,  [1]  p.    20^"='. 

Title  vignette. 

"Le  manuscrit  que  je  publie  aujourd'hui  est  secret  depuis  mil  sept  cens  trente- 
trois.  Ce  discours  fut  alors  compost  en  latin,  pour  etre  prononce  dans  un  pays 
^loigne  de  Paris.  L'auteur  le  traduisit  en  meme  temps  pour  une  dame,  &  tel 
qu'on  le  trouve  ici." — Preface. 

ML3815.A2A5 

Gretry,  Andre  Ernest  Modeste,  1741-1813. 

Memoires,  ou  essai  sur  la  musique,  par  M.  Gretry  .  .  .  Paris,  Chez 
l'auteur;  [etc.,  etc.]  1789. 

2  p.  1.,  565,  [3]  p.     20i«°^. 

ML410.G83A 

Memoires,  ou   essais  sur  la  musique;    par  le  c.®''  Gretry  .  .  . 

Paris,  Imprimerie  de  la  republique,  pluviose,  an  v  [1797] 

3  v.    21-=™. 

A  reprint  of  the  first  edition,  1789,  with  two  additional  volumes. 
"Liste  des  ouvrages  dramatiques  mis  en  musique  par  l'auteur  de  ces  essais": 
V.  3,  p.  [465]-[473] 

ML410.G83A1 

51234°— 13 8 


114  LIBKAKY  OF  CONGEESS 

[Grimaldi,  Francesco  Antonio]  1741-1783. 

Lettera  sopra  la  musica  all'  eccellentissimo  Signore  Agostino  Lomel- 
lini  gia'  doge  della  serenissima  repubbiica  di  Genova.     [NapoK,  1766] 
Ixiv  p.     22'^'". 

Title  vignette. 

Signed:  Francesco  Antonio  Grimaldi. 

ML3800.A2G7 

[Grimm,  Friedrich  Melchior, /m^e/*r  von]  1723-1807. 

Le  petit  prophete  de  Boehmischbroda.     [n.  p.,  1753] 

56  p.     front.     19^"™. 

Caption  title:  Ici  sont  ecrite  les  vingt-un  chapitres  de  la  prophetie  de  Gabriel 
Joannes  Nepomucenus  Frariciscus  de  Paula  Waldstorc,  dit  Wasdstoerchel  .  .  . 

' '  Reponse  du  coin  du  roi  au  coin  de  la  reine  [par  I'abb^  de  Voisenon]     Seconde 
edition  corrigee  &  augmentee":  p.  49-56. 

ML1727.33.GS 

Ici  sont  ecrits  les  vingt-un  chapitres  de  la  prophetie  de  Gabriel 

Joannes  Nepomucenus  Franciscus  de  Paula  Waldstorch,  dit  Wald- 
stoerchel,  natif  de  Boehmischbroda  en  Boheme  ...  il  les  a  ecrits  de 
sa  main,  &  il  les  appelle  sa  vision.     Lat.  canticum  Cygni  bohemici. 

[n.  p.,  17—] 

58  p.     19<^"i. 

Caption  title. 

No.  11  in  a  volume  of  pamphlets  lettered  Quere[lle]  des  Bouffo[ns] 
In  part  an  imitation  and  in  part  a  translation  by  Frau  Gottsched  of  Le  petit 
prophete  de  Boehmischbroda.     cf.  Fetis,  Biog.  univ.  des  musiciens. 

ML1727.33.A1    ' 
Les  vingt-un  chapitres  de  la  prophetie  de  Gabriel-Joannes- 


Nepomucenus-Franciscus  de  Paula  Waldstorch,  dit  Waldstoerchel, 
qu'il  appelle  sa  vision.  Lat.  canticum  Cygni  bohemici.  Imprime 
a  Prague  en  Boheme  [i.  e.  Paris,  17 — ] 

1  p.  1.,  43  p.    I6i  X  gj''™. 

ML3925.G86 

Grosvenor,  Benjamin,  1676-1758. 
See  Practical  discourses,  1708. 

Grube,  Hermann,  1637-1698. 

Hermanni  Grube  .  .  .  De  ictu  tarantulas,  &  vi  musices  in  ejus  cura- 
tione,  conjecturse  physico-medicse.  Francofurti,  ex  bibhopolio  Haf- 
niensi,  D.  PaulH,  1679. 

7  p.  1.,  76,  [10]  p.    18'^°'. 

RC426.G88 

Gruber,  Johann  Sigmund,  1759-1805. 

Beytri&ge  zur  litteratur  der  musik,  hrsg.  von  Johann  Sigmund 
Gruber  .  .  .     Xurnberg,  In  commission  bey  G.  W.  Gruber;  [etc.,  etc.] 

1785. 

116,  [4]  p.     16'^'". 

Based  upon  an  unpublished  list  by  C.  S.  Zeidler.    cf.  Preface. 

ML116.G88 


EAELY  BOOKS  ON"   MUSIC  115 

Gruber,  Johann  Sigmund — Continued. 

Beytrage  zur  litteratur  der  musik,  hrsg.  von  Johann  Sigmund 

Gruber  .  .  .     Frankfurt  und  Leipzig,  1790. 

2  V.  in  1  (v.  1:  116  p.;  v.  2:  74  p.)    17''™. 

Part  2,  forming  a  supplement  to  part  1  and  also  to  the  author's  "Litteratiur 
der  musik,"  is  here  published  for  the  first  time. 

ML116.G89 

Litteratur  der  musik,  oder  Anleitung  zur  kentnis  der  vorzuglichen 
musikalischen  bucher,  fur  liebhaber  der  musikalischen  litteratur 
bestimmt.  Hrsg.  von  einem  liebhaber  der  musik.  Niirnberg,  Auf 
kosten  des  verfassers,  1783. 

56  p.    16"°^. 

ML111.A2G8 

Gruner,  Caspar. 

.  .  .  Ein  ratschlag  wider  die  gotlosen  tentz  .  .  .  Caspar  Gruner. 
[n.  p.]  1525. 

[11]  p.    18«i". 

At  head  of  title:  "Euangelion  Marci.  vj."  Title  within  ornamental  border. 
Signatures:  A  in  four,  B  in  two. 

GV1740.G8 

Gualterotti,  Francesco  Maria. 

La  mvsica,  idilio  di  Francescomaria  Gvalterotti.  Al  m.  illustre, 
e  m.  reuer.  Sig.  il  Sig.  Fabbrizio  Alba  Bocca.  Firenze,  Z.  Pignoni, 
1626. 

25,  [1]  p.    IS"'". 

In  verse. 

Coat  of  arms  on  t.-p.;  printer's  mark  (?)  at  end. 

ML64.G9 

[Guerson,  Guillaume] 

UTihssime  musicales  regule  neces  ||  sarie  plani  cantus  /  simplicis 
contra  ||  pticti  /  rerti  factaru  /  tonoru  vsuali  ]|  um:  necno  artis  acce- 
tuandi  ||  tarn  speculatiue  (p  pra  ||  ctice:  acriori  lima  ||  mundate. 
[Parisiis,  F.  Regnault,  1518] 

[63]  p.     1  illus.     20"". 

Colophon:  (I  Utilissime  musicales  regule  ne  ||  cessarie  plani  cantus  /  simplicis 
CO-  II  trapuncti:  rerum  factaru3:  tonoru  ||  vsualium:  necnon  artis  accetuan-  jj  di 
epistolas  et  euagelia:  que  antea  mendose  erant:  nunc  vero  correcte  ||  Impresse 
Anno  salutif ere  passio- 1|  nis  Millesimo  quingentesimo  de- 1|  cimo  octauo  Penultima 
Mensis  ||  Augusti. 

Signatures:  A-D  in  sixes,  E  in  eight.     Dili  and  Diiii  transposed  in  binding. 

Rubricated;  gothic  type.  Printer's  mark  on  t.-p;  illustration,  Guidonian 
hand,  pn  recto  of  1.  [4] 

ML171.G82 

Gugl,  Matthaeus. 

Fundamenta  partiturse  in  compendio  data.  Das  ist:  Kurtzer  und 
grundhcher  unterricht,  den  general-bass,  oder  partitur,  nach  denen 
reglen  recht  und  wohl  schlagen  zu  lernen.  In  den  druck  gegeben 
von  Matthseo  Gugl  .  .  .     Augspurg  und  Insprugg,  J.  Wolff,  1757. 

Ip.  1.,  oOp.     16^x20^''™. 

First  edition,  Salzburg,  1719. 

MT49.A2G9 


116  LIBRABY  OF   CONGRESS 

Guidetti,  Giovanni,  1532-1592. 

Directorivm  chori  ad  vsvm  omnivm  ecclesiarum  cathedralium,  & 
collegiatarum  a  loaime  Gvidetto  olim  editum,  et  nvper  ad  novam 
Romani  breuiarij  correctionem  ex  piQcepto  dementis  viii.  impressam 
restitutum,  &  plurimis  in  locis  auctum,  &  emendatum.  Accesserunt 
huic  postremse  editioni  quamplures  hynmorum,  &  antiphonarum 
toni,  qui  in  prsecedentibus  desiderabantur.  Romse,  apud  A.  PhQum, 
1615. 


4  p.  1.,  619,  [3]  p.     m'' 
Rubricated. 


M2150.A2G92 


Directorivm  chori.     Ad  vsvm  omnivm  ecclesiarum  cathedra- 

lium,  &  collegiatarum.  A  loanne  Gvidetto  olim  editum.  Et  nvper 
ad  novam  Romani  breuiarij  correctionem  ex  praecepto  dementis  vm. 
impressam  restitutum,  &  plurimis  in  locis  auctum,  &  eniendatum. 
Huic  postremse  editioni  prseter  errorum  correctionem  nouissime  acces- 
serunt Ofl&cium  angeli  custodis,  &  Missa  pro  defunctis,  cum  antiphonis 
integris,  ac  responsorijs,  quae  in  defunctorum  officio  desiderabantur. 
MonacMi,  apud  N.  Henricum,  1618. 

4  p.  1.,  649,  [3]  p.     l?""". 

Rubricated. 

M2150.G94 

[Guilford,  Francis  North,  1st  haron]  1637-1685. 

A  philosophical  essay  of  musick,  directed  to  a  friend  .  .  .     London, 

J.  Martyn,  1677. 

25  {i.  e.  35)  p.,  1 1.    fold.  tab.    20'=°». 

Page  35  wrongly  numbered  25. 

ML3805.A2G9 

Guisbarchi,  Annie. 

L'ecclesiastico  in  coro  ammonito  dal  suo  prelato  a  salmeggiare  nella 
forma,  che  deve,  con  tre'  raggionamenti  messi  sotto  gU  occhi  di  tutti 
quelli,  che  tengono  I'obh^o  del  servizio  corale,  cioe  canonici,  benefi- 
ciati,  cappellani,  e  musici.  Dal  conte  Annio  Guisbarchi  ...  2.  ed. 
ricorretta,  ed  in  piil  luoghi  ampliata,  e  specialmente  con  un'  aggiunta 
in  fine  di  Ricordi  di  S.  Carlo  Borromeo,  e  d'un  avvertimento  circa  la 
maniera  di  portarsi  nelle  pubUche  processioni.  Roma,  Stamperia  di 
G.  Zempel,  1745. 

Ill  p.   lei'-"". 

MT860.A2G96 

Gumpeltzhaimer,  Adam,  1559-1625. 

Compendivm  mvsicse  latino-germanicvm.  Studio  &  oper4  Adami 
Gumpeizhaimeri  .  .  .  Nvnc  editione  hac  sexta  nonnvsqvam  .correc- 
tum,  &  auctum.     Avgvstae,  typis  et  impensis  I.  V.  Schoenigij,  1616. 

45  numb.  1.,  47-78,  47-78,  79-82  p.     illus.     20  x  16^''™. 

Title  within  historiated  border.    Pages  47-78  numbered  in  duplicate. 

Title-page  mutilated;  title  in  part  from  Becker's  Systemat.-chron.  darstellung 
d.  musikalischen  lit.,  Nachtrag,  1839.  With  this  copy  ia  bound  a  collection  of 
canons  for  from  two  to  six  voices,  [30]  p.,  without  title. 

Based  upon  Heinrich  Faber's  '  Compendiolum  musicae."  Title  of  1st  edition, 
Augsburg,  1591,  reads  "Compendium  musicae,  pro  illius  artis  tironibus.  A  m. 
Hemrico  Fabro  latin^  conscriptum,  &  ^  m.  Christophoro  Rid  in  vemaculum 
sermonem  conversum,  nunc  praeceptis  &  exemplis  ^^uctum  studio  &  opera 
Adami  Gumpeizhaimeri." 

MT6.A2G9 


EARLY  BOOKS  ON  MUSIC  117 

Gunn,  John,  ca.  1765-ca.  1824. 

The  theory  and  practice  of  fingering  the  violoncello,  containing 
rules  &  progressive  lessons  for  attaining  the  knowledge  &  command 
of  the  whole  compass  of  the  instrument,  by  John  Gunn  .  . .  London, 
Printed  for  &  sold  by  the  author  [1793] 

3p.  1.,  96p.     pi.     33i«™. 

Engr.  t.-p. 

"Dissertation  on  the  origin  of  the  violoncello":  p.  [l}-32. 

MT302.A2G97 

Gutierrez,  Francisco  Antonio,  d.  1828,  translator. 

See  ExiMENO  y  Pujades,  A.     Del  origen  .  .  .  de  la  musica,  1796. 

Guzman,  Jorge  de. 

Cvriosidades  del  cantollano,  sacadas  de  las  obras  del  reverendo  Don 
Pedro  Cerone  de  Bergamo,  y  de  otros  autores,  dadas  a  luz  a  costa  de 
Jorge  de  Guzman  .  .  .     Madrid,  Imprenta  de  musica,  1709. 

8  p.  1.,  272,  [28]  p.     21«'°. 

MT860.A2G97 

H.,  D.  V. 

See  De  zangkunst,  1788. 

H.,  M.  H. 

See  ScHREiBEN  an  die  herren  verfasser  der  Freyen  urteile  [1752] 

Hahn,  Georg  Joachim  Joseph. 

Der  nach  der  neuern  art  wohl  unterwiesene  general-bass-schiUer, 
oder  Gespr&ch  zwischen  einem  lehrmeister  und  scholaren  von  dem 
general-bass  .  .  .  von  Georg  Joachim  Joseph  Hahn  ...  2.  verb,  und 
verm.  aufl.     Augsburg,  J.  J.  Lotter,  1768. 

4  p.   1.,  95p.     18x2P™. 

•       MT49.A2H2 

Halle,  Johann  Samuel,  1727-1810. 

Die  kunst  des  orgelbaues,  theoretisch  und  praktisch  beschrieben 
von  Johann  Samuel  Hallen  .  .  .  Nebst  viii.  kupfertafeln.  Branden- 
burg, J.  W.  Halle  und  J.  S.  Halle,  1779. 

1  p.  1.,  [215]-411  p.     VIII  (i.  e.  6)  pi.  (2  fold.)     20^  x  11'^. 

Illustrated  t.-p.     Running  title:  Nachtrag  zum  Orgelbauer. 

Issued  also  as  part  of  the  6th  volume  of  Halle's  "  Werkstatte  der  kiinste." 

ML552.A2H18 

Haltmeier,  Carl  Johann  Friedrich, 

Weiland  herrn  Carl  Johann  Friedrich  Haltmeiers  .  .  .  Anleitung: 
wie  man  einen  general-bass,  oder  auch  handstilcke,  in  alle  tone  trans- 
poniren  k6nne;  zum  druck  befdrdert  von  Georg  Phihp  Telemann  .  .  . 
Hamburg,  Gedruckt  bey  J.  G.  Piscator,  1737. 

16  p.     10  pi.  (music)    20^  x  17^''™. 

Published  also   in   Mizler's   Neu  er6ffnete  musikalische  bibliothek,  2.  bd., 
2.  th.,  p.  256-268. 

MT42.A2H19 


118  LIBRAKY   OF   CONGEESS 

Hammett,  John,  1678  or  9-1773. 

Promiscuous  singing  no  divine  institution ;  having  neither  president 
nor  precept  to  support  it,  either  from  the  musical  institution  of  David, 
or  from  the  gospel  dispensation.  Therefore  it  ought  to  be  exploded, 
as  being  a  humane  invention,  tending  rather  to  gratify  the  carnal 
ears  of  men,  than  to  be  acceptable  and  pleasing  worship  to  God. 
By  John  Hammett  ...     [n.  p.]  Printed  in  the  year  1739. 

1  p.  1.,  iii,  29  p.     l?"™. 

"Newport?    Printed  by  the  Widow  Franklin?" — Evans,  American  bibliogra- 
phy, V.  2,  p.  140.  » 

ML3001.H22 

The  harpsichord  illustrated  and  improv'd;  wherein  is  shewn  the 
Italian  manner  of  fingering,  with  suits  of  lessons  for  beginners  & 
those  who  are  already  proficients  on  that  instrument  and  the  organ, 
with  Rules  for  attainmg  to  play  a  thorough  bass,  also  with  Rules  for 
tuning  the  harpsichord  or  spinnet.     London,  W.  Dicey  [etc.,  174-] 

2  p.  1.,  48,  4  p.     front.     24J<=°'. 

Engraved  throughout. 

Published  also  as  part  6  of  Peter  Prelleur's  "Modem  musick-master  "  {cf.  The 
compleat  tutor  for  the  harpsichord) 

"A  dictionary  explaining  such  Greek,  Latin,  Italian  &  French  words  as  gen- 
erally occur  in  musick":  4  p.  at  end. 

MT252.A2H28 

The  harpsichord  preceptor.  Being  a  new  &  complete  introduction 
to  playing  the  harpsichord,  organ,  or  pianoforte.  Containing  i. 
A  :^miliar  elucidation  of  the  first  principles  of  music,  with  the 
most  modern  .  .  .  method  of  playing  the  above  instruments,  ii. 
Thirty  easy  &  pleasing  lessons  .  .  .  progressively  arranged,  with 
preludes,  canzonetts,  &  a  duett  for  2  performers  .  .  .  London, 
S.,  A.  &  P.  Thompson  [178-?] 

2  p.  1.,  2-28  p.     23ix32i<'". 

Engraved  throughout. 

MT252.A2H3 

Harris,  William,  d,  1740. 

See  Practical  discourses,  1708. 

Harrison,  John,  1693-1776. 

A  description  concerning  such  mechanism  as  will  afford  a  nice,  or 
true  mensuration  of  time;  together  with  some  account  of  the  attempts 
for  the  discovery  of  the  longitude  by  the  moon:  as  also  an  account  of 
the  discovery  of  the  scale  of  musick.  By  John  Harrison  .  .  .  Lon- 
don, Printed  for  the  author,  1775. 

108  p.     21""^. 

QB107.H26 

[Hartong,         ] 

Musicus  theoretico-practicus,  bey  welchem  anzutreffen  i.  Die 
demonstrativische  theoria  musica  auf  ihre  wahre  principia  gebauet, 
von   vielen   arithmetischen   subtilitseten   befreyet,    dahmgegen    die 


EAELY  BOOKS  ON  MUSIC  119 

[Hartong] — Continued. 

abwechslung  derer  harmonien,  die  daher  entstehende  scalse,  und  die 
aus  der  hannonie  entspringende  melodie  .  .  .  vestgestellet  werden. 
II.  Die  methodische  clavier-anweisung  mit  regeln  und  exemplen. 
Wozu  noch  kominet  eine  anfiihrung  zu  fugirenden  fantasien,  zu  rech- 
ter  executirung  dess  chorals,  zu  rechtem  gebrauch  eines  neu-inveu- 
tirten  circuli.  Ausgefertigt  von  P.  C.  Humano  [jpseud.]  NAmberg, 
Gedruckt  bey  A.  J.  Felsseckers  seel,  erben,  1749. 

2  p.  1.,  88,  [2],  15  p.,  2  1.,  33  p.     21^  x  lei""". 

Part  2  haa  special  t.-p.  and  separate  paging. 
Musical  examples:  33  p.  at  end. 

MT6.A2H19 

Hase,  Wolfgang,  h.  ca.  1600. 

Grilndliche  einfilhrung  in  die  edle  music  oder  singe  kunst  /  anfangs 
der  gemeinen  jugend  zum  besten  /  und  insonderheit  fur  die  schule  der 
stadt  Osteroda  gestellet  /  jetzo  aber  vermehret  und  verbessert  /  und 
zum  andern  mal  dem  druck  ilbergeben  durch  Wolfgangum  Hasen  .  .  . 
Gosslar,  Gedruckt  bey  N.  Dunckern,  in  verlegung  des  autoris,  1657. 

87  p.    15""'. 

MT935.A2H2 

Hasse,  Johann  Adolph,  1699-1783. 

Beytr&ge  zu  wahrer  kirchenmusik,  von  Johann  Adolf  Hasse,  und 
Johann  Adam  Hiller.     2.  verm.  aufi.     Leipzig,  A.  F.  B6hme,  1791. 

35  p.    16"™. 

Hiller  here  proposes  to  translate  into  German  the  words  of  some  of  Basse's  com- 
positions and  to  publish  the  translations  together  with  the  music.  Pages  14-35 
contain  extracts  from  the  proposed  work. 

ML410.H35H3 

Hawkins,  Sir  John,  1719-1789. 

An  account  of  the  institution  and  progress  of  the  Academy  of 
ancient  music.  With  a  comparative  view  of  the  music  of  the  past  and 
present  times.     By  a  member  .  .  .     London,  Printed  in  the  year  1770. 

24  p.     21i<^™. 

ML28.L8A54 

A  general  history  of  the  science  and  practice  of  music,  by  Sir  John 
Hawkins  .  .  .     London,  T.  Payne  and  son,  1776. 

5  V.    front.,  illus.  (incl.  ports.,  facsims.,  music),  v  pi.,  diagrs.    28  x  22"™. 

ML160.H39 

[Hayes,  William]  1706-1777. 

The  art  of  composing  music  by  a  method  entirely  new,  suited  to  the 
meanest  capacity.  Whereby  all  difficulties  are  removed,  and  a  per- 
son who  has  made  never  so  little  progress  before,  may,  with  some 
small  application,  be  enabled  to  excel.     London,  J.  Lion,  1751. 

vi,  [7]-32p.    21^" 


icm 


An  attack  upon  Barnabas  Gunn,  composer  and  at  one  time  organist  of  Gloucester 
cathedral. 

ML410.G933H2 


120  LIBRARY  OF   CONGRESS 

[Hayes,  William] — Continued. 

Remarks  on  Mr.  Avison's  Essay  on  musical  expression.  Wherein 
the  characters  of  several  great  masters,  both  ancient  and  modern,  are 
rescued  from  the  misrepresentations  of  the  above  author;  and  their 
real  merit  asserted  and  vindicated.  In  a  letter  from  a  gentleman  in 
London  to  his  friend  in  the  country  .  .  .     London,  J.  Robinson,  1753. 

1  p.  1.,  133  p.    2  fold.  pi.  (music)    17^=™. 

ML3847.A96 

Heck,  Johann  Caspar,  h.  1740. 

The  art  of  fingering.  Or,  The  easiest  and  surest  method  how  to 
learn  to  play  on  the  harpsicord  .  .  .  exemplified  by  a  gradation  of 
fine  lessons  .  .  .  each  lesson  being  mark'd  with  the  most  proper  man- 
ner of  fingering.  To  which  is  added  a  table  of  all  the  different  keys, 
shewing  the  different  manner  of  fingering  the  same.  As  also  an 
explanation  of  all  graces,  shakes,  &c.  .  .  .  By  John  Casper  Heck. 
London,  W.  Randall  &  I.  Abell  [177-?] 

1  p.  1.,  35  p.    24  X  32'='". 

Engraved  throughout. 

MT222.A2H32 

The  art  of  playing  thorough  bass  with  correctness  according  to  the 
true  principles  of  composition,  fully  explained  by  a  great  variety  of 
examples  in  various  stiles;  to  which  is  added  by  way  of  supplement 
six  lessons  of  accompaniment  .  .  .  the  whole  beings  designed  for  the 
use  of  such  young  composers  &  performers  in  general  as  are  desirous 
of  being  well  grounded  in  the  science  of  harmony.  By  John  Casper 
Heck.     London,  I.  Welcker  [177-] 

1  p.  1.,  99  p.    diagr.    Sg^"". 

Engraved  throughout.    On  p.  94-99  Lesson  I- VI  by  Corelli,  Quantz  and  Graun. 

MT49.A2H4 

A  complete  system  of  harmony;  or,  A  regular  and  easy  method  to 
attain  a  fundamental  knowledge  and  practise  of  thorough  bass ;  with 
the  nature  and  various  use  of  concords  and  discords  explained,  con- 
formable to  the  modern  composition.  Illustrated  by  a  variety  of 
examples.  By  John  Casper  Heck  .  .  .  [London]  Printed  for,  and 
sold  by  the  author  [1768?] 

iv,  26, 19  p.    27  X  21^<=™.    ( With  Bemetzrieder,  Anton.    Music  made  easy  to  every 
capacity.    London,  1785) 

Manuscript  note  on  t.-p.:  Printed  for  Mess'  Thompsons  .  .  .     London. 

MT224.A2B45 

Heinichen,  Johann  David,  1683-1729. 

Neu  erfundene  und  grundliche  anweisung  /  wie  ein  music-liebender 
.  .  .  k6nne  zu  vollkommener  erlernung  des  general-basses,  entweder 
durch  eigenen  fleiss  selbst  gelangen  /  oder  durch  andere  .  .  .  dahin 
angefilhret  werden  /  dergestalt  /  dass  er  so  wohl  die  kirchen  als  thea- 
tralischen  sachen  /  insonderheit  auch  das  accompagnement  des 
recitativs-styh  wohl  verstehe  /  und  geschickt  zu  tractiren  wisse. 
Wobey  zugleich  auch  andere  sch6ne  vortheil  in  der  music  an  die  hand 
gegeben  /  und  alles  mit  vielfachen  exempeln,  und  .  .  .  nutzlichen 
composition-regeln  erUutert  worden,  Nebst  einer  ausfuhrlichen  vor- 
rede.  Heraus  gegeben  von  Johann  David  Heinchen.  Hamburg,  B. 
Schiller,  1711. 

2  p.  1.,  284  p.     20  X  15i'='°. 

MT49.A2H46 


EARLY  BOOKS  ON  MUSIC  121 

Hemichen,  Johann  David —  Continued. 

Der  general-bass  in  der  composition,  oder :  Neue  und  griind- 

liche  anweisung,  wie  ein  music-liebender  mit  besonderm  vortheil, 
durch  die  principia  der  composition,  nicht  allein  den  general-bass  im 
kirchen-  cammer-  und  theatralischen  styld  voUkommen,  &  in  altiori  y 
gradu  erlernen;  sondern  auch  zu  gleicher  zeit  in  der  composition 
selbst,  wichtige  profectus  machen  kdnne.  Nebst  einer  einleitung 
oder  musikalischen  raisonnement  von  der  music  liberhaupt,  und 
vielen  besondern  materien  der  heutigen  praxeos.  Hrsg.  von  Johann 
David  Heinichen  ,  .  ,     Dressden,  Bey  dem  autore,  1728. 

4  p.  1.,  960,  [28]  p.    tab.    21  x  16i''°». 

MT49.A2H47 

Herbst,  Johanii  Andreas,  1588-1666. 

Mvsica  moderna  prattica,  ouero  Maniera  del  bvon  canto.  Das  ist : 
Eine  kurze  anleitung  /  wie  knaben  und  andere  /  so  sonderbare  lust 
und  liebe  zum  singen  tragen  /  auff  jezige  italienische  manier  .  .  .  k6n- 
nen  unterrichtet  werden.  Alles  aus  den  fiirnemsten  italienischen 
authoribus  .  .  .  zu-sammen  getragen  /  auch  mit  vielen  clausulis  und 
variationibus  gezieret :  sonderlich  aber  f ilr  die  instrumentisten  /  auff 
viohnen  und  cornetten  zu  gebrauchen  /  mit  allerhand  cadenzen  ver- 
mehret  /  und  zum  drittenmahl  in  druck  verfertiget  /  durch  Johann- 
Andream  Herbst  .  .  .     Franckfurt,  G.  MiiUer  [1658] 

4  p.  1.,  76  p.     20  X  16"™. 

Date  of  imprint  trimmed  off  in  binding. 

MT915.A2H26 

Musica  poetica,  sive  Compendium  melopoeticum,  das  ist:  eine 
kurtze  anleitung  /  vnd  grundliche  vnterweisung  /  wie  man  eine' 
sch6ne  harmomam,  oder  lieblichen  gesang  .  .  .  componiren,  vnd 
machen  soil.  So  mehrentheils  auss  den  furnembsten  /  so  wol  alten 
als  newen  /  lateinischen  vnd  italienischen  authoribus  vnd  musicis  ... 
zusammen  getragen  /  vnd  in  dieses  compendium  kurtzlich  verfasset  / 
auch  mit  sch6nen  clausulis  vnd  exemplis  gezieret.  Allen  liebhabern 
dieser  edlen  kunst  zum  besten  /  vnd  dienstlichem  wolgefallen  /  in 
teutscher  sprach  ...  an  jetzo  publiciret,  vnd  zum  druck  verfertiget: 
durch  Johann  Andream  Herbst  .  .  .  Gedruckt  zu  Nilrnberg  /  In 
verlegung  J.  Dilmlers  /  1643. 

4  p.  1.,  119  p.    19i  X  I5i<^™. 

MT55.A2H53 

Herbst,  Johann  Andreas,  1588-1666,  translator. 
See  Chtodino,  G.  B.     Arte  prattica,  1653. 

Herold,  Philipp. 

Carmen  heroicvm  Philippi  Heroldi  Lipsici,  De  laudibus  Mvsarum. 
[n.  p.]  1558. 

[14]  p.    pi.    21'^™.     {With   Sebastiani,    Claudius.    Bellum   musicale.    Argen- 
t[orati]  1563) 

ML171.S44 


122  LIBEARY   OF   CONGEESS 

Hertel,  Johann  WUhelm,  1727-1789. 

Sammlung  musikalischer  schriften,  gr6sstentheils  aus  den  werken 
der  Itali&ner  und  Franzosen  libersetzt,  und  mit  anmerkungen  ver- 
sehen  von  Johann  Wilhelm  Hertel  .  .  .  Leipzig,  J.  G.  I.  Breitkopf, 
1757-58. 

4  p.  1.,  136  p. ;  1  p.  1.,  [137]-254  p.     17^°°^. 

"Nachricht  von  neuen  musikalischen  schriften":  p.  133-136,  250-254. 

Contents. — 1.  stfick.   Joh.  Friedr.  L6wens   Anmerkungen    uber   die   oden- 
poesie.     Des  herm   von   Voltaire  gedanken  von  der  oper.    Eben  desselben 

fedanken  von  den  trag6dien  der  Griechen.  Der  (!)  herm  Remond  von  St.  Mard 
Jetrachtungen  uber  die  oper. — 2.  stuck.  Joh.  Friedr.  L6wens  Anmerkungen 
uber  die  geistliche  cantatenpoesie.  Von  der  dramatischen  musik  der  alten; 
ein  auszug  aus  .  .  .  Lives  of  the  Roman  poets,  vol.  ii.  Anmerkungen  uber  die 
musik  ftberhaupt,  aus  des  Patru  et  d'Ablancourt  Dialogues  sur  les  plaisira. 
Brief  des  herm  Roy  von  der  oper.  Des  herm  Frerons  critik  der  Betrachtungen 
uber  die  oper  des  herm  Remond  von  St.  Mard.  Schreiben  an  den  herrn  von 
L*s*r.:  Woner  es  k6mmt,  dass  einige  tonarten  in  der  musik  anmuthig  und 
sanfter,  andere  aber  stark  und  rauschender  klingen. 

ML55.H37 

Hess,  Joachim,  1730-1810  or  11. 

Dispositien  der  merkwaardigste  kerk-orgelen,  welken  in  de  zeven 
Vereenigde  Provincien  als  mede  in  Duytsland  en  elders  aangetroffen 
worden.  Benevens  eene  beschryving  van  het  nieuw  en  uitmuntend 
orgel,  in  de  St.  Jans  kerk  te  Gouda.  Dienende  tot  een  vervolg  op  de 
Luister  van  het  orgel.  Door  Joachim  Hess  .  .  .  Gouda,  By  J.  van- 
der  Klos,  stads-drukker,  1774. 

vi,  200  p.    21  X  16'=°'. 

ML594.A2H2 

Korte  en  eenvoudige  handleyding  tot  het  leeren  van  't  clavecimbel 
of  orgel-spel,  opgesteld  ten  dienste  van  leerlingen,  door  Joachim 
Hess  ...  4.  druk.  Op  nieuws  overgezien,  vermeerderd  en  veibeterd. 
Gouda,  By  J.  van  der  Klos,  stads-drukker,  1779. 

4p.  1.,  32p.    fold,  pi.    21xl6i<='". 

MT252.A2H58 

Luister  van  het  orgel,  of  Naauwkeurige  aanwyzinge,  hoe  men,  door 
eene  gepaste  registreering  en  geschikte  bespeelmg,  de  voortreffelyke 
hoedanigheden  en  verwonderenswaardige  vermogens  van  een  kerk-  of 
huis-orgel  in  staat  is  te  vertoonen.  Tot  onderrigting  van  alle  liefheb- 
bers  van  het  orgel-spel,  inzonderheid  voor  jonge  organisten,  leerhngen, 
en  alien  die  zig  eene  bekwaame  behandeling  van  het  orgel  tragten 
eigen  te  maaken.  Opgesteld  door  Joachim  Hess  .  .  .  Gouda,  By 
J.  vander  Klos,  stads-drukker,  1772. 

xii,  78  p.     21  X  16"™. 

MT189.A2H3 

Hesse,  Johann  Heinrich. 

Kurze,  doch  hinl&,ngliche  anweisung  zum  general-basse,  wie  man 
denselben  aufs  allerleichteste,  auch  ohne  lehrmeister,  erlernen  kann. 
Hrsg.  von  Johann  Heinrich  Hesse  .  .  .  und  bey  eben  demselben  zu 
bekommen.     Hamburg,  Gedruckt  von  M.  C.  Bock  [1776] 

48  p.     20  X  18''™. 

Title  within  ornamental  border;  head-pieces. 

MT49.A2H53 


EABLY  BOOKS  ON  MUSIC  123 

Hewett,  James. 

An  introduction  to  singing,  or  The  rudiments  of  music;  to  which  is 
added  a  compleat  set  of  practical  lessons,  together  with  a  collection  of 
the  best  and  most  useful  psalm  tunes,  in  all  their  parts,  and  several 
anthems,  by  eminent  masters.  By  James  Hewett.  [London]  Sold 
by  the  author  [etc.]  1765. 

I  p.  1.,  ii,  [3]-23,  iii,  4-104  p.     23i''™. 

Engraved  in  part. 

M2136.A2H56 

Heyden,  Sebald,  d.  1561. 

De  arte  canendi,  ac  vero  signorvm  in  cantibvs  vsv,  libri  duo, 
autore  Sebaldo  Heyden.  Ab  ipso  authore  recogniti,  mutati  &  aucti 
.  .  .     Norimbergae,  apud  I.  Petreium,  1540. 

6  p.  1.,  163  p.     20  X  15^''°'. 

Ist  edition,  Nuremberg,  1537,  has  title:   Musicae,  id  est,  artis  canendi  libri 
duo. 

ML171.H38 

Hilaire,  Cecile  de  Saint. 
See  Saint  Hilaire,  Cecile  de,  fseud.f 

Hiller,  Johann  Adam,  1728-1804. 

Anweisung  zum  musikalisch-richtigen  gesange,  mit  hinl^nglichen 
exempeln  erl&utert,  von  Johann  Adam  Hifler.  Leipzig,  J.  F.  Junius, 
1774. 

II  p.  1.,  [3J-224  p.     22  X  17^^-°. 

Title  vignette:  "Canon  quatuor  vocum  in  unisono." 

MT840.A2H65 


Esempel-buch   der  Anweisung   zum   singen  .  .  .  hrsg.  von 

Johann  Adam  Hiller.     Leipzig,  J.  F.  Junius,  1774. 

64  p.    22  X  17^'='°.    {With  his  Anweisung  zum  .  .  .  gesange.    Leipzig,  1774) 

MT840.A2H65 

Anweisung  zum  musikalisch-richtigen  gesange,  mit  hinl4ng- 


lichen  exeinpeln  erl^utert,  von  Johann  Adam  Hiller.     2.,  verb.  aufl. 
Leipzig,  J.  G.  Feind,  1798. 

7  p.  1.,  [3]-220,  [4]  p.     22  x  17'='". 

Title  vignette,  same  as  in  the  edition  of  1774. 

MT840.A2H67 

Anweisung  zum  musikalisch-zierlichen  gesange,  mit  hinl&nglichen 
exempeln  erl&utert,  von  Johann  Adam  Hiller.  Leipzig,  J.  F.  Junius, 
1780. 

4  p.  1.,  XXX,  [2]  p.,  1  1.,  152  p.     21^  X  17i<^°>. 

Title  vignette,  same  as  in  the  foregoing.     Signatures:  "ii.  theil "  (forms  the 
second  part  of  his  "Anweisung  zum  musikalisch-richtigen  gesange  ") 

MT840.A2H66 


124  LIBRARY   OF   CONGRESS 

.Hiller,  Johann  Adam — Continued. 

Anweisung  zum  violinspielen,  fur  schulen,  und  zum  selbstunter- 
richte.  Nebst  einem  kurzgefassten  lexicon  der  fremden  wdrter  und 
benennungen  in  der  musik,  entworfen  von  Johann  Adam  Hiller. 
Leipzig,  Breitkopf  [1792] 

2  p.  1.,  86  p.    21  X  16^"="'. 

MT278.A2H46 

Anweisung  zum  violinspielen,  Mr  schulen,  und  zum  selbstun- 


terrichte.  Nebst  einem  kurzgeiassten  lexicon  der  fremden  w6rter  und 
benennungen  in  der  musik,  entworfen  von  Johann  Adam  Hiller. 
GrMz,  C.  F.  Tr6tscher,  1795. 

2  p.  1.,  87  p.    20  X  161'='". 

MT278.A2H47 

BeytrS,ge  zu  wahrer  kirchenmusik,  von  Johann  Adolf  Hasse,  und 
Johann  Adam  Hiller.     2.  verm.  aufl.     Leipzig,  A.  F.  B6hme,  1791. 

35  p.     IG""*. 

Hiller  here  proposes  to  translate  into  German  the  words  of  some  of  Hasse's 
compositions  and  to  publish  the  translations  together  with  the  music.  Pages 
14-35  consist  of  extracts  from  the  proposed  work. 

ML410.H35H3 

Kurze  und  erleichterte  anweisung  zum  singen,  fiir  schulen  in 
st&dten  und  ddrfern  .  .  .  von  Johann  Adam  Hiller.  Leipzig,  J.  F. 
Junius,  1792. 

6  p.  1.,  99,  [1]  p.    21^x17^^". 

MT935.A2H57 

Lebensbeschreibungen  beruhmter  musikgelehrten  und  tonkiinstler 
neuerer  zeit,  von  Johann  Adam  Hiller.  Erster  theil.  Leipzig, 
Dykische  buchhandlung,  1784. 

5p.  1.,  320p.    21«°'.  * 

In  alphabetical  arrangement,  A-Ta,  with  Hiller's  autobiography  at  end  (p.  28&- 
320)    No  more  published. 

ML390.A2H63 

Nachricht  von  der  auffuhrung  des  H&ndelschen  Messias,  in  der 
domkirche  zu  Berlin,  den  19.  may  1786,  von  Johann  Adam  Hiller  .  .  . 
Berlin,  Gedruckt  bey  C.  S.  Spener  [1786] 

32  p.     35i  x  20^"°'. 

Title  vignette. 

ML410.H13H4 

Hiller,  Johann  Adam,  1728-1804,  editor. 

See  Adlung,  J.     Anleitung  zur  musikalischen  gelahrtheit,  1783. 
LiNGKE,  G.  F.     Kurze  musiklehre,  1779. 
WdcHENTLiCHE  nachrichtcn,  1766-70. 

Hiller,  Johann  Adam,  1728-1804,  translator. 

See  Chabanon,  M.  P.  G.  de.     Ueber  die  musik,  1781. 


EARLY  BOOKS  ON  MUSIC  125 

Hinrichs,  Johann  Christian,  h.  1760. 

Entstehung,  fortgang  und  ietzige  beschaffenheit  der  russischen 
iagdmusik.  von  lohann  Christian  Hinrichs  ...  S*.  Petersburg, 
Gedrukt  bei  I.  K.  Schnoor,  auf  kosten  des  verfassers,  in  commission 
bei  I.  D.  Gerstenberg  et  c*>,  1796. 

3p.  1.,  xivp.,  11.,  24,  [3]p.,ll.    7  pi.  on  5  1.    27J  x  22i«'". 

Engr.  t.-p.    On  pi.  2-5  specimena  of  music. 

"Lebenslauf  des  erfindera  der  jagdmusik  Johann  Anton  Maresch  .  .  .":  p. 
vii-xiv. 

ML1337.A2H6 

Hirsch,  Andreas,  translator. 

See  KiRCHER,  A.     Kircherus  Jesuita  germanus  GermanigB  redo- 
natus,  1662. 

Hoegi,  Pierre. 

A  tabular  system  whereby  the  art  of  composing  minuets  is  made 
so  easy  that  any  person,  without  the  least  knowledge  of  musick,  may 
compose  ten  thousand,  all  different,  and  in  the  most  pleasing  and 
correct  manner.  Invented  by  Sig.""  Piere  Hoegi.  London,  Printed 
at  Welcker's  musick  shop  [1770?] 

2  p.  1.,  8  p.    24  X  33'="».     {With  Pasquali,  Nicolo.    The  art  of  fingering,  the 
harpsichord.    London  [17 — ]) 

Engraved  throughout. 

MT252.A2P31 

[Holbach,  Paul  Henri  Thiry,  haron  d']  1723-1789. 

Arr^t  rendu  a  Tamphithe^atre  de  TOpera,  sur  la  plainte  du  milieu 
du  parterre,  intervenant  dans  la  querelle  des  deux  coins,  [n.  p., 
1752] 

15  p.     19""'. 

Caption  title. 

No.  3  in  a  volume  of  pamphlets  lettered  Quere[lle]  des  Bouffo[n8] 

ML1727.33.A1 

Holden,  John. 

An  essay  towards  a  rational  system  of  music.  By  John  Holden  .  .  . 
Glasgow,  Printed  for  the  author;  London,  Sold  by  R.  Baldwin,  1770. 

viii,  148  p.     xu  pi.     17J  x  22«'°. 

MT50.A2H726 

Holder,  William,  1616-1698. 

A  treatise  of  the  natural  grounds,  and  principles  of  harmony.  By 
William  Holder  .  .  .  London,  Printed  by  J.  Heptinstall,  for  the 
author,  and  sold  by  J.  Carr,  1694. 

5  p.  1.,  204  p.    2  pi.  (1  fold.)  diagrs.    W"". 

ML3815.A2H6 


126  LIBRARY   OF   CONGRESS 

Holder,  William — Continued. 

A  treatise  of  the  natural  grounds,  and  principles  of  harmony. 

By  Wilham  Holder  ...  To  which  is  added,  by  way  of  appendix: 
Rules  for  playing  a  thorow-bass;  with  variety  of  proper  lessons,  fuges, 
and  examples  .  .  .  Also  directions  for  tuning  an  harpsichord  or  spin- 
net.  By  the  late  Mr.  Godfrey  Keller  .  .  .  The  whole  being  revis'd, 
and  corrected  from  many  gross  mistakes  committed  in  the  first  pub- 
Ucation  of  these  rules.  London,  Printed  by  W.  Pearson  for  J.  Wilcox 
[etc.]  1731. 

3  p.  1.,  [202]  p.     fold,  pi.,  diagrs.     20'='». 

Errors  in  paging. 

ML3815.A2H7 


Hollbusch.,  Johann  Sebastian. 

Tonsystem  von  Johann  Sebastian  Hollbusch;  abgef asset  in  einem 
gespr&che  zweier  freunde.  Mainz,  Gedruckt  bey  Hafners  sel.  erben, 
1792. 

4  p.  1.,  200  p.    m<='°. 

ML3815.A2H75 

[Holler,  Aegidius]  I.  1751. 

Solfeggio  nuovo,  facile  e  sicuro  per  tutti  i  tuoni  del  canto  fermo, 
proposto  agli  studiosi  di  esso  da  D.  Diego  OreUi.  Siena,  Appresso 
V.  razzini  Carh,  e  figlj  a  spese  dell'  autore,  1797. 

28  p.     281'=°. 

MT870.A2H73 


Holtheuser,  Johann. 

Enconivm  mvsicae,  artis  antiqviss:  et  divinae  carmine  elegiaco 

,       scriptum,  et  recitatum  in  celeberrima  Academia  vvittebergensi,  in 

'       prselectione  musicse  Henrici  Fabri.  anno,  1551.  26.  april.  a  loanne  A. 

Holthevsero  Hilperhvsano.     Adiecta  svnt  in  fine  Epigrammata  in 

laudem  mvsicae  a  uarijs  scripta.     Erphordiae,  1551. 

[31]  p.     illus.     19  X  14i^ 


icm 


Illustration  on  t.-p.  ("Mvsica")  repeated  on  p.  [30];  arms  of  Hildburghausen 
on  p.  [31]  Colophon:  Excusum  Erphordiae  per  Martinum  de  Dolgen.  Signa- 
tures: A-D  in  fours. 

ML171.H64 


Hooch,  Dirk  van  der. 

See  De  zaxgkunst,  1788. 


L'Hopital,  musicien.     Paris,  L.  Cellot,  &  A.  Jombert  jeune,  1778. 

22  p.    20'^'°. 

Proposes  that  the  children  in  the  Hopital  general  be  educated  in  music. 

ML63.H71 


EAELY  BOOKS   ON   MUSIC  127 

Hotteterre,  Jacques,  d.  1760  or  61. 

Methode  pour  la  musette,  contenant  des  principes,  par  le  moj-en 
desquels  on  peut  apprendre  a  joiier  de  cet  instrument,  de  soy-meme 
au  defaut  de  maitre.  Avec  un  nouveau  plan  pour  la  conduite  du 
souflet,  &  plusieurs  instructions  pour  le  toucher,  &c.  Plus  un  recueil 
d'airs,  &  quelques  preludes,  dans  les  tons  les  plus  conven&,bles.  Par 
M"".  Hotteterre,  ordinaire  de  la  musique  de  la  chambre  du  roy. 
Oeuvre  x.     Paris,  Impr.  de  J-B-C.  Ballard,  1738. 

viij,  84,  [2]  p.;  1  p.  1.,  32  p.     front.,  pi.     28"™.* 

In  two  parts.  The  second  part  is  engraved,  with  the  exception  of  the  title 
(Seconde  partie  de  la  Methode  .  .  .  Contenant  plusieurs  suittes,  d'airs, vaude- 
villes, menuets,  symphonies,  &c.  .  .  .  Recueillis  &  ornez  de  leurs  agvements 
par  I'autheur.     Ensemble  des  preludes  dans  differens  modes,  par  le  meme) 

"Catalogue  des  oeuvres  du  s''  Hotteterre":  p.  [85] 

MT530.H78 


Principes  de  la  flute  traversiere,  ou  flute  d'Allemagne,  de  la  flute  a 
bee,  ou  flute  douce,  et  du  haut-bois,  divisez  par  traitez.  Par  le  sieur 
Hotteterre -leRomain  .  .  .    Amsterdam,  Auxd^pensd'E.  Roger  [1708] 

2  p.  1.,  46,  [1]  p.    7  pi.  (6  fold.)    20«=>. 

MT342.A2H75 

Hoyle,  John,  d.  1797  ? 

Dictionarium  musica  [!],  being  a  complete  dictionary:  or,  treasury  of 
music.  Containing,  a  full  explanation  of  all  the  words  and  terms 
made  use  of  in  music,  both  speculative,  practical  and  historical.  All 
the  words  and  terms  made  use  of  by  the  Italians,  are  also  inserted. 
The  whole  compiled  from  the  best  antient  and  modern  authors  who 
have  wrote  on  the  subject.  By  John  Hoyle  .  .  .  London,  Printed 
for  the  author,  and  sold  by  S.  Crowder;  [etc.,  etc.]  1770. 

2  p.  1.,  112  p.     20^"^"!. 

For  the  most  part  a  mere  abridgment  of  Grassineau. 


ML108.A2H78 


A  complete  dictionary  of  music.     Containing  a  full  and  clear 

explanation,  divested  of  technical  phrases,  of  all  the  words  and  terms, 
English,  Italian,  &c.  made  use  of  in  that  science  .  .  .  The  whole 
compiled  from  the  best  ancient  and  modern  authors  ...  by  John 
Hoyle   .  .  .     London,  H.  D.  Symonds  [etc.]  1791. 

iv,  160  p.     21''°^. 

ML108.A2H8 

Huber,  Johann  Ludwig,  1723-1800. 

Tamira,  ein  drama.     Nebst  einer  abhandlung  iiber  das  melodrama, 
von  (1.  Huber  .  .  .     Tubingen,  Cotta,  1791. 

136  p.   lej^™. 

Title  vignette. 

Albert  Schatz,  in  the  ms.  catalogue  of  his  collei^tion  of  librettos,  gives  the 
author  as  Ferdinand  Ludwig,  not  Johann  Ludwig,  Huber. 

ML48  S11295 


128  LIBRARY   OF   CONGRESS 

Hughes,  William,  d.  1798. 

The  efficacy  and  importance  of  musick.  A  sermon  preach' d  in  the 
cathedral-church  of  Worcester,  at  the  annual  meeting  of  the  Three 
choirs,  Worcester,  Gloucester  and  Hereford,  Wednesday,  September 
13,  1749  ...     By  WiUiam  Hughes  .  .  .     London,  S.  Mountfort  [1749] 

vii,  24  p.    20"™. 

ML3920.A2H86 

Remarks  upon  church  musick.  To  which  are  added  several  obser- 
vations irpon  some  of  Mr,  Handel's  oratorio's,  and  other  parts  of  his 
works.     By  William  Hughes  ...     2d  ed.     Worcester,  R.  Lewis,  1763. 

ix,  46  p.    20'="'. 

ML3869.A2H86 

Hugo  Reutlingensis. 

See  Spechtshart,  Hugo,  of  Reutlingen. 

Humanus,  P.  C,  psevd. 
See  Hartong. 

[Hunold,  Christian  Friedrich]  1680-1721. 

Tlieatralische  /  galante  und  geistliche  gediclite  /  von  Menantes 
[pseud.]    Hamburg  /  G.  Liebernickel,  1706. 

7  p.  1.,  241  {i.  e.  269),  80,  [7]  p.     front,     lei""*. 

No.  207-208  omitted  in  paging;  p.  257-271  numbered  227-241. 

The  book  is  in  form  of  a  treatise  on  the  technique  of  librettos. 

"Der  gestdrtzte  und  wieder  erhShte  Nebucadnezar,  k6nig  zu  Babylon  /  unter 
dem  grossen  propheten  Daniel,  in  einem  singe-spiel  auf  dem  grossen  hamburgi- 
schen  schau-platze  vorgestellet  im  jahr  1704"  :  p.  [137]-196. 

"Der  blutige  und  sterbende  Jesus  /  wie  selbigerin  einem  oratorio  musicalisch 
gesetzt  /  und  in  der  Stillen  woche  /  montags  und  mittewochs  zur  vesper-zeit 
auffgef&hret  worden  /  durch  Reinhard  Keisern"  :  p.  [3J-35. 

ML49.A2H9 

Huygens,  Constantijn,  Tieer  van  Zuilichem,  1596-1687. 

Ghebruik,  en  onghebruik  van  't  orghel,  in  de  kerken  der  Vereenighde 
Nederlanden.  Beschreeven  door  Constantyn  Huigens,  ridder.  heere 
van  Zuylichem,  Zeelhem,  ende  Monickeland  .  .  .  Verrijkt  met 
eenighe  zanghen.     Amsterdam,  A.  G.  vanden  Heuvel,  1660. 

6  p.  1.,  180  p.     15''". 

Added  t.-p.,  engr.:  Constantijn  Huygens  Orgel  gebruyk,  inde  kerke  der  Ver- 
eenighe  Neederlande.    Verrykt  met  eenige  zange  .  .  . 

Preceding  the  text  are  three  poems  laudatory  of  Huygens,  the  first  by  P.  C. 
Hooft,  the  second  and  third  by  H.  F.  Waterloos.  At  end  (p.  143-180)  are  six 
poems  by  Waterloos. 

First  edition  published  anonymously,  Leyden,  1641. 

ML3001.H98 

niuminato  da  Torino. 

Canto  ecclesiastico  facile  della  Settimana  santa  del  p.  f.  Illuminato 
da  Torino  .  .  ,  Per  uso,  e  commodo  di  tutti  gli  ecclesiastici  si  secolari, 
che  regolari  .  .  .     Venezia,  G.  Tomasini,  1729. 

4  p.  1.,  291,  [1]  p.    coat  of  anna.    26*=°'. 

M2150.A2 129 


EARLY  BOOKS  ON  MUSIC  129 

Imbert, 

Nouvelle  m^thode,  ou  principes  raisonn^s  du  plein-chant,  dans  sa 
perfection,  tires  des  elemens  de  la  musique:  contenant  aussi  una 
m^thode  de  serpent  .  .  .  les  maitres  trouveront  dans  ladite  methode, 
toutes  sortes  de  pieces  de  chant  choisies,  comme:  duo,  trio,  quatuor, 
messes,  proses,  nymnes  .  .  .  pour  enseigner  k  leurs  eleves.  Par  M. 
Imbert  .  .  .     Paris,  Veuve  Ballard  &  fils  [etc.]  1780. 

viii,  50  p.,  2  1.,  [53J-268,  [2]  p.     5  pi.  (1  fold.)     17=°». 

MT860.A2I32 

Introductory  lessons,  practised  by  the  Uranian  society,  held  at 
Philadelphia  for  promoting  the  knowledge  of  vocal  music.  Jan.  1 , 
1785.     [Philadelphia,  1785] 

2  p.  1.,  iv,  20  p.     pi.     11^  X  25i«™. 

Engraved  throughout. 

Probably  compiled  by  Andrew  Adgate,  president  of  the  society. 

MT870.A2U72 

Iriarte  y  Oropesa,  Tomas  de,  1750-1791. 

La  miisica,  poema.  Por  D.  Tomas  de  Yriarte  .  .  .  Madrid,  Im- 
prenta  real  de  la  Gazeta,  1779. 

10  p.  1.,  126,  xl  p.,  1 1.     front.,  5  pi.     23i'="». 

ML3800.A2I8 

La  mtisica,  poema,  por  D.   Tomas  de  Yriarte  ...     2.  ed. 

Madrid,  Imprenta  real,  1784. 

10  p.  1.,  126,  xl  p.     front.,  5  pi.     23°». 

ML3800.A2I82 

Irol,  Pablo  Minguet  e. 

See  Minguet  e  Irol,  Pablo. 

Iso, 

Memoire  pour  le  sieur  Iso,  maitre  de  musique,  demandeur.  Contre 
le  sieur  Lagarde,  aussi  maitre  de  musique,  defendeur.  [Paris,  Impr. 
de  Knapen,  17 — ] 

6  p.     24^  X  IT"^. 

Caption  title.     Signed:  M®  Richer,  avocat.     Amiot,  procureur. 

Iso  identical  with  Yzo,  author  of  "Lettre  sur  celle  de  M.  J.  J.  Rousseau"? 

ML423.Y97 
Jackson,  William. 

A  scheme  demonstrating  the  perfection  and  harmony  of  sounds; 
wherein  is  discover' d  the  true  coincidence  of  tones  into  diapasons  and 
where  all  musical  intervals  unite  and  incorporate  to  the  minutest  part 
of  their  exact  proportions  agreeable  to  the  proportions  of  numbers; 
likewise  the  exact  difference  betwixt  greater  and  lesser  intervals  and 
how  they  are  compounded  together  in  musical  concordance  ...  To 
Edward  Barker  .  .  .  this  scheme  is  humbly  inscribed  by  the  author 
WilHam  Jackson.     [London,  1726?] 

chart.     65  x  34 J"""  fold,  to  21  x  IQ<"^. 

Engraved  chart,  with  vignette  and  ornamental  border. 

MT15.A2J14 

51234  °^13 9 


130  LIBRARY   OF   CONGRESS 

Jacob,        d.  1772. 

Methode  de  musique  sur  un  nouveay  plan.  Par  M.  Jacob  .  .  . 
Paris,  Chez  I'auteur  [etc.]  1769. 

2  p.  1.,  66,  [2]  p.    fold.  pi.    20«"». 

MT6.A2J14 

Jamard,         1734-1815. 

Recherches  sur  la  theorie  de  la  musique,  par  M.  Jamard  .  .  .  Paris, 
Jombert;  [etc.,  etc.]  1769. 

1  p.  1.,  xxvii,  [1],  296,  [4]  p.     fold.  pi.    20^"™. 

A  development  of  the  theory  of  Balliere. 

ML3800.A2J2 

Janovka,  Tomas  Baltazar,  h.  1660. 

Clavis  ad  thesaurum  magnae  artis  musicse,  seu  Elucidarium  omnimn 
fere  rerum  ac  verborum,  in  musica  figurali  tam  vocaU,  quam  instru- 
mental obvenientium.  Consistens  potissimtun  in  definitionibus  & 
divisionibus;  quibusdam  recentioribus  de  scala,  tone,  cantu,  &  genere 
musicae  &c.  sententijs,  variisque  exqvisitis  observationibus  .  .  .  alpha- 
betico  ordine  compositum  a  Thoma  Balthasare  Janovvka  .  .  .  Im- 
pensis  authoris,  apud  quern  venalis  invenitur.  Vetero-Pragae,  in 
Magno  coUegio  Carolino  typis  Georgij  Labaun,  1701. 

10  p.  1.,  324  p.     16'''°. 

ML108.A2J2 

See  also  Vogt,  M.  J.     Conclave  Thesauri  magnte  artis  musicae, 
1719. 

Jesus  Maria,  Carlos  de. 

See  Cahlos  de  Jesus  Maria. 

[Joao  iv]  Icing  of  Portugal,  1604-1656. 


moderna  ||  contro  ||  la  falsa  opinione  ||  del 
tradotta  ||  di  spagnvolo  ||  in  ||  itaUano. 


Difesa  |  della  ||  mvsica 
vescovo  I    Cirillo  Franco 
[Venetia,  16—] 
74  p.     20i<'">. 
Dedication  signed:  Incerto  autore  D.  B.  (i.  e.  Duque  de  Braganga) 
Engr.  t.-p.  with  emblematic  border  and  arms  of  the  House  of  Braganga.     In 
lower  part  of  border:  C.  Dolcetta  fece  in  Venetia. 

'-'Lettera  [del  vescouo  Cirillo  Franco  a]  Hugolino  Gualteruzzi,  Bopra  I'impro- 
priet^  delli  musici  modemi  nelle  loro  compositioni  delle  messe,  e  canto  eccle- 
eiastico.  VS,  impressa  nella  sua  lingua  toscana,  nel  terzo  libro  delle  lettere 
illustri  Btampate  in  Venetia  per  Aldo  Manutio  1567  .  .  .  Puntualmente  sta 
tradotta,  ma  non  parola  per  parola,  per  il  mal  suono,  che  haurebbe  fatto  nella 
lingua  castigliana":  p.  14-27. 

"Alcvni  essempi  della  pi\l  antica  musica":  p.  63-74. 

ML3920.A2J8 

Jocher,  Christian  Gottlieb,  1694-1758. 

See  Ettmuller,  M.  E.     Disputatio  effectus  musicae  [1714] 


EARLY  BOOKS  ON  MUSIC  131 

Jones,  Edward,  Bardd  y  hrenin,  1752-1824. 

Musical  and  poetical  r^cks  of  the  Welsh  bards:  preserved,  by 
tradition  and  authentic  manuscripts,  from  very  remote  antiquity; 
never  before  pubHshed.  To  the  bardic  tunes  are  added  variations 
for  the  harp,  harpsichord,  vioUn,  or  flute:  with  a  select  collection  of 
the  pennilHon  and  englynion,  or,  epigrammatic  stanzas,  poetical 
blossoms,  and  pastoral  songs,  of  Wales,  with  English  translations. 
Likewise,  a  general  history  of  the  bards  and  druids  ...  To  which 
is  prefixed,  a  copious  dissertation  on  the  musical  instruments  of  the 
aboriginal  Britons  ...  by  Edward  Jones  ...  A  new  ed.,  doubly 
augm.,  and  improved  .  .  .     London,  Printed  for  the  author,  1794. 

2  p.  1.,  183,  viii  p.     2  pi.  (incl.  front.)     34i=">. 

A  second  volume  was  published  in  1802  under  title:  The  bardic  museum. 
"Jones  had  prepared  a  thu-d  volume,  a  portion  only  of  which  was  published  at 
his  death,  the  remainder  being  issued  subsequently." — Grove,  Diet,  of  music. 

M1742.A2J77 


[Jones,  William]  1726-1800. 

A  treatise  on  the  art  of  music;  in  which  the  elements  of  harmony 
and  air  are  practically  considered,  and  illustrated  by  an  hundred  and 
fifty  examples  in  notes,  many  of  them  taken  from  the  best  authors: 
the  whole  being  intended  as  a  course  of  lectures,  preparatory  to  the 
practice  of  thorough-bass  and  musical  composition  .  .  .  Colchester, 
Printed  for  the  author,  by  W.  Keymer,  1784. 

1  p.  1.,  iii,  [2],  xii,  61,  40  p.     33"". 

Ms.  signature  at  end  of  dedication:  W.  Jones. 

The  music,  though  paged  consecutively  (1-40),  is  inserted  throughout  text. 

MT50.A2J79 


[Jourdan,  Jean  Baptiste]  1711-1793. 
Le  correcteur  des  Bouffons  a  I'ecoher  de  Prague,     [n.  p.,  1753?] 
20  p.    19"°'. 
No.  8  in  a  volume  of  pamphlets  lettered  Quere[lle]  des  Bouffo[n8] 

ML1727.33.A1 

Seconde  lettre  du  correcteur  des  Bouifons  a  I'ecolier  de  Prague. 
Contenant  quelques  observations  sur  I'opera  de  Titon,  Le  jaloux 
corrige,  &  Le  devin  du  village,     [n.  p.,  1753?] 

22  p.    IS"'". 

ML1727.33.J8 

Journal  der  tonkunst.     Hrsg.   von  Heinrich  Christoph  Koch  .  . . 
1.-2.  stuck.     Erfurt,  G.  A.  Keyser,  1795. 

16,  [2],  [17]-142  p.,  6  p.  (music);  viii,  [143]-261,  [1]  p.     19""". 

Part  2:  Erfurt,  G.  A.  Keyser,  und  Braunschweig,  In  dem  Musikalischen  maga- 
zin  auf  der  hohe,  1795. 

ML4.J6 


132  LIBRARY   OF   CONGRESS 

Journal  des  spectacles,  repr^sentes  devant  Leurs  Majestes,  sur  les 
theatres  de  Versailles  &  de  Fontainebleau,  pendant  rann^e  1765  .  .  . 
[Paris]  Impr.  de  P.  R.  C.  BaUard,  1766. 

2  V.     2P™. 

The  "Journal"  proper  (16  p.),  a  calendar  of  the  spectacles,  precedes  the  texts 
(each  separately  paged)  of  the  following:  (t.  1)  Intermedes  d'amour  pour  amour. 
Les  Incas  du  Perou.  Prologue  des  Indes  galantes.  Les  sauvages,  entree  ajoutee 
aux  Indes  galantes.  Fragments,  composes  du  prologue  des  Amours  des  dieux, 
de  Tacte  de  L'amour  enjou^,  et  de  celui  de  La  danse.  Thetis  et  Pelee.  Renaua 
d'Ast. — (t.  2)  Silvie.  Palmire.  La  vengeance  de  l'amour,  ou  Diane  ,et  Endi- 
mion,  pantomime  heroique.  La  fee  Urgele.  Programme  du  ballet  d'Egle.  Le 
triomphe  de  Flore.    Zenis  et  Almasie.    Thes6e.    Erosine. 

ML48.J7 

[Jumiihac,  Pierre  Benoit  de]  1611-1682. 

La  science  et  la  pratique  du  plain-chant,  oh  tout  ce  qui  appartient 
a  la  pratique  est  stably  par  les  principes  de  la  science,  et  confirme  par 
le  temoignage  des  anciens  philosophes,  des  peres  de  I'eglise,  &  des 
plus  illustres  musiciens  .  .  .  Par  un  reUgieux  Benedictin  de  la  con- 
gregation de  S.  Maur.     Paris,  L.  Bilaine,  1673. 

1  p.  1.,  xiv,  400  p.  incl.  7  pi.     26^""". 

"Exemples":  p.  314-397. 

ML3082.A2J8 

Junker,  Carl  Ludwig,  d.  1797. 

Einige  der  vornehmsten  pflichten  eines  kapellmeisters  oder  musik- 
direktors.  Von  Carl  Ludwig  Junker.  Winterthur,  H.  Steiner  und 
comp.,  1782. 

48  p.     H"™. 

MT85.A2J9 

Portefeuille  Mr  musikliebhaber.     Charakteristik  von  20  componi- 
sten;  und  Abhandlung  ijber  die  tonkunst.    Leipziger  ostermesse,  1792. 
Ip.  1.,  109,  119p.     19''"'. 

A  reprint  of  his  "Tonkunst"  and  "Zwanzig  comjKjnisten." 

ML60.J95 

Tonkunst.     C.  L.  Junker.     Wuxrjc  caxpe'cov.     Bern,  Typographische 

gesellschaft,  1777. 

19  p.  1.,  119  p.    19"™. 

Title  vignette. 

ML3845.A2J8 

Ueber  den  werth  der  tonkunst,  von  C.  L.  Junker  .  .  .  Bayreuth 
und  Leipzig,  J.  A.  Liibecks  sel.  erben,  1786. 

viii,  174  p.     17^"™. 

Title  vignette. 

ML3920.A2J9 

Zwanzig  componisten,  eine  skizze,  von  Carl  Ludwig  Junker  .  .  . 
Bern,  Typographische  gesellschaft,  1776. 

xvi,  109  p.     18  x  l(f  ™. 

Title  vignette. 

ML390.A2J9 


EARLY  BOOKS   ON    MUSIC  133 

Junker,  Carl  Ludwig — Continued. 

See  also  Musikalischer  almanach  .  .  .  1782. 

MusiKALiscHER  uncl  kiinstler-almanach  .  .  .  1783. 

Jussow,  Johann  Andreas. 

See  ScHMiD,  J.  A.     De  cantoribvs  ecclesiae,  1708. 

Justinus  a  Desponsatione  B.  M.  V. 

R.  p.  Justini  Cann.  Musicalische  arbeith  und  kurtz-weil.  Das  ist: 
Kurtze  und  gute  regulen:  der  componier  und  schlag-kunst  k  4. 
Leichte  und  schware  exempelen  /  und  fragen.  Voll-  und  lehr-griffige 
schlag-stuck.  Dem  scholarn:  zwey  hand  voll  arbeith.  Dem  lieb- 
haber:  zwey  hand  voll  kurtz-weil  .  .  .  Augspurg  und  Dillingen  / 
J.  C.  Bencards  seel,  wittib  und  erben,  1723. 

8  p.  1.,  132  p.,  1 1.     29"'". 

MT6.A2J9 

Kalkbrenner,  Christian,  1755-1806. 

Kurzer  abriss  der  geschichte  der  tonkunst,  zum  vergnilgen  der  lieb- 
haber  der  musik.  Hrsg.  von  C.  Kalkbrenner  .  .  .  Berhn,  F.  Maurer, 
1792. 

128  p.     17^"™. 

MLl59.kl2 

Theorie  der  tonkunst,  mit  dreyzehn  tabellen,  von  C.  Kalkbrenner 
.  .  .     Erster  theil.     Berlin,  J.  J.  Hummel  [1789] 

3p.  1.,  vi,  40p.;ll.,  13p.  (engr.)    29  x  24«°». 

No  more  published. 

MT6.A2K2 

Kausch,  Johann  Joseph,  1751-1825. 

Johann  Joseph  Kausch's  .  .  .  Psychologische  abhandlung  uber  den 
einfluss  der  tone  und  ins  besondere  der  musik  auf  die  seele;  nebst 
einem  anhange  uber  den  unmittelbaren  zwek  der  schdnen  kunste. 
Bresslau,  Bei  J.  F,  Korn,  dem  ^.Iteren,  1782. 

xvi,  200  p.,  11.     20  X  11^"'°. 

ML3920.A2K2 

Keeble,  John,  1711-1786. 

The  theory  of  harmonics:  or.  An  illustration  of  the  Grecian  har- 
monica. In  two  parts:  i.  As  it  is  maintained  by  EucUd,  Aristoxenus, 
and  Bacchius  senior,  ii.  As  it  is  established  on  the  doctrine  of  the 
ratio:  in  which  are  explained  the  two  diagrams  of  Gaudentius,  and 
the  Pythagorean  numbers  in  Nicomachus.  With  plates,  an  intro- 
duction to  each  part,  and  a  general  index.  By  John  Keeble  .  .  .  Lon- 
don, Printed  for  the  author,  and  sold  by  J.  Walter  [etc.]  1784. 

3  p.  1.,  204,  xxiii,  [2]  p.     xxix  pi.  on  20  1.  (incl.  tables)    30x24"". 

ML3805.A2K26 


134  LIBBABY   OF    CONGBESS 

Keinspeck,  Michael. 


Liliu  musice  plane 
quibusdam  additame 


MichaeKs  kiinspeck  musici  Alexa  |[  drini.  notiis 
I  tis  Per  J.  A.  A.  eius  discipulum  pn  ||  dem  illus- 
tratum.  ||  Hexasticon  In  comendationem  ||  Fragrantis  Lilij.  ||  Discite 
nuc  iuuenes  Musas  celebrare  canoras  ||  Atcb  ammum  corpus  cb  simul 
releuare  periclis  ||  Candidulum  florem  spirantem  germine  leto  ||  In- 
geniu  curamqj  dico  coniuge  loquenti  ||  Hie  etenim  medicam  possis 
naurire  salutem  ||  Corporis  ac  anime  melioris  munera  vite.  [Colophon: 
^Explicit  Lilium  Musice  plane  Micha  ||  elis  kunspeck  musici  Alexan- 
drini  bene  j|  meriti.  Per  Mathiam  Hupfuff  ciuem  ||  Argentines!  im- 
pressus.  Anno  salutis  nfe  j|  ^iillesimo.  Quingentesimo  sexto] 

[31]  p.     20^^"". 

ML171.K34 

Keiser,  Reinliard,  1674-1739. 

See  Mattheson,  J.     Das  neu-er6ffnete  orchestre,  1713. 

Keller,  Gottfried,  d.  1704. 

A  compleat  method,  for  attaining  to  play  a  through  bass  upon 
either  organ,  harpsichord  or  theorbo  lute,  by  the  late  famous  M*". 
Godfry  Keller;  with  variety  of  proper  lessons  &  fuges,  explaining  the 
several  rules  through-out  the  whole  work;  &  a  scale  for  tuning  y^ 
harpsichord  or  spinet,  all  taken  from  his  own  copies  which  he  design'd 
to  print.  Note  in  this  celebrated  work  for  y®  ease  of  practitioners 
all  y^  chords  are  correctly  explain'd  both  with  figures  &  notes.  Lon- 
don, R.  Meares  [ca.  1714] 

1  p.  1.,  14  numb.  1.     Sl^"". 

Engraved  throughout. 

MT49.A2K29 

Rules  for  playing  a  thorow-bass,  by  the  late  famous  Mr. 

Godfrey  Keller. 

(In  Holder,   William.     A   treatise  of  .  .  .  harmony.     London,    1731.     20"™. 
p.  159-202) 

ML3815.A2H7 

Kellner,  David,  d.  1748. 

Treulicher  unterricht  im  general-bass  .  .  .  hrsg.  von  D.  K.  2.  und 
verm.  aufl.  Nebst  einer  vorrede  hn.  G.  P.  Telemanns.  Hamburg, 
C.  Herold,  1737. 

3  p.  1.,  99,  [9]  p.     illus.,  tables.    22  x  IS'"". 

MT49.A2K3 

Treulicher  unterricht  im  general-bass,  worinne  .  .  .  allerhand 


sothane  neu-erfundene  vortheile  an  die  hand  gegeben  werden,  ver- 
m6ge  welcher  einer  in  kurtzer  zeit  alles,  was  zu  dieser  wissenschafTt 
geh6ret,  sattsam  begreiffen  kan  .  .  .  hrsg.  von  David  Kellner  ...  3. 
aufl.  Mit  einer  vorrede  des  herrn  Daniel  Solanders  .  .  .  Hamburg, 
C.  Herold,  1743. 

3  p.  1.,  98,  [6]  p.     tables.,  diagrs.     21  x  17^'''°.     {With  Eisel,  Johann  P.     Musi- 
CU.S  dujzodidaKToc.     Erfurt,  1738) 

MT6.A2E44 


EAELY  BOOKS  ON  MUSIC  135 

Kellner,  David — Continued. 

Treulicher   unterricht   im   general-bass  .  .  .  hrsg.  von   David 

Kellner  ....     7.,  mit  vierzehn  melodien  von  C.  P.  E.  Bach  verm.  aufl. 
Hamburg,  J.  G.  Herold  [1796] 

1  p.  1.,  64,  [2],  16  p.     illus.     21J  x  27^''"». 

The  music  has  special  t.-p.:  Neue  melodien  zu  einigen  liedem  dea  neuen  ham- 
burgischen  gesangbuchs,  nebst  einigen  berichtigungen  von  Carl  Philipp  Ema- 
nuel Bach  ...     Im  verlag  der  Heroldschen  buchhandlung,  1787. 

According  to  Gerber,  Neues  .  .  .  lexikon  der  tonktinstler,  the  present  edition 
is  the  8th,  the  7th  edition  having  appeared  in  1782. 

MT49.A2K31 


Kellner,  Johann  Christoph,  1736-1803. 

Grundriss  des  generalbasses ;  eine  theoretisch-praktische  anleitung 
fiir  die  ersten  anfanger  entworfen,  von  J.  C.  Kellner.  Op.  xvi. 
Erster  theil.     Cassel,  Gedruckt  auf  kosten  des  verfassers  [17 — ] 

47,  [1]  p.     17  X  204""'. 

MT49.A2K35 


Kessel,  Johann  Christian  Bertram,  d.  1823. 

Unterricht  im  generalbasse  zum  gebrauche  fur  lehrer  und  lernende, 
von  Joh.  Christian  Bertram  Kessel.  Neue  verb,  und  verm.  aufl. 
Leipzig,  C.  G.  Hertel,  1791. 

8  p.  1.,  110,  [2]  p.     20"™. 

"Zusatze,  von  der  fantasie":  p.  67-106. 


MT49.A2K42 


Kircher,  Athanasius,  1602-1680. 

Athanasii  Kircheri  .  .  .  Mvsvrgia  vniversalis,  sive  Ars  magna  con-    ^ 
soni  et  dissoni  in  x.  libros  digesta  .  .  .     Romse,  ex  typographia  hsere- 
dum  F.  Corbelletti,  1650. 

2  V.  (v.  1:  11  p.  1.,  690  p.;  v.  2:  1  p.  1.,  462,  [36]  p.)     front,  (v.  2)  illus.,  plates 
(2  fold.)  port.,  tables,  diagrs.     33^"°'. 

Title  vignette;  added  t.-p.,.  engr.  in  v.  1.     Vol.  2  has  title  abbreviated,  with 
imorint:  Romae,  typis  Ludouici  Grignani,  1650. 

ML100.A2K5 


,  .  .  Kircherus  Jesuita  ^ermanus  Germanise  redonatus:    sive 

Artis  magnse  de  consono  &  dissono  ars  minor;  das  ist  /  philoso- 
phischer  extract  und  auszug  /  aus  dess  welt-beruhmten  teutschen 
Jesuiten  Athanasii  Kircheri  .  .  .  Musurgia  universali  .  .  .  ausgezogen 
und  verfertiget  .  .  .  von  Andrea  Hirschen  .  .  .  Schw.  Hall,  Gedruckt 
bei  H.  R.  Laidigen,  1662. 

[16],  375,  [25]  p.     15^"°^. 

ML100.A2K55 


136  LIBRARY   OF   CONGRESS 

Kircher,  Athanasius — Continued. 

Athanasii  Kircheri  .  .  .  Phonurgia  nova,  sive  Conjugium  mechanico- 
physicum  artis  &  natvrse  paranympha  phonosophia  concinnatum; 
qua  universa  sonorum  natura,  proprietas,  vires  effectutimqj  pro- 
digiosorum  causae,  nov^  &  multipbci  experimentorum  exhibitione 
enucleantur;  instrumentorum  acusticorum,  machinartimqj  ad  naturae 
prototypon  adaptandarum,  turn  ad  sonos  ad  remotissima  spatia  pro- 
pagandos,  turn  in  abditis  domorum  recessibus  per  occultioris  in^enii 
machinamenta  clam  palamve  sermocinandi  modus  &  ratio  traditur, 
tum  denique  in  bellorum  tumultibus  singularis  hujusmodi  organorum 
usus,  &  praxis  per  novam  phonologiam  describitur.  Campidonae,  per 
Rudolplium  Dreherr,  1673. 

22  p.  1.,  229,  [16]  p.     illus.,  plates,  port.,  diagre.     34"™. 

Title  vignette;  added  t.-p.,  engr. 

ML3805.A2K58 

Kirclirath,  Reiner. 

Theatrum  musicae  choralis,  das  ist:  Kurze  und  ^nindlich  erkUrte 
verfassung  der  aretinischer  und  gregorianischer  singkunst,  zusam- 
mengetragen  und  in  druck  gegeben  von  Reinero  Kirchrath  .  .  .  K61n 
am  Kheine,  Bey  J.  G.  Langen,  1782. 

4  p.  1.,  iv,  88,  [2]  p.     23  x  19<"". 

Title  within  ornamental  border. 

MT860  A2]K58 

Kirnberger,  Johann  Philipp,  1721-1783. 

Allegro,  filr  das  clavier  alleine,  wie  auch  Mr  die  violin  mit  dem  vio- 
loncell  zu  accompagniren,  von  Johann  Philipp  Kimberger  componirt 
und  vertheidiget.     Berhn,  Gedruckt  bey  G.  L.  Winter,  1759. 

1  p.  1.,  13  p.    3ii«™. 

The  defense  of  the  "Allegro"  was  written  in  reply  to  a  criticism  by  Marpnrg 
in  his  "Kritische  briefe,"  of  July  28,  November  24,  and  December  1,  1759. 

MT59.A2K59 

Der  allezeit  fertige  polonoisen-  und  menuettencomponist,  von 
Johann  PhiUpp  Karnberger.     Berlin,  G.  L.  Winter,  1757. 

10,  xxix  p.     22  X  27^'^'". 

MT64.A2K3 

L'art  de  composer  des  menuets  et  des  polonoises  sur  le  champ, 


par  Mr.  Jean-Phil.  Kimberger.     Berlin,  G.-L.  Winter,  1757. 

lO;  xxix  p.     21  X  28"™. 

MT64.A2K4 

Anleitung  zur  singekomposition,  mit  oden  in  verschiedenen  sylben- 
maassen  begleitet,  von  loh.  Phil.  Kimberger  .  .  .  Berlin,  G.  I. 
Decker,  1782. 

1  p.  1.,  85,  [1]  p.     28i  X  32"°. 

MT64.A2K5 

Gedanken  iiber  die  verschiedenen  lehrarten  in  der  komposition,  als 
vorbereitung  zur  fugenkenntjiiss,  von  Johann  Phihpp  Kimberger  .  .  . 
Berlin,  G.  J.  Decker,  1782. 

31  p.     22^  X  18"™. 

MT55.A2K59 


;early  books  on  music  137 

Kirnberger,  Johann  Philipp — Continued. 

Grundsatze  des  generalbasses,  als  erste  linien  zur  composition  von 
Johan  Philip  Kirnberger  .  .  .     Berlin,  J.  J.  Hummel  [1781] 

3  p.  1.,  vi,  88  p.;  1  p.  1.  (blank),  45  pi.  on  25  1.  (musical  examples)    24^  x  20"'". 

Another  L.  of  C.  copy  of  the  examples  h.'is  an  engr.  title,  as  above,  with  the 
words  "nebst  xxxxv  kupfertafeln  "  added. 

MT49.A2K6 

Die  kunst  des  reinen  satzes  in  der  musik  aus  sicheren  grunds&tzen 
hergeleitet  und  mit  deutlichen  beyspielen  erl&utert  von  Job.  Phil. 
Kirnberger  .  .  ,     Berlin,  In  commission  bey  C.  F.  Voss,  1771-79. 

2  V.     20^  X  l?"™. 

Title  vignette.  Vol.  2  is  in  3  parts,  each  having  special  t.-p.,  with  imprint: 
Berlin  und  Konigsberg,  G.  J.  Decker  und  G.  L.  Hartung,  1776  [-79] 

Collation:  v.  1:  5  p.  1.,  250,  [5]  p.  fold,  tab.,  2  fold.  1.  (musical  examples); 
V.  2:  2  p.  1.,  153,  [1]  p.;  2  p.  1.,  [3]— 232,  [2]  p.;  2  p.  1.;  [3J-188  p. 

MT40.A2K6 

Methode  sonaten  aus  'm  ermel  zu  schuddeln,  von  Johann  Philipp 
Kirnberger  .  .  .     Berhn,  Gedruckt  bey  F.  W.  Bimstiel,  1783. 

7  p.     37J  X  22<=™. 

MT62.A2K47 

Die  wahren  grunds&tze  zumgebrauch  der  harmonic,  darinn  deutlich 
gezeiget  wird,  wie  alle  m6glichen  accorde  aus  dem  dreyklang  und  dem 
wesentlichen  septimenaccord,  und  deren  dissonirenden  vorh§,lten,  her- 
zuleiten  und  zu  erkl§,ren  sind,  als  ein  zusatz  zu  der  Kunst  des  reines 
satzes  in  der  musik,  von  Johann  Philipp  Kirnberger  .  .  .  Berlin  und 
K6nigsberg,  G.  J.  Decker  und  G.  L.  Hartung,  1773. 

115  {i.  e.  113)  p.     20^  x  17''™.     {With  his  Kunst  des  reinen  satzes  in  der  musik. 
Berlin,  1771-79.     v.  1) 

Last  page  numbered  115  for  113. 

MT40.A2K6 

See  also  Sxilzer,  J.  G.     Allgemeine  theorie  der  sch6nen  kunste, 
1792-99. 

Klein,  Johann  Joseph,  1740-1823. 

Versuch  eines  lehrbuchs  der  praktischen  musik  in  systematischer 
ordnung  entworfen  von  Johann  Joseph  Klein  .  .  .  Mit  kupfern. 
Gera,  C.  F.  Bekmann,  1783. 

12  p.  1.,  264  (i.  e.  164),  [12]  p.     diagrs.  (1  fold.)     21^'^'". 

Title  vignette.     No.  132-231  omitted  in  paging. 

MT6.A2K5 

Knecht,  Justin  Heinrich,  1752-1817. 

Erklarung  einiger  von  einem  der  r.  g.  b.  in  Erlangen  angetasteten, 
aber  missverstandenen  grundsatze  aus  der  Voglerschen  theorie  .  .  . 
von  Justin  Heinrich  Knecht  .  .  .  Nebst  angehingten  anmerkungen 
liber  herrn  Ldhleins  einleitung  in  den  zweyten  theil  seiner  Clavier- 
schule.     Ulm,  Gedruckt  bey  C.  U.  Wagner,  1785. 

35  p.     22  x  18'^"'. 

Head  and  tail  pieces. 

Written  in  reply  to  Johann  Michael  Weissbeck's  * '  Protestationsschrift,  oder 
Exemplarische  widerlegung  einiger  stellen  .  .  .  der  kapellmeister  Voglerischen 
Tonwissenschaft  und  tonsetzkunst." 

MT40.A2K7 


138  LIBRARY   OF   CONGRESS 

Knecht,  Justin  Heinrich — Continued. 

Kleines  alphabetisches  w6rterbuch  der  vomehmsten  und  interes- 
santesten  artikel  aus  der  musikalischen  tlieorie.  Verfasst  von  Justin 
Heinrich  Knecht.     Uhn,  Wohlersche  buchhandlung,  1795. 

viii,  117  p.,  1 1.     20«"'. 

ML108.A2K5 

Vollst&ndige  orgelschule  Mr  anf&nger  und  geiibtere,  hrsg.  von 
Justin  Heinrich  Knecht  .  .  .  Leipzig,  Breitkopfische  musikhand- 
lung  [1795-98] 

3  V.     31  X  24«'". 

Vol.  3:  In  der  Breitkopf-  und  HSxtelschen  musikhandlung. 
Of  the  Bix  parts  announced  in  the  preface  of  vol.  3  only  the  first  three  were 
published. 

Contents. — 1.  abth.  Die  anfangsgrfinde  der  orgelspielkunst. — 2.  abth.  Die 
kenntnis  der  vomehmsten  orgelregister. — 3.  abth.  Eine  theoretisch-praktische 
abhandlung  uber  das  choralspiel  auf  der  orgel. 

MT182.A2K73 

Kobrich,  Johann  Joseph  Anton  Bemhard,  h.  ca.  1720. 

Johann  Anton  Kobrichs  .  .  .  GrundUche  clavierschule,  durchge- 
hends  mit  praktischen  beyspielen  erkl^ret.  Augsburg,  M.  Riegers 
sel.  sdhne,  1782. 

2  p.  1.,  47  p.     illus.     35'='". 

Title  within  ornamental  border;  title  vignette;  head-piece. 
"Kurze  anzeige  des  general-basses":  p.  23-32. 

MT222.A2K75 

Koch,  Heinrich  Christoph,  1749-1816. 

Versuch  einer  anleitung  zur  composition,  von  Heinrich  Christoph 
Koch  .  .  .     Leipzig,  A.  F.  B6hme,  1782-93. 

3  V.     IS''". 

MT40.A2K76 

Koch,  Heinrich  Christoph,  174&-1816,  editor. 
See  Journal  der  tonkunst,  1795. 

Koesfelt,  Coenraad  Zumbag  de. 

See  Zumbag  de  Koesfelt,  Coenraad. 

Koesfelt,  Lothar  Zumbag  de. 

See  Zumbag  de  Koesfelt,  Coenraad.      Institutiones   musicae, 
1743. 

Kollmann,  August  Friedrich  Christoph,  1756-1829. 

An  essay  on  musical  harmony,  'according  to  the  nature  of  that 
science  and  the  principles  of  the  greatest  musical  authors.  By 
Augustus  Frederic  Christopher  Kollmann  .  .  .    London.  J.  Dale,  1796. 

xviii,  128  p.,  40  p.  (music,  engr.)    34<=™. 

MT50.A2E:8 


EARLY  BOOKS  ON  MUSIC  139 

Kollmann,  August  Friedrich  Christo-ph— Continued. 

An  essay  on  practical  musical  composition,  according  to  the 

nature  of  that  science  and  the  principles  of  the  greatest  musical 
authors.  By  Augustus  P^rederic  Cliristopher  Kollmann  .  .  .  Lon- 
don, Printed  for  the  author,  1799. 

XX,  106  p.,  1 1.,  67  p.  (music,  engr.)     34"™. 

The  1 1.  contains  list  of  works  published  by  the  author. 

MT40.A2K77 

Kolof,  Lorenz  Christoph  Mizler  von. 

See  Mizler  von  Kolof,  Lorenz  Chuistoph. 

[Koswick,  Michael] 

Compendiaria  Musice  [|  artis  aeditio,  cuncta  q  ad  practicam  atti- 
nent  ||  mira  quadam  breuitate  complectens.  ||  C  Cum  quibusdam  nouis 
additionibus.  ||  [wdct.]  ||  Inuentum  Samii  modosa  vatis  ||  Si  paucis 
cupias  habere  verbis  ||  Me  paruum  /  facito  /  legas  tibellum  ||  Et  paruo 
redimas  /  vale  viator.  ||  C  Lipsi  impressit  Uuolffgangus  Monacen.  1517. 

[30]  p.    21^  X  16«"». 

Signatures:  A  in  four,  B-C  in  sixes  (last  leaf  blank) 
Koswick 's  name  appears  in  the  caption  of  the  dedication. 

ML171.K73 

[Kraus,  Joseph  Martin]  1756-1792. 

Wahrheiten  die  musik  betreffend,  gerade  herausgesagt  von  einem 
teutschen  biedermami.  Frankfurt  am  Mayn,  Eichenbergsclie  erben, 
1779. 

142  p.     lO""'. 

In  3  parts:  (1)  Erstes  stuck  (2)  Erste  fortsetzung  (3)  Zweyte  fortsetzung. 

ML60.K72 

[Krause,  Christian  Gottfried]  1719-1770. 

Von  der  musikalischen  poesie  .  .  .     Berlin,  J.  F.  Voss,  1752. 

11  p.  1.,  484,  [19]  p.    18i  X  10i«™. 

ML3849.A2K91 

Kriner,  Joseph,  d.  1807. 

Klavier-meister  oder  Die  durch  die  theorie  aufgeloste  practische 
abhandlung  liber  den  general  bass  mit  beygesetzter  finger  ordnung 
vom  Joseph  Kriner,  musick  compositeur. 

[67]  p.     281'''". 

18th  cent,  ms.,  presumably  the  author's  autograph. 

MT49.A2K84 

Kritische  briefe  uber  die  tonkunst,  mit  kleinen  clavierstucken  und 
singoden  begleitet,  von  einer  musikalischen  geseUschaft  in  Berlin  .  .  . 
Berlin,  F.  W.  Birnstiel,  buchdrucker,  1760-64. 

3  V.  in  2.     22  x  17^''™. 

Published  weekly  June  23,  1759-Sept.  6, 1760;  June  20, 1761-Feb.  6, 1762  (none 
for  Dec.  26);  June  12,  1762-Jan.  15,  1763;  June  11-Sept.  17,  1763.  Edited  by 
I'riedrich  Wilhelm  Marpurg,  who  is  also  author  of  the  greater  part  of  the  letters. 

ML4.K92 


140  LIBBARY   OP   CONGRESS 

Kurzinger,  Ignaz  Franz  Xaver. 

Getreuer  unterricht  zum  singen  mit  manieren,  und  die  violin  zu 
spielen.  Zum  gebrauch  und  nutzen  der  anf&nger;  zur  erieichterung 
deren  herren  chorregenten,  cantoren,  thurnermeistern,  und  andern, 
die  sich  mit  instruiren  beschliftigen.  Nebst  einem  alphabetischen 
anhang  der  mehrsten  sachen,  welche  einem  rechtschaffenen  s&nger, 
oder  instrumentisten  zu  wissen  n6thig  sind.  Zusammengetragen  von 
Ignatz  Franz  Xaver  Kilrzinger  .  .  .     Augsburg,  J.  J.  Lotter,  1763. 

2  p.  1.,  95,  [1]  p.     illus.     21^  X  l?^'". 

MT7.A2K9 

Kuhnau,  Johann,  1660-1722. 

See  Mylitjs,  A.     Jura  circa  musicos  ecclesiasticos  [1688] 
Printz,  W.  C.     Musicus  curiosus,  1691. 

Musicus  magnanimus,  1691. 
Werckmeister.  a.     Cribrvm  mvsicvm,  1700. 

Kuntzen,  Johann  Paul,  1696-1757. 

See  Mattheson,  J.     Gultige  zeugnisse,  1738. 

Kunzen,  Frledrich  Ludwig  Aemilius,  1761-1817,  ediUyr. 

See  MusiKALiscHE  monathsschrift  [1792] 
Musikalisches  wochenblatt  [1791-92] 
Studien  fiir  tonkiinstler,  1793. 

Kurtze  anfuhrung  zum  general-bass,  darinnen  die  regeln,  welche  bey 
eriemung  des  general-basses  zu  wissen  n6tliig,  kurtzlich  und  mit 
wenig  worten  enthalten.  Allen  anf  &ngern  des  claviers  zu  mitzlichen 
gebrauch  zusammen  gesetzet.     2.  ed.     Leipzig,  A.  Martini,  1733. 

8  p.  1.,  80  p.  17  X  lO'^™.  {With  Mizler  von  Kolof,  Lorenz  C.  Anfangsgrfinde 
des  general  basses.     Leipzig  [1739]) 

Dedicated  to  Mile.  Jeanne  Eleonore  Wolff;  dedication  signed  "A."  Has  been 
attributed  to  a  certain  Fraulein  von  Freudenberg,  a  young  girl,  pupil  of  David 
Kellner  in  Stockholm,  but  the  general  tenor  of  the  dedication  would  lead  to 
the  supposition  that  the  author  was  of  mature  age  and  was  the  music  teacher  of 
Mile.  Wolff.  In  the  British  museum  catalogue  the  work  is  ascribed  to  J.  F. 
Andrien. 

MT49.A2M68 

Kurtze  und  griindliche  anleitung  zum  generalbasse,  worinne  die 


zu  dieser  wissenschaft  nothige  regeln  kurtzlich  und  deutlich  enthal- 
ten. Denen  liebhabern  des  claviers,  absonderhch  aber  den  anf  angern 
desselben  zum  nutzen  aufgesetzt.  3.  und  verb.  aufl.  Leipzig, 
A.  B.  Martin,  1744. 

4p.  1.,  70p.     17<^ 


MT49.A2K9 


Kurtze  anweisung  zur  sing-kunst.     Vor  die  schule  zur  Neustadt  an 
der  Orla.     Jena,  Gedruckt  bey   C.  L.  Kempffen,  1651. 

[14]  p.    15x8i'-". 


MT7.A2K94 


EARLY  BOOKS  ON  MUSIC  141 

Kurtzgefasstes  musicalisches  lexicon,  worinnen  eine  niitzliche  an- 
leitung  und  grundlicher  begriff  von  der  music  enthalten,  die  termini 
technici  erkl&ret,  die  instrumente  erl^utert  und  die  vornehmsten 
musici  beschrieben  sind,  nebst  einer  historischen  beschreibung  von 
der  music  nahmen,  eintheilung,  ursprung,  erfindung,  vermehrung  und 
verbesserung  .  .  .  Alles  aus  derer  besten  und  beruhmtesten  musi- 
corum  ihren  schrifften  mit  fleiss  zusammen  gesucht  .  .  .  Chemnitz, 
J.  Christoph  und  J.  D.  St6ssel,  1737. 

8  p.  1.,  430  p.     l?"-". 

Taken  largely  from  Walther's  Musicalischea  lexicon,   1732.     Eitner  gives  as 
editor  a  certain  Barnickel. 

"  Verzeichniss  derer  autorum  und  bucher,  so  zu  diesem  Musicalischen  lexico 
gebraucht  worden: "     [2]  p.  preceding  p.  [1] 

ML100.A2K9 

Kurtzgefasstes  musicalisches  lexicon,  worinnen  eine  niitzliche 


anleitung  und  grundlicher  begriff  von  der  music  enthalten,  die  ter- 
mini technici  erkl&ret,  die  instrumente  erl&utert  und  die  vornehm- 
sten musici  beschrieben  sind,  nebst  einer  historischen  beschreibung 
von  der  music  nahmen,  eintheilung,  ursprung,  erfindung,  vermeh- 
rung und  verbesserung .  .  .  Alles  aus  derer  besten  und  beruhmtesten 
musicorum  ihren  schrifften  mit  fleiss  zusammen  gesucht  .  .  .  Neue 
aufl.     Chemnitz,  J.  Christoph  und  J.  D.  St6ssel,  1749. 

431,  [1]  p.    17^"°^. 

"Verzeichniss  derer  autorum  und  bdcher,  so  zu  diesem  Musicalischen  lexico 
gebraucht  worden  " :  p.  [432] 

ML100.A2K91 

Kurze  anweisung  das  trommel-spielen  auf  die  leichteste  art  zu 
erlernen,  nebst  sieben  in  noten  gesetzte  stucke  und  marsche  mit 
anmerkungen  von  einem  tonkunstler.  Berlin,  Gedruckt  bey  G.  L. 
Winters  wittwe,  1777. 

xix  p.     17  X  21'"™. 

MT662.A2K9 

Laag,  Heinrich,  1713-1797. 

Anfangsgriinde  zum  clavierspielen  und  generalbas,  von  Henrich 
Laag  .  .  .     Osnabriick,  J.  W.  Schmid,  1774. 

74,  [2]  p.     20  X  17'='". 

MT49.A2L15 

L'Abbe  lefils. 

See  Saint-Sevin,  Joseph  Barnabe. 

Labbet,  Antoine  Jacques,  ahhe  de  Moramhert. 

See  MoRAMBERT,  Antoine  Jacques  Labbet,  abhe  de. 

La  Borde,  Jean  Baptiste  de,  173(>-1777. 

Le  clavessin  electrique;  avec  une  nouvelle  theorie  du  mechanisme 
et  des  phenomenes  de  F^lectricite.  Par  le  R.  P.  Delaborde  .  .  . 
Paris,  H.  L.  Guerin  &  L.  F.  Delatour,  1761. 

xij,  164,  [3]  p.     II  fold.  pi.     17*  x  10"™. 

ML1055.A2L12 


142  LIBRARY   OF   CONGRESS 

[La  Borde,  Jean  Benjamin  de]  1734-1794. 

Essai  sur  la  musique  ancienne  et  moderne  .  .  .  Paris,  Impr.  de 
P.-D.  Pierres,  et  se  vend  chez  E.  Onfroy,  1780. 

4  V.  in  5.    illus.,  plates,  fold,  tables.    26  x  20'='°. 

Vol.  [5]  has  half-title  only:  Parties  s^par^es  des  chansons  a  4  parties. 

"M.  I'abb^  Roussier  a  accompagn^  ce  m^moire  d'une  grande  quantity  de 
notes,  de  quelques  observations,  &  d'une  table  raisonnee  des  matieres." — v.  3, 
p.  678. 

"Morceaux  de  musique  du  16. «  et  17. «  sifecle":  v.  2,  p.  75-108.  "Choix  de 
chansons  miees  k  quatre  parties":  v.  2,  178  p.  at  end. 

ML100.A2L2 

Memoires  historiques  sur  Raoul  de  Coucy.  On  y  a  joint  le  recueil 
de  ses  chansons  en  vieux  langage,  avec  la  traduction  &  F ancienne 
musique.     Paris,  Impr.  de  P.-D.  Pierres,  1781. 

2  V.  in  1  (v.  1:  3  p.  1.,  108  p.;  V.  2:  106,  12  p.)    pi.,  3  port.     13  x  6^'^". 

ML410.C85L1 

Memoires  sur  les  proportions  musicales,  le  genre  enarmonique  des 
Grecs  et  celui  des  modernes.  Par  I'auteur  de  I'Essai  sur  la  musique. 
Avec  les  observations  de  M.  Vandermonde  ...  &  des  remarques  de 
M.  I'abbe  Roussier.  Supplement  a  I'Essai  sur  la  musique.  Paris, 
Impr.  de  P.-D.  Pierres,  1781. 

1  p.  1.,  xiv,  70  p.     25i  X  19^"™. 

"Lettre  de   I'auteur  de  I'Essai  sur   la  musique,  a  M.  I'abbe   Roussier"  and 
" R^ponse  de  M.  I'abbe  Roussier  " :  p.  [i]-xiv. 

ML3809.A2L14 

Lacassagne,  Joseph,  h.  1720? 

Traite  general  des  elemens  du  chant  .  .  .  par  M.  I'abbe  Lacassagne 
.  .  .     Paris,  Chez  I'auteur;  [etc.,  etc.]  1766. 

4  p.  1.,  188  p.,  2  1.     22='°. 

Engraved  throughout;  ornamental  borders. 

"Cet  ouvrage,  imprim6  d^  1742,  ne  fut  public  qu'en  1766." — F^tis,  Biog. 
univ.  des  musiciens. 

MT835.A2L2 

L'uni-clefier  musical,  pour  servir  de  supplement  au  Traite  general 
des  elemens  du  chant  .  .  .  par  M.  I'abbe  Lacassagne,  &  pour  servir  de 
reponse  a  quelques  objections.     [Paris,  Impr.  de  G.  Desprez,  1768] 

16,  xiip.     22<^™.     (TTifA  ^is  Traits  g^n^ral  des  ^l^mensdu  chant.     Paris,  1766) 

Caption  title.    Line  borders. 

MT835.A2L2 

Lacepede,  Bernard  Germain  fitienne  de  La  Ville   sur  Illon, 
comte  de,  1756-1825. 

La  poetique  de  la  musique.  Par  M.  le  comte  de  La  Cepede  .  .  . 
Paris,  Imprimerie  de  Monsieur,  1785. 

2  V.  (v.  1:  xij,  384  p.;  v.  2:  2  p.  1.,  352  p.)    20^''°'. 

ML3845.A2L3 


13,  -^  ' 

EARLY  BOOKS  ON  MUSIC  143 

La  Croix,  A.  Pherotee  de,  d.  ca.  1715. 

L'art  de  la  poesie  franpoise  et  latine,  avec  une  id6e  de  la  musique 
sous  une  nouvelle  methode,  Omnia  in  pondere,  numero  <&  mensura. 
En  trois  parties.     Par  le  sieur  de  La  Croix.     Lyon,  T.  Amaulry,  1694. 

15  p.  1.,  662  p.     front.     16"™. 

PC2504.L2 

La  Cuisse,  de. 

Le  repertoire  des  bals,  ou  Theorie  pratique  des  contredanses, 
decrites  d'une  maniere  aisee  avec  des  figures  demonstratives  pour  les 
pouvoir  danser  facilement,  auxquelles  on  a  ajout6  les  airs  not^s.  Par 
le  Sr  de  La  Cuisse  .  .  .     Paris,  Cailleau  [etc.]  1762-65. 

3  V.     front,  (v.  2)  fold,  plates,  diagrs.     19J^<=™. 

Engraved  throughout;  line  borders.     Imprint  varies. 

Vol.  1  is  in  2  parts.  The  2d  part  has  special  t.-p.:  Suite  du  Repertoire  des 
bals,  ou  Recueil  de  contredanses.  Par  le  S.  de  La  Cuisse.  Paris,  M®"^  Casta- 
gnery,  1762.  The  same  title  occurs  in  vol.  2  and  3,  following  the  special  title, 
which  reads:  Suite  du  Repertoire  des  bals,  ou  ii.*™®  [-3?]  volume  du  Recueil 
des  airs  et  figures  des  meilleures  et  plus  nouvelles  contredanses  .  .  . 

The  dances  are  in  18  "cahiers,"  100  "feuilles,"  each  dance  constituting  a 
"feuille"  (with  special  t.-p,,  vol.  2-3)  These  parts  were  issued  both  separately 
and  in  volumes. 

Vol.  4  wanting  in  L.  of  C.  set. 

GV1590.L3 

La  Feillee,  Frangois  de. 

Methode  nouvelle  pour  apprendre  parfaitement  les  regies  du  plain- 
chant  et  de  la  psalmodie,  avec  des  messes  et  autres  ouvrages  en  plain- 
chant  figure  et  musical,  a  I'usage  des  paroisses  et  des  communaut^s 
religieuses.  Par  Mr  de  La  Feille'e  ...  A  Poitiers,  &  se  vend  a  Paris, 
chez  J.  T.  Herissant,  1748. 

3  p.  1.,  384  p.     n^" 


I  cm 


"Motets  pour  les  principales  fdtes  de  I'annee  &  autres  fdtes  ordinaires,  ^  l'61e- 
vation  du  tr^-saint  sacrement":  p.  248-300. 

MT860.A2L14 

Methode  nouvelle  pour  apprendre  parfaitement  les  regies  du 


plain-chant  et  de  la  psalmodie,  avec  des  messes  &  autres  ouvrages  en 
plain-chant  figure  &  musical,  a  voix  seule  &  en  partie  ...  3.  ed., 
augm.,  rev.  &  cor.  par  M.  de  La  FeiUee  .  .  .  Poitiers,  J.  Faulcon, 
Paine,  1775. 

viii,  600  p.     17'=™. 

"Motets  pour  les  principales  fetes  de  I'ann^e,  &  autres  fetes  ordinaires":  p. 
328-525. 

MT860.A2L16 

-II  cantore  ecclesiastico,  ossia  Metodo  facile  per  imparare  il  canto 


fermo  secondo  le  regole  francesi,  ridotte  in  italiana  favella,  ed  amphate 
dal  prete  Ignazio  Domenico  Foglietti  .  .  .     Pinerolo,  Dalle  stampe  di 
G.  Peyras,  e  G.  Scotto,  1786. 
252  p.     16i'''°. 

"Aggiunta  di  alcune  messe  proprie  de  santi  concesse  da'  sommi  pontefici,  le 
quali  non  sono  notate  in  canto  nel  Graduale  romaro,  ed  alle  quali  si  e  aggiunto 
il  canto":  p.  151-208.  "Quinque  missse  pro  majoribus  festis,  auctore  D.  D. 
Humont":  p.  209-248. 

MT860.A2F78 


144  LIBRAEY   OF   CONGBESS 

La  Ferte,  Denis  Pierre  Jean  Papillon  de. 

See  Papillon  de  La  Ferte,  Denis  Pierre  Jean. 


L'AffiUard,  Michel. 

Principes  tres-f aciles  pour  bien  apprendre  la  musique,  qui  conduiront 
promptement  ceux  qui  ont  du  naturel  pour  le  clinat  [!],  jusqu'au  point 
de  chanter  toute  sorts  de  musique  proprement,  et  a  livre  ouvert;  par 
le  S'  L'AffiUard  .  .  .  Tres-nouvelle  ed.,  a  I'usage  du  monde.  [Paris] 
Impr.  de  J-B-C.  Ballard,  1747. 

185,  [1]  p.     2  fold.  pi.     12J  X  lO""". 

MT870.A2L3 

Lafond,  Jean  Frangois  de. 

A  new  system  of  music,  both  theorical  and  practical,  and  yet  not 
mathematical:  written  in  a  manner  intirely  new;  that's  to  say,  in  a 
style  plane  and  intelligible;  and  calculated  to  render  the  art  more 
charmmg,  the  teaching  not  only  less  tedious,  but  more  profitable, 
and  the  learning  easier  by  three  quarters  .  .  .  By  John  Francis  de  La 
Fond  .  .  .     London,  Printed  for  the  author,  1725. 

4  p.  1.,  Ixxxiii,  180,  [6]  p.     20"™. 

Following  the  text  are  the  words  "The  end  of  the  first  volume";  according  to 
Barclay  Squire,  no  more  of  the  work  has  been  published. 

MT7.A2L16 

Laisement,  Charles  Louis  Denis  Balliere  de. 

See  Balliere  de  Laisement,  Charles  Louis  Denis. 


Lambranzi,  Gregorio. 

Nuoua  e  curiosa  scvola  de'  balli  theatrali.  Prima  parte  continente 
cinquanta  balU  di  diverse  nationi,  e  figure  theatrali  con  i  loro  vesti- 
menti,  si  che,  come  si  deue  contenera  nelle  positure  di  questi  balli 
rapresentate  da  una  leggiera,  ma  virtuosa  maniera,  e  con  le  arie,  e  con 
pieno,  e  necessario  auvertimento,  come  ogn'  uno  ha  da  contenersi  in 
simili  balli,  si  che  questi  ancor  senza  d'un  ballarino  si  possono  facil- 
mente  apprenderli,  e  senza  aver  conoscenza  della  chorographia 
ogn'uno  da  se  solo  con  ogni  facilita  legendo  i  medemi  e  uedendo  le  posi- 
ture potrk  imprimerseH  nella  memoria,  inuentati  e  dati  alia  luce,  da 
Gregorio  Lambranzi,  maestro  de'  balH  francesi,  in^lesi,  ridiculi  e  serij 
in  aria  ed  a  terra,  e  compositore  de'  balli  theatrali,  disegnati,  e  inta- 
gliati  da  Giovanni  Giorgio  Puschner,  intagliator  di  rame  in  Norim- 
berga  a:  mdccxvi. 

2  V.  in  1  (v.  1:  2  p.  1.,  4  p.,  50  pi.;  v.  2:  1  p.  1.,  51  pi.)     30«='. 

Italian  title  followed  by  title  in  German  on  t.-p.  of  v.  1.  Added  t.-p. 
"Delicise  thcatrales,"  with  port,  of  the  author. 

Vol.  2  has  illustrated  title:  Sig:  Greg:  Lambranzi,  maestro  di  balli.  Neue 
und  curjevse  theatrialische  tantz-schul  zweitter  theil.  Niimbei^,  Verlegt  von 
loh.  lacob  Wolrab. 

Preface  and  description  of  the  dances  in  Italian,  followed  by  same  preface  in 
German.  Each  plate  has  at  head  the  tune  for  the  dance  represented  and  at 
foot  the  description  in  German. 

MT950.A2L27 


EARLY  BOOKS  ON  MUSIC  145 

La  Molette,  Philippe  du  Contant  de. 

See  Du  Contant  de  La  Molette,  Philippe. 

[Lamorliere,  Jacques  Rochette  de]  1719-1785. 

Lettre  d'un  sage  a  un  honune  tres  respectable,  &  dont  il  a  besoin  .  .  . 
[Paris,  1754] 

1  p.  1.,  18  p.     17i«™. 

A  reply  to  Jean  Jacques  Rousseau's  "Lettre  eur  la  muaique  frangoise." 
"Reponse  de  rhomme  respectable":  p.  18. 

ML1727.33.L2 

[La  Mothe  Le  Vayer,  Frangois  de]  1588-1672. 
Discovrs  sceptiqve  svr  la  mvsiqve.     [Paris,  1662  ?] 
p.  535-552.     35^'^'". 

Caption  title. 

Ms.  note  on  fly-leaf:  Taken  from  his  Works,  Paris,  1662,  2  vols,  folio.  This 
"Discours"  was  (first?)  printed  by  M^rsenne,  to  whom  it  was  addressed,  in  his 
"Questions  harmoniques, "  Paris,  1634,  a  fact  which  Fetis  seems  to  have  over- 
looked.    (Signed  "J.  E.  M.,"  i.  e.  James  E.  Matthew) 

ML63.L16 

Petit  discovrs  chrestien  de  rimmortalite  de  Tame:  auec  le  corol- 
laire,  &  vn  discours  sceptique  sur  la  musique.  3.  ed.  Paris,  A.  de 
Sommaville,  1647. 

4  p.  1.,  251,  [1]  p.,  1  1.     le^"". 

Ch.17.1781 

Lampadius,  Autor,  d.  1559. 

Compendivm  mvsices,  tarn  figurati  quam  plani  cantus  ad  fonnam 
dialogi,  in  usum  ingenuse  pubis  ex  eruditis  musicorum  scriptis  accu- 
rate cogestum,  quale  ante  nac  nunquam  uisum,  &  iam  recens  publica- 
tum.  Adiectis  etiam  regulis  de  concordantiarum  &  componendi 
cantus  artificio,  summatim  omnia  musices  prsecepta  pulcnerrimis 
exemplis  illustrata,  succincte  &  simpliciter  complectens.  Prseterea 
additse  svnt  form  vise  intonandi  psalmos,  &  ratio  accentus  ecclesiastici, 
legendorum  quoque  euangeliorum  &  epistolarum.  Ab  Avctore 
Lampadio  Luneburgensi  elaborata.  Bernae  in  Helvetiis,  per  S. 
Apiarium,  1554. 

[112]  p.     ISJ'^'". 

Signatures:  A-G  in  eights.     Printer's  mark  on  last  page. 

Preface  by  Eberhard  von  Riimlang,  dated  1546;  dedication  dated  1537.  1st 
edition  Bern,  1537. 

ML171.L16 

Lampe,  Friedrich  Adolf,  1683-1729. 

Friderici  AdoHi  Lampe  De  cymbalis  vetervm  libri  tres,  in  q^uibus 
quaecunque  ad  eorum  nomina,  differentiam,  originem,  historiam,  mi- 
nistros,  ritus  pertinent,  elucidantur  .  .  .  Trajecti  ad  Khenum,  ex 
[officina]  bibliopolae  Guilielmi  a  Poolsum,  1703. 

15  p.  1.,  405,  [43]  p.     9  pi.     14  x  7i'=°>. 

Added  t.-p.,  engr. 

"Index  authorum,  qui  hoc  tractatu  citantur":  p.  [430-440] 

ML169.A2L23 

51234°— 13 10 


146  LIBRAKY   OF   CONGRESS 

Lampe,  John  Frederick,  d.  1751. 

The  art  of  musick.  By  John  Frederick  Lampe  .  .  .  London,  C. 
Corbett,  1740. 

5  (i.  e.  4),  [4],  60  p.     9  pi.     20o"'. 

ML3836.A2L3 

A  plain  and  compendious  method  of  teaching  thorough  bass  .  .  . 
With  proper  rules  for  practice.  The  examples  and  lessons  curiously 
engraved  on  copper  plates.  By  John  Frederick  Lampe  .  .  .  London, 
J.  Wilcox,  1737. 

1  p.  1.,  viii,  9-45  p.     93  pi.  (partly  fold.)    28''". 

MT49.A2L23 

Lanfranco,  Giovanni  Maria. 

Scintille  di  mvsica  di  1|  Giovan  Maria  Lanfranco  da  Te-J  rentio  Par- 
megiano,  che  mostrano  a  leggere  il  Canto  Fermo,  |l  &  Figurato,  Gli 
accideti  delle  Note  Misurate,  Le  Pi'o-  ||  portioni,  I  Tuoni,  II  Contra- 
punto,  Et  la  diuisione  ||  del  Monochordo,  Co  la  accordatura  de  ua-  ||  rii 
mstrumenti,  Dalla  quale  nasce  un  ||  Modo,  onde  ciascti  per  se  stesso  || 
imparare  potra  le  uoci  di  ||  La,  Sol,  Fa,  Mi,  Re,  Vt  .  .  .  ||  In  Brescia 
per  Lodouico  Britannico  1533. 

4  p.  1.,  143  p.     diagrs.     15*  x  2P™, 

ML171.L26 

Langle,  Honore  Frangois  Marie,  1741-1807. 

Traite  d'harmonie  et  de  mgdulation,  par  H.  F.  M.  Langle  ...  Ce 
traite  est  divis6  en  deux  parties,  la  V^  donne  la  connoissance  de  tons 
les  ac.^  praticables  en  narmonie,  la  seconde  renferme  toutes  les 
modulations  possibles  .  .  .     Paris,  V''^  Naderman  [1797] 

1  p.  1.,  96  p.    34'- 


icm 


Engraved  throughout.     Label  of  Cochet,  Paris,  mounted  over  imprint. 
An  earlier  edition  was  published  by  Boyer  in  1793. 

MT50.A2L27 

Traite  de  la  basse  sous  le  chant,  pr6c6de  de  toutes  les  regies  de  la 
composition,  par  H.  F.  M.  Langle  .  .  .     Paris,  Naderman  [1798] 

1  p.  1.,  304  p.     33  X  25i"°. 

MT40.A2L27 

[Laporte,  Joseph  de]  1713-1779. 

Anecdotes  dramatiques  .  .  .     Paris,  Veuve  Ducbesne,  1775. 

3v.     lUf"^. 

By  J.  M.  B.  Clement  and  the  Abbe  de  Laporte. 

Contents. — v.  1.  Pieces  de  theatre.  A-M. — v.  2.  N-Z.  Supplement.  Anec- 
dotes.— V.  3.  Auteurs  et  acteurs.  A-Z.  Additions.  Arrets  et  reglements,  con- 
cemant  la  Comedie  fran^oise.  R^glements  concemant  la  Comedie  italienne. 
Etat  des  personnes  qui  composent  I'Academie  royale  de  musique,  en  Janvier 
1775.  Etat  des  Comediens  ordinaires  du  roi,  Janvier  1775.  Etat  des  comediens 
italiens  ordinaires  du  roi. 

ML102.O6C6 


EARLY  BOOKS  ON  MUSIC  ,      147 

[Larghi,  Desiderio] 

II  mode  di  solfeggiare  all'  uso  francese  ricavato  da  due  lettere 
familiari,  scritte  da  uno  ad  un'  altro  amico  in  lingua  toscana,  intro- 
dotto  nuovamente  in  Siena  dal  m.  r.  Signore  Fausto  FritteUi  .  .  , 
Siena,  Nella  stamp,  del  pub.,  1744. 

26  p.    2P'°. 

The  letters  are  signed:  Desiderio  Larghi. 

MT44.A2L17 

Lasalle, 

Analyse  du  Rapport  de  M.  Jean-Jacques  Le  Roue,  administrateur 
des   etablissemens   publics,    concernant   TOp^ra;  presents    a   M.    le 

Erocureur-general-syndic  du  departement  de  Pans,  par  le  sieur  de 
la  Salle,   secretaire  perpetuel   de  I'Academie  royale   de  musique, 
brevete  du  roi.     [Paris,  Impr.  de  Mayer  &  compagnie,  1791  ?] 

31  p.    20"™. 

Caption  title. 

ML1727.8.P2L17 

La  Salle,  Jean  Frangois  Demotz  de. 

See  Demotz  de  La  Salle,  Jean  Francois. 

Lasser,  Johann  Baptist,  1751-1805. 

Vollst&ndige  anleitung  zur  singkunst,  sowolil  fur  den  sopran,  als 
auch  fur  den  alt.  Von  Johann  Baptist  Lasser  .  .  .  Munchen,  Zu 
finden  beym  verfasser,  und  in  der  Falterschen  musikhandlung,  1798. 

176  p.  incl.  4  pi.     20 J  x  25^'^"'. 

The  let  edition  appeared  under  title:  "Anleitung  zur  singkunst,"  Landshut, 
without  date.    cf.  Wurzbach,  Biog.  lex.  d.  kaiserthums  Oesterreich. 

MT885.A2L16 

[Latour  de  Franqueville,  Mme.  de]  d.  1789. 

Mon  dernier  mot  [ou  Reponse  a  la  lettre  que  M.  D.  L.  B.  a  adressee 
a  M.  I'abbe  Roussier,  en  tete  du  supplement  a  I'Essai  sur  la  musique, 
par  I'auteur  de  I'Errata  de  I'Essai  sur  la  musique.     Paris?  1781] 

1  p.  1.,  50  p.     22''°>. 

By  Bome  authorities  attributed  to  Pierre  Gavini^s. 

"  [Reimprime]  dans  le  30®  volume  des  (Euvres  de  J.  J.  Rousseau,  edit,  de 
Geneve,  1782." — Querard,  La  France  litteraire. 

ML100.A2L3 

[Laugier,  Marc  Antoine]  1711-1769. 

Apologie  de  la  musique  franpoise,  contre  M.  Rousseau.  Nostras  qui 
despicit  artes  harharus  est.     [Paris]  1754. 

2  p.  1.,  78  p.     194"*.     (With   Rochemont,        de.     Reflexions  d'un  patriote. 
Lausanne,  1754) 

ML1727.33.R67 

Sentiment  d'un  harmoniphile,  sur  differens  ouvrages  de  musique 
...     A  Amsterdam,  et  se  trouve  a  Paris,  chez  Jombert  [etc.,  1756] 

168  p.     12  fold.  pi.  (music)     18  x  10"™. 

In  two  parts;  part  1  dated  at  end:  Mars,  1756. 

Erroneously  attributed  to  the  Abbe  Morambert  and  Antoine  de  Leris.     cf. 
Freystatter,  Die  musikal.  zeitschriften,  and  Fetis,  Biog.  univ.  des  musiciens. 

ML195.L18 


148  ,  LIBRARY   OF   CONGRESS 

L'Aulnaye,  Frangois  Henri  Stanislas  de,  1739-1830. 

De  la  saltation  tlieatrale,  ou  Recherches  sur  I'origine,  lesprogres, 
&  les  effets  de  la  pantomime  chez  les  anciens,  avec  neuf  planches 
coloriees  .  .  .  par  M.  de  L'Aulnaye  .  .  .     Paris,  Barrois  l'ain6,  1790. 

2  p.  1..  100,  civ  p.     VIII  pi.    20p'". 

Ch.  34.3016 

L'Aulnaye,  Frangois  Henri  Stanislas  de,  1739-1830,  editor. 
See  RoussiER,  P.  J.     Memoire  sur  la  nouvelle  harpe^  1782. 

Lauremberg,  Peter,  1585-1639,  editor. 
See  Sartorius,  E.     Musomachia,  1642. 

Lauriso  Tragiense,  academic  name. 
See  BiANCHi,  Giovanni  Antonio. 

[Laus  de  Boissy,  M.  A.]  &.  1747. 

Lettre  critique  sur  les  ballets  de  I'op^ra,  adress^e  h  Pauteur  du 
Spectateur  franpais,  par  un  homme  de  mauvaise  humeur.  2.  ed. 
.  .  .     [Paris,  17—] 

vij,  [3]-27  p.     19"' 


^cm 


Reprint  of  his  "Lettre  critique  sur  notre  danse  theatrale,"  Paris,  1771.     cf. 
Qu6rard,  La  France  litt^raire. 

ML3460.A2L6 

[La  Valliere,   Louis   Cesar  de  La  Baume  Le  Blanc,   due  de] 

1708-1780. 

Ballets,  opera,  et  autres  ouvrages  lyriques,  par  ordre  chronologique 
depuis  leur  origine;  avec  une  table  alphabetique  des  ouvrages  et  des 
auteurs.     Paris,  C.  J.  B.  Bauche,  1760. 

4  p.  L,  298,  [2]  p.     18i«°». 

Title  vignette. 

ML102.O6L16 

Lavington,  George,  h-p.  of  Exeter,  1684-1762. 

The  influence  of  church-music.  A  sermon  preach'd  in  the  cathe- 
dral-church of  Worcester,  at  the  anniversary  meeting  of  the  choirs  of 
Worcester,  Hereford,  and  Gloucester,  September  8.  1725  .  .  .  By 
George  Lavington  .  .  .     2d  ed.     London,  J.  &  J.  Knapton,  1726. 

26  (i  e.  34)  p.     19'-". 

Pages  33-34  wrongly  numbered  25-26. 

ML64.L8 

La  Voye  Mignot,  de. 

Traite  de  mvsiqve,  povr  bien  et  f9,cilement  apprendre  h,  chanter  & 
composer,  tant  pour  les  voix  que  pour  les  instruments.  Divise  en 
trois  parties.  Oil  se  voyent  tons  les  exemples  des  principales  regies  & 
obsoruations  praticiuees  par  les  plus  excellens  autneurs.  Par  le  sieur 
de  La  Vove.  Paris,  R.  Ballard,  imprimeur,  se  vendent  chez  R.  de 
Ninville,  1656. 

2  p.  1.,  107  (i.  e.  115),  [7]  p.     22i  x  17'''". 

Page  115  wrongly  numbered  107. 

MT6.A2L29 


EARLY  BOOKS   ON    MUSIC  149 

The  lawfulness,  excellency  and  advantage  of  instrumental  music. 
A  2d  ed.  (with  necessary  improvements,  which  now  render  the 
sense  entirely  plain)  of  the  Lawfulness,  excellency  and  advantage 
of  instrumental  music  in  the  public  worship  of  God,  but  chiefly  of 
organs.     Philadelphia,  A.  Steuart,  1763. 

16  p.    18<». 

Title  taken  from  the  old  L.  of  C.  printed  catalogue.  The  pamphlet  itself  is  mis- 
placed and  could  not  be  found  for  recataloguing. 

Apparently  this  is  not  a  bona  fide  second  edition  of  the  pamphlet  "The  law- 
fulness and  advantage  of  instrumental  musick  in  the  public  worship  of  God  .  .  . 
By  a  Presbyterian"  (Philadelphia,  W.  Dunlap,  1763.  38  p.)  but  a  satirical 
reply.  Compare  Sonneck's  "Francis  Hopkinson  and  James  Lyon,"  1905,  p. 
131-132. 

Lebeuf,  Jean,  1687-1760. 

Traite  historique  et  pratique  sur  le  chant  ecclesiastique.  Avec  le 
directoire  qui  en  contient  les  principes  &  les  regies,  suivant  I'usage 
present  du  diocese  de  Paris,  &  autres.  Precede  d'une  nouvelle 
methode,  pour  I'enseigner,  &  I'apprendre  facilement.  Par  M.  I'abb^ 
Lebeuf  .  .  .     Paris,  C.  J.  B.  Herissant  [etc.]  1741. 

4  p.  1.,  190,  [6]  p.     IS^'". 

ML3082.A2L4 

Le  Blanc,  Hubert. 

Defense  de  la  basse  de  viole  contre  les  entreprises  du  violon  et  les 
pretentions  du  violoncel.  Par  Monsieur  Hubert  Le  Blanc  .  .  .  Am- 
sterdam, P.  Mortier,  1740. 

4  p.  1.,  148,  [12]  p.     13*'''". 

ML760.A2L4 

Le  Blanc,  Louis  Cesar  de  La  Baume,  due  de  La  VaUiere. 

See  La  Valliere,  Louis  Cesar  de  La  Baume  Le  Blanc,  due  de. 
Leblond,  Gaspar  Michel,  called,  1738-1809,  editor. 

See  Memoires  pour  servir  a  I'histoire  de  la  revolution  op^ree  dans 
la  musique,  1781. 

[Le  Cerf  de  La  Vievllle,  Jean  Laurent,  seigneur  de  Freneuse] 
1674-1707. 

Comparaison  de  la  musique  itaUenne  et  de  la  musique  fran^oise. 
Bruxelles,  F.  Foppens,  1704-06. 

3  V.  in  1.     17<=™. 

Vol.  2  has  title:  Comparaison  [etc.]  Ou,  en  examinant  en  detail  les  avantages 
des  spectacles,  &  le  merite  des  compositeurs  des  deux  nations,  on  montre  quelles 
sont  les  vrayes  beautez  de  la  musique.  2.  partie,  qui  contient,  une  nouvelle  let- 
tre.  Un  recueil  de  vers  chan tans.  Et  trois  nouveaux  dialogues.  Dans  lesquels 
Bont  renfermez,  une  histoire  de  la  musique,  &  des  opera.  Une  vie  de  Lulli.  Une 
refutation  du  traite  de  Mr  Perraut,  De  la  musique  des  anciens.  Et  un  traits  du 
bon  gout  en  musique  .  .  . 

Vol.  3  has  title:  Comparaison  [etc.]  3.  partie,  qui  contient  des  fragmens  d'un 
opera  chretien.  Un  discours  eur  la  musique  d'eglise.  Une  reponse  a  la  Defense 
du  Paralelle.     Et  un  eclaircissement  sur  Buononcini. 

Occasioned  by  Raguenet's  "Parallele  des  Italiens  et  des  Francois  en  ce  qui 
concerne  la  musique." 

ML194.A2L3 

See  aho  Bonnet,  J.     Histoire  de  la  musique,  1726. 


150  LIBRABY  OF  CONGRESS 

Leclerc,  Jean  Baptiste,  1756-1826. 

Essai  sur  la  propagation  de  la  musique  en  France,  sa  conservation, 
et  ses  rapports  avec  le  gouvernement,  par  J.-B.  Leclerc  .  .  .  Paris, 
Imprimerie  nationale,  prairial,  an  iv  [1796] 

66  p.     21"°. 

ML270.3.L4 

Ledwich,  Edward,  1738-1823. 

See  Walker,  J.  C.     Historical  memoirs,  1786. 

Lef§bure,  Louis  Pransois  Henri,  1754-1839. 

Bevues,  erreurs  et  m^prises  de  diif^rents  auteurs  celebres,  en 
matieres  musicales.     Par  M.  Lefebure.     Paris,  Knapen  fils,  1789. 

2  p.  1.,  iv,  [2],  ij,  236,  ij,  [5]  p.,  1 1.     16"°. 

ML3851.L4 

Nouveau  solf^ge,  par  L.  Lefebure.  A  Venise,  et  se  trouve  a  Paris, 
chez  Cailleau,  1780. 

23  p.     pi.     20i"». 

MT44.A2L3 

[Le  Fevre,  Jacques]  d'Staples,  d.  1537. 

Musica  libris  quatuor  demonstrata.  Parisiis,  apud  Gulielmum 
Cauellat,  1552. 

44  numb.  1.     diagrs.     20^"°. 

Printer's  mark  on  t.-p. 
First  edition,  Paris,  1496. 

ML171.L4 

Leipziger  allgemeine  musikalische  zeitung. 

See  AixGEMEiNE  musikalische  zeitung  [1798]-1882. 

Leite,  Antonio  da  Silva. 

See  Silva  Leite,  Antonio  da. 

Lenain, 

Elemens  de  musique,  ou  Abrege'  d'une  theorie,  dans  laquelle  on 
peut  apprendre  avec  facilite  I'art  de  raisonner  &  les  principes  de  cette 
science:  ouvrage  utile  aux  commenpans,  &  a  ceux  m^me  qui  ont  des 
connoissances  plus  4tendues.  Par  M.  Lenain  .  .  .  Paris,  Dessain 
junior  [etc.]  1766. 

1  p.  1.,  xii,  156,  [2]  p.     17  x  9^"°. 

MT7.A2L56 

[Leopold,  G.] 

Gedanken  eines  liebhabers  der  tonkunst  ilber  herrn  Nichelmanns 
tractat  von  der  melodic.     [Nordhausen,  1755] 

16  p.    21^x17^^™.     ( PFiYA  Baron,  Ernst  G.     .  .  .  Abriss  einer  abhandlung  von 
der  melodie.     Berlin,  1756) 

Caption  title. 

Signed:  Caspar  Dunkelfeind  [pseud,  of  G.  Leopold] 

ML3851.B18 


EARLY  BOOKS  ON  MUSIC  151 

[Leopold,  Georg  August  Julius]  1755-1827. 

Gedanken  und  konjekturen  zur  geschichte  der  musik.  Stendal, 
D.  C.  Franzen  und  J.  C.  Grosse,  1780. 

39  p.     l?"™. 

ML3845.A2L4 

Le  Pileur  d'Apligny, 

Traite  sur  la  musique,  et  sur  les  moyens  d'en  perfectionner  I'expres- 
sion.     Par  M.  Le  Pileur  d'Apligny  .  .  .     Paris,  Demonville  [etc.]  1779. 

viii,  174,  [2]  p.     lOi"™. 

ML3845.A2L5 

[Le  Prevost  d'Exmes,  Frangois]  1729-1793. 
Lully,  musicien.     [Paris,  1785  ?] 

48  p.     19"'^. 

Caption  title. 

"Chiefly  compiled  by  Le  Prevost  d'Exmes  from  various  articles  written  by 
Senece,  de  Fresneuse,  and  Titon  du  Tillet." — Grove,  Diet,  of  music. 

Apparently  issued  aa  part  of  a  series.  Only  a  small  portion  of  the  paper  cover 
remams,  on  the  back,  and  on  this  is  printed  "Theatre.  3."  At  end  of  text:  "Fin 
de  la  vie  de  Lully." 

Copy  2. 

To  this  copy  are  prefixed  3  prelim,  leaves,  a  title-page  (Portique  ancien  et 
moderne  ...  1.  cahier.  Paris,  Cussac,  1785)  and  2  leaves  with  "Approbation  " 
and  "Privilege  du  roi."  The  privilege  is  granted  to  "lesieur  Joly,"  for  "des 
ouvrages  de  sa  composition,  intitules:  Portique  ancien  et  moderne."  According 
to  Barbier,  the  1.  cahier  of  the  Portique  is  all  that  was  published,  and  contains, 
not  "Lully,"  but  "Nanteuil." 

ML410.L95L5 

Leris,  Antoine  de,  1723-1795. 

Dictionnaire  portatif  historique  et  litt^raire  des  theatres,  contenant 
I'origine  des  ditferens  theatres  de  Paris;  le  nom  de  toutes  les  pieces 
qui  y  ont  ete  representees  depuis  leur  etabHssement,  &  celui  des 
pieces  jouees  en  province,  ou  qui  ont  simplement  paru  par  la  voie  de 
I'impression  depuis  plus  de  trois  siecles;  avec  des  anecdotes  &  des 
remarques  sur  la  pltipart:  le  nom,  &  les  particularites  interessantes 
de  la  vie  des  auteurs,  musiciens  &  acteurs;  avec  le  catalogue  de  leurs 
ouvrages,  &  Fexpose  de  leurs  talens:  une  chronologic  des  auteurs,  & 
des  musiciens;  avec  une  chronologic  de  tous  les  op^ra,  cS;  des  pieces 
qui  ont  paru  depuis  trente-trois  ans.  Par  M.  de  Leris.  2.  ed.,  rev., 
cor.  &  considerablement  augm.     Paris,  C.  A.  Jombert,  1763. 

xxxiv,  730  {i.  e.  744)  p.     17J'"™. 

Last  2  pages  numbered  729-730  for  743-744. 

Z2174.D7L4 

See  also  Laugier,  M.  A.     Sentiment  d'un  harmoniphile  [1756] 

Leroux,  Jean  Jacques,  1749-1832. 

.  .  .  Rapport  sur  I'Opera,  presente  au  Corps  municipal,  le  17  aotit 
1791,  par  J.  J.  Leroux,  officier  municipal,  nomme  administrateiir  au 
Departement  des  etablissemens  publics,  le  15  fevrier  dernier.  Paris 
[Impr.  de  Le  Becq]  1791. 

2  p.  L,  98  p.,  1 1.     3  fold.  tab.     21^^ 


icm 


At  head  of  title:    Municipalite  de  Paris.     Administration  des  etablissemens 
publics. 

ML1727.3.A-2P2 


152  LIBRARY   OF   CONGRESS 

Le  Sueur,  Jean  Frangois,  1760-1837. 

Suite  de  I'Essai  sur  la  musique  sacr^e  et  imitative,  ou  Ton  donne  le 
plan  d'une  musique  propre  k  la  f^te  de  P4que.  Par  M.  Le  Sueur  .  .  . 
raris,  Veuve  Herissant,  1787. 

103  p.     21i^"'. 

"Motet  pour  la  veille  de  Paque:  La  resurrection"  (words  only,  Latin  and 
French):  p.  [29j-39. 

ML3869.A2L2 

[Lesuire,  Robert  Martin]  1737-1815. 

Lettre  de  M.  Camille  Trillo  [pseud.]  fausset  de  la  cath^drale  d'Ausch, 
sur  la  musique  dramatique.     Paris,  Quillau  Faine,  1777. 

1  p.  1.,  [5]-43  p-    lei"^". 

ML1727.35.L35 

Lettera  delF  autore  del  nvovo  cembalo  angelico  inventato  in  Roma 
neir  anno  mdcclxxv.  che  serve  d'  istruzione  per  costruire  lo  stes- 
so  cembalo  e  ne  significa  i  pregj.     Roma,  Stamperia  di  G.  Zempel 

[1775]     • 

38  p.,  1  1.     fold.  pi.     20'''". 

ML65.5.A2L3 

Lettre  au  sujet  du  spectacle  des  Avantures  d'Ulisse  a  son  retour  du 
siege  de  Trove,  jusqu'a  son  arrivee  en  Itaque,  Tire  de  I'Odissee 
d'Homere.  Ouvert  au  palais  des  Thuilleries,  dans  la  salle  des 
machines,  au  mois  de  mars  1741.  Invents  par  le  chevalier  Ser- 
vandoni  .  .  .     Parig,  Prault  fils,  1741. 

16  p.     IG""*. 
No.  12  in  a  volume  of  pamphlets  lettered  Quere[lle]  des  Bouffo[ns] 

ML1727.33.A1 

Lettre  d'un  amateur  de  1' opera  a  M,  de  *  *  *,  dont  la  tranquille 
habitude  est  d'attendre  les  evenemens  pour  juger  du  merite  des 
projets.  A  Amsterdam,  et  se  vend  a  Paris,  chez  Couturier  pere, 
1776. 

1  p.  ].,  5-69  p.    igi""*.    • 

ML1727.3.A2L67 

Lettre  d'un  Parisien,  a  son  ami,  en  province,  sur  le  nouveau  spectacle 
des  Eleves  de  I'Opera,  ouvert  le  7  Janvier  .  .  .  Paris,  Chez  les 
marchands  de  nouveautes,  &  audit  spectacle,  1779. 

16  p.     19'^™. 

"IjCs  Eleves  pour  la  danse  de  I'Op^ra,  ce  theatre  attendu  depuis  si  long- 
tems  .  .  .  s'est  enfin  ouvert  le  jeudi  7  Janvier  1779,  par  la  premiere  representa- 
tion de  Jerusalem  d^livree,  ou  Renaud  &  Armide,  tragedie-pantomime  en  quatre 
actes  [par  M.  Leboeuf]" 

ML1727.8.P2L3 

Lettre  de  M.  de  *  *  *  ^  Madame  de  *  *  *  sur  les  opera  de  Phaeton, 
et  Hyppolite  et  d'Aricie.     [Paris,  Impr.  de  C.  F.  Simon,  fils,  1743] 

15  p.     20i<^'°. 

ML1727.3.A2L65 


EARLY  BOOKS  ON   MUSIC  153 

Lettre  de  M,  *  *  *  negociant  de  Paris,  a  M.  *  *  *  son  correspondant 
a  D  *  *  *  .  Au  sujet  de  la  messe  solemnelle  qui  a  6t6  chantee  en 
musique  h.  grand-choeur  &  grand-orchestre,  par  MM.  de  I'Aca- 
d^mie  royale  de  musique,  ou  I'Op^ra,  dans  I'eglise  du  prieure 
royal  des  B6n6dictins  de  S.  Martin-des-Champs,  au  mois  de  decem- 
bre  dernier,  au  profit  des  pauvres  prisonniers  detenus  pour  mois 
de  nourrices.  Le  produit  de  la  qu^te  vers6  dans  les  mains  de 
MM.  de  Boissy,  tresoriers  de  la  Soci6t6  de  charite  de  ces  pau- 
vres ...     [n.  p.]  1786. 

60  p.     16*'^'". 

ML3027.8.P2L2 

Le  Vayer,  Frangois  de  La  Mothe. 

See  La  Mothe  Le  Vayer,  Francois  de. 

Levens, 

Abrege  des  regies  de  Tharmonie,  pour  aprendre  la  composition, 
avec  un  nouveau  pro  jet  sur  un  syst^me  de  musique  sans  tempera- 
ment, ni  cordes  mobiles  .  .  .  par  Mr.  Levens  .  .  .  Bordeaux,  J.  Chap- 
puis,  1743. 

viij,  92  p.     26  x  19^?™. 

MT50.A2L38 

[Levesque,  Mme.  Louise  (Cavelier)]  1703-1745. 

.    Lettres  et  chansons,   de  Cephise  et   d'Uranie.     Paris,   Impr.   de 
J.  B.  C.  Ballard,  1731. 

87,  [4]  p.     21i^"'. 

M1619.A2L65  . 

Liberati,  Antimo. 

Lettera  scritta  dal  Sig.  Antimo  Liberati  in  risposta  ad  vna  del 
Sig.  Ovidio  Persapegi  che  gli  fa  istanza  di  voler  vedere,  ed'  essaminare 
i  componimenti  di  musica  fatti  dalli  cinque  concorrenti  nel  concorso 
per  il  posto  di  maestro  di  cappella  della  Metropolitana  di  Milano  fatto 
sotto  il  di  18.  agosto  1684  .  .  .     [Roma,  II  Mascardi,  1685] 

63,  [1]  p.     22  X  17'=™. 

Caption  title. 

MT55.A2L3 

Light,  Edward,  1747-1832. 

Tlie  art  of  playing  the  guittar,  by  Edward  Light;  to  which  is 
added  a  variety  of  the  most  familiar  lessons,  airs,  divertimentos, 
songs  &c.  properly  adapted  for  that  instrument.     London,  J.  Preston 

[1795?] 

1  p.  1.,  41  p.     23«™. 

Engraved  throughout. 

MT580.A2L47 

Lingke,  Georg  Friedrich,  d.  1779?. 

George  Friedrich  Lingkens  .  .  .  Kurze  musiklehre,  in  welcher 
nicht  allein  die  verwandschaft  aller  tonleitern,  sondern  auch  die  jeder 


154  LIBRARY   OF   CONGRESS 

Lingke,  Georg  Triedrich.— Continued. 

zukommenden  harmonisclien  sktze  gezeigt,  und  mit  praktischen  bey- 
spielen  eri&utert  werden.     Leipzig,  J.  G.  I.  Breitkopf,  1779. 

viii,  86  p.     21^  x  17^''™. 

Preface  signed:  Johann  Adam  Hiller. 

MT50.A2L4 

Die  sitze  der  musicalischen  haupt-s&tze  in  einer  harten  und  weichen 
tonart  und  wie  man  damit  fortschreitet  und  ausweichet  in  zwo 
tabellen  entworffen,  erkRrt  und  mit  exempeln  erl&utert  von  George 
Friedrich  Lingken.  Leipzig,  Gedruckt  una  in  commission  bey  B.  C. 
Breitkopf  una  sohn,  1766. 

4p.  1.,  60p.     2  fold.  tab.     22^  x  ISi"™. 

MT52.A2L42 

See  also   Einige  .  .  .  musikalische    erwegungs-    und    andere  .  .  . 
uibungs-wahrheiten  [1750  ?] 

linguet, 

Risposta  di  Linguet   al  Signor Apologia  della  musica. 

[Napoli,  1786] 

2  p.  1.,  .3-163  p.     17i<='" 

Dedication  signed:   Nicola  Pellegrini  barone. 

ML63.M165 

Linley,  Francis,  1774-1800. 

A  new  assistant  for  the  piano-forte  or  harpsichord,  containing  the 
necessary  rudiments  for  beginners,  with  twelve  airs  or  short  lessons, 
progressively  arrang'd:  to  which  is  added,  six  sonatas  .  .  .  with  pre- 
ludes, rules  for  thorough  bass,  a  short  dictionary  of  musical  terms. 
&c.  .  .  .  compil'd,  compos'd,  and  arrang'd,  by  F.  Linley  .  .  .  Balti- 
more printed  &  sold  by  I :  Carr,  and  by  B :  Carr,  Philadelphia  &  New 
York  [179-] 

3  p.  1.,  [3]-32  p.     33=°'. 

Engraved  throughout. 

MT222.A2L70 

Lippius,  Johann,  1585-1612. 

Synopsis  mvsicse  novae  omnino  verae  atque  methodicae  vniversa?,  in 
omnis  sophise  prsegustum  napkpycoc  inventae  disputatae  &  propositae 
omnibus  philomusis.  A  M.  Joanne  Lippio  .  .  .  Argentorati,  im- 
pensis  PauH  Ledertz,  typis  Caroli  Kieffer,  1612. 

[160]  p.     diagrs.     16^"™. 

Signatures:  ):(,  A-I  in  eights.     Between  leaves  D8  and  E  is  a  folding  leaf, 
"Nova  scala  syntona  compendiosissima, "  18  x  32"™. 

MT6.A2L47 

liippius,  Johann,  1585-1612,  praeses. 

Disputatio  musica  prima[-tertia]  .  .  .  Wittebergae,  typis  I.  Gor- 
mani,  1609-10. 

3  V.  in  1.    illus.     18  x  15^=™. 

Diss. — Wittenberg  (S.  Carolus,  respondent) 
Title  within  woodcut  border.     Subtitle  varies. 

ML3809.A2L3 


EARLY  BOOKS  ON  MUSIC  155 

Lipsius,  Justus,  1547-1606. 

See  PuTEANUS,  E.     Mvsathena,  1602. 

Lirou,  Jean  FranQois  Espic  de. 

See  Espic  de  Lirou,  Jean  FRANgois. 

listenius,  Nicolaus. 

Mvsica  Nicolai  Listenii,  ab  avtore  denuo  recognita,  multiscb  nouis 
regulis  &  exemplis  adaucta.  Norimbergae,  apud  Gabrielem  Heyn, 
1557. 

[86]  p.     16"°'. 

Signatiires:  a-e  in  eighta,  f  in  four  (last  leaf  blank) 

The  1st  edition,  Wittenberg,  1533,  and  several  of  the  subsequent  editions  were 
published  under  title:  Rudimenta  musicse. 

MT6.A2L77 

Liverziani,  Giuseppe. 

Grammatica  della  musica,  o  sia  Nuovo,  e  facile  metodo  per  istruirsi 
neir  intero  corso  della  musica,  non  per  anche  posto  in  ordine  da 
alcuno,  ove  premesse  le  notizie  istoriche,  e  le  propneta  della  medesima, 
s'insegnano  fin  dai  piii  remoti  principj  le  regole  per  ben  cantare,  e  suo- 
nare  it  cembalo,  indi  si  procede  alio  studio  del  contrapunto,  e  compo- 
sizione  prattica.  Di  Giuseppe  Liverziani  .  .  .  Parte  prima.  Roma, 
Stamperia  P.  Cracas,  1797. 

xvi,  88  p.  incl.  front,  (port.)    20«™. 

No  more  published. 

MT7.A2L78 

Livre  de  galoubet. 

36  unnumb.  p.     12  x  20"°^. 

Anonymous  18th  cent.  ms.  instruction  book. 

Lobos,  Mathias  de  Sousa  Villa. 

See  SousA  Villa  Lobos,  Mathias  de. 

Locke,  Matthew,  1630?-1677. 

The  present  practice  of  musick  vindicated  against  the  exceptions 
and  new  way  of  attaining  musick  latelyjjublish'd  by  Thomas  Salmon, 
M.  A.  &c. ;  by  Matthew  Locke  ...  To  which  is  added  Dvellvm 
mvsicvm  by  John  Phillips,  gent.,  together  with  a  letter  from  John 
Playford  to  Mr.  T.  Salmon  by  way  of  confutation  of  his  Essay,  &c.  .  .  . 
London,  N.  Brooke  [etc.]  1673. 

2  p.n.,  96  p.     17"". 

ML432.A2S22 

Lofgron,  Anton. 

See  BuRMAN,  E.     Dissertatio  musica  [1728] 


MT720.G3 


156  LIBEAEY   OF  CONGRESS 

Lohlein,  Georg  Simon,  1727-1781. 

Anweisung  zum  violinspielen,  mit  pracktischen  beyspielen  und  zur 
uebung  mit  vier  und  zwanzig  kleinen  duetten  erlS,utert,  von  George 
Simon  L6hlein.  Leipzig  und  Ziillichau,  Waysenhaus-  und  Fromman- 
nische  buchhandlung,  1774. 

6  p.  1.,  136  p.     illus.     18  X  21i<"". 

Title  vignette. 

MT262.A2L62 

George  Simon  Ldhlein's  Anweisung  zum  violinspielen,  mit 


praktischen  beyspielen  und  zur  uebung  mit  zw61f  kleinen  duetten 
erRutert,  zum  dntten  mahl  mit  verbesserungen  und  zus&tzen,  auch 
mit  zwolf  balletstucken  aus  der  oper  Andromeda  und  der  oper  Brenno 
verm.  hrsg.  von  Johann  Friedericn  Reichardt.  Leipzig  und  Ziillichau, 
F.  Frommann,  1797. 

2  p.  1.,  123  p.     illus.     18i  X  22«'". 

MT262.A2L63 

Georg  Simon  Ldhleins  Clavier-schule,  oder  Kurze  und  grundliche 
anweisung  zur  melodie  und  harmonie,  durchgehends  mit  practischen 
beyspielen  erkl&ret.  Leipzig  und  Zullichau,  Waisenhaus-  und  From- 
mannische  buchhandlung,  1765. 

6  p.  1.,  188  p.     17ix22i'"". 
Title  vignette.     In  L.  of  C.  copy  the  imprint  date  is  partly  erased. 

MT224.A2L72 

Georg  Simon  L6hleins  Clavier-schule,  oder  Kurze  und  griind- 

liche  anweisung  zur  melodie  und  harmonie,  durchgehends  mit  prac- 
tischen bejT^spielen  erklaret  .  .  .  Leipzig  und  Ziillichau,  Waisennaus- 
und  Frommannische  buchhandlung,  1781-82. 

2  V.  in  1  (v.  1:  4  p.  1.,  190,  [2]  p.;  v.  2:  4  p.  1.,  188  p.)     18  x  22i«'». 

Title  vignette.     Vol.  1:  4.  und  verb,  aufl.,  1782. 

Vol.  2  has  title:  Georg  Simon  L6hleins  Clavier-schule,  zweyter  band.  Wo- 
rinnen  eine  vollst&ndige  anweisung  zur  begleitung  der  unbezifferten  b&sse  /  und 
andern  im  ersten  bande  fehlenden  harmonien  gegeben  wird:  durch  sechs  sona- 
ten  /  mit  begleitung  einer  violine  erklSret.     Nebst  einem  zusatze  vom  recitativ. 

MT224.A2L73 

Loescher,  Caspar,  1636-1718,  praeses. 

:  .  .  Dissertatio  historico-theologica,  de  Saule  per  musicam  curato 
...  ex  I.  Sam.  xvi,  14.  seqq.  .  .  .  Wittenbergse,  typis  C.  Schrodteri 
[1688] 

78,  [2]  p.     lO*"". 

Diss. — Wittenberg  (Heinrich  Pipping,  respondent  and  author) 

ML3920.A2L8 

Lowen,  Johann  Priedrich,  1727-1771 

See  Hertel,  J.  W.     Sammlung  musikalischer  schriften,  1757-58. 

London.     Academy  of  ancient  music. 
See  Academy  of  ancient  music. 


EARLY  BOOKS  ON  MUSIC  157 

Loonsma,  Stephanus  Theodorus  van. 

Muzicaal  A,  B,-boek,  of  Den  organist  in  zyn  leerjaaren,  zvnde 
een  kort  begrip  wegens  de  behandeling  van  het  clauwier  of  clavicim- 
baal-spel.  Opgesteld  ten  dienste  voor  de  eerst  beginnende  jeugd  .  .  . 
Door  Step.  Theod.  van  Loonsma  .  .  .     Amsterdam,  A.  Olofsen,  1741. 

41,  [1]  p.  incl.  6  pi.  on  4  fold.  1.    20  x  Ib^""^. 

Title  vignette. 

MT182.A2L86 

Lopez,  Isidro,  editor. 

See  Perez  Calderon,  M.     ExpUcacion  de  solo  el  canto-llano, 

1779. 

Lopez  de  Velasco,  Sebastian,  editor. 

See  MoNTANOS,  F.  de.     Arte  de  canto  llano,  1670. 

Lopez  Remacha,  Miguel,  1772-1827. 

Arte  de  cantar,  y  compendio  de  documentos  mtisicos  respectivos 
al  canto,  por  D.  Miguel  Lopez  Remacha  .  .  .     Madrid,  B.  Cano,  1799. 

8  p.  1.,  118  p.     2  fold.  pi.     Hi''™. 

MT820.A2L7 

Lorente,  Andres,  1624-1703. 

El  porqve  de  la  mvsica,  en  qve  se  contiene  los  qvatro  artes  de  ella, 
canto  llano,  canto  de  organo,  contrapvnto,  y  composicion,  y  en  cada 
vno  de  ellos  nvevas  reglas,  razon  abreviada,  en  vtiles  preceptos,  aun 
en  las  cosas  mas  dificiles,  tocantes  a  la  harmonia  musica,  nvmerosos 
exemplos,  con  clara  inteligencia,  en  estilo  breve,  que  al  maestro 
deleytan,  y  al  discipulo  enseflan,  cuya  direccion  se  verk  sucintamente 
anotada  antes  del  prologo  .  .  .  For  ...  el  maestro  Andres  Lorente 
.  .  .     Alcala  de  Henares,  Impr.  deN.de  Xamares,  1672. 

14  p.  1.,  695  p.     pi.     29^""'. 

MT40.A2L86 

Lorenzoni,  Antonio. 

Saggio  per  ben  sonare  il  flautotraverso ;  con  alcune  notizie  generali 
ed  utili  per  qualunque  strumento,  ed  altre  concernenti  la  storia  della 
musica:  opera  del  d.""  Antonio  Lorenzoni.     Vicenza,  F.  Modena,  1779. 

91  p.     illus.  (coat  of  arms)  iv  fold.  pi.    25^™. 

Title  vignette ;  tail-piece. 

According  to  Rockstro,  this  is  an  abridgment  of  Quantz's  •' Versuch." 

MT340.A2L7 

Loriti,  Heinrich,  ofGlarus. 

See  Glareanus  i.  e.  Heinrich  Loriti,  of  Glarus. 

Lossius,  Lucas,  1508-1582. 

Erotemata  ||  mvsicse  ||  practicse,  ex  pro-  ||  batissimis  qvibvsqve  || 
huius  dulcissimse  artis  scnptoribus  accurate  ||  &  breuiter  selecta,  & 
exemplis  puerili  ||  institutioni  accomodis  illustrata,  ||  iam  primvm  ||  ad 


158  LIBRARY   OF   CONGRESS 

Lossius,  Lucas — Continued. 

usum  scholae  Luneburgensis,  J|  &  aliarum  puerilium  in  |[  lucem  edita, 
a  II  Lvca  Lossio.  ||  Item.  ||  Melodise  sex  generum  carminum  vsita- 
tiorum,  in  primis  suaues,  in  gra-  ||  tiam  puerorum  selectse  ||  &  editae 
Noribergae,  m.d.lxiii.  ||  Cum  Priuilegio  ad  decennium. 

[223]  p.     15""°. 

In  2  parts,  part  2  with  special  t.-p.:  Melodise  sex  genervm  carminviii  .  .  . 

Colophon:  (1)  Noribergae,  |l  Excudebant  Joannes  Montanus,  &  ||  "Mricus 
Neuberus.  (2)  Noribergae,  Apud  lohannem  Montanum,  &  ||  Vlricum  Neuberum. 
II  Anno  1563. 

Signatures:  A-L,  A-C  in  eights  (versos  of  [L  viii]  and  [C  viii],  last  page,  blank) 
Ms.  notes. 

ML171.L6 

Lotti,  Antonio,  d.  1740. 

See  Academy  of  ancient  music.     Letters,  1732. 

Louet,  Alexandre,  1753-1817. 

Instructions  th^oriques  et  pratiques  sur  Faccord  du  piano-forte. 
Ouvrage  qui  apprend  en  tres-peu  de  temps  aux  personnes  les  moins 
exerc6es,  a  accorder  parfaitement  cet  instrument.  Par  Alexandre 
Loiiet.     Paris,  Le  Due  [etc.]  an  v  (1797) 

63,  [1]  p.    2  pi.    2li'=-.  „^       ,  . 

MT165.A2L6 

Loulie,  fitienne,  d.  ca.  1707. 

Elements  ou  principes  de  musique  mis  dans  im  nouvel  ordre  .  .  . 
divisez  en  trois  parties.  La  premiere  pour  les  enfans.  La  seconde 
pour  les  personnes  plus  avancez  en  4ge.  La  troisieme  pour  ceux  qui 
sont  capables  de  raisonner  sur  les  principes  de  la  musique.  Avec 
I'estampe,  la  description  &  1' usage  du  chronometre  .  .  .  par  le  moyen 
duquel,  les  compositeurs  de  musique  pourront  desormais  marquer  le 
veritable  mouvement  de  leurs  compositions,  &  leurs  ouvrages  marquez 
par  rapport  a  cet  instrument,  se  pourront  executer  en  leur  absence 
comme  s'ils  en  battoient  eux-mesmes  la  mesure.  Par  M.  Lovlie. 
Amsterdam,  E.  Roger,  1698. 

no  p.    fold.  pi.    le^*^™. 

2d  edition;  1st  edition,  Paris,  1696. 

MT7.A2L91 

[Lowe,  Edward]  d.  1682. 

A  review  of  some  Short  directions  for  performance  of  cathedral 
service,  published  for  the  information  of  such,  as  may  be  called  to 
officiate  in  cathedrall  or  collegiate  churches;  or  rehgiously  desire  to 
bear  a  part  in  that  service.  The  2d  ed.,  with  many  usefuU  additions 
relating  to  the  Common  praver-book  as  it  is  now  established.  By 
E.  L.     Oxford,  Printed  by  W.  Hall,  for  R.  Davis,  1664. 

4  p.  1.,  72  p.     15J  X  8i''™. 

Dedication  signed :  Ed:  Lowe. 

MT88.A2L76 


EARLY  BOOKS   ON   MUSIC  159 

Ludwig,  Johann  Adam  Jakob,  1730-1782. 

Gedanken  ilber  die  grossen  orgein,  die  aber  deswegen  keine  wunder- 
werke  sind.  Bey  gelegenheit  der  im  jahre  1761  durch  herrn  Johann 
Nicolaus  Rittern  .  .  .  erbauten  neuen  orgel  zu  Nemmersdorf,  von 
Johann  Adam  Jakob  Ludwig  .  .  .  Leipzig,  Gedruckt  bey  J.  G.  I. 
Breitkopf,  1762. 

15  p.    22  X  IS*"". 

ML552.A2L9 

Eine  helle  brille  fiir  die  bidden  augen  eines  albern  haberechts  zu 
Niemandsburg,  welcher  vor  einiger  zeit  seine  gedanken  Tiber  die 
streitigkeit  zwischen  dem  herrn  noforganisten  Sorge  zu  Lobenstein 
und  herrn  secretair  Marpurg  in  BerUn  in  druk  aus^ehen  lassen,  auf- 
gesetzt  von  einem  am  Salstrome  wohnenden  Sorgianer.  Quasi  me 
asinus  calcitrasset.     [n.  p.,  1767] 

[12]  p.     23  X  lO^"". 

Written  in  reply  to  an  anonymous  work  (by  J.  L.  Albrecht?)  entitled  "Ge- 
danken eines  thuringischen  tonkunstlers  uber  die  streitigkeit,  welche  der  herr 
.  .  .  George  Andreas  Sorge  wider  den  herrn  secret.  Friedr.  Wilh.  Marpurg  .  .  . 
erreget  hat."    Ascribed  also  to  Sorge. 

ML63.L95 

Lundius,  Daniel,  1666-1747,  praeses, 

.  .  .  Dissertatio  gradualis  de  musica  Hebraeorum  antiqua  .  .  .  Up- 
sahse,  ex  officina  Werneriana  [1707] 

3  p.  1.,  65,  [1]  p.     15'^'°. 

Diss. — Upsala  (S.  Gestrinius,  respondent  and  author) 

ML166.A2L9 

Luscinius,  Ottmar,  d.  1537. 

Mvsicae  institvtiones  Othmari  Nachtgall  Argetini  a  nemine  un- 
qua  prius  pari  facilitate  tentatQ,  studiosis,  qui  d/iouaoc  esse  nolint 
no  mediocriter  conducibiles.  .  .  loannes  Knoblouch  notis  aereis  excepit 
Argentoraci  [1515] 

[19]  p.    19^"'. 

Title  in  red  and  black  within  architectural  border.  Signatures:  a  in  four, 
b  in  six. 

On  t.-p.  following  title:  N.  Gerbelij  d.  d.  d.  ad  lecto  ||  rem  hexastichon.  |i  Si 
tibi  prtedulces  unqua  placuere  Camoen?  ||  Si  lyra,  si  citharae  te  rapuere  soni,  || 
Si  petis  Amphio  fieri,  uel  Thraci'  Orpheus  ||  Si  te  musarum  non  pudet  esse 
ducem  ||  Non  graue  prsedocti  tibi  sit  legisse  libellum  ||  Othmari,  tenet  has  quas 
memoramus  opes  .  .  . 

ML171.L93 

Mvsvrgia  ||  seu  praxis  Mvsicae.  ||  Illius  primo  quae  Instrumentis 
agitur  certa  ratio,  ab  Ottomaro  ||  Luscinio  Argentino  duobus  Libris 
absoluta.  ||  Eiusdem  Ottomari  Luscinij,  de  Concentus  polyphoni,  id 
est,  Ij  ex  plurifarijs  uocibus  compositi,  canonibus,  Libri  totidem.  || 
C  Argentorati  apud  loannem  Schottum,  ||  Anno  Christi.  1536.  ||  Cum 
gratia  &  priuilegio  Imperiah,  ||  ad  Quinquennium. 

3  p.  1.,  102,  [3]  p.     illus.     15^  xW^''™. 

Mainly  a  translation  of  Sebastian  Yirdung's  "Musica  getutscht,"  Basel,  1511. 
The  illustrations  are  reproductions  of  those  in  Yirdung's  work,  and  include  a 
motet,  p.  40-43,  which  appears  in  mensural  notation  and  also  in  tablature  for 
the  clavichord  and  for  the  lute.  Pages  58-59  contain  tables  showing  the  tabla- 
ture for  bass,  tenor  and  discant  flute. 

ML171.L94 


160  LIBBABY   OF   CONGEESS 

Lustig,  Jacob  Wilhelm,  1705-1796. 

Inleiding  tot  de  muzykkunde;  uit  klaare,  onwedersprekeolyke 
gronden,  de  innerlyke  geschapenheid,  de  oorzaaken  van  de  zender- 
baare  uitwerkselen,  de  groote  waarde,  en  't  regte  gebruik  der  muzyk- 
konst  aanwyzende.  Opgesteld  door  Jacob  Wilhelm  Lustig  .  .  . 
Groningen,  Gedrukt  voor  den  auteur,  by  H.  Vechnerus,  1751. 

8  p.  1.,  340,  [20]  p.     20|<'™ 

MT6.A2L97 

Muzykaale  spraakkonst;  of,  Duidelyke  aanwyzing  en  verklaaring 
van  allerhande  weetenswaardige  dingen,  die  in  de  geheele  muzykaale 
practyk  tot  eenen  grondslag  konnen  verstrekken.  Opgesteld  door 
Jacob  Wilhelm  Lustig  .  .  .     Amsteldam,  Gedrukt  by  A.  Olofsen,  1754. 

4  p.  1.,  206,  [6]  p.     XI  fold  pi.     2P°'. 

MT6.A2L98 

Lustig,  Jacob  Wilhelm,  1706-1796,  translator. 
See  Schmidt,  J.  M.     Musico-theologia  [1756?] 

[Mably,  Gabriel  Bonnet  de]  1709-1785. 

Lettres  a  Madame  la  marquise  de  P.  .  .  ,   sur  I'opera.    Paris,  Didot, 

1741. 

xix,  [5],  166  p.     16^'^'". 

Addressed  to  Madame  de  Pompadour. 

ML1727.3.A2M11 

Maccari,  Orazio. 

See  Walker,  J.  C.     Historical  memoirs,  1786. 

Mace,  Thomas,  1613?-1709? 

Musick's  monument;  or,  A  remembrancer  of  the  best  practical 
musick,  both  divine,  and  civil,  that  has  ever  been  known,  to  have  been 
in  the  world.  Divided  into  three  parts.  The  first  part,  shews  a 
necessity  of  singing  psalms  well,  in  parochial  churches,  or  not  to  sing 
at  all;  directing,  how  they  may  be  well  sung,  certainly;  by  two  sev- 
eral ways,  or  means;  with  an  assurance  of  a  perpetual  national-quire; 
and  also  shewing,  how  cathedral  musick,  may  be  much  improved,  and 
refined.  The  second  part,  treats  of  the  noble  lute  .  .  .  directing  the 
most  ample  way,  for  tne  use  of  the  theorboe  .  .  .  Shewing  a  general 
way  of  procuring  invention,  and  playing  voluntarily,  upon  the  lute, 
viol,  or  any  other  instrument;  with  two  pritty  devices;  the  one, 
shewing  how  to  translate  lessons,  from  one  tuning,  or  instrument,  to 
another;  the  other,  an  indubitable  way,  to  know  the  best  tuning, 
upon  any  instrument :  both  done  by  example.  In  the  third  part,  the 
generous  viol  ...  is  treated  upon;  with  some  curious  observations, 
never  before  handled,  concerning  it,  and  musick  in  general.  By  Tho. 
Mace  .  .  .  London,  Printed  by  T.  Radcliffe,  and  N.  Thompson,  for 
the  author,  1676. 

10  p.  1.,  272  p.     front,  (port.)  illus.     31^  x  20'^'". 

MT640.MI4 


EABLY  BOOKS  ON  MUSIC  161 

Magazin  der  musik.  Hrsg.  von  Carl  Friedrich  Cramer  ...  1.-2. 
jahrg.;  1783-1786.  Hamburg,  In  der  Musicalischen  niederlage 
[1783-86] 

2  V.  in  4.    pi.,  fold,  tables.    ITi""*. 

2.  jahrg.,  1.  hilfte,  1784;  2.  h&lfte,  1786. 

ML4.M2 

Le  Magazin  des  modemes,  almanach  curieux,  oil  Ton  trouve  autant 
d'esprit  qu'il  en  faut  pour  se  fairs  une  reputation  aupres  des 
femmes.  L'an  de  grace  1768.  2.  6d.,  servant  de  seconde  partie, 
rev.,  cor.,  &  augm.  de  la  musique  complette  de  la  petite  comedie: 
musique  exactement  neuve  &  faite  pour  les  paroles  ...  A  La 
Haye,  chez  Propice,  imprimeur;  et  se  trouve  k  Paris,  chez  la  veuve 
Duchesne  [1768] 

2  p.  1.,  100,  67  p.     14  X  7"°'. 

"Que  ne  peut  pas  ramour?    Commie  lyrique":  p.  [53]-67. 

ML20.M14 

Maggi,  Girolamo,  d.  1572. 

Hieronymi  Magii  De  tintinnabvlis  liber  postvmvs.  Franciscvs 
Sweertivs  F.  Antuerp.  notis  illustrabat.  Hanovise,  typis  Wechelianis, 
apud  C.  Mamium  &  heredes  I.  Aubrii,  1608. 

98,  [14]  p.     illus.     18«"'. 

Printer's  mark  on  t.-p. 

CC200.M3    1608 

Hieronymi  Magii  Anglarensis  De  tintinnabulis  liber  postumus. 

Franciscus  Sweertius  F.  Antverp.  notis  illustrabat.  Ed.  novissima 
aucta,  emendata,  &  figuris  seneis  exornata.  Amstelodami,  sump- 
tibus  A.  Frisii,  1664. 

16  p.  1.,  151,  [26]  p.    illus.,  2  fold.  pi.     13^'''°. 

Printer's  mark  on  t.-p.    Added  t.-p.,  engr. 

CC200.M3  1664 

Magirus,  Johann,  d.  1631. 

Artis  mvsicae  legibvs  logicis  methodice  informatse  libri  dvo.  Ad 
totum  musicse  artificium,  &  comprimis  solidum  sonorum,  modo- 
rumque  musicorum  fundamentum,  componendi^  rationem,  recte,  & 
facile  agnoscendum  valde  accommodi:  revisi  et  recogniti,  multis^ 
in  locis  emendati  &  correcti,  ab  auctore  lohanne  Magiro  .  .  .  [Bruns- 
vig8B]  sumptibus  avtoris,  1611. 

8p.  1.,  123,  [l]p.     14^"°'. 

MT6.A2M14 

Mvsicae  rudimenta  vere  fundamentalia  ita  ad[or]nata  ut  inde  etiam, 
modi  mvsici,  cum  notis  &  pausis,  clavibus  &  vocibus,  vel  pveris,  sine 
negotio  insinuari,  visibiles,  &  palpabiles  fieri  possint.  In  vsvm  eorum, 
qui  artem  banc  divinissimam  &  breviter,  &  fundamentaliter,  & 
docere,  &  discere  volunt.  Pvblicata  avctore  Johanne  Magiro,  pastore. 
[Guelpherbyti]  imprimebatur  per  Eliam  Holwein,  sumptibus  auctoris, 
1619. 

[54]  p.     15'=™. 

Author's  preface  dated  "Brunsvigse,  1619." 

MT7.A2M18 
512.34°— 13 11 


// 


162  LIBBABY   OF  CONGRESS 

Magri,  Gennaro. 

Trattato  teorico-prattico  di  ballo  di  Gennaro  Magri  .  .  .  Napoli, 
V.  Orsino,  1779. 

2  V.  in  1  (v.  1:  11,  9-12,  [3],  [13]-143 p. ;  v.  2:  102  p.)     22  pi.  (partly  fold.)     22"='. 

Title  of  V.  2  reads:  Trattato  di  ballo  teorico-prattico  .  .  . 

GV1590.M3 

Mahaiilt,  Antoine. 

Nieuwe  manier  om  binnen  korten  tyd  op  de  dwarsfluit  te  leeren 
speelen,  tot  gebruik  van  aanvangers  en  meer  gevorderden  opgesteld, 
ooor  A.  Mahaut.  2.  druk,  voorzien  met  12  nooten  tabula's.  Am- 
sterdam, J.  J.  Hummel  [17 — ] 

1  p.  1.,  36  p.  incl.  plates.     1  illus.     18^  x  24"=™. 

Title  and  text  in  Dutch  and  French,  in  parallel  columns. 
First  edition,  1759. 

MT342.A2M22 

[Mainwaring,  John]  d.  1807. 

Memoirs  of  the  life  of  the  late  George  Frederic  Handel.  To  which 
is  added,  a  catalogue  of  his  works,  and  observations  upon  them  .  .  . 
London,  R.  and  J.  Dodsley,  1760. 

1  p.  1.,  208  p.     21""'. 

ML410.H13M2 

piilairobert,  Mathieu  Frangois  Pidanzat  de]  1727-1779. 
Les  propheties  du  grand  proph^te  Monet,     [n.  p.]  1753. 

Ip.  1.,  16p.     19'='°. 
No.  9  in  a  volume  of  pamphlets  lettered  Quere[lle]  des  Bou£fo[n8] 

ML1727.33.A1 

Majer,  Joseph  Friedrich  Bernhardt  Caspar. 

Joseph  Friederich  Bernhard  Caspar  Majers  .  .  .  Neu-er6ffneter  theo- 
retisch-  und  pracktischer  music-saal,  das  ist:  Kurze  /  doch  vollst&n- 
dige  methode,  so  wohl  die  vocal-  als  instrumental-music  grundUch  zu 
eriemen  /  auch  die  .  .  .  blasend-  schlagend-  und  streichende  instru- 
menten  .  .  .  durch  die  deutUchstc  exempla,  in  besondern  tabellen,  mit 
leichter  miihe  zu  begreiffen.  Nebst  einem  .  .  .  appendice  und  erkl§,- 
rung  derer  anjezo  gebr&uchlichsten  griechisch-  lateinisch-  itali&nisch- 
und  franz6sisch-musicalischen  kunst-w6rter.  2.  und  viel-vermehrte 
aufl.     Niirnberg,  J.  J.  Cremer,  1741. 

3  p.  1.,  117,  [2]  p.     front.,  illus.,  4  pi.     17^  x  2P™. 

First  edition  published  Hall  (Swabia)  1732  under  title:  Museum  musicum 
theoretico-practicum . 

MT6.A2M2 

Malcior,  of  Worms. 

See  Reisch,  G.     De  principijs  musice  [n.  d.] 
WoLLicK,  N.     Opus  aureum,  1504. 


EARLY  BOOKS  ON  MUSIC  163 

Malcolm,  Alexander,  b.  1687. 

A  treatise  of  musick,  speculative,  practical,  and  historical.  By 
Alexander  Malcolm  .  .  .     Edinburgh,  rrinted  for  the  author,  1721. 

xxiv,  608  p.    6  fold.  pi.    19i«». 

"An  ode  on  the  power  of  musick,  inscrib'd  to  Mr.  Malcolm  ...  by  Mr. 
Mitchell":  p.  [iii]-xii. 

MT6.A2M23 

A  treatise  of  musick,  speculative,  practical,  and  historical. 

By  Alexander  Malcolm  .  .  .     London,  J.  Osborn  [etc.]  1731. 

xvi,  608  p.     19i<>»'. 

"An  ode  on  the  power  of  musick,  inscrib'd  to  Mr.  Malcolm  ...  by  Mr. 
Mitchell":  p.  [iii]-xvi. 

MT6.A2M24 

IMallio,  Michele]  1756-1831. 

Elogio  storico  della  Signora  Maria  Rosa  Coccia  Romana,  maestra 
pubbhca  di  cappella,  accademica  filarmonica  di  Bologna,  e  tra  i  Forti 
di  Roma  Trevia,  coll'  aggiunta  di  varie  lettere  a  lei  scritte  da  uomini 
illustri,  ed  eruditi,  e  di  varj  componimenti  poetici  consecrati  al  di  lei 
merito.     Roma,  II  Cannetti,  1780. 

xcvi  p.     fold.  port.     16^"^™. 

Caption  title:  Elogio  storico  .  .  .  scritto  dal  Signor  abbate  Michele  Mallio  .  .  . 

Pages  Ixy  v-lxxvi  canceled  and  replaced  by  a  new  leaf  containing  on  recto  the 
"Sonetto  di  Ulisae  accademico  Forte"  in  revised  form,  and  on  verso  "Sonetto 
del  r.  p.  Flaminio  da  Latera  minore  osservante"  instead  of  "Sonetto  di  natale 
Maria  Laschi  accademico  Forte." 

ML410.C7M1 

Malpied, 

Traite  sur  Part  de  la  danse,  d6di6  a  Monsieur  Gardel,  I'aine,  maitre 
des  ballets  de  I'Academie  royale  de  musique.  Par  M.  Malpied  .  .  . 
Paris,  Boiiin;  [etc.,  etc.,  ca.  1780] 

2  p.  1.,  A-D,  122  p.    diagrs.    21i''"». 

Engraved  throughout;    title-ps^e  has  ornamental  border. 

GV1590.M4 

Mancini,  Giovanni  Battista,  1716-1800. 

Pensieri,  e  riflessioni  pratiche  sopra  il  canto  figurato.  Di  Giamba- 
tista  Mancini  .  .  .     Vienna,  Stamparia  di  Ghelen,  1774. 

3  p.  1.,  188  p.,  1  1.     vign.     22  x  IT''^. 

Title  vignette. 

MT845.A2M3 

Manfredini,  Vincenzo,  1737-1799. 

Difesa  della  musica  moderna  e  de'  suoi  celebri  esecutori,  di  Vin- 
cenzo Manfredini  .  .  .     Bologna,  Stamperia  di  C.  Trenti,  1788. 

207,  [1]  p.     19="°. 

Upon  the  publication  of  the  2d  volume  of  Stefano  Arteaga's  "Le  rivoluzioni 
del  teatro  musicale  italiano,"  Manfredini  published  a  criticism  (Giomale  enci- 
clopedico,  April,  1785)  of  ideas  advanced  in  that  volume.  The  present  work 
contains  the  replies  published  by  Arteaga  in  the  3d  volume  of  his  work  and 
counter  replies  by  Manfredini. 

ML290.3.A2M27 


164  LIBRARY   OF   CONGRESS 

Manfredini,  Vincenzo — Continued. 

Regole  armoniche,  o  sieno  Precetti  ragionati  per  appxendere  i  prin- 
cipj  della  musica,  il  portamento  della  mano,  e  raccompagnamento 
del  basso  sopra  gli  strumenti  da  tasto,  come  I'organo,  il  cembalo  ec. 
Dedicate  a  Sua  Altezza  imperiale  Paul  Petrovicz  ...  da  Vincenzo 
Manfredini  .  .  .     Venezia,  G.  Zerletti,  1775. 

xvi,  78  p.,  1  1.  incl.  front,  (port.)     20  fold.  pi.  (music)     26^'="'. 

Title  vignette. 

MT49.A2M27 

Regole  armonicbe,  o  sieno  Precetti  ragionati  per  apprender  la 

musica,  di  Vincenzo  Manfredini.     2.  ed.  cor.,  ed  accresciuta.     Vene- 
zia, A.  Cesare,  1797. 

2  p.  1.,  207,  [11  p.     XX  fold.  pi.  (music)     22"°'. 

MT40.A2M27 
See  also  Arteaga,  S.     Le  rivoluzioni,  1783-88. 

Manuductio  ad  cantum  choralem  gregoriano-moguntinum,  quS,  fun- 
damenta  hujus  cantus;  nee  non  modus  canendi  epistolas,  evangelia, 
prophetias,  coUectas,  versiculos,  benedictiones,  lectiones,  capitula, 
aliaque  ejuscemodi  plura  traduntur  &  exponuntur,  jussu  &  authori- 
tate  .  .  .  d.  Joannis  Philippi,  sanctse  sedis  Moguntinse  archi-epis- 
copi  .  .  .  edita,  ad  usum  clericorum  ac  ludirectorum  archidioecesis 
Moguntinse  &  dioecesium  Herbipolensis  ac  Wormatiensis.  Mogun- 
tiae,  typis  C.  Kiichleri,  1672. 

2  p.  1.,  143  p.     17  X  IQ""". 

MT860.A2M29 

Manuel  da  CorLceigao,  d.  1745. 

Manuale  seraphicum,  et  romanum,  juxta  usum  Fratrum  minorum 
denuo  auctum  cum  variis  processionibus,  benedictionibus,  &  oratio- 
nibus,  aliisque  multis ;  nee  non  cum  ritibus  ad  sacramentum  baptismi 
parvulorum,  ac  adultorum  ministrandum  .  .  .  Per  fr.  Emmanuelem 
a'  Conceptione  .  .  .  Ulyssipone  Occidentali,  ex  Typographia  musicae, 
1732. 

2  V.  (v.  1:  7  p.  1.,  317  p.;  v.  2:  1  p.  1.,  332  p.)    20"°'. 

Title  vignette. 

Vol.  2  has  title:  Manuale  seraphicum,  et  romanum,  ad  usum  prsecipufe  Fra- 
trum minorum,  ac  monialium  ejusdem  ordinis,  in  alma  provincia  Algarbiorum 
8.  p.  n.  Francisci.  Includens  omnia  pertinentia  ad  receptionem  habitus  novicio- 
rum,  tam  fratru,  quam  monialium,  nee  non  ritus  ad  exequias  defunctorum, 
&c.  .  .  . 

MT860.A2M24 

Marbach,  Christian. 

EvangeUsche  singe-schule,  darinnen  diejenigen  dinge  deutlich  geleh- 
ret  und  wiederholet  werden  /  welche  ilberhaupt  alien  evangelischen 
christen  zur  erbauung  und  bef6rderung  der  Gott  wohlgef&lligen  singe- 
andacht  zu  wissen  ndthig  und  nutzlich  sind.  Wohlmeynend  erdfFnet 
von  m.  Christian  Marbach  .  .  .  Bresslau  und  Leipzig,  M.  Eohrlach, 
1726. 

9  p.  1.,  [3]-216,  [8]  p.     l?""". 

Ch.  17.  1896  . 


EARLY  BOOKS   ON   MUSIC  165 

[Marcello,  Benedetto]  1686-1739. 

II  teatro  alia  moda,  o  sia  Metodo  sicuro,  e  facile  per  ben  comporre, 
&esequire  [!]  Topere  italiane  in  musicaall'  use  moderno,  nel  quale  si 
danno  avvertimenti  utili,  e  necessarij  k  poeti,  compositori  di  musica, 
musici  dell'  uno,  e  dell'  altro  sesso,  impresarj,  sUonatori,  ingegneri,  e 
pittori  di  scene,  parti  buffe,  sarti,  paggi,  comparse,  suggeritori, 
copisti,  protettori,  e  madri  di  virtuose,  &  altre  persone  appartenenti 
al  teatro.  D^icato  daU'  auttore  del  libro  al  compositore  di  esso. 
Stampato  ne  Borghi  di  Belisania  per  Aldiviva  Licante,  all'  insegna 
dell'  Orso  in  Peata.  Si  vende  nella  strada  del  Corallo  alia  porta  del 
palazzo  d'Orlando.  E  si  ristamper^,  ogn'  anno  con  nuova  aggiunta. 
[Venezia,  17 — ] 

72  p.     16i«"'. 

This  edition  is  not  described  by  Tessier,  in  the  reprint  of  Venice,  1887,  but 
corresponds  to  the  one  called  by  him  the  second  (1733)  except  that  the  t.-p. 
shows  no  vignette. 

ML3858.M28 

Marcos  y  Navas,  Francisco. 

Arte,  6  compendio  general  del  canto-llano,  figurado,  y  organo,  en 
metodo  facil,  ilustrado  con  algunos  documentos,  6  capltulos  muy  pre- 
cisos  para  el  aprovechamiento,  y  ensenanza.  Dividiao  en  cinco  trata- 
dos,  de  los  que  el  primero  manifiesta  la  teorica  del  canto-Uano:  el 
segundo  su  practica,  con  el  oficio  de  difuntos,  sepultura,  misa,  y  pro- 
cesion:  el  tercero,  y  quarto  la  especulativa,  y  practica  del  canto 
figurado,  y  de  organo,  segun  el  moderno  estilo;  y  el  quinto  las  nueve 
lamentaciones,  y  la  bendicion  del  cirio,  vestidas,  6  adomadas  de 
clausulas  sobre  su  mismo  canto-llano.  Su  autor  D.  Francisco  Marcos 
y  Navas  .  .  .     Madrid,  J.  Ibarra,  impresor,  1777. 

1  p.  1.,  XX,  623  p.     illus.,  diagr.     20"°^. 

MT860.A2M3 

Mard,  Toussaint  Remond  de  Saint- 
See  Kemond  de  Saint-Mard,  Toussaint. 

Maret,  Hugues,  1726-1786. 

Eloge  historique  de  M"".  Rameau,  compositeur  de  la  musique  du 
cabinet  du  roi,  associe  de  1' Academic  des  sciences,  arts  &  beUes-lettres 
de  Dijon.  Lu  a  la  seance  pubUque  de  1' Academic,  le  25  aotit  1765,  par 
M.  Maret  .  .  .     Dijon,  Causse;  [etc.,  etc.]  1766. 

Ip.  1.,  iv,  [5]-78p.     19^'^™. 

Pages  [43]-78,  "Notes." 

Published  also  in  Memoires  de  I'Acad^mie  de  Dijon,  1766. 

ML410.R2M18 

Maria,  Carlos  de  Jesus. 

See  Carlos  de  Jesus  Maria. 

Maria,  Salvadore,  da  VerceUi. 

See  Salvadore  Maria  da  VerceUi. 

Maria,  Tomas  de  Santa. 

See  ToMAS  de  Santa  Maria. 


166  LIBEAEY   OF   CONGRESS 

Marignan,        de. 

Eclaircissemens  donnas  a  I'auteur  du  Journal  encyclop6dique,  sur 
la  musique  du  Devin  du  village.  Par  le  sieur  de  Marignan,  com^dien. 
A  Bouillon,  et  se  trouve  a  Paris,  chez  la  veuve  Duchesne,  1781. 

30  p.    18«"i. 

ML410.R86M2 

PMarin,  Frangois  Louis  Claude]  1721-1809.  * 

Ce  qu'on  a  dit,  ce  qu'on  a  voulu  dire.  Lettre  a  Madame  Folio, 
[n.  p.,  1752?] 

16  p.   ig""*. 

No.  4  in  a  volume  of  pamphlets  lettered  Quere[lle]  dea  Bouffo[n8] 

ML1727.33.A1 

Marinelli,  Giulio  Cesare. 

Via  retta  della  voce  corale,  overo  Osservationi  intorno  al  retto 
esercitio  del  canto  fermo  divise  in  cinqve  parti,  oue  si  da  vn'  esattis- 
sima,  e  facilissima  instruttione  di  quest'  arte,  con  vn  nuouo  modo  di 
reggere,  e  mantenere  il  coro  sempre  in  vna  medesima  voce,  si  per  la 

Sarte  del  corista,  come  anco  delr  organista.     Del  p.  f.  Givlio  Cesare 
[arinelli  .  .  .     Bologna,  G.  Monti,  1671. 

4  p.  1.,  268  p.     illus.     2P"'. 

MT860.A2M33 

Marinoni,  Giovanni  Battista,  d.  1647. 

Fiori  poetici  raccolti  nel  funerale  del  .  .  .  Signor  Clavdio  Monte- 
verde,  maestro  di  cappella  della  ducale  di  S.  Marco.  Consecrati  da 
D.  Gio:  Battista  Marinoni,  detto  Gioue  .  .  .  all'  illvstrssimi  [!]  & 
ecceilentissimi  [!]  sig.  procvratori  di  chiesa  di  S.  Marco.  Venetia, 
F.  Miloco,  1644. 

70  p.,  1 1.    19^""*. 

Engr.  t.-p.  with  symbolical  border  and  port,  of  Monteverdi. 

ML410.M77M1 

Marmontel,  Jean  Fran§ois,  1723-1799. 

Essai  sur  les  revolutions  de  la  musique  en  France.  Par  M.  du 
Marmontel  .  .  .     [Paris,  1777] 

1  p.  1.,  60  p.     21<"°. 

ML1704.A2M35 

Marot,  Clement,  pseud. 

See  Senece,  Antoine  Bauderon  de. 

Marpurg,  Friedrich  Wilhelm,  1718-1795. 

Abhandlung  von  der  fuge,  nach  den  grunds&tzen  und  exempeln 
der  besten  deutschen  una  ausl&ndischen  meister  entworfen  von 
Friedrich  Wilhelm  Marpurg  .  .  .  Berlin,  A.  Haude,  und  J.  C.  Spener, 
1753-54. 

2  V.  (v.  1:  4  p.  1.,  xvi,  192,  [4]  p.;  v.  2:  4  p.  1.,  xxx,  147,  [14]  p.)     122  pi. 
2U  X  18"™. 

MT59.A2M35 


EARLY  BOOKS  ON  MUSIC  167 

Marpurg,  Priedrich  Wilhelm — Oontinued. 

Anfangsgriinde  der  theoretischen  musik,  von  Friedrich  Wilhelm 
Marpurg.     Leipzig,  J,  G.  I.  Breitkopf,  1757. 

4  p.  1.,  176  p.     21i  X  iri*"". 

ML3805.A2M3 

Anleitung  zum  clavierspielen,  der  scli6nern  ausubung  der  heutigen 
zeit  gem&ss  entworfen  von  Friedr.  Wilh.  Marpurg.  Nebst  xviii. 
kupfertafeln.     Berlin,  A.  Haude  und  J.  C.  Spener,  1755. 

6  p.  1.,  78,  [6]  p.    xvni  pi.  (partly  music)    20^  x  17^'=°'. 

MT224.A2M35 

Anleitung  zum   clavierspielen,   der  sch6nern  ausiibung   der 


heutigen  zeit  gem&ss  entworfen  von  Friedrich  Wilhelm  Marpurg. 
Nebst  XVIII.  kupfertafeln.  2.  verb.  aufl.  Berlin,  Haude  und  Spener, 
1765. 

7  p.  1.,  3-78,  [6]  p.    XX  pi.  on  10  1.  (partly  music)    20i  x  18"°. 

MT224.A2M354 

Principes  du  clavecin,  par  Mr.  Marpoui^.  Avec  vingt  plan- 
ches.    BerUn,  Haude  et  Spener,  1756. 

4  p.  1.,  92,  [6]  p.    XX  fold.  pi.  (partly  music)    22  x  18'="'. 

MT224.A2M36 

Friedr.  Wilh.  Marpurgs  Anleitung  zur  musik  tiberhaupt  und  zur 
singkunst  besonders,  mit  uebungsexempeln  erlliutert  .  .  .  Berlin,  A. 
Wever,  1763. 

7  p.  1.,  [31-171  p.     18'='". 

MT7.A2M2 

Anleitung  zur  singcomposition,  von  Friedrich  Wilhelm  Marpurg. 
Berlin,  G.  A.  Lange,  1758. 

5  p.  1.,  206  p.     front,  (port.)    22  x  17i«°. 

Contains  only  the  "  1 .  hauptstdck,  Von  dem  prosodischen  ausdruck  eines  textea, 
oder  von  der  mechanik  der  singcomposition.  Ledebur  (Tonkiinstler  Berlin's) 
states  that  Marpurg  had  intended  to  complete  the  work  with  a  second  volume, 
but  did  not  carry  out  his  intention. 

MT64.A2M35 

Clavierstiicke  mit  einem  practischen  unterricht  fiir  anf&nger  und 
geiibtere,  von  Friedrich  Wilhelm  Marpurg.  BerHn,  Haude  und 
Spener,  1762-63. 

3  V.  in  1.     19J  X  32"™. 

"Discurs  des  harm  Quanz  dber  das  clavieraccompagnement  (.  .  .  aus  dessen 
Versuche  &c.  die  fl6te  zu  spielen  ...)":  v.  3,  p.  [21]-27. 

MT243.A2M23 

Des  Critischen  musicus  an  der  Spree  erster  band.  Berlin,  A. 
Haude  und  J.  C.  Spener,  1750. 

4  p.  1.,  406  p.    v  fold.  pi.  (music)     21  x  17J<"°. 

Issued  weekly  from  March  4,  1749,  to  Feb.  17,  1750.     • 

ML4.C93 


168  LIBRARY   OF   CONGRESS 

Marpurg,  Friedrich  Wilhelm — Continued. 

Handbuch  bey  dem  generalbasse  und  der  komposition  mit  zwo- 
drey-  vier-  Mnf-  sechs-  sieben-  acht  und  mehfern  stimmen,  filr  an- 
f&nger  und  geiibtere,  von  Friedrich.  Wilhelm  Marpurg  .  .  .  Nebst  .  .  . 
notentafeln  .  .  .     Berlin,  G.  A.  Lange,  1757-62. 

341  p.    35  pi.     22  X  IQ"". 

In  4  parte,  each  with  special  t.-p.  pt.  [1]:  2.  verm,  und  verb.  aufl.  1762. 
pt.  2:  1757.  pt.  3:  Dritter  und  letzter  theil,  nebst  einem  hauptregister  fiber 
aUe  drey  theile.     1758.    pt.  4:  Anhang  zum  Handbuche  [etc.]  1760. 

MT49.A2M35 

HernuGeorg  Andreas  Sorgens  Anleitung  zum  generalbass  und  zur 
composixion.     Mit  anmerkungen  von  Friedrich  Wilhelm  Marpurg. 
Nebst  vier  kupfertafeln  .  .  .     Berlin,  G.  A.  Lange,  1760. 
6  p.  1.,  152  p.    IV  pi.    21J  X  17<"". 
A  criticism  by  Marp\xrg  of  Sorge's  "Compendium  harmonicum." 

MT50.A2M35 

Historisch-kritische  beytr&ge  zur  aufnahme  der  musik,  von  Fried- 
rich Wilhelm  Marpurg  .  .  .     Berlin,  G.  A.  Lange,  1754-78. 

5  V.    fold,  plates.     18''"'. 

Vol.  1  has  imprint:  Berlin,  J.  J.  Schfitzenssel.  wittwe,  1754.  Errors  in  paging. 
Issued  in  30  parts  ("stucke")  each  with  special  t.-p. 

ML4.H67 

Kritische  einleitung  in  die  geschichte  und  lehrs&tze  der  alten  und 
neuen  musik,  von  Friedrich  Wilhelm  Marpurg.  Nebst  acht  kupfer- 
tabellen.     BerHn,  G.  A.  Lange,  1759. 

5  p.  1.,  246,  [10]  p.     front,  (port.)  viii  pi.  (partly  music)    23  x  19^"™. 

Title  vignette. 

ML169.A2M35 

Die  kunst  das  clavier  zu  spielen,  durch  den  verfasser  des  Critischen 
musicus  an  der  Spree.     Berlin,  Haude  und  Spener,  1751. 

27  p.     IV  pi.     20i  X  17"°. 

1st  edition,  Berlin,  1750. 

MT220.A2M3 

Legende  einiger  musikheiligen.  Ein  nachtrag  zu  den  musikalischen 
almahachen  und  taschenbiichern  jetziger  zeit,  von  Simeon  Meta- 
phrastes,  dem  jungern  [meud.]  Nebst  2.  notentafeln  [Canon  i-ii] 
C611n  am  Rhein,  Bey  P.  Hammern.     [Breslau,  Korn]  1786. 

9  p.  1.,  [3]-331,  [1]  p.    fold.  1.  (music)     16i«"». 

ML65.M58 

Neue  methode  allerley  arten  von  temperaturen  dem  claviere  aufs 
bequemste  mitzutheilen ;  auf  veranlassung  einer  von  dem  herrn  baron 
von  Wiese  zu  Dresden  vorgeschlagenen  neuen  stimmungsart  entworfen 
von  Friedrich  Wilhelm  Marpurg.     Berlin,  G.  A.  Lange,  1790. 

6  p.  1.,  40  p.     23  X  20"™. 

ML3809.A2M37 


EAKLY  BOOKS  ON  MUSIC  169 

Marpurg,  Friedrich  Wilhelm — Continued. 

Friedrich  Wilhelm  Marpurgs  .  .  .  Versuch  Tiber  die  musikalisclie 
temperatur,  nebst  einem  anhang  ilber  den  Rameau-  und  Kirnberger- 
schen  grundbass,  und  vier  tabellen  .  .  .     Breslau,  J.  F.  Korn,  1776. 

xiv  p.,  1 1.,  319,  [1]  p.    IV  fold.  pi.     19i°«». 

ML3809.A2M35 

Marpurg,  Friedrich  Wilhelm,  1718-1795,  editor. 
See  Kritische  briefe  liber  die  tonkunst,  1760-64. 

Marpurg,  Friedrich  Wilhelm,  1718-1795,  translator. 

See  Alembert,  J.  L.  R.  d'.     Systematische  einleitung,  1757. 

Marshall,  William. 

The  propriety  of  singing  the  Psalms  of  David  in  New  Testament 
worship.  A  seimon  preached  at  Middle-Octoraro,  April  13th,  1774. 
at  the  opening  of  tne  Associate  Presbytery  of  Pensylvania.  By 
William  Marshall  .  .  .     Perth,  A.  Sharp  [etc.]  1776. 

68  p.     17''™. 

ML3001.M28 

Martianus  Capella. 

See  Meibom,  M.,  translator.     Antiqvae  mvsicse  avctores,  1652. 

Martin  y  Coll,  Antonio,  h.  ca.  1680. 

Arte  de  canto  llano,  y  breve  resvmen  de  svs  principales  reglas, 
para  cantores  de  choro;  dividido  en  dos  libros;  en  el  primero,  se 
declara  lo  que  pertenece  a  la  theorica;  y  en  el  segundo,  lo  que  se 
necessita  para  la  practica,  y  las  entonaciones  de  los  psalmos  con  el 
organo.  Dispvesto  por  Fr.  Antonio  Martin  y  Coll  .  .  .  Madrid,  Por 
la  viuda  de  J.  Garcia  Infanpon,  1714. 

13  p.  1.,  144,  [3]  p.     illus.     21  x  ISi'^'". 

Dedication  engraved. 

MT860.A2M35 

Arte  de  canto  llano,  y  breve  resumen  de  sus  principales  reglas, 

para  cantores  de  choro.  Dividido  en  dos  libros.  En  el  primero  se 
declara  lo  que  pertenece  a  la  theorica;  y  en  el  segundo  lo  que  se 
necessita  para  la  practica;  y  las  entonaciones  de  los  psalmos  con  el 
organo;  y  anadido  en  esta  segunda  impression  con  algunas  adver- 
tencias,  y  el  arte  de  canto  de  organo.  Dispuesto  por  fray  Antonio 
Martin  y  Coll  .  .  .  Madrid,  En  la  Imprenta  de  musica,  por  B. 
Peraha,  1719. 

13  p.  1.,  340,  [5]  p.     illus.     21'^™. 

MT860.A2M36 

Martinez  Bravo,  Jose  de  Torres. 

See  Torres  Martinez  Bravo,  Jose  de. 


170  LIBBABY   OF   CONGEESS 

Martini,  Georg  Heinrich,  1722-1794. 

Beweig  dass  der  neuern  urtheile  liber  die  tonkunst  der  alten  nie 
zul&nglich  und  entscheidend  seyn  k6nnen.  Womit  die  feyerliche 
rede  .  .  .  auf  das  amtsjubelfest  herm  Christoph  Stolzenbergs  .  .  .  an- 
kiindiget  Georg  Heinrich  Martini  .  .  .  Regensburg,  Gedruckt  bey 
H.  G.  Zunkel  [1764] 

12  p.     2U  X  IT-^"*. 

ML169.A2M38 

Martini,  Giovanni  Battista,  1706-1784. 

Dissertatio  de  usu  progressionis  geometricse  in  musica,  auctore 
Joanne  Baptista  Martini  ...     [n.  p.,  1766] 

25  p.     28i<^"». 

"  Questa  dissertazione  e  inserita  ne'  Commentari  dell'  latituto  delle  scienze 
di  Bologna,  tomo  v.  par  ii.  pag.  372-394  dell'  edizione  di  Bologna  jjer  Lelio 
dalla  Volpe." — Parisini,  Delia  vita  ,  .  .  del  padre  Gio.  Battista  Martini,  1887. 

ML3809.A2M39 

Esemplare,  o  sia  saggio  fondamentale  pratico  di  contrappunto 
sopra  il  canto  fermo  dedicato  all'  eminentissimo  .  .  .  Sig.  cardinale 
Vincenzo  Malvezzi  ...  da  f.  Giambattista  Martini  .  .  .  Bologna, 
Lelio  della  Volpe,  impressore  [1774-76] 

2  V.  (v.  1:  xxxii,  260  p.;  v.  2:  xxxxviii,  328  p.)    fold.  pi.    30<"". 

Vol.  2  has  title:  Esemplare  .  .  .  di  contrappunto  fugato,  dedicato  all'  illustris- 
simo  .  .  .  Moneignore  Gennaro  Adelelmo  Pignatelli  .  .  . 

Consists  of  examples  from  celebrated  composers  with  accompanying  explana- 
tions; vol.  1  contains  a  prefatory  outline  of  the  elements  and  rules  of  counter- 
point, vol.  2,  of  the  fugue. 

MT55.A2M38 

Storia  della  musica  ^.  .  .  alia  Sacra  reale  cattolica  Maesta  Maria 
Barbara  .  .  .  umiliato,*  e  dedicato  da  fr.  Giambatista  Martini  ... 
Bologna,  Lelio  dalla  Volpe,  impressore,  1757-81. 

3  V.    fold,  front.,  illus.  (incl.  ports.)  12  pi.  (partly  fold.)  2  fold,  maps,  2  plans. 
46""°. 

Large  paper  edition.  Title  in  red  and  black;  initials;  vignettes;  ornamental 
borders.     Bibliographical  foot-notes.    Numerous  musical  illustrations. 

Vol.  2:  Air  Altezza  serenissima  elettorale  di  Carlo  Teodoro  .  .  .  umiliato,  e 
dedicato;  v.  3:  A  Sua  Altezza  reale  Don  Fendinando  di  Borbone  .  .  . 

The  work  was  not  completed.  The  3  volumes  published  all  deal  with  ancient 
music.    The  Ist  vol.,  printed  1757,  was  not  published  until  1760  or  after. 

ML159.M2 

Storia  della  musica  .  .  .  alia  Sacra  reale   cattolica    Maesta 


Maria  Barbara  .  .  .  umiliato,   e    dedicaio  da   fr.   Giambatista   Mar- 
tini .  .  .     Bologna,  Lelio  dalla  Volpe,  impressore,  1757-81. 

3  V.    illus.  (incl.  ports.)  plates  (partly  fold.)  fold.  maps.    28  x  21^''". 

Title  vignette.     Bibliographical  foot-notes.     Same  variations  of  title  as  in  the 
large  paper  edition.     Numerous  musical  illustrations. 


ML159.M3 


See  also  Doni,  G.  B.     Lvra  Barberina,  1763. 
Zanotti,  F.  M.  "  Lettere,  1782. 


EARLY  BOOKS  ON   MUSIC  171 

Martyres,  Verissimo  dos. 

See  Verissimo  dos  Martyres. 

Mason,  William,  1724-1797. 

Essays,  historical  and  critical,  on  English  church  music.  By 
William  Mason  .  .  .  York,  printed  by  W.  Blanchard,  and  sold  by 
J.  Robson,  London;  [etc.,  etc.]  1795. 

2  p.  1.,  264  p.     17"'". 

"  [The  essay  on  cathedral  music]  originally  prefixed  to  a  collection  of  the 
words  of  anthems,  &c.  in  the  year  1782  ...  is  hereby  reprinted  with  some 
additions." 

ML3001.M41 

Masson,  Charles. 

Nouveau  traite'  des  regies  pour  la  composition  de  la  musique,  par 
lequel  on  apprend  a  faire  facilement  un  chant  sur  des  paroles;  a  com- 
poser ^  2.  ^  3.  &  &  4.  parties,  &c.  et  a  chiffrer  la  basse-continue^ 
suivant  I'usage  des  meilleurs  auteurs.  Ouvrage  tres-utile  k  ceux  qui 
joiient  de  Torgue,  du  clavecin,  &  du  th^orbe.  Par  C.  Masson  .  .  . 
3.  ed.,  rev.  &  cor.     Paris,  C.  Ballard,  1705. 

4  p.  1.,  127,  [1]  p.     19'^°'. 

MT40.A2M42 

Mather,  Cotton,  1663-1728. 

See  Walter,  T.     The  grounds  ...  of  musick  [17 — ] 

Mather,  Increase,  1639-1723. 

See  Walter,  T.     The  grounds  ...  of  musick  [17 — ] 

Mattel,  Saverio,  1742-1795. 

Memorie  per  servire  alia  vita  del  Metastasio,  raccolte  da  Saverio 
Mattel.     Ed.  1.     CoUe,  Stamperia  di  A.  M.  Martini,  e  comp.,  1785. 

2  p.  1.,  3-136  p.    20^""^. 

Half-title:  Metastasio  e  Jommelli. 

"Elogio  del  Jommelli,  o  sia  II  progresso  della  poesia,  e  musica  teatrale": 
p.  59-136. 

ML410.J7M2 

Se  i  maestri  di  cappella  son  compresi  fra  gli  artigiani,  probole  di 
Saverio  Mattel.  Lettera  al  Signor  Linguet.  Guazzabugho  Filosar- 
monico,  o  sia  Miscellaneo  sulla  Probole,  Anti-probole,  ed  Aneddoto 
forense  delF  abate  GaUani,  Sulla  quistione  se  gli  maestri  di  cappella 
son  compresi  fra  gli  artigiani,  anti-probole  di  G.  M.  C.  Per  D.  Lio- 
nardo  Garofalo,  risposta  alia  Probole.  Ultima  vera  per  gU  probolisti 
a  richiesta  per  gU  antiprobolisti,  o  sia  Spicilegio  musico  di  Michel- 
angelo Grisolia.     Napoli,  A  spese  di  S.  Palermo  [17 — ] 

38,  [4],  3-16,  28,  43,  47,  47  p.     18"°'. 

First  article  has  caption:  AH'  illustre  Signor  cavaliere  D.  Luigi  de'  Medici  de' 
principi  di  Ottajano,  giudice  della  Gran  corte  e  commessario  della  causa  del 
maestro  Cordelia.  Second  article  has  half-title:  Aneddoto  forense,  lettera  al 
Signor  Linguet,  traduzione  dal  francese.  Third  article  has  special  t.-p.:  Guazza- 
buglio  filosarmonico,  o  sia  Miscellaneo  verso-prosaico  sulla  Probole,  Anti-probole, 
ed  Aneddoto  forense  di  D.  Onofrio  Galeota  [pseud,  of  F.  Galiani]  .  .  .    Fanta- 


172  LIBRABY   OF   CONGRESS 

Mattel,  Sakverio— Continued. 

eianopoli  22.  luglio  1785.  Fourth  article  haa  special  t.-p.:  Sulla  quistione  [etc.] 
anti-probole  di  G.  M.  C.  Napoli,  S.  Palermo,  1785.  Fifth  article  (Bigned:  Luigi 
Serio)  and  sixth  article  have  each  half-title  as  given  on  t.-p. 

Appended:  Spaventosissima  descrizione  dello  spaventoso  spavento  che  nci 
Bpavent5  a  tutti  quanti  la  seconda  volta  colla  spaventevole  eruzzione  del  Vesuvio 
alii  15.  giugno  dell'  anno  1794.,  che  se  ne  fece  la  prima  descrizione,  che  questa  e  la 
eeconda.    Fatta  da  D,  Onofrio  Galeota  ...    28  p. 

ML63.M163 

Se  i  maestri  di  cappella  son  compresi  fra  gli  artigiani ;  probole 


di  Saverio  Mattei,  in  occasione  d'una  tassa  di  fatiche  domandata  dal 
maestro  Cordelia  ...     [3.  ed.]     Napoli,  G.-M.  Porcelli,  1785. 

48  p.    20i<=»°. 

ML63.M16 

Matthai,  Conrad,  h.  1610. 

Kurtzer  /  doch  ausfuhrlicher  bericht  /  von  den  modis  musicis, 
welchen  aus  den  besten  /  aeltesten  /  beruhmtesten  und  bewerthesten 
autoribus  der  music  zusammen  getragen  /  auff  den  unbeweglichen 
grund  der  mess-kunst  gesetzet  und  mit  beliebung  der  loblichen  Philo- 
sophischen  facuklt  Churfl.  br.  pr.  universitat  zu  Konigsberg  /  heraus 
gegeben  hat  Conradus  Matthgei,  Brunsuicensis.  [K6nigsberg]  Ge- 
druckt  durch  J.  Reusnern  /  in  verlegung  des  autoris,  1652. 

12  p.  1.,  124  p.    fold.  tab.     IQ*""^  x  15i«°'. 

MT45.A2M18 

Mattheson,  Johann,  1681-1764. 

Behauptung  der  himmlischen  musik  aus  den  grunden  der  vemunft, 
kirchen-lehre  und  Heiligen  Schrift  .  .  .     Hamburg,  C.  Herold,  1747. 

4  p.  L,  144,  [8]  p.     17"™. 

Preface  signed:  Mattheson. 

ML63.M17 

Critica  musica.  D.  i.  Grundrichti^e  untersuch-  und  beurtheilung  / 
vieler  /  tbeils  vorgefassten  /  theils  emf^ltigen  meinungen  /  argumen- 
ten  und  einwiirffe  /  so  in  alten  und  neuen  /  gedruckten  und  unge- 
druckten  /  musicalischen  schrifften  zu  finden.  Zur  muglichsten  aus- 
r&utung  aller  groben  irrthumer  /  und  zur  befdrderun^  eines  bessern 
wachstnums  der  reinen  harmonischen  wissenschafft  /  in  verschiedene 
theile  abgefasset  /  und  stuck-weise  heraus  gegeben  von  Mattheson  .  .  . 
[Pars  i-viii,  1.-24.  stilck]  Hamburg,  Auf  unkosten  des  autoris  [etc.] 
1722-25. 

2v.  in  1  (v.  1:  368,  [16]  p.;  V.  2:  8  p.  1.,  380,  [21]  p.)    diagr.    21  x  17J''™. 

Title  varies.     Vol.  2:  Gedruckt  und  zu  bekommen  bey  seel.  Thomas  von 
Wierings  erben. 

For  full  description  and  contents  see  Krome,  Die  anfange  des  musikalischen 
joumalismus  in  Deutschland . 

ML4.M42 

De  ervditione  mvsica  schediasma  .  .  . 
See  his  Philologisches  tresespiel. 

Exemplarische  organisten-probe  im  artikel  vom  general-bass. 
Welche  mittelst  24.  leichter  /  und  eben  so  viel  etwas  schwerer  exempel  / 


EAKLY  BOOKS   OlST   MUSIC  173 

Mattheson,  Johann — Continued. 

aus  alien  tonen  /  des  endes  anzustellen  ist  /  dass  einer  /  der  diese  48. 
prob-stilcke  rein  trifft  /  imd  das  darinn  enthaltene  wohl  anbringt  / 
sich  .  .  .  ruhmen  m6ge :  er  sey  ein  meister  im  accompagniren  .  .  .  ^lit 
den  nothwendigsten  erl4uterungen  und  anmerckungen  /  bey  jedem 
exempel  /  und  mit  einer  ausfuhrlichen  .  .  .  tbeoretischen  vorbereitung  / 
uber  verschiedene  musicalische  merckwilrdigkeiten  /  versehen  von 
Mattheson  .  .  .  Hamburg,  Schiller-  und  Kissnerische  buch-laden, 
1719. 

8  p.  i.,  128,  276  p.     front,  (port.)  fold.  pi.     21  x  18i«°'. 

MT49.A2M43 

Johann  Matthesons  Grosse  general-bass-schule.     Oder:  Der 


Exemplarischen  organisten-probe  2.  /  verb,  und  verm.  aufl.  /  bestehend 
in  dreien  classen  /  als :  in  einer  grundlichen  vorbereitung  /  in  24.  leichten 
exempeln  /  in  24.  schwerern  prob-stilcken :  solcher  gestalt  eingerich- 
tet  /  dass  /  wer  die  erste  wol  verstehet;  und  in  den  beiden  andem 
classen  alles  rein  trifft ;  so  dann  das  darin  enthaltene  gut  anzubringen 
weiss;  derselbe  ein  meister  im  general-bass  heissen  k6nne.  Ham- 
burg, J.  C.  Kissners  buchladen,  1731. 

21  p.  1.,  484  p.    pi.     21^  X  18i<=™. 

MT49.A2M44 

A  complete  treatise  of  thorough  bass,  containing  the  true  rules 


with  a  table  of  all  the  figured  &  their  proper  accompanyments,  to 
which  is  added  several  examples  of  each  ngure,  by  John  Matheson 
London,  P:  Hodgson  [17 — ] 

1  p.  1.,  32  p.    35« 


^cm 


Engraved  throughout.    The  "true  rules"  occupy  only  p.  1,  the  rest  of  the 
work  consisting  of  musical  examples. 

MT49.A2M442 

Grundlage  einer  ehren-pforte,  woran  der  tiichtigsten  capellmeister, 
componisten,  musikgelehrten,   tonkilnstler  &c.   leben,  wercke,  ver-' 
dienste  &c.  erscheinen  sollen.     Zum  fernern  ausbau  angegeben  von 
Mattheson.     Hamburg,  In  verlegung  des  verfassers,  1740. 

2  p.  1.,  xliv,  428,  [16]  p.     21  x  16^^°^. 

Engr.  t.-p. 

ML105.A2M42. 

Gultige  zeugnisse  liber  die  jiingste  Matthesonisch-musicalische  kern- 
schrifft,  als  ein  fuglicher  anhang  derselben,  zum  druck  bef6rdert  von 
Aristoxen,  dem  jungern  ['pseud.]  .  .  .     Hamburg,  1738. 

15  p.     21^x18"™.     ( TFi'iA  Ais  Kern  melodischer  wissenschafft.     Hamburg,  1737) 

Three  letters,  by  C.  H.  P.,  J.  P.  Kuntzen  and  J.  A.  Scheibe  respectively,  with 
notes  by  Mattheson. 

MT6.A2M44 

Kern  melodischer  wissenschafft,  bestehend  in  den  auserlesensten 
haupt-  und  grund-lehren  der  musicahschen  setz-kunst  oder  composi- 
tion, als  ein  vorl&uffer  des  Vollkommenen  capellmeisters  /  ausgear- 
beitet  von  Mattheson.     Hamburg,  C.  Herold,  1737. 

9  p.  1.,  182,  [8]  p.     illus.     2H  x  18-=™. 

MT6.A2M44 


174  LIBRARY  OF   CONGRESS 

Mattheson,  Johann — Continued. 

Johann  Mattheson' s  .  .  .  Kleine  general- bass-schule.  Worin  nicht 
nur  lernende  /  sondern  vornehmlich  lehrende  /  aus  den  allerersten 
anfan^-griinden  desclavier-spielens  /  ilberhaupt  und  besonders  /  durch 
verscmedene  classen  u.  ordnungen  der  accorde  stuff en-weise  /  mittelst 
gewisser  lectionen  oder  stiindlicher  aufgaben  /  zu  mehrer  voUkom- 
menheit  in  dieser  wissenschafft  /  richtig  /  getreulich  /  und  auf  die 
deutlichste  lehr-art  /  kiirtzlich  angeMnret  werden  .  . .  Hamburg  / 
J.  C.  Kissner  /  1735. 

8  p.  1.,  253,  [13]  p.    21  X  IS""". 

Added  t.-p.,  engr.,  with  date  1734. 

Additions  and  corrections  for  his  Grosse  general-baas-schule,  2d  ed.,  Heidelberg, 
1731,  on  last  page. 

MT49.A2M45 

Der  Musicalische  patriot  /  welcher  seine  gnindliche  betrachtun- 
gen  /  liber  geist-  una  weltl.  harmonien  /  samt  dem  /  was  durchge- 
nends  davon  abh&nget  /  in  angenehmer  abwechselung  zu  solchem  ende 
mittheilet  /  das  Gottes  ehre  /  das  gemeine  bests  /  und  eines  jeden 
lesers  besondere  erbauung  dadurcb  bef6rdert  werder.  Ans  licht  ge- 
stellet  von  Mattheson.     Hamburg,  1728. 

376  (i.  e.  384)  p.     19  x  ISi""*. 

No.  73-80  repeated  in  paging. 

Issued  in  weekly  numbers  aa  "Des  Mvisikalischen  patrioten  erste  [-drey  und 
vierzigste]  betrachtung." 

ML4.M43 

Die  neuangelegte  freuden-akademie,  zum  lehrreichen  vorschmack 
unbeschreiblicher  herrUchkeit  in  der  veste  gdttUcher  macht.  Ange- 
priesen  von  Johann  Mattheson  .  .  .     Hamburg,  J.  A.  Martini,  1751-53. 

2  V.  in  1  (v.  1:  2  p.  1.,  302,  [22]  p.;  v.  2:  38  p.  1.,  322,  [17]  p.)     18^^ 


Jem 


Vol.  2  has  title:  Johann  Matthesons  .  .  .  Neuangelegter  freuden-akademie 
zweyter  band,  mit  vorgesetzter  abhandlung  betreffend  alle  freudenstSrer  und 
todwunscher. 

Ch.  17.  1144 

Das  neu-er6ffnete  orchestre,  oder  Universelle  und  griindhche  anlei- 
tung  /  wie  ein  galant  homme  einen  vollkommnen  begriff  von  der 
hoheit  und  wilrde  der  edlen  music  erlangen  /  seinen  gout  darnach  for- 
miren  /  die  terminos  technicos  verstehen  und  geschickUch  von  dieser 
vortrefflichen  wissenschafft  raisonniren  m6ge.  Durch  J.  Mattheson, 
seer.  Mit  beygefugten  anmerckungen  herrn  capell-meister  Reisers. 
Hamburg,  Auf  unkosten  des  autoris,  und  zu  finden  in  B.  Schillers 
wittwe  buchladen  /  1713. 

7  p.  1.,  338,  [11]  p.     front,  (port.)     16<"". 
' '  9  seiten  notenbeispiele  ' '  mentioned  by  Becker  not  in  this  copy. 

MT6.A2M42 

Das  neu-er6ffnete  orchestre,  oder  Universelle  und  griindliche 


anleitung  /  wie  ein  galant  homme  einen  vollkommnen  begriff  von  der 
hoheit  und  wiirde  der  edlen  music  erlangen  /  seinen  gout  darnach  for- 
miren  /  die  terminos  technicos  verstehen  und  geschicklich  von  dieser 
vortrefflichen  wissenschafft  raisonniren  m6ge.     Durch  J.  Mattheson, 


EARLY  BOOKS  ON   MVSIC  ""'  ^ 'i       ;  ' ;"  ;  ,'  it&c 

Mattheson,  Johann — Continued. 

seer.     Mit  beygefugten  anmerckungen  herm  capell-meister  Keisers. 
Hamburg,  B.  Schillers  wittwe,  1713. 

2  p.  1.,  338  p.     H^*"". 
"9  seiten  notenbeispiele"  mentioned  by  Becker  not  in  this  copy. 

MT6.A2M43 

-  Das  beschiltzte  orchestre,oder  desselben  zwey  te  er6ff  nung/worinn 


nieht  nur  einem  wilrcklichen  galant-homme,  der  eben  kein  professioris- 
verwandter  /  sondem  auch  manchem  musieo  selbst  die  alleraufrich- 
tigste  und  deutlichste  vorstellung  musicalischer  wissenschaiften  /  wie 
sich  dieselbe  .  .  .  eigentlich  und  wahrhafftig  verhalten  /  ertheilet;  aller 
wiedrigen  auslegung  und  gedungenen  aufbiirdung  aber  v611iger  . .  » 
bescheid  gegeben;  so  dann  endlich  des  lange  verbannet  gewesenen  ut 
re  mi  fa  sol  la,  todte  (nicht  tola)  musica,  imter  ansehnlicher  begleitung 
der  zw6lff  griechischen  modorum  .  .  .  zu  grabe  gebracht  und  mit 
einem  monument,  zum  ewigen  andencken  /  beehret  wird  von  Matthe- 
son.    Hamburg,  Schilleriscne  buchladen,  1717. 

11  p.  1.,  561,  [1]  p.     7  fold.  pi.     HO"*. 

The  greater  part  of  the  work  was  written  in  refutation  of  J.  H.  Buttstett's  Ut, 
re,  mi,  fa,  sol,  la,  tota  musica. 

MT6.A2M38 

Das  forschende  orchestre,  oder   desselben   dritte  er6ffnung. 


Darinn  sensvs  vindiciae  et  qvartse  blanditiae,  d.  i.  der  beschirmte  sinnen- 
rang  und  der  schmeichelnde  quarten-klang  /  alien  unpartheyischen  syn- 
tecmiitis  zum  nutzen  und  nachdenken;  keinem  menschen  aber -zum 
nachtbeil  /  sana  ratione  &  autoritate  untersuchet  /  und  vermuhtlich 
in  ihr  rechtes  licht  gestellet  werden  von  Joanne  Mattheson  .  .  .  Ham- 
burg /  B.  Schillers  wittwe  /  und  J.  C.  KLissner,  1721. 

23  p.  1.,  789,  [38]  p.     front.     ISi""*. 

MT6.A2M39 

Die  neueste  untersuchung  der  singspiele,  nebst  beygeMgter  musi- 
kalischen  geschmacksprobe,  liefert  niemit  Aristoxenus,  der  jungere 
[pseud.]  .  .  .     Hamburg,  C.  Herold,  1744. 

4  p.  1.,  168  p.     17'^". 

ML3858.M41 

Matthesons  Philologisches  tresespiel,  als  ein  kleiner  beytrag  zur 
kritischen  geschichte  der  deutschen  sprache,  vornehmlich  aber,  mit- 
telst  gescheuter  anwendung,  in  der  tonwissenschaft  niitzlich  zu 
gebrauchen.  Subiuncta  nouissima  editione  Schediasmatis  de  ervdi- 
tione  mvsica  •  .  •  ^  Hamburg,  J.  A.  Martini,  1752.    , 

16  p.  1.,  133,  [9]  p.,  1 1.,  29  p.     17<'™. 

"De  ervditione  mvsica"  has  special  t.-p.  and  separate  paging. 

ML63.M18 

Matthesonii  Plvs  vltra,  ein  stilckwerk  von  neuer  und  mancherley 
art.     Erster[-zweeter]  vorrath  .  .  .     Hamburg,  J.  A.Martini,  1754-55. 
382,  [16]  p.     2  fold.  pi.  (music)     17^'=™. 

Each  part  has  special  t.-p. 

The  third  and  fourth  parts,  published  1755-56,  are  wanting  in  L.  of  C.  copy. 

ML60.M432 


47;^<^  V;  ''/\       ;-''  '•'•   '■'  '-^LIBBAEY  OF   CONGRESS 

Mattheson,  Johann — Continued. 

Der  vollkommene  capellmeister;  das  ist,  Gnlndliclie  anzeige  aller 
derjenigen  sachen,  die  einer  wissen,  k6nnen,  und  voUkommeii  inne 
haben  muss,  der  einer  capelle  mit  ehren  und  nutzen  vorstehen  will: 
zum  versuch  entworffen  von  Mattheson.     Hamburg,  C.  Herold,  1739. 

28,  [4],  484,  [20]  p.     aSJ^"". 

Dedication  signed:  Johann  Mattheson. 

"Neu^  verzeichniss  bisheriger  Matthesonischer  wercke":  [1]  p.  at  end. 

MT85.A2M43 
See-also  Abhandlung  von  den  pantomimen,  1749. 

Mattheson,  Johann,  1681-1764,  editor. 

See  NiEDT,  F.  E.     Musicalische  handleitung. 

Raupach,  C.     Deutliche  beweis-gnlnde,  1717. 

[Maupoint,  ] 

Biblioteque  des  theatres,  contenant  le  catalogue  alphabetique  des 

{)ieces  dramatiques,  opera,  parodies,  &  opera  comiques;  &  le  terns  de 
eurs  representations.  Avec  des  anecdotes  sur  la  plftpart  des  pieces 
contenues  en  ce  reciieil,  &  sur  la  vie  des  auteurs,  musiciens  &  acteurs. 
Paris,  L.  F.  Prault,  1733. 

3  p.  1.,  369,  [3]  p.     20'='°. 

Added  t.-p.,  engr. 

Z2174.D7M3 

[Maxwell,  Francis  Kelly  called  John]  d.  1782. 

An  essay  upon  tune.  Being  an  attempt  to  free  the  scale  of  music, 
and  the  tune  of  instruments,  from  imperfection.  Illustrated  with 
plates  .  .  .     Edinburgh,  C.  ElUot;  [etc.,  etc.]  1781. 

2  p.  L,  290,  [1]  p.    xix  fold.  pi.    2V^. 

ML3809.A2M41 

Mayeur  de  Saint  Paul,  Frangois  Marie,  1758-1818. 
See  DuMONT.     Le  vol  plus  haut,  1784. 

Meckenheuser,        h.  ca.  1660. 

Die  so  genannte:  allerneueste,  musicaUsche  temperatur:  oder,  Die, 
von  denen  respective  herren  capellmeistern  Biimlern,  zu  Onoltzbach, 
und  hn.  Mattheson  zu  Hamburg,  giltigst  communicirte,  12.  rational- 

fleiche  toni  minores,  oder  semitonia  in,  und  zwischen  denen  13.  clavi- 
us,  und  denen  12.  intervallis  aller  derselben  octaven:  des  .  .  .  herrn 
hof-rahts  H^nflings,  zu  Onoltzbach.     Denen  respective  herren  musicis 

Eracticis  .  .  .  zu   beliebiger   censur    libergeben,   von   J,    G.    Mecken- 
euser  .  .  .     [QuedUnburg,  1727] 
60  p.,  1 1.    20i  X  11'-^. 

Gerber,  Eitner  and  others  give  the  author's  forenames  as  Jacob  Georg;  the 
dedication  of  the  book  is  signed  Johann  Georg. 

ML3809.A2M43 


BABLf  BOOKS  ON  MUSIC  1*77 

Mel,  Girolamo. 

Discorso  sopra  la  mvsica  antica,  e  modema,  di  M.  Girolamo 
Mei  .  .  .     Venetia,  G.  B.  Ciotti,  1602. 

[23]  p.  m""". 

Title  vignette:  printer's  mark.    Signatures:  A-C  in  fours. 

An  abridged  translation,  by  Pier  del  Nero,  of  the  second  book  of  an  unpub- 
lished work  by  Mei,  "Demodis  musicis  veterum  libri  quatuor."  The  original 
ms.  is  in  the  Vatican  library,  cf.  Gaspari,  Catalogo  della  bibl.  del  Liceo  mus. 
di  Bologna,  v.  1,  p.  234. 

ML171.M44 

Meibom,  Marcus,  d.  1711,  editor. 

Antiqvse  mvsicse  avctores  septem.  Greece  et  latine.  Marcvs  Mei- 
bomivs  restituit  ac  notis  expUcavit  .  .  .  Amstelodami,  apud  Ludo- 
vicum  Elzevirium,  1652. 

2  V.    5  fold.  tab.    22J  x  16«"». 

Printer's  mark:  Minerva. 

Vol.  2  has  title:  'ApsazsiSou  KolvTiXeavoH  IIspl  ^oaiKf^c  ^i^Ua  r.  Aristidis 
Qvintiliani  De  mvsica  libri  iii.  Marcvs  Meibomivs  reatitvit,  ac  notis  expU- 
cavit .  .  . 

Contents. — I.  i.  Aristoxeni  Harmonicorvm  elementorvm  libri  iii.  ii.  Ev- 
clidis  [i.  e.  Cleonidse?]  Introdvctio  harmonica.  Euclidis  Sectio  canonis.  nr. 
Nicomachi  Geraseni,  Pythagorici,  harmonices  manvale.  iv.  Alypii  Introdvctio 
mvsica.  v.  Gavdentii,  philosophi,  Introdvctio  harmonica,  vi.  Bacchii  senioris 
Introdvctio  artis  mvsicse. — II.  Aristidis  Qvintiliani  De  mvsica  libri  in.  & 
Martiani  Capellae  De  mvsica  liber  ix. 

ML167.M49 

Mellen,  John,  1722-1807. 

Religion  productive  of  music.  A  discourse,  delivered  at  Marl- 
borough, March  24th,  1773,  at  a  singing  lecture  .  .  .  By  John  Mel- 
len ..  .     Boston,  I.  Thomas,  1773. 

34  p.     19<"". 

[Miscellaneous  pamphlets,  v.  319,  no.  4] 

Caption  title:  The  service  of  God,  a  ground  of  gladness  and  singing.  Psalm  c. 
ver.  2  .  .  . 

AC901.M5 

Melody — the  soul  of  music:  an  essay  towards  the  improvement  of 
the  musical  art:  with  an  appendix,  containing  account  of  an  inven- 
tion .  .  .     Glasgow,  Printed  in  the  Courier  office,  1798. 

82  p.     20^'=™. 

The  invention  is  a  violin  with  double  strings  in  octaves. 

ML3920.A2M4 

Memoire  pour  le  sieur  de  Lanove,  la  demoiselle  Gavssin,  &  consorts, 
opposans  a  la  reception  de  la  demoiselle  Cleron  {h.  la  Comediefran- 
^oise]     [n.  p.,  ca.  1750] 

20  p.     16"'°. 

ML1727.3.A2M5 

51234°— 13 12 


178  LEBBARY  OP   CONGBESS 

Memoires  pour  servir  a  I'histoire  de  la  revolution  op^r^e  dans  la 
musique  par  M.  le  chevalier  Gluck  ...  A  Naples  et  se  trouve  a 
Paris,  chez  Bailly,  1781. 

2  p.  1.,  491  p.     front,  (port.)    22<'»». 

Edited  by  Gaspar  Michel  Leblond. 

ML1727.35.M5 

[Menestrier,  Claude  Frangois]  1631-1705. 

Des  ballets  anciens  et  modernes  selon  les  regies  du  theatre.  Paris, 
R.  Guignard,  1682. 

28  p.  1.,  232  (t.  e.  323),  [5]  p.    15""'. 

The  privilege,  dated  1679,  is   for  Menestrier'e   "PhiloBophie  dee  images", 
of  which  this  forms  a  part.    Errors  in  paging. 

PN1991.M4 

Des  representations  en  musique  anciennes  et  modernes.  Paris, 
R.  Guignard,  1681. 

12  p.  1.,  333,  [3]  p.    17«"'. 

ML1700.A2M5 

Mengoli,  Pietro,  1625-1686. 

Specvlationi  di  mvsica,  dedicate  all'  eminentiss.  .  .  .  Sig.  card. 
AzzoUni  da  Pietro  Mengoli  .  .  .  Bologna,  Per  I'herede  del  Benacci, 
1670. 

12p.  1.,  295p.    tables  (2  fold.)    20i<'"». 

ML3800.A2M3 

Mercadier,  Jean  Baptiste,  1750-1816. 

Nouveau  syst^me  de  musique  th^orique  et  pratique,  par  M.  Mer- 
cadier de  Belesta  .  .  .     Paris,  Valade,  1776. 

Ixxij,  304,  [4]  p.    VIII  fold.  pi.    20^'=='. 

ML3800.A2M4 

Mermet,  Louis  Bollioud- 

See  Bollioud-Mermet,  Louis. 

Mersenne,  Marin,  1588-1648. 

F,  Marini  Mersenni  .  .  .  Harmonicorvm  Hbri.  In  qvibvs  agitvr  de 
sonorvm  natvra,  cavsis,  &  effectibus:  de  consonantiis,  dissonantiis, 
rationibus,  generibus,  modis,  cantibua,  compositione,  orbisque  totius 
harmonicis  instrumentis  .  .  .  Opus  vtile  grammaticis,  oratoribus, 
philosophis,  iurisconsultis,  medicis,  mathematicis,  atque  theologis  .  .  . 
Lvtetiae  Parisiorvm,  sumptibus  Gvillelmi  Bavdry,  1635. 

6  p.  1.,  184,  168  p.    illus.,  diagrs.    35i<"°. 

Title  vignette. 

1^L3805.A2M5 

Harmonicorvm    libri    xii.     In    qvibvs    agitvr    de    sonorvm 


natvra,  cavsis,  et  effectibvs:  de  consonantiis,  dissonantiis,  rationibus, 
generibus,  modis,  cantibus,  compositione,  orbisque  totius  harmonicis 


EABLY  BOOKS  ON   MUSIC  179 

Mersenne,  Marin — Continued. 

instrumentis.     Authore  F.  M.  Merseno  Minimo  .  .  .     Editio  avcta. 
Lvtetise  Parisiorvm,  sumptibus  Gvillelmi  Bavdry,  1648. 

8  p.  1.,  184  (i.  e.  172),  4,  168  p.     illus.,  diagrs.     36^^". 

Title  in  red  and  black;  title  vignette.  No.  126-131,  154-159  omitted  in  paging 
of  part  1;  other  slight  errors  in  paging. 

ML3805.A2M6 

Harmonie  vniverselle  .  .  .     Par  F.  Marin  Mersenne  .  .  .     Paris,  S. 
Cramoisy,  1636-37. 

2  V.  in  3.    illus.  (incl.  port.)  tables,  diagrs.    37i<=™. 

Coat  of  arms  of  Antoine  Barillon  de  Morangis,  maitre  des  requdtes  ordinaires  du 
roi,  in  gilt,  stamped  on  cover.  Many  irregularities  in  paging. 
Collations  of  this  work  differ;  the  L.  of  C.  copy  is  made  up  as  follows: 
Vol.  [1]  Title  (in  red  and  black) :  Harmonie  vniverselle,  contenant  la  theorie 
et  la  pratique  de  la  mvsiqve,  ou  il  est  traits  de  la  nature  des  sons,  &  des  mouue- 
ments,  des  consonances,  des  dissonances,  des  genres,  des  modes,  de  la  compo- 
sition, de  la  voix,  des  chants,  &  de  toutes  sortes  d'instrumens  harmoniques. 
Par  F.  Marin  Mersenne  de  I'ordre  des  Minimes.  [vignette:  printer's  mark] 
A  Paris,  chez  Sebastien  Cramoisy,  imprimeur  ordinaire  du  roy,  rue  S.  Jacques, 
aux  Cicognes.  m.dc.xxxvi.  Auec  pnuilege  du  roy,  &  approbation  des  doc- 
teurs. — Title-page,  v°:  note,  Les  caracteres  de  mvsiqve  sont  de  I'impression  de 
Pierre  Ballard  imprimeur  de  la  musique  du  roy. —  Title  (Harmonie  vniverselle) 
with  an  engr.  illustration,  signed  H.  Le  Roy;  below,  verse  22  of  Psalm  70.  Verso 
blank. — p.  1.  [3]-p.  1.  [7]:  Premiere  preface  generale  av  lectevr. — p.  1.  [7] 
v°:  Extraict  dv  privilege  dv  roy.  Approbation  des  theologiens  de  I'ordre  des 
Minimes. — p.  1-68:  Livre  de  I'vtilit^  de  I'Jiarmonie,  &  des  autres  parties  des 
mathematiques. — Half-title:  Traitez  de  la  natvre  des  sons,  et  des  mowemens 
de  toutes  sortes  de  corps.  Verso  blank. — p.  1.  [2-3]:  A  tres-havt  .  .  .  prince  Mon- 
seignevr  Lovis  de  Valois,  conte  d'Alais  [etc.]  (signed  by  the  author) — p.  1.  [4]: 
Preface  au  lecteur.     Fautes  suruenues  dans  le  second  liure  Des  mouuemens. — 

E.  1-84:  Livre  premier.  De  la  natvre  et  des  proprietez  dv  son. — p.  85-156: 
ivre  second.  Des  mowemens  de  tovtes  sortes  de  corps. — p.  157-228:  Livre 
troisiesme.  Dv  mowement,  de  la  tension,  de  la  force,  de  la  pesanteur,  &  des 
autres  proprietez  des  chordes  harmoniques,  &  des  autres  corps. — p.  228:  Fautes 
de  I'impression  des  trois  liures  precedens.  Advertissement. — p.  1.  [1]:  Leaf 
with  4  diagrams  on  verso,  recto  blank. — p.  1.  [2]r°:  Aduertissement  au  lecteur. 
Fautes  suruenues  en  I'impression.  Verso  blank. — p.  1-36:  Traite  de  mechaniqve. 
Des  poids  soustenvs  par  des  puissances  sur  les  plans  inclinez  k  I'horizon.  Des 
puissances  qui  soustiennent  vn  poids  suspendu  a  deux  chordes.  Par  G.  Pers. 
de  Roberual  .  .  .  — Vol.  [2]  Half-title:  Traitez  de  la  voix,  et  des  chants.  Verso 
blank. — p.  1.  [2]-p.  1.  [3]  r°:  A  Monsievr  Monsievr  Halle,  seignevr  de  Bovcqveval 
[etc.]  (signed  by  the  author) — p.  1.  [3]  v°-p.  1.  [4]:  Preface  au  lecteur.  Fautes 
suruenues  en  I'impression. — p.  1-88:  Livre  premier.  De  la  voix,  des  parties 
qvi  servent  a  la  former,  de  sa  definition,  de  ses  proprietez,  &  de  I'oiiye. — p.  89- 
180:  Livre  second,  Des  chants  (p.  117-128:  Varietez  des  six  notes  de  la  sexte 
mineure,  ou  maieure.  Sept  cens  vingt  chants  de  I'hexachorde  mineur.  p.  150- 
151:  Table  des  256  varietez  de  quatre  temps  differens) — Half-title:  Traitez  des 
consonances,  des  dissonances,  des  genres,  des  modes,  &  de  la  composition.  Verso 
blank. — p.  1.  [2-3]:  A  Monsievr,  M.  Nicolas  Clavde  Fabry,  sieur  de  Peiresc  et 
de  Callas  [etc.]  (signed  by  the  author) — p.  1.  [4]-p.  1.  [6]  r°:  Preface,  &  aduer- 
tissement au  lecteur. — p.  1.  [6]  v":  Fautes  suruenues  en  I'impression.— p.  1-112: 
Livre  premier.  Des  consonances. — p.  113-140:  Livre  second.  Des  disso- 
nances.— p.  141-196:  Livre  troisiesme.  Des  genres,  des  especes,  des  systemes,  & 
des  modes  de  la  musique  (Plate  bearing  diagram  between  p.  164  and  165,  dupli- 
cate between  p.  166  and  167) — p.  197-282:  Livre  qvatriesme.  De  la  composition 
de  mvsiqve. 

Title:  Seconde  partie  de  1' Harmonie  vniverselle:  contenant  la  pratique  des 
consonances,  &  des  dissonances  dans  le  contrepoint  figure,  la  methode  d'enseigner, 
&  d'apprendre  a  chanter.  L'embellissement  des  airs.  La  musique  accentuelle. 
La  rythmique,  la  prosodie,  &  la  metrique  fran^oise.  La  maniere  de  chanter  les 
odes  de  Pindar,  &  d'Horace.  L'vtilite  de  I'harmonie,  &  plusieurs  nouuelles 
obseruations,  tant  physiques  que  mathematiques:  auec  deux  tables,  I'vne  des 


4 


i- 


180  LIBRARY   OF   CONGRESS 

Mersenne,  Marin — Continued. 

propositions,  &  I'autre  des  matieres.  Cantate  Domino  canticum  nouum,  latis 
eius  in  ecclesia  sanctorum.  Psal.  149.  [vignette:  printer's  mark]  A  Paris,  par 
Pierre  Ballard,  imprimeur  de  la  musique  du  roy,  demeurant  rue  S.  lean  de 
Beauuais,  k  I'enseigne  du  Mont  Parnasse.  m.dc.xxxvii.  Auec  priuilege  du  roy, 
&  approbation  des  docteurs.  Verso  blank. — p.  1.  [2]:  Av  lectevr.  Errata  cor- 
rigez. — p.  283-330:  Livre  cinqviesme.  De  la  composition  de  mvsiqye  (p.  300- 
303:  Fantaisie  k  quatre,  composee  par  le  sieur  de  Cousu) — p.  331-440:  Livre 
sixiesme.    De  I'art  de  bien  chanter. — p.  440-442:  Fautes  de  I'impression  du  5 

6  6  liure,  auec  quelques  auertissemens.  Licence  du  general  F.  Franciscvs 
a  Longobardis  ordinis  Minorum  corrector  generalis.  Approbation  des  doctevrs. — 
Vol.  [3]  Half-title:  Traite  des  instrumens  a  chordes.  verso  blank. — p,  1.  [21 — 
p.  1.  [3]  r°:  A  Monsievr  Monsie\T  de  Refvge,  conseiller  av  Parlement  (signed  by 
the  author) — p.  1.  [3]  v° — p.  1.  [4]:  Preface  au  lecteur.  Fautes  euruenues  en 
I'impression. — p.  1-40,  numb.  1.  41-46:  Livre  premier.  Des  instriimens  (running 
title) — p.  45-92,  85-92,  nimib.  1.  93-100:  Livre  second.  Des  instruments  a 
chordes. — ^p.  101-176:  Livre  troisiesme.  Des  instrvmens  a  chordes. — p.  177-228: 
Livre  qvatriesme.  Des  instrvmens  a  chordes  (p.  186-189:  Fantaisie  a  5.  composee 
par  le  sieiu:  Henry  le  leune) — p.  225-308:  Livre  cinqviesme.  Des  instrvmens 
a  vent. — p.  1.  [1]:  A  Monsievr  Monsievr  Pascal  .  .  .  (signed  by  the  author) — p. 
1.  [2]:  Preface  au  lecteur.  Fautes  suruenues  en  I'impression  du  traits  de  I'or- 
gue. — ^p.  309-412:  Livre  sixiesme.  Des  orgves. — p.  1-72:  Livre  septiesme.  Des 
instrvmens  de  percvssion  (p.  [66]-69:  Requiem  k  cinq  parties  compose  par  Jac- 
ques Mauduit) — p.  73-79:  Fautes  de  I'impression,  &  quelques  aduis.  Essay  des 
moralitez  tirees  de  la  pure  mathematique. — p.  1-28:  Isovvelles  observations 
physiqves  et  mathematiqves. — p.  [1-9]:  Table  des  xix.  liures  de  musique. — 
p.  [10]:  Premiere  observation. — p.  [11-12]:  Seconde  observation. 

ML100.A2M3 

Les  prelvdes  de  riiarmonie  vniverselle,  ov  Qvestions  cvrievses. 
Vtiles  aux  predicateurs,  aux  theologiens,  aux  astrologues,  aux  med^ 
cins  &  aux  pliilosophes.  Composees  par  le  L.  P.  M.  M.  Paris,  H. 
Gvenon,  1634. 

7  p.  1.,  224  p.     illus.     17J'^™. 

ML3800.A2M5 

Traite  de  rharmonie  vniverselle.  Oil  est  contenu  la  musique  theo- 
rique  &  pratique  des  anciens  &  modernes,  auec  les  causes  de  ses  effets. 
Enrichie  de  raisons  prises  de  la  philosophie,  &  des  mathematiques. 
Par  le  sieur  de  Serines  [psevd.]  A  Pans,  pour  Gvillavme  Bavdry, 
1627. 

2  pt.  in  1  V.     illus.,  tables,  diagrs.     18''™. 

Title-page,  with  printer's  mark  (?)  verso  blank. — Epistre  (A  Monsie\T  Monsievr 
de  Refvge,  conseiller  dv  roy  en  sa  cour  de  Parlement.  Signed:  F.  de  Sermes) 
"^9]  p. — Preface  av  lectevT,  [7]  p.— Sommaire  des  seize  liures  de  la  musique, 
5]  p. — Preface  dv  premier  livre,  [2]  p. — Table  des  theoremes  dv  premier  livre, 
7]  p. — Livre  premier  de  la  mvsiqve.  Qui  contient  ce  qu'enseignent  Euclide, 
rtolom^e,  Bacchius,  Boece,  Guy  Aretin,  Faber,  Glarean,  Folian,  Zarlin,  Salinas, 
Galilee,  rilluminato,  Cerone,  &c.  &  plusieurs  autres  choses  qui  n'ont  point  este 
trait^es  iusques  k  present,  p.  1-304,  followed  by  Exemples  des  xii.  modes,  [4]  p. — 
Title:  Livre  second  de  I'Harmonie  vniverselle.  Oil  I'harmonie  de  toutes  les 
parties  du  monde  est  expliquee  tant  en  general  qu'en  particulier.  Par  le  sieur 
de  Sermes.  A  Paris,  po\T  Gvillavme  Bavdry  .  .  .  m.dc.xxvii.  Auec  privilege 
du  roy.  Verso  blank. — Epistre  (A  Monsievr  Monsievr  Covtel,  conseiller  dv  roy 
en  sa  Govt  des  aydes.  Signed:  Francois  de  Sermes),  [7]  p. — Preface  dv  second 
livre,  [8]  p. — Table  des  theoremes  dv  second  livre,  [3]  p. — Livre  second  des 
paralleles  de  la  mvsiqve.  Auquel  on  void  le  rapport  qu'ont  les  sons,  les  con- 
sonances, &  les  autres  inteniales  auec  la  rythmique  [etc.,  etc.],  p.  305-477  (p. 
368  wrongly  numbered  378,  no.  369-370  omitted) — Fautes  du  premier  liure. 
Fautes  du  second  liure,  [1]  p. 

ML3805.A2M68 


EARLY  BOOKS   ON   MUSIC  181 

Metaphrastes,  Simeon,  der  jungere,  psevd. 

See  Marpurg,   Friedrich  Wilhelm.     Legende   einiger   musik- 
heiligen,  1786. 

Metodo  per  suonare  il  flauto  con  principj  ristretti  di  musica. 

[21]  p.    30  X  2P'». 

18th  cent.  ma. 

On  p.  [14]  "Regole  per  aprendere  la  musica,"  which  are  extensively  explained 
in  the  following  "Spiegazione  degl'  antecedenti  articoli." 

ML96.M 

Meude-Monpas,  J.  J.  O.  de. 

Dictionnaire  de  musique,  dans  lequel  on  simplifie  les  expressions 
et  les  definitions  mathematiques  et  physiques  qui  ont  rapport  k  cet 
art;  avec  des  remarques  impartiales  sur  les  poetes  lyriques,  les  v6ri- 
ficateurs,  les  compositeurs,  acteurs,  executants,  ect,  ect  .  .  .  Par 
J.  J.  O.  de  Meude-Monpas,  chevalier.     Paris,  Knapen  et  fils,  1787. 

xvj,  232  p.    ISi""*. 

ML108.A2M2 
Meurs,  Johannes  van,  1579-1639,  editor. 

Aristoxenvs.  Nicomachvs.  Alypivs.  Auctores  musices  antiquis- 
simi,  hactenus  non  editi.  Joannes  Mevrsivs  nunc  primus  vulgavit, 
&  notas  addidit.  Lvgdvni  Batavorvm,  ex  ofiicin&  Lvdovici  Elzeviri, 
typis  G.  Basson,  1616. 

4  p.  1.,  160  (i.  e.  196)  p.     19^  x  IS^""". 
Printer's  mark:  open  music  book.    Last  page  numbered  160  for  196. 

Contents. — ^ Apcazo^kuoo  'ApfiovcKojv  azoixdcov   ^c^X'ca   Y . — NcKofiayou   repauTjvou 
nodaYopcKotJ  'ApfwvcKTj^  iY](£ipld:ov.     Bc^X'ca  duo. — 'AXtmiou  Ehaj-wpj  jiouacKT}. 

ML167.M57 

See  also  Philostratus.    Epistolse,  1616. 

[Meusnier  de  Querlon,  Anne  Gabriel]  1702-1780. 

Le  code  lyrique,  ou  reglement  pour  I'Opera  de  Paris.  Avec  des 
eclaircissemens  nistoriques.  A  Utopie,  chez  Thomas  Morus,  h.  I'en- 
seigne  des  Terres  australes.     [Paris]  1743. 

1  p.  1.,  95  p.     15i  X  Si""". 

ML1727.8.P2M59 

pMeyer,  Carl  Gottfried]  compiler. 

Sammlung  einiger  nachrichten  von  beriihmten  orgel-wercken  in 
Teutschland,  mit  vieler  muhe  aufgesetzt  von  einem  hebhaber  der 
musik.     Breslau,  C.  G.  Meyer,  1757. 

2  p.  1.,  112  p.     illus.     23  X  IS''". 

Appended  is  a  description  of  organs  in  Dresden  (Katholische  kirche)  Berlin 
(St.  Nikolai)  etc.    19  p.  ms. 

ML594.A2M3 

[Meyer,  Joachim]  1661-1732. 

Unvorgreiffiche  gedancken  uber  die  neulich  eingerissene  theatra- 
hsche  kirchen-music  und  denen  darinnen  bishero  ilblich  gewordenen 
cantaten  mit  vergleichung  der  music  voriger  zeiten,  zur  verbesserung 
der  unsrigen  vorgestellet  von  J.  M.  D.     [Lemgo]  1726. 

70  p.     IdV'^. 

ML3001.M61 


182  LIBRARY   OF   CONGRESS 

Michaelis,  Christian  Friedrich,  1770-1834. 

Ueber  den  geist  der  tonkunst,  mit  riicksicht  auf  Kants  Kritik  der 
fi,stlietischen  urtheilskraf t ;  ein  &sthetischer  versuch  von  Christian 
Friedrich  Michaelis  .  .  .  Leipzig,  Schaferische  buchhandlung,  1795- 
1800. 

2  V.  (v.  1:  134,  [2]  p.;  v.  2:  3  p.  1.,  160  p.)     IS""*. 

Title  vignette.     Title  of  vol.  2  varies  slightly. 

"  Verzeichniss  einiger  neuerer  musikalisch-§,8thetisclier  schriften  und   auf- 
s&tze":  V.  [l]p.  125-134. 

ML3845.A2M62 

Michel,  Gaspar. 

See  Leblond,  Gaspar  Michel,  called. 

Michele,  Antonio  di,  d.  1680. 

La  nvova  chitarra  di  regole,  dichiarationi,  e  figvre  con  la  regola 
della  scala.  Composta  da  Don  Antonino  di  Micheli  .  .  .  Con  aggiun- 
ta  d'arie  siciliane,  e  sonate  di  varij  auttori.  Palermo,  Per  P.  Cop- 
pula  stamp,  camer.,  1698. 

2  p.  1.,  70,  [2]  p.     1  illus.,  diagrs.     14^  x  21"™. 

Title  vignette. 

An  earlier  edition  was  published  at  Palermo  in  1680. 

MT582.A2M4 

[MicheU,  Henry]  1714-1789. 

De  arte  medendi  apud  priscos  musices  ope  atque  carminum  epistola 
ad  Antonium  Relhan  .  .  .  Ed.  altera  &  auctior  .  .  .  Londini,  ex- 
cudebat  J.  Nichols,  1783. 

81,  [1]  p.     22«™. 

Caption  of  dedication:   Viro  summo  comiti  de  Shelburne  &c.  s.  p.  d.  Michael 
Gaspar  [pseud,  of  Henry  Micheli] 

ML3920.A2M5 

Mignot,        de  La  Voye. 

See  La  Voye  Mignot,         de. 

Milbourne,  Luke,  1649-1720. 

Psalmody  recommended  in  a  sermon  preach' d  to  the  Company  of 
pa;rish-clerks,  at  St.  Alban's  Woodstreet,  November  17.  at  St.  Giles's 
in  the  Fields,  November  22,  1712.  and  now  pubhsh'd  at  the  desire  of 
the  hearers.     By  Luke  IVIilbourne  .  .  .     London,  J.  Downing,  1713. 

1  p.  1.,  X,  35  p.     IQ""". 

ML3001.M64 

Milchmeyer,  Johann  Peter,  1750-1813. 

Die  wahre  art  das  pianoforte  zu  spielen  .  .  .  von  J.  P.  Milchmeyer 
...  Zu  haben  in  Dresden  beym  verfasser  .  .  .  Dresden,  Gedruckt 
bei  C.  C.  Meinhold,  1797. 

4  p.  1.,  72  p.     23  X  32i<'°'. 

MT222.A2M64 


EAKLY  BOOKS  ON  MUSIC  183 

Mllioni,  Pietro. 

Vero  e  f  acil  modo  d'imparare  a  sonare,  et  accordare  da  se  medesimo 
la  chitarra  spagnuola,  non  solo  con  I'alfabetto,  &  accordatura  ordi- 
naria,  ma  anco  con  vn'  altro  alfabetto,  &  acordatura  straordinaria, 
nuouamente  inuentati  da  Pietro  Milioni,  et  Lodovico  Monte  com- 
pagni.  Con  vna  regola  per  imparare  il  modo  d'accordare  sei  chitarre, 
per  poterle  sonare  insieme  in  concerto,  ciascmia  per  differente  chiaue. 
Venetia,  G.  Zim,  1684. 

48  p.     1  illus.     9^  X  ISJ"™. 

Illustrated  t.-p. 

Earlier  editions  were  published  in  1644, 1652,  etc. 

M127.M6 

Miller,  Edward,  1731-1807. 

Elements  of  thorough  bass  and  composition,  in  which  the  rules  of 
accompaniment  for  the  harpsichord  or  piano-forte  are  rendered  amu- 
sing by  the  introduction  of  eight  ItaUan,  eight  French  &  twelve  Eng- 
lish songs  collected  from  the  works  of  eminent  composers  antient  & 
modern.  With  proper  lessons  for  practise  ...  by  Edward  MiUer  .  .  . 
Opera  quinta.     London,  Longman  &  Broderip  [1787] 

8,  88  p.     32"™. 

Engraved,  with  the  exception  of  p.  [3]-8  (first  group) 

MT49.A2M5 

A  treatise  on  thorough  bass  and  composition,  in  which  the  rules 


of  accompaniment  are  laid  down  and  a  variety  of  proper  lessons  are 
given — the  whole  calculated  for  such  performers  as  are  unacquainted 
with  the  principles  of  harmony,  by  Edw**.  Miller  .  .  .  DubHn,  E.  Lee 
[1787] 

1  p.  1.,  52  p.     33'''". 

Engraved  throughout. 

MT49.A2M52 

Mimnermus,  psevd. 

See  Printz,  Wolfgang  Caspar. 

Mingotti,  Regina  (Valentini)  1728-1807. 

An  appeal  to  the  publick,  by  Signora  Mingotti.  London,  Printed 
for  the  authoress  [1756  ?] 

1  p.  1.,  13  p.    20^  X  16<="». 

Relating  her  contentions  with  the  opera  manager  Vanneschi. 

ML420.M46 

[Minguet  e  Irol,  Pablo]  d.  1801  ? 

Reglas,  y  advertencias  generales  que  ensenan  el  modo  de  taner 
todos  los  instrumentos  mejores,  y  mas  usuales,  como  son  la  guitarra, 
tiple,  vandola,  cythara,  clavicordio,  organo,  harpa,  psalterio,  ban- 
durria,  violin,  flauta  travesera,  flauta  dulce,  y  la  nautiUa,  con  varies 
tanidos,  danzas,  contradanzas,  y  otras  cosas  semejantes  .  .  .  [Madrid, 
J.  Ibarra,  1753-54] 

[64]  p.     front.,  17  pi.     14^  x  20''«. 

In  four  parts,  each  with  special  t.-p.  bearing  the  author's  name.  The  appro- 
bation of  part  [1]  is  dated  1753,  the  t.-p.  of  part  [4],  1754;  the  second  and  third 
parts  are  not  dated. 

MT582.A2M3 


184  LIBEARY  OF   CONGRESS 

PVIirabeau,  Honore  Gabriel  Riquetti,  comte  de]  1749-1791. 
Le  lecteur  y  mettra  le  titre.     Londres,  1777. 

95,  [1]  p.     21""'. 

An  essay  on  music.  Contains  an  analysis  of  a  symphony  by  Raimondi,  "Les 
aventures  de  T^lemaque." 

ML3845.A2M67 

Minis,  Adam  Erdmann,  1656-1727. 

Kurtze  fragen  aus  der  musica  sacra,  worinnen  denen  liebhabern 
bey  lesung  der  biblischen  historien  /  eine  sonderbahre  nachxicht 

fegeben  wird  /  entworffen  von  M.  Adam  Erdmann  Miro  .  .  .    Dresden, 
.  C.  Zimmermann,  1715. 

3  p.  1.,  180  p.     front.     14"™. 

First  edition,  Gorlitz,  1707. 

ML166.A2M6 

Missery,  Antoine  Suremain  de. 

See  Suremain  de  Missery,  Antoine. 

Mizler  von  Kolof,  Lorenz  Christoph,  1711-1778. 

Anfangs-grilnde  des  general  basses  nach  mathematischer  lehr-art 
abgehandelt,  und  vermittelst  einer  hierzu  erfundenen  mascbine  auf 
das  deutlicbste  vorgetragen  von  Lorenz  Mizlern  ...  Leipzig,  Zu 
finden  bey  dem  verfasser  [1739] 

4  p.  1.,  123  {i:e.  137),  [1]  p.     v  pi.     17^="'. 

Page  137  wrongly  numbered  123. 

MT49.A2M68 

Dissertatio  qvod  mvsica  scientia  sit  et  j)ars  ervditionis  pbilosopbi- 
cae  .  .  .  Ed.  2.  avctior  et  longe  emendatior  cvm  praefatione  nova. 
Lipsiae  et  Wittebergae,  recvsa  in  officina  Hakiana,  1736. 

4  p.  1.,  24  p.     19i  X  16<>'°. 

ML3800.A2M6 

Musikalischer  staarstecber  in  welchem  rechtscbaffener  musikver- 
st&ndigen  fehler  bescheiden  angemerket,  eingebildeter  und  selbst 
gewachsener  so  genannten  componisten  thorbeiten  aber  l^cherlich 
gemacbet  werden.  Als  ein  anhang  ist  des  herrn  Riva  .  .  .  Nachricht 
vor  die  componisten  und  s&nger  beygeMget,  und  aus  dem  italienischen 
ins  Deutsche  ilbersetzet  von  Lorenz  Mizlern,  a.  m.  Leipzig,  Auf 
kosten  des  verfassers  [1740] 

4  p.  1.,  118,  [3]  p.     fold.  pi.     16i<="'. 

Issued  monthly  (1.-7.  stuck)  1739-40. 

The  appendix  has  title:  Anhang  zum  Musikalischen  staarstecber  welcher 
bestehet  in  einer  Nachricht  vor  die  componisten  und  83,nger,  in  italieniecher 
sprache  aufgesetzt  vomherm  Riva,  damaligen  residenten  desherzoes  von  Modena 
zu  Londen,  und  daselbst  hrsg.  bey  Tomaso-Edlin  anno  1728  .  .  .     Leipzig,  1740. 

"  Verzeichnis  der  schrifften  und  bficher,  welche  M.  Lorenz  Mizler  .  .  .  geschrie- 
ben":  p.  117-118. 

ML4.M89 

Lorenz  Mizlers  .  .  .  Neu  er6ffnete  musikalische  bibliothek,  oder 
GriindUcbe  nachricht  nebst  unpartheyischem  urtheil  von  musikali- 


EARLY  BOOKS  ON  MUSIC  185 

Mizler  von  Kolof ,  Lorenz  Christoph — Continued. 

schen  schriften  und  bilchern  .  .  .     Leipzig,  Im  verlag  des  verfassers 
mid  bey  Braims  erben  in  commission,  1739-54. 

4  V.    fold,  plates,  3  port.  (incl.  front.)  fold  tables,  fold,  diagrs.    IT^"™  (v.  4: 19"™) 

Vol.  1  was  issued  in  6  parts,  1736-38;  vol.  2  in  4  parts,  1740-43;  vol.  3  in  4  parts, 
1746-52.    Of  vol.  4  only  the  first  part  was  published.    Contains  music. 

Vol.  2  has  title:  Lorenz  Mizlers  Musikalische  bibliothek  .  .  .  worinn  alles,  was 
aus  der  mathematik,  philosophie  und  den  schSnen  wissenschafften  zur  erliute- 
rung  und  verbesserung  sowol  der  theoretischen  als  practischen  musik  geh6ret 
.  .  .  beygebracht  wird  .  .  .  Leipzig,  Im  Mizlerischen  bficherverlag,  1743.  Vol. 
3  and  vol,  4,  part  1,  have  same  title  with  slight  variations. 

ML4.M37 

See  also  Voigt,  C.     Gespr§,ch  von  der  musik,  1742. 

Mizler  von  Kolof,  Lorenz  Christoph,  1711-1778,  translator. 
See  Fux,  J.  J.     Gradvs  ad  Parnassvm,  1742. 

Molette,  Philippe  du  Contant  de  la. 

See  Du  Oontant  de  La  Molette,  Philippe. 

Moline,  Pierre  Louis,  1739-1820. 

See  RiEDEL,  F.  J.     Ueber  die  musik  des  fitters  Christoph  von 
Gluck,  1775. 

Momigny,  Jerome  Joseph,  h.  1762,  editor. 
See  Framery,  N.  fi.     Musique,  1791-1818. 

Monnet,  Jeah,  1703-1785. 

Supplement  au  Roman  comique  [de  Scarron],  ou  M^moires  pout 
servir  a  la  vie  de  Jean  Monnet,  ci-devant  directeur  de  I'Opera- 
Comique  k  Paris,  de  I'Op^ra  de  Lyon,  &  d'une  Com6die  fran^oise  k 
Londres,  ecrits  par  lui-meme  .  .  .     Londres,  1773. 

2  V.  in  1  (v.  1:  4  p.  1.,  135,  [3]  p.;  v.  2:  2  p.  1.,  192,  [6]  p.)    ISJ""". 

ML429.M67 

Monpas,  J.  J.  O.  de  Meude- 
See  Meude-Monpas,  J,  J.  O.  de, 

Montanos,  Francisco  de. 

Arte  de  canto  llano.  Con- entonaciones  comunes  de  core  y  altar, 
y  otras  cosas  diversas,  como  se  vera  en  la  tabla.  En  todo  va  acen- 
tuado  el  punto  con  la  letra,  y  algunas  cosas  remitidas  puestas  ad 
longum.  Compuesto  por  Francisco  de  Montanos,  y  aora  nueva- 
mente  corregido,  y  enmendado  por  Sebastian  Lopez  de  Velasco  .  .  . 
Anadida  la  Missa  del  angel  custodio  .  .  .     Zarago^a,  I.  de  Ibar,  1670. 

2  p.  1.,  164  p.    21  X  15^'=°'. 

MT860.A2M76 

Arte  de  musica  theorica  y  pratica,  de  Francisco  de  Montanos  .  .  . 
Valladolid,  Impresso  en  casa  de  D.  Fernandez  de  Cordova,  1592. 
6  pt.  in  1  V.     illus.,  diagrs.     20"^". 

Title-page  wanting;  title  taken  from  Catalogue  de  la  bibliotheque  de  F.  J. 
F^tis,  Brussels,  1877. 

ML171.M76 


186  LIBRARY   OF   CONGRESS 

Montdorge,  Antoine  Qauthier  de. 

See  Gauthieb  de  Montdorge,  Antoine. 

Monte,  Lodovico. 

Vero  e  facil  modo  d'imparare  a  sonare,  et  accordare  da  se  medesimo 
la  chitarra  spagnuola,  non  solo  con  I'alfabetto,  &  accordatura  ordi- 
naria,  mk  anco  con  vn'  altro  alfabetto,  &  acordatura  straordinaria, 
nuouamente  inuentati  da  Pietro  [Milioni,  et  Lodovico  Monte  com- 
pagni.  Con  vna  regola  per  imparare  il  modo  d' accordare  sei 
chitarre,  per  poterle  sonare  msieme  m  concerto,  ciascuna  per  differente 
chiaue.    Venetia,  G.  Zim,  1684. 

48  p.     1  illus.     ^  X  ISi""'. 

Illustrated  t.-p. 

Earlier  editions  were  published  in  1644,  1652,  etc. 

M127.M6 

Monteclair,  Michel  Pignolet  de,  1667-1737. 

Nouvelle  methode  pour  apprendre  la  musique  par  des  demonstra- 
tions faciles,  suivies  d'un  ^and  nombre  de  lepons  h,  une  et  h,deux  voix, 
avec  des  tables  qui  facilitent  T  habitude  des  transpositions  et  la 
conoissance  des  differentes  mesures  .  .  .  Par  M"".  Monteclair  .  . . 
Paris,  Chez  I'auteur  [etc.]  1709. 

4  p.  1.,  64  p.     diagrs.     28  x  21i<"". 

Engraved  throughout;  line  borders. 

MT6.A2M77 

Principes  de  musique.  Divisez  en  quatre  parties.-  La  premiere 
partie  contient  tout  ce  qui  appartient  a  I'intonation.  La  ii."^^  partie 
tout  ce  qui  regarde  la  mesure  et  le  mouvement.  La  iii.®  partie  la 
maniere  de  joindre  les  paroles  aux  nottes  et  de  bien  former  les  agre- 
ments  du  chant.  La  iv.^  partie  est  Tabrege  d'un  nouveau  syst^me 
de  musique,  par  lequel  I'auteur  fait  voir  qu'en  changeant  peu  de 
choses  dans  la  maniere  de  notter  la  musique,  on  en  rendroit  I'etude  et 
la  pratique  plus  aisees.  Composez  .  .  .  par  M"".  de  Monteclair  ...  Se 
vend  a  Paris,  rue  S^  Honore  k  la  Regie  d'or  [veuve  Boivin,  1736] 

3  p.  1.,  133  p.     diagrs.     31^'='°. 

Engraved  throughout. 

MT835.A2M68 

Montenegro,  Benito  Jeronimo  Feijoo  y. 

See  Feijoo  y  Montenegro,  Benito  Jeronimo. 

Montenoy,  Charles  Palissot  de. 

See  Palissot  de  Montenoy,  Charles. 

Montes,  Diego  de  Roxas  y. 

See  RoxAS  y  Montes,  Diego  de. 

Morabin,  Jacques,  1687-1762. 

See  Chateauneuf,  F.  de  Castagneres,  abbe  de.     Dialogue  sur 
la  musique  des  anciens,  1725. 


EARLY  BOOKS  ON  MUSIC  187 

Moraes  Pedroso,  Manuel  de. 

Compendio  musico,  ou  Arte  abbreviada  em  que  se  cont^m  as  regras 
mais  necessarias  da  cantoria,  acompanhamento,  e  contraponto  .  .  . 
Por  Manoel  de  Moraes  Pedroso  .  .  .  Porto,  Na  officina  episcopal  do 
capitao  M.  Pedroso  Coimbra,  1751. 

6  p.  1.,  47,  [3]  p.    illus.    20«'°. 

MT40.A2M82 

Morambert,  Antoine  Jacques  Labbet,  ahhe  de,  1721-1756. 
See  Laugier,  M.  A.     Sentiment  d'un  harmoniphile  [1756] 

[Morand,  Pierre  de]  1701-1757. 

Justification  de  la  musique  franpoise.  Contre  la  querelle  qui  lui  a 
6te  faite  par  un  Allemand  &  un  Allobroge.  Adress^e  par  elle-meme 
au  coin  de  la  reine  le  jour  qu'avec  Titon  &  FAurore  elle  s'est  remise  en 
possession  de  son  theatre  ...     La  Haye  [i.  e.  Paris]  1754 

2  p.  1.,  viij,  55  p.    21i'="». 

"La  deuxi^me  critique  [qui  a  paru  contre  Rousseau  de  Geneve]  ...  est  de 
Morand  le  po^te  et  d'Estfeve,  ce  qu'il  y  a  de  plaisant,  c'est  que  dans  la  partie  que 
Morand  a  faite,  il  a  cite  avec  eloge  des  bribes  du  Livre  des  beaux  arts  par  Esteve, 
et  dans  celle  qu'  Esteve  a  faite,  il  a  cit6  des  vers  lyriques  de  Morand." — Extract 
from  Bibl.  nat.  ms.  fran^ais  22158  in  4°  {cf.  note  xinder  Baton) 

ML1727.33.M82 

Morato,  Joao  Vaz  Barradas  Muitopao  e. 

See  Vaz  Barradas  Muitopao  e  Morato,  Joao. 

Moreau,  Henri,  1728-1803. 

L'harmonie  mise  en  pratique.  Avec  un  tableau  de  tous  les  accords, 
la  methode  de  s'en  servir,  &  des  regies  utiles  a  ceux  qui  etudient  la 
composition  ou  I'accompagnement.  Get  ouvrage  qui  est  recueilli  de 
tous  les  meilleurs  auteurs,  contient  des  exemples  sur  toutes  les  con- 
sonnances  &  dissonnances  h,  deux,  &,  trois,  &  a  quatre  parties,  &c.  de 
m^me  que  fugues,  points  d'orgue,  chromatique,  &c.  .  .  .  Par  H. 
Moreau  .  .  .     Liege,  J.  G.  M.  Loxhay,  1783. 

4  p.  1.,  128  p.    A-i,  K-p  fold.  pi.    20<'°^. 

MT50.A2M83 

Moreschi,  Giovanni  Battista  Alessandro. 

Orazione  in  lode  del  padre  maestro  Giambattista  Martini,  recitata 
da  Giambattista  Alessandro  Moreschi  nella  solenne  accademia  de' 
Fervidi  1' ultimo  giorno  delF  anno  1784.  Bologna,  Stamperia  di  S. 
Tommaso  d' Aquino,  1786. 

38  p.,  1 1.  incl.  front,  (port.)    23  x  16A<==>. 

ML423.M29M5 

Moretus,  Theodore,  1602-1667,  praeses. 

Propositiones  mathematicse  ex  harmonica,  de  soni  magnitudine  .  .  . 
Vratislavise,  typis  Baumannianis,  exprimebat  J.  C.  Jacob  [1664] 
[20]  p.     illus.,  diagrs.     17^  x  14^"™. 

Diss. — Breslau  (Gottfried  Fibig,  respondent) 

ML3807.A2F4 


188  LIBRARY   OF   CONGRESS 

Morley,  Thomas,  1557-1603  ? 

A  plaine  and  easie  introdvction  to  practicall  mvsicke,  set  downe  In 
forme  of  a  dialogue:  deuided  into  three  partes,  the  first  teacheth  to 
sing  with  all  things  necessary  for  the  knowledge  of  pricktsong.  The 
second  treateth  of  descante  and  to  sing  two  parts  in  one  vpon  a  plain- 
song  or  ground,  with  other  things  necessary  for  a  descanter.  The 
/  third  and  last  part  entreateth  of  composition  of  three,  foure,  fine  or 
more  parts  witn  many  profitable  rules  to  that  effect.  With  new  songs 
of,  2.  3,  4.  and  .5  parts.  By  Thomas  Motley  .  .  .  Imprinted  at  Lon- 
don by  P.  Short,  1597. 

3  p.  1.,  183,  [35]  p.     diagrs.     27^=". 

Illustrated  t.-p.;  initials;  head  and  tail  pieces. 

"Authors  whose  authorities  be  either  cited  or  vsed  in  this  booke  " :  [1]  p.  at  end. 

MT6.A2M84 

A  plaine  and  easie  introdvction  to  practicall  mvsicke,  set 


downe  in  forme  of  a  dialogue:  diuided  into  three  parts.  The  first 
teacheth  to  sing,  with  all  things  necessarie  for  the  knowledge  of 
pricktsong.  The  second  treateth  of  descante,  and  to  sing  two  parts 
m  one  vpon  a  plainsong  or  ground,  with  other  things  necessarie  for  a 
descanter.  The  third  and  last  part  entreateth  of  composition  of 
three,  foure,  fiue  or  more  parts,  with  many  profitable  rules  to  that 
effect.  With  new  son^s  of,  2.  3.  4.  and  5.  parts.  By  Thomas  Mor- 
ley .  . .     London,  Lnprinted  by  H.  Lownes,  1608. 

3  p.  1.,  183,  [35]  p.     29'"". 

Illustrated  t.-p.;  initials;  head  and  tail  pieces. 

'  'Authors  whose  authorities  be  either  cited  or  vsed  in  this  booke  " :  fl]  p.  at  end. 

MT6.A2M86 

A  plain  and  easy  introduction  to  practical  music,  set  down 

in  form  of  a  dialogue,  divided  into  three  parts,  the  first  teacheth  to 
sing,  the  second  treateth  of  descant,  the  third  treateth  of  composition, 
by  Thomas  Morley  ...  As  printed  in  the  year  1597.  Now  reprinted 
for  W.  Randall,  London,  1771. 

5p.  1.,  iv,  257,  [l]p.,  11.,  29p.     diagrs.     26^x21^'". 

Engraved  t.-p. 

"Motetts,  canzonets  &c.  ...  in  score":  1 1.,  29  p.  at  end. 

MT6.A2M87 

Morliere,  Jacques  Roche tte  de  la. 

See  Lamorliere,  Jacques  Rochette  de. 

Mothe  Le  Vayer,  Frangois  de  la. 

See  La  Mothe  Le  Vayer,  Francois  de. 

[Moyria,  Gabriel,  vicomte  de]  1771-1839. 

Lettre  sur  la  musique  moderne.     Par  G***M***   ...     Bourg, 
Dufour  et  Josserand,  1797. 

56  p.     20i<^™. 

ML195.M69 


EABLY  BOOKS  ON  MUSIC  189 

Mozart,  Johann  Georg  Leopold,  1719-1787. 

Versuch  einer  griindliclien  violinschule,  entworfen  und  mit  4. 
kupfertafeln  sammt  einer  tabelle  versehen  von  Leopold  Mozart . . . 
Augspurg,  Verlag  des  verfassers,  1756. 

8  p.  1.,  264  p.,  2  1.,  [8]  p.    front,  (port.)  4  pi.  (1  fold.)    22^  x  ITi*"". 

MT262.A2M9 

Leopold  Mozarts  . . .  Griindliche  violinschule,  mit  vier  kupfer- 
tafeln und  einer  tabelle.  2.  verm.  aufl.  Auf  kosten  des  verfassers. 
Augsburg,  Gedruckt  bey  J.  J.  Lotter,  1770. 

8  p.  1.,  268,  [8]  p.    front,  (port.)  4  pi.  (1  fold.)    22  x  18°". 

MT262.A2M92 

Muller,  August  Eberhard,  1767-1817. 

Anweisung  zum  genauen  vortrage  der  Mozartschen  c'aviercon- 
certe  hauptsachlich  in  absicht  richtiger  applicatur,  von  A.  E.  Muller. 
Leipzig,  Breitkopf  &  Hartel  [1796] 

1  p.  1.,  [1],  24  p.    32  X  26<='". 

Engraved  throughout. 

MT247.A2M9 

Miiller,  Johann  Christian,  1749-1796. 

Anleitung  zum  selbstunterricht  auf  der  harmonika,  von  Johann 
Christian  Muller.     Leipzig,  S.  L.  Crusius,  1788. 

4  p.  1.,  48  p.     25i  X  22=™. 

Title  vignette:  port. 

MT670.M9 

Milnster,  Joseph  Joachim  Benedict, 

Musices  instructio  in  brevissimo  regulari  compendio  radicaliter  data. 
Das  ist :  Kurzist-  doch  wohl  grilndlicher  weeg  und  wahrer  unterricht 
die  edle  sing-kunst  denen  regeln  gem&ss  recht  aus  dem  fundament  zu 
erlernen  ...  in  druck  gegeben  von  Josepho  Joachimo  Benedicto 
Miinster  ...  8.  aufl.  Nicht  allein  mit  denen  sieben  fundamental- 
regeln,  welche  nicht  mit  worten  alleine,  wie  bey  der  1.  aufl.,  sondern 
in  scala  musica  zu  leichterer  eindruckung  der  jugend  in  der  andern 
aufl.  ganz  ausgesetzter  zu  finden  gewesen,  sondern  auch  in  der  3.  mit 
noch  einem  denen  versiculanten  wohlanst&ndigen  anhang  vermehret. 
Augsburg,  J.  J.  Lotter,  1768. 

32  p.     18*  X  21"'". 

MT44.A2M9 

Scala  Jacob  ascendendo,  &  descendendd.  Das  ist :  Kiirtzhch  /  doch 
wohlgegrilndete  anleitung  /  und  vollkommener  unterricht  /  die  edle 
choral-music  denen  reglen  gem^ss  recht  aus  dem  fundament  zu 
erlernen  ...  in  druck  gegeben  von  Josepho  Joachimo  BenecUcto 
Miinster  ...     2.  aufl.     Augspurg,  J.  J.  Lotters  seel,  erben,  1756. 

38  p.     17  X  21"°'. 

MT860.A2M83 

Muitopao  e  Morato,  Joao  Vaz  Barradas. 

See  Vaz  Barradas  Muitopao  e  Morato,  Joao. 


190  LIBRABY  OF   CONGRESS 

Murschhauser,  Franz  Xaver  Anton,  1663-1738. 

Academia  musico-poetica  bipartita.  Oder:  Holie  schul  der  musi- 
calischen  composition  in  zwey  theil  eingetheilt.  Per  definitiones, 
divisiones,  regulas  universales  &  particulares,  explicationes,  limita- 
tiones,  &  obiectionum  solutiones  &c.  Mit  emsiger  untersuchung  aller 
zu  dieser  honen  wissenschafft  dienlichen  materien  /  und  umst&nden  / 
auch  vermeidung  aller  unnothwendigen  weitl&ufftigkeiten  &c.  nach 
des  welt-beriihniten  herrn  Johann  Caspar  KerUs  .  .  .  und  anderer 
approbirten  classicorum  tradition  getreulich  .  .  .  beschrieben  /  und 
durchaus  mit  exenaplis  wohl  erl&utert  /  in  druck  hervor  gegeben  / 
durch  Franciscum  Xaverium  Murschhauser  .  .  .  Erster  theil.  Wel- 
cher  handelt  von  denen  intervallis;  dann  von  denen  con-  und  disso- 
nantibus;  nachgehends  von  denen  tonis,  oder  modis  musicis,  sowohl 
choraUbus,  als  nguratis,  mit  angeh&ngten  transpositionibus.  Num- 
berg,  W.  M.  Endter,  1721. 

7  p.  1.,  186,  [10]  p.    Sli"". 

No  more  published. 

In  the  present  edition  the  title  does  not  contain  the  words  "Um  dem  vortreff- 
lichen  herrn  Mattheson  ein  mehres  licht  zu  geben  ..."  as  in  the  edition  of 
same  place  and  date  quoted  by  Vogeleis  (Kirchenmusikalisches  jahrb.,  1901, 
p.  11)  and  in  the  Augsburg  edition  of  1721  given  by  Eitner. 

Mattheson's  reply  was  published  in  his  Cntica  musica,  p.  1-88  ("Die  melopo- 
etische  lichtscheere") 

MT40.A2M98 

Fundamentahsche  kurz,  und  bequeme  handleithug  so  wohl  zur 
figural-  als  choral-music,  aus  denen  alt-  und  neyen  approbierten, 
uohrnembsten  kunst-meisteren  underschidUcher  nationen  herausge- 
zogen,  denen  Uebhaberen  der  edlen  music-kunst  zum  besten,  denen 
instructoribus  zwar  zum  vortheil,  dene  lehrnede  aber,  als  eine  zur 

Eerfectio   hochst-nothwendige   wisseschafft   zu   nuzen   uerfast,    und 
eruorgegeben    durch    Franz    Xaueriu    Antonium    Murschhauser. 
Miinchen,  In  verlegung  des  authoris,  1707, 
[33]  p.     19  X  28"'". 

Engraved  throughout. 

MT44.A2M92 

A  musical  directory  for  the  year  1794.  To  be  continued  annually. 
Containing  the  names  and  address  of  the  composers  &  professors  of 
music,  with  a  number  of  amateurs  .  .  .  Also  tlie  names  and  address 
of  the  principal  music-sellers,  and  instrument-makers  .  .  .  &c.  Lon- 
don, Printed  for  the  editor,  pub.  by  R.  H.  Westley  [1794] 

vii,  87  p.     19<^™. 

Dedication  signed:  J.  Doane. 

ML286.8.L5D5 

Musices  choraUs  medulla,  sive  Cantus  gregoriani  fundamentalis  tra- 
ditio,  una  cum  tonis  conmaunibus,  hymnis,  antiphonis,  lectione 
mensaU  &c.  Ad  usum  Fratrum  minorum  strictioris  observantise, 
provincise  Saxonise  S.  Crucis,  ordinis  seraphici  patris  S.  Francisci. 
Paderbornse,  typis  Joachimi  F.  Buch,  1714. 

1  p.  1.,  146,  92,  4  p.     13i  X  7^'='". 

MT860.A2M87 


EARLY  BOOKS  ON  MUSIC  191 

Musik.     Von  Carl  Friedrich  Cramer  .  .  .     Dec.   1788-Apr.   1789. 
Copenhagen,  S.  Sonnichsen,  1789. 

346  p.    4  fold.  1.  (music)    16<"". 

ML4.M3 

Der  Musikalische  dillettante;  eine  woehenschrift.     Wien,  Gednickt 
bey  J.  Kurtzb6cken,  1770. 

424,  [1]  p.     22i  X  IS""". 

A  treatise  on  thorough-bass,  issued  in  53  numbers,  each  of  which  is  accompa- 
nied by  music. 

The  dedication  and  index  announced  on  p.  4  do  not  appear  in  this  copy. 

Has  been  ascribed  to  J.  F,  Daube.  The  preface,  however,  is  signed  "Die 
verfasser,"  and  this  accords  with  the  advertisement  in  the  Augsburger  kunet- 
zeitung  cited  by  Freystatter,  which  reads  "Der  musikalische  dilettante.  Wo- 
ehenschrift herau^egeben  von  einer  gesellschaft  virtuosen  ..." 

ML4.M40 

Musikalische  monathsschrift.     1.-6.  stiick;  jul.-dec.  1792.     Berlin, 
Neue  berlinische  musikhandlung  [1792] 

cover-title,  172  p.     26'=™. 

J.  F.  Reichardt,  F.  L.  A.  Kunzen,  editors. 
Preceded  by  Musikalisches  wochenblatt. 

Reissued,  Berlin,  1793,  together  with  the  Musikalisches  wochenblatt,  under 
title:  Studien  fiir  tonkiinstler  und  musikfreunde. 

ML4.M45 

Musikalische  nachrichten  und  anmerkungen,  1770. 
See  W6CHENTLICHE  nachrichten,  1766-70. 

Musikalische  real-zeitung  ...     2.  juhi  1788-30.  junii  1790.     Speier, 
Expedition  dieser  zeitung;  [etc.,  etc.,  1788-90] 

4  V.  in  1.     21i  X  17^^^™.     weekly. 

H.  P.  C.  Bossier,  J.  F.  Christmann,  editors. 

The  musical  supplements  were  issued  separately  as  "Anthologie  zur  Real- 
zeitung." 

Continued  as  "Musikalische  correspondenz  der  Deutschen  filarmonischen 
gesellschaft." 

ML4.M48 

Musikalischer  almanach  auf  das  jalir  1782.     Alethinopel  [1782?] 
20  p.  1.,  116  p.     17^'^'°. 

Added  t.-p.,  engr.  Facing  p.  106  is  a  second  title  not  included  in  paging: 
Musikalisches  handbuch  auf  das  jahr  1782.     Alethinopel. 

Attributed  by  most  authorities  to  Carl  Ludwig  Junker.  Eitner  ascribes 
to  Johann  Friedrich  Reichardt  (Monatshefte  fiir  musikgeschichte,  12,  144) 

Forkel  quotes  as  a  supplement  to  this:  Sichtbare  und  unsichtbare  sonnen-  und 
mondfinstemisse,  die  sich  zwar  im  Musikalischen  handbuch  oder  Musikalmanach 
fiir  das  jahr  1782.  befinden,  aber  nicht  angezeigt  sind.     Alethinopel  (Berlin)  1782. 

ML20.M60 

Musikalischer    und    kunstler-almanach   auf   das   jahr    1783. 

Kosmopolis  [1783  ?] 

16  p.  1.,  [25}-168  p.     front.     17^'='°. 

Ascribed  to  Carl  Ludwig  Junker. 

The  third  and  last  issue  appeared  as  "Musikalischer  almanach  auf  das  jahr 
1784.     Freyburg." 

ML20.M61 


192  LIBEABY  OF  CONGRESS 

Musikalischer  almanach  fur  Deutschland  auf  das  jahr  1782-84, 
1789.     Leipzig,  Schwickert  [1782-89] 

4  V.     16J-17^''"'. 

Edited  by  Johann  Nicolaus  Forkel. 

ML20.M63 

Musikalischer  almanacli,  hrsg.  von  Johann  Friedrich  Reichardt. 
Mit  12  neuen  in  kupfer  gestochenen  liedern.  Berlin,  J.  F.  Unger, 
1796. 


[177]  p.     12  pi.     11  X  SJ"". 
No  more  published. 


ML20.R3 


Musikalisches  handwdrterbuch,  oder  Kurzgefasste  anleitun^, 
sammtliche  im  musikwesen  vorkommende,  vomehmlicli  ausl&ndi- 
sche  kunstw6rter  richtig  zu  schreiben,  auszusprechen  und  zu  ver- 
stehn.  Nebst  einem  anhange,  welcher  sehr  wichtige  musik-vor- 
theile  und  eine  neue  erfindung  beschreibt.  Ein  buch  Mr  jeden,  der 
die  musik  treibt,  lehrt  oder  lernt  .  .  .  Weimar,  C.  L.  Hoffmanns 
seel,  wittwe  und  erben,  1786. 

10  p.  1.,  [5]-222  p.     fold.  pi.     18<"". 

Ascribed  to  J.  G.  L.  von  Wilke. 

ML108.A2M9 

Musikalisches  kunstmagasin,  von  Johann  Friederich  Reichardt .  .  . 
1.-2.  bd.  (i.-viii.  stiick);  1781-91.  BerHn,  Im  verlage  des  ver- 
fassers,  1782-91. 

2  V.    29  X  26'"".    quarterly. 

"Chronologisches  verzeichnis  der  6ffentlich  im  druck  und  kupferstich  er- 
schienenen  musikalischen  werke  von  Johann  Friederich  Reichardt":  v.  1,  p. 
207-209;  v.  2,  p.  124-125. 

ML4.M52 

Musikalisches  wochenblatt.  1.-2.  hft.  (stilck  1-24);  1791-92. 
Berhn,  In  der  Neuen  berhnischen  musikhandlung  [1791-92] 

cover-title,  191,  [1]  p.    26"™. 

J.  F.  Reichardt,  F.  L.  A.  Kunzen,  editors. 
Superseded  by  the  Musikalische  monathsschrift. 

Reissued  Berlin,  1793,  together  with  the  Musikalische  monathsschrift,  under 
title:  Studien  f  iir  tonkiinstler  und  musikfreunde. 

ML4.M8 

La  musique  du  diable,  ou  Le  Mercure  galant  devaHs6.  A  Paris, 
chez  Robert  le  Turc,  rue  d'Enfer,  1711. 

11  p.  1.,  381  p.     front.    13^"^. 

Supposed  adventures  of  Mile.  Desm§,tins  of  the  Opera,  in  the  Inferno.  Intro- 
duces LuUy  and  other  celebrities  of  the  time. 

ML1727.3.A2M9 

Mylius,  Andrfeas,  1649-1702,  praeses. 

.  .  .  Jura  circa  musicos  eqclesiasticos  .  .  .     Lipsiae,  Uteris  C.  Banck- 
manni  [1688] 

[40]  p.     19  X  14^"°'. 

Diss. — Leipzig  (J.  Kuhnau,  respondent  and  author) 

ML3795.A2K87 


EARLY  BOOKS  ON  MUSIC  193 

N.,  N. 

See  Abreu,  A.     Escuela  para  tocar  ...  la  guitarra,  1799. 

Nachgedanken  herrn  m.  Joh.  Gottl.  Biedermanns  rect.  der  schule  zu 
Freyberg  ilber  sein  programma  De  vita  musica  in  einem  verweis- 
schreiben   an  eine   nochwurdige   person   zu  FreyJberg   entworfen. 
Freyberg,  Auf  kosten  des  verfassers,  1750. 
8  p.     21^  X  17"-^. 

This  is  in  reality  a  sharp  attack  on  Biedermann,  who  had  published  the  year 
preceding  a  pamphlet  "De  vita  musica,"  directed  against  J.  F.  Doles. 

The  letter  ends  with  the  following  verse:    Wer  Biedermannen  nennt,  wird 

einen  Midas  nennen,  und  Wer  Biedermannen  kennt,  wird  leicht  den  W 

kennen.     In  L.  of  C.  copy  the  name  Wilisch  has  been  inserted  in  the  last  line 
with  pen  and  ink. 

ML64.B42 

Nachtigall,  Othmar. 
See  LusciNius,  Ottmar. 

Narro,  Manuel,  d.  1776. 

Adicion  al  Compendio  del  arte  de  canto  llano.  Su  autor  el  R.  P.  F. 
Pedro  Villasagra  .  .  .  La  escribia  Don  Manuel  Narro  .  .  .  Valencia, 
Impr.  de  la  viuda  de  J.  de  Orga,  1766. 

12  p.    21''™.     ( IFitA  Villasagra,  Pedro  de.    Arte,  y  compendio  del  canto  llano. 
Valencia,  1765) 

MT860.A2V6 

Nassarre,  Pablo,  h.  1664. 

Escvela  mvsicaj  segvn  la  practica  moderna,  dividida  en  primera, 
y  segvnda  parte.  Elsta  primera  contiene  qvatro  libros,  el  primero 
trata  del  sonido  armonico,  de  svs  divisiones,  y  de  sus  efectos.  El 
segvndo,  del  canto  llano,  de  sv  vso  en  la  iglesia,  y  del  provecho 
espiritual  que  produce.  El  tercero,  del  canto  de  organo,  y  del  fin, 
porqve  se  introduxo  en  la  iglesia,  con  otras  advertencias  necessarias. 
El  qvarto,  de  las  proporciones  qve  se  contraen  de  sonido  a  sonido; 
de  las  que  ha  de  llevar  cada  instrumento  musico;  y  las  observancias, 
que  ban  de  tener  los  artifices  de  ellos.  Sv  avtor  el  padre  Fr.  Pablo 
Nassarre  .  .  .     Zaragoza,  Herederos  de  Diego  de  Larvmbe,  1723-24. 

2  V.  (v.  1:  14  p.  1.,  501,  [10]  p.;  v.  2:  6  p.  1.,  506  p.)     SOJ"". 

Vol.  2  has  title:  Segvnda  parte  de  la  Escvela  mvsica,  que  contiene  quatro 
libros.  El  primero,  trata  de  todas  las  especies,  consonantes,  y  disonantes;  de 
sus  qualidades,  y  como  se  deven  usar  en  la  musica.  El  segvndo,  de  variedad 
de  contrapuntos,  assi  sobre  canto  llano,  como  de  canto  de  organo,  conciertos, 
Bobre  baxo,  sobre  tiple,  a  tres,  a  quatro,  y  a  cinco.  El  tercero,  de  todo  genero 
de  composicion,  a  qualquier  numero  de  vozes.  El  qvarto,  trata  de  la  glossa,  y 
de  otras  advertencias  necessarias  h,  los  compositores.  Compuesto  por  fray  Pablo 
Nassarre  .  .  .  Zaragoza,  Herederos  de  M.  Roman,  impressor  de  la  Vniveraidad, 
1723. 

MT60.A2N6 

Fragmentos  mvsicos.  Reglas  generales,  y  muy  necessarias  para 
canto  llano,  canto  de  organo,  contrapunto,  y  composicion.  Com- 
pvestos  por  Fr.  Pablo  Nassarre  .  .  .     Zaragopa,  T.  G.  Martinez,  1683. 

8  p.  1.,  142  p.     15*""'. 

MT40.A2N25 

51234°— 13 ^13 


i 


194  LIBRARY   OF   CONGRESS 

Nassarre,  Pablo — Continued. 

Fragmentos  musicos,  repartidos  en  quatro  tratados.     En  que 

se  hallan  reglas  generales,  y  muy  necessarias  para  canto  llano,  canto 
de  organo,  contrapunto,  y  composicion,  Compuestos  por  Fr.  Pablo 
Nassarre  ...  Y  aora  nuevamente  anadido  el  vltimo  tratado  por  el 
mismo  autor ;  y  jiintamente  exemplificados  con  los  caracteres  musicos 
de  que  carecia.  Sacalos  a  luz  .  .  .  D.  Joseph  de  Torres  .  .  .  Madrid, 
En  su  imprenta  de  musica,  1700. 

8  p.  1.,  288  p.    21''°'. 

MT40.A2N26 

Nauss,  Johann  Xaver. 

Grundlicher  unterriclit  den  general-bass  recht  zu  erlemen,  worinnen 
denen  anf^ngern  zum  vortbeil,  nebst  denen  nothwendigsten  regeln 
und  exempeln,  zugleich  audi  der  finger-zeig  mit  ziffern  sowohl  im  bass 
als  discant  deutlich  gewiesen  wird.  Von  Johann  Xaveri  Nauss  .  .  . 
Augsburg,  J.  J.  Lotter,  1769. 

32  p.     17i  X  20"™. 

An  earlier  edition  was  published  at  Augsburg  in  1751. 

MT49.A2N2 

Navas,  Francisco  Marcos  y. 

See  Marcos  y  Navas,  Francisco. 

Negri,  Cesare,  I.  1546? 

Nuove  inventioni  di  balli,  opera  vaghissima  di  Cesare  Negri  ^Milanese 
detto  il  Trombone  .  .  .  nella  quale  si  danno  i  giusti  modi  del  ben  portar 
la  vita,  e  di  accomodarsi  con  leggiadria  di  movimenfo  alle  creanze,  e 
grazie  d'amore,  convenevoli  a  tutti  i  cavalieri  e  dame  per  ogni  sorta  di 
baUetto,  e  brando  d'ltaHa,  di  Spagna  e  di  Francia.  Con  figure  in 
rame,  regola  di  musica  et  intavolatura  di  suono  et  di  canto.  Milano, 
G.  Bordone,  1604. 

5  p.  1.,  296  (i.  e.  312)  p.     front,  (port.)  illus.     29^'^™. 

The  frontispiece  is  a  portrait  of  the  author  at  the  age  of  66.  Title  vignette; 
full  page  illustrations,  several  of  which  are  repeated  on  different  pages;  errors 
in  paging.  Caption  title  (Le  gratie  d'amore  di  Cesare  de  Negri  .  .  .)  is  the  same 
as  the  title  of  the  1st  edition,  1602. 

In  L.  of  C.  copy  the  t.-p.  is  wanting,  and  is  replaced  by  a  facsimile. 

MT950.A2N3 

Neidhardt,  Johann  Georg,  d.  1739. 

Johann  George  Neidhardts  .  .  .  Beste  und  leichteste  temperatur  des 
monochordi,  vermittelst  welcher  das  heutiges  tages  br&uchhche  genus 
diatonico-chromaticum  also  eingerichtet  wird  /  dass  alle  intervalla, 
nach  gehdriger  proportion,  einerley  schwebung  uberkommen  /  und 
sich  daher  die  modi  regulares  in  alle  und  iede  claves,  in  einer  ange- 
nehmen  gleichheit  /  transponiren  lassen:  worbey  vorhero  von  dem 
ursprunge  der  musicalischen  proportionum,  den  generibus  musicis, 
deren  fehlern  /  und  unzul&nglichkeit  anderer  verbesserungen  gehan- 
delt  wird.  Alles  aus  mathematischen  grunden  .  .  .  aufgesetzt.  Nebst 
einem  darzu  geh6rigen  kupffer.     Jena,  Bey  J.  Bielcken,  1706. 

5  p.  1.,  [Sy-104  p.,  11.     19  X  15''^. 

Plate  wanting  in  this  copy. 

ML3809.A2N26 


EARLY  BOOKS   ON   MUSIC  195 

Neidhardt,  Johann  Georg — Continued. 

Compositio  harmonica.     Problematice  tradita  per  Joh.  Georg  Neid- 
hart,  regiae  Borussorum  musica  magistrum. 
159  p.    32<=". 

Author's  autograph,  undated. 

MT40.A2N45 

G&ntzlich  ersch6pfte,  mathematische  abtheilungen  des  diatonisch- 
chromatischen,  temperirten  canonis  monochordi,  alwo,  in  unwieder- 
sprechlichen  regeln  und  handgreiflichen  exempeln,  gezeiget  wird,  wie 
alle  temperaturen  zu  erfinden,  in  linien  und  zahlen  darzustellen,  und 
aufzutragen  seyn.  Den  liebhabern  grundlicher  stimmung  mitge- 
theilet,  von  Johann  George  Neidhardt  .  .  .  K6nigsberg,  C.  G.  Eckart, 
1732. 

6  p.  1.,  52  p.     fold.  pi.    20J  X  17^'-'". 

ML3809.A2N3 

Sectio  canonis  harmonici,  zur  vdUigen  richtigkeit  der  genervm 
modvlandi,  hrsg.  von  Johann  George  Neidhardt  .  .  .  Konigsberg, 
C.  G.  Eckart,  1724. 

8  p.  1.,  36  p.     fold.  pi.     21  X  17'='". 

The  plate  is  14 J  x  68''™. 

ML3809.A2N32 

[Nemeitz,  Joachim  Christoph]  1679-1753. 

Von  den  musicaHschen  schauspielen,  die  man  opern  nennet. 

{In  his  .  .  .  Vemunfftige  gedancken  uber  allerhand  historische  /  critische  und 
moralische  materien.     Franckfurt  am  Mayn,  1739-45.     IS'^™.     6.  t.,  p.  162-189) 

AC33.N4 

Nero,  Pietro  del. 

See  Mei,  G.     Discorso  sopra  la  mvsica,  1602. 

Neue  und  erleichterte  art  zu  solmisiren,  nebst  andern  vortheilen,  die 
singkunst  in  kurzer  zeit  zu  erlernen.  Denen  herren  lehrmeistern 
zu  grosser  bequemHchkeit,  der  musikhebenden  jugend  aber  zum 
sonderbaren  nutzen  ans  licht  gestellet  von  P.  J.  L.  C.  R.  &  B.  W.  U. 
Ulm,  J.  G.  Groschopff,  1763. 

4  p.  1.,  56  p.     illus.     17  X  20^"'". 

MT44.A2R4 

[Neuss,  Heinrich  Georg]  1654-1716. 

Musica  parabolica,  oder  paraboUsche  music,  das  ist,  er6rterung 
etlicher  gleichnisse  und  figuren,  die  in  der  music,  absonderlich  an  der 
trommete  befindUch,  dadurch  die  allerwichti^sten  geheimnisse  der 
Heiligen  Schrift  .  .  .  abgemahlet  wird  .  .  .  [Leipzig,  Heinsius  erben] 
1754. 

124  p.     17  X  10'^.'". 

"Kurtzer  entwurf  von  der  music.     Den  geLst  der  weissheit  und  offenbahrung 
zur  erkenntniss  Gottes  und  seiner  geheimen  wahrheit  zuvor":  p.  90-124. 

ML3800.A2N2 

New  and  complete  instructions  for  the  fife. 
See  The  compleat  tutor  for  the  fife. 


196  LIBRARY   OF   CONGRESS 

New  and  complete  instructions  for  the  harpsichord,  piano  forte  or 
organ,  wherein  the  fundamental  principles  are  fully  explain' d  .  .  . 

6  by  which  any  one  may  without  the  assistance  of  a  master  learn 
to  play  with  taste  and  judgment  in  a  short  time.  To  which  is 
adaed  a  valuable  selection  of  favorite  lessons,  marches,  airs,  songs 
&c.,  also  the  rules  of  thorough  bass  by  an  eminent  master  .  .  . 
London,  Printed  for  G.  Astor  n«.  79  Cornhill  [17— ?1 

32  p.     18  X  25^""'. 

Published  between  1798  and  1801.     cf.  Kidson,  British  music  publishers. 
Engraved  throughout.     This  copy  imperfect,  wanting  p.  23-24. 

MT252.A2N3 

A  new  and  easie  method  to  learn  to  sing  by  book :  whereby  one  (who 
hath  a  good  voice  and  ear)  may,  without  other  help,  learn  to  sing 
true  by  notes.  Design' d  chiefly  for,  and  apphed  to,  the  promoting 
of  psalmody;  and  furnished  with  variety  of  psalm  tunes  in  parts, 
with  directions  for  that  kind  of  singing  .  ,  .  London,  W.  Rogers, 
1686. 

7  p.  1.,  104  p.     18<-". 

MT870.A2N4 

New  instructions  for  the  German  flute. 

See  CoMPLEAT  instructions  for  .the  German  flute. 

Newman,  John,  1677  ?-1741. 
See  Practical  discourses,  1708. 

Nichelmann,  Christoph,  1717-1762. 

Die  melodic  nach  ihrem  wesen  sowohl,  als  nach  ihren  eigenschaften, 
von  Christoph  Nichelmann  .  .  .  Nebst  22.  kupfer-tafeln  ,  .  .  Dant- 
zig,  J.  C.  Schuster,  1755. 

8  p.  1.,  175  p.     xxii  pi.  on  12  1.     24  x  19""". 

The  plates,  with  the  exception  of  the  first  and  last,  are  printed  on  both  sides. 

ML3851.N52 

Nicolai,  Ernst  Anton,  1722-1802. 

Die  verbindung  der  musik  mit  der  artzneygelahrheit,  entworfen  von 
d.  Ernst  Anton  Nicolai.  Halle  im  Magdeburgischen,  C.  H.  Hem- 
merde,  1745. 

12  p.  1.,  70  p.     19^"°. 

Nicomachus  Gerasenus. 

See  Meibom,  M.,  translator.     Antiqvse  mvsicse  avctores,  1652. 
Meurs,  J.  VAN,  editor.     Aristoxenvs,  1616. 

Niedt,  Friedrich  Erhardt,  1674-1717. 

Friedrich  Erhard  Niedtens  Handleitung  /  zur  variation,  wie  man 
den  general-bass,  uiid  daruber  gesetzte  zahlen  variiren  /  artige 
inventiones  machen  /  und  aus  einen  schlechten  general-bass  prseludia, 
ciaconen,    allemanden,    couranten,    sarabanden,    menueten,    giquen 


ML3920.A2N5 


EARLY  BOOKS  ON  MUSIC  197 

Niedt,  Priedrich  Erhardt — Continued. 

und  dergleichen  leichtlich  verfertigen  k6nne  /  samt  andern  n6tigen 
instructionen.  Hamburg,  Auf  kosten  des  autoris,  und  bey  B. 
Schillern  zu  finden  /  1706. 

[166]  p.     17  X  20i<='". 

Unpaged.    Signatures:  a-x  in  fours  (last  leaf  blank) 

MT49.A2N54 

Friderich  Erhard  Niedtens  /  musici,  Musicalische  handleitung  /  oder 
Griindlicher  unterricht.  Vermittelst  welchen  ein  liebhaber  der  edlen 
music  in  kurtzer  zeit  sich  so  weit  perfectioniren  kan  /  dass  er  nicht 
allein  den  general-bass  .  .  .  fertig  spielen  /  sondern  .  .  .  allerley  sachen 
selbst  componiren  .  .  .  konne.  Erster  theil.  Handelt  vom  general- 
bass,  denselben  schlecht  weg  zu  spielen.     Hamburg,  B.  Schiller,  1710. 

[64]  p.     17  X  2P'». 

First  edition,  Hamburg,  1700. 

MT40.A2N46 

Friederich  Erhard  Niedtens  Musicalischer  handleitung  anderer 


theil  /  von  der  variation  des  general-basses,  samt  einer  anweisung  / 
\rie  man  aus  einem  schlechten  general-bass  allerley  sachen  /  als  prse- 
ludia,  ciaconen,  allemanden,  &c.  erfinden  konne.  Die  2.  aufl.  /  verb.  / 
verm.  /  mit  verschiedenen  grund-richtigen  anmerckungen  /  und  einem 
anhang  von  mehr  als  60.  orgel-wercken  versehen  durch  J.  Mattheson 
.  .  .     Hamburg  /  B.  Schillers  wittwe  und  J.  C.  Kissner  /  1721. 

6  p.  1.,  204  p.     17  X  19^'^"'. 

MT40.A2N47 

Friederich  Erhardt  Niedtens  Musicalischer  handleitung  dritter 

und  letzter  theil  /  handlend  vom  contra-punct,  canon,  motteten, 
choral,  recitativ-stylo  und  cavaten.  Opus  posthumum.  Deme  bey- 
gefuget  Veritophili  DeutUche  beweis-^unde  /  worauf  der  rechte 
gebrauch  der  music  /  beydes  in  den  kirchen  und  ausser  denselben 
beruhet  .  .  .  bessern  nackdrucks  [!]  wegen  mit  einer  vorrede  zum 
druck  befdrdert  von  Mattheson.  Hamburg  /  Sel.  B.  Schillers  erben  / 
1717. 

2  V.  in  1  (v.  1:  2  p.  1.,  68  p.;  v.  2:  12  p.  1.,  56  p.)     17  x  2P"'. 

"Veritophili  Deutliche  beweis-grunde,"  by  Christoph  Raupach,  has  special 
t.-p.  and  separate  paging. 
The  work  was  not  completed. 

MT40.A2N48 

Niemtschek,  Franz  Xaver. 

Leben  des  k.  k.  kapellmeisters  Wolfgang  Gottlieb  Mozart,. nach 
originalquellen  beschrieben  vom  Franz  Niemtschek  .  .  .  Prag,  Herr- 
lische  buchhandlung,  1798. 

2  p.  1.,  78  p.    m  x  16<="^. 

ML410.M9X3 

Nierop,  Dirk  Rembrantsz.  van,  1610-1682. 

Mathematische  calculatie,  dat  is,  Wiskonstige  rekening:  leerende 
het  vinden  van  verscheyden  hemelloopsche  voorstellen,  en  dat  door 
de  tafelen  sinus  tangents  of  logarithmus  wiskonstelick  uyt  te  rekenen: 


198  LIBRARY   OF   CONGRESS 

Nierop,  Dirk  Rembrantsz.  van — Continued. 

als  cock  tuyghwerckelick  op  een  liniael  uyt  te  passen.  Als  mede  't 
beschrijven  en  uytrekenen  der  zonwysers  .  .  .  Noch  is  hier  by 
gevoeght  de  Wis-konstige  musyka:  waer  in  getoont  wort  de  oorsake 
van  't  geluyt,  de  redens  der  zangh-toonen,  en  verscheyden  dingen  tot 
de  zangh  en  speel-konst  behoorende.  Door  Dyrck  Kembrantz  van 
Nierop  .  .  .     Amsteldam,  G.  van  Goedesbergen,  1659. 

31,  167,  70  p.    tables  (partly  fold.)  diagre.  (partly  fold.)    l^""^. 

Black-letter.    Title  vignette:  portrait  of  the  author.     "Wis-konstige  musyka" 
has  special  t.-p.  and  separate  paging. 

ML3809.A2N37 

Nivers,  Guillaume  Grabriel,  h.  1617. 

Dissertation  sur  le  chant  gregorien,   dedi^e  au  roy.     Par   le  S*" 
Nivers  .  .  .     Paris,  Aux  d^pens  de  Fautheur,  1683. 
8  p.  1.,  215,  [1]  p.     18i«™. 
"Tabula  tonorum":  p.  175-188.     "Cantus  ecclesiastici " :  p.  18d-[216] 

ML3082.A2N7 

Methode  certaine  pour  apprendre  le  piain-chant  de  I'eglise,  dress^e 
par  le  S"*  Nivers  .  .  .     Nouv.  ed.     Paris,  Impr.  de  J.  B.  C.  Ballard 
1745. 


icm 


47,  [1]  p.     lO-^ 

"Exemples  de  quelques  antiennes  et  respons":  p.  27-47. 


MT860.A2N58 


Traite  de  la  composition  de  mvsqve  [!]  Par  le  S^  Nivers  .  .  . 
Paris,  Chez  Tautheur  [etc.]  1667. 

61  p.     l?"-". 

MT40.A2N73 

Noble,  Oliver,  1734-1792. 

Regular  and  skilful  music  in  the  worship  of  God,  founded  in  the 
law  of  nature,  and  introduced  into  his  worship,  by  his  own  institution, 
under  both  the  Jewish  and  Christian  dispensations;  shewn  in  a  ser- 
mon, preached  at  the  North  meeting-house,  Newbury-Port,  at  the 
desire  of  the  church  and  congregation,  February  8th,  1774.  h^  OUver 
Noble,  A.  M.,  pastor  of  a  church  in  Newbury.  Printed  at  the  desire 
of  the  Musical  society,  in  Newbury-Port.  And  of  a  number  of  gentle- 
men and  ladies  who  heard  it  .  .  .  Boston,  Printed  by  Mills  and  Hicks, 
for  Daniel  Bayley,  in  Newbury-Port,  1774. 

46  p.     20<^™. 

ML3001.N75 

Noinville,  Jacques  Bernard  Durey  de. 

See  Durey  de  Noinville,  Jacques  Bernard. 

Nopitsch,  Christoph  Friedrich  Wilhelm,  1758-1824. 

Versuch  eines  elementarbuchs  der  singkunst;  vor  trivial  und  nor- 
malschulen  sistematisch  entworfen  von  Christoph  Friedrich  Wilhelm 
Nopitsch  .  .  .  Mit  sechs  erkl&rungstabellen.  Ndrdhngen,  Verlag  des 
verfassers,  1784. 

2  p.  1.,  [3]-35,  [1]  p.     VI  fold.  pi.     20  x  16<^">. 

MT935.A2N7 


EARLY  BOOKS  ON  MUSIC  199 

[Nougaret,  Pierre  Jean  Baptiste]  1742-1823. 

De  I'art  du  theatre  en  general,  oil  il  est  parle  des  spectacles  de 
I'Europe,  de  ce  qui  concerne  la  comedie  ancienne  &  nouvelle,  la 
trag^die,  la  pastorale-dramatique,  la  parodie,  Topera-serieux,  Topera- 
bouffon  &  la  comedie-m^lee-d'ariettes,  &c.  Avec  I'histoire  philoso- 
phique  de  la  musique,  &  des  observations  sur  ses  diff^rens  genres 
re^us  au  theatre  .  .  .     Paris,  Cailleau,  1769. 

2  V.  (v.  1:  xxiv,  382  p.;  v.  2:  3  p.  1.,  [v]-viii,  [5]-368,  [2]  p.)    fronts.    ITi*"". 

Added  t.-p.,  engr.:  De  I'art  du  theatre;  ou  il  est  parl^  des  differens  gens  de 
spectacles,  et  de  la  musique  adaptee  au  theatre  .  .  . 

ML3858.N92 

Le  nouveau  theatre  itahen,  ou  Recueil  general  des  comedies  repre- 
sentees par  les  Comediens  italiens  ordinaires  du  roi.  Nouv.  ed., 
cor.  &  tres-augm.,  &  a  laquelle  on  a  joint  les  airs  graves  des  vaude- 
villes a  la  fin  de  chaque  volume  .  .  .     Paris,  Briasson,  1753. 

10  V.    19^"=^. 

Added  t.-p.,  engr.    Each  comedy  has  special  t.-p.  and  separate  paging. 

"Memoire  pour  servir  I'histoire  de  la  comedie  italienne,  depuis  le  retablisse- 
ment  des  comMiens  italiens  k  Paris  en  1716.  jusqu'a  la  presente  annee  1752": 
V.  1,  p.  viij-xxxij. 

PQ1231.I5N6 

Nouvelle  methode  pour  aprendre  le  plain-chant  parfaitement  et  en 
peu  de  terns,  compos^e  specialement  pour  le  diocese  de  Rouen,  con- 
forme  aux  nouveaux  livres  de  chant,  clans  laquelle  se  trouvent  not^es 
les  proses  &  hymnes  nouvelles.     Rouen,  Jore,  Dere  &  fils  [1730  ?] 

1  p.  1.,  90,  [2]  p.     171"'". 

MT860.A2R88 

Noverre,  Jean  George,  1727-1810. 

Lettres  sur  la  danse,  et  sur  les  ballets,  par  M.  Noverre  ...  A 
Stutgard,  et  se  vend  a  Lyon,  chez  A.  Delaroche    1760. 

2  p.  1.,  484  p.    illus.  (coat  of  arms)    17'^"'. 

L3460.A2N94 

Lettres  sur  la  danse  et  sur  les  ballets.     Par  M.  Noverre  .  .  . 

2.  ed.     A  Londres,  et  se  trouve  a  Paris,  chez  la  veuve  Dessain  junior, 
1783. 

viij,  368  p.     20'"™. 

ML3460.A2N95 

Nugent,  Thomas,  1700?-1772,  translator. 

See  DuBOS,  J.  B.     Critical  reflections  on  poetry,  1748. 

Nunes  da  Silva,  Manuel,  h.  1678. 

Arte  minima,  que  com  semibreve  prola^am  tratta  em  tempo  breve, 
OS  modos  da  maxima,  &  longa  sciencia  da  musica  .  .  .  seu  author  o  P. 
Manoel  Nunes  da  Sylva  .  .  .  Lisboa,  Na  officina  de  M.  Manescal, 
impressor,  a  custa  de  A.  Pereyra,  &  A.  Manescal,  1704. 

6  p.  1.,  44,  52,  136  p.     pi.,  diagrs.     20^"™. 

First  published  Lisbon,  1685;  reissued  1704  and  1725  with  new  t.-p. 

MT6.A2N97 


200  LIBRARY   OF   CONGRESS 

Observations  pour  les  sujets  retires  de  FOp^ra;  et  pour  les  auteurs 
de  ce  theatre.     [Paris,  Impr.  de  Prault,  ca.  1790?] 

24  p.     21'''^. 

ML1727.3.P2014 

Observations  sur  la  musique  a  grand  orchestre,  introduite  dans 
plusieurs  eglises  &  en  dernier  lieu  a  Notre-Dame  de  Paris;  &  sur 
['admission  des  musiciens  de  I'Opera  dans  ces  eglises.  [n.  p., 
1786?] 

100  p.     16i<'°'. 

Caption  title.    Dated  at  end:  9  decembre  1786. 

ML3027.8.P2O2 

Odier,  Loiiis,  1748-1817. 

Epistola  physiologica  inauguralis  de  elementariis  musicae  sensa- 
tiombus  .  .  .     Edinburgi,  apud  Balfour,  Auld,  et  Smellie,  1770. 


49  p.    20"™. 
Thesis  (m.  d.) — ^Edinburgh. 


ML3805.A2O21 


Oelrichs,  Johann  Carl  Conrad,  1722-1798. 

Johann  Carl  Conrad  Oelrichs  .  .  .  Historische  nachricbt  von  den 
akademischen  wurden  in  der  musik  und  6ffentlichen  musikalischen 
akademien  und  geselschaften.     Berlin,  C.  F.  Voss,  1752. 

6p.  1.,  52p.    17<'«. 

ML63.028 

OflS.cium  hebdomadae  sanctse  jvxta  formam  Missalis  &  Breviarii 
romani  sub  Urbano  viii.  correcti :  adjunctis,  italico  sermone  decla- 
rationibus  multarum  rerum,  quae  fiunt,  &  dicuntur  in  ejus  recita- 
tione.     Venetiis,  ex  typogr.  J.  Antonii  Pezzana,  1777. 

416  p.     16''°». 

Title  vignette;  rubricated.    In  case. 

Ch.17.1854 

[Olio,  Giovanni  Battista  dall']  1739-1823. 

La  musica,  poemetto.     Modena,  La  Societa  tij)ografica,  1794. 

78  p.,  1 1.     21«°'. 

•     Prefatory  letter  signed:  Giambatieta  dall'  Olio. 

The  poem  is  accompanied  by  historical  and  explanatory  notes. 

ML64.05 

Olivier,  Grabriel  Raimond  Jean  de  Dieu  Frangois,  1753-1823. 

L' esprit  d'Orphee,  ou  De  I'influence  respective  de  la  musique,  de  la 
morale  et  de  la  legislation  .  .  .  Par  le  citoyen  Olivier.  Paris,  C. 
Pougens,  an  vi  (1798) 

2  p.  1.,  92  p.    21^"™. 

Caption  title:  Premiere  etude,  ou  dissertation  touchant  I'influence  de  la 
musique  sur  les  moeurs  et  le  bonheur  d'une  nation  ... 

L.  of  r.  has  also  a  title  edition  of  this  first  "etude,"  published  by  Pougens  in 
1800,  and  a  second  and  third  "6tude,"  issued  by  the  same  publisher  in  1802 
and  1804  respectively. 

ML3920.A2O4 


EABLY  BOOKS  OF  MUSIC  201 

[Orazi,  Giovanni  Battista] 

Saggio  per  costruire,  e  suonare  un  flauto  traverse  enarmonico  che 
ha  i  tuoni  bassi  del  violino,  con  due  trii  di  genere  enarmonico  misti. 
Roma,  Stamperia  di  M.  Puccinelli,  1797. 

18  p.    3  pi.  (1  fold.)    34J<''°. 

Text  and  plates  followed  by  8  1.  with  the  parts  of  the  "  Due  trii  .  .  .  per  tre 
traversi  di  nuova  costruzione.     In  Roma  nella  calcografia  Franzetti." 

ML936.A208 

Orelli,  Diego,  originally  Aegidius  Holler. 
See  Holler,  Aegidius. 

The  organs  fvnerall,  or  The  quiristers  lamentation  for  the  abolish- 
ment of  superstition  and  superstitious  ceremonies.  In  a  dialogicall 
discourse  between  a  quirister  and  an  organist,  an.  Dom.  1642. 
London,  G.  Kirby  [1642  ?] 

[8]  p.     18  X  ISI"". 

Has  been  attributed  to  Joseph  Brookbank. 

ML3001.O72 

Ornithoparcus,  Andreas, 

Musice  Actiue  ||  Microlog^  Andree  Orni-  ||  toparchi  Ostrofranci 
Meyningensis,  Artiti  jj  Mgfi,  Libris  Quattuor  digest^.  Oib*  Mu-  || 
sicse  studiosis  nS  ta  vtilis  qj  necessarius.  II  ...  [Colophon:  C  Excussum 
est  hoc  opus,  ab  ipso  authore  denuo  castigatum,  ||  recognitumqj : 
Lipsie  in  edibus  Valentini  Schumanni,  calco-  ||  graphi  solertissimi : 
Mense  Nouebri :  Aimi  virginei  partus  de-  ||  cimi  septimi  supra  sesqui- 
millesimu.  Leone  decimo  Pont.  Max.  ||  ac  Maximiliano  inuictissimo 
impatore  orbi  terrar[um]  psid§tibus] 

•    [107]  p.     diagrs.    21'= 


I  cm 


Title  in  red  and  black  within  ornamental  border.  Printer's  mark  at  end.  Sig- 
natures: A-M  in  fours,  except  A,  C,  F,  which  are  in  sixes. 

On  t.-p.,  following  the  title:  Laurentius  Thurschenreutinus  Ad  studio-  ||  sum 
Musices  Lectorem.  ||  Musica:  quam  rursus  medis  purgauerit  author:  ||  lam  redit 
ante  oculos:  lector  amice:  tuos.  ||  la  redit  ante  oculos,  Lypsick  excussa  Schu- 
mani  ||  Arte  Valentini:  qui  bene  pressit  eam.  ||  Arte  Valentini  facta  est  nitidis- 
sima  tota:  ||  Et  tibi  Arionios  afferet  ilia  sonos. 

MT6.A207 

Andreas  Ornithoparcvs  his  Micrologvs,  or  Introdvction :  con- 


taining the  art  of  singing.  Digested  into  foure  bookes.  Not  onely 
profitable,  bvt  also  necessary  for  all  that  are  studious  of  musicke. 
Also  the  dimension  and  perfect  vse  of  the  monochord,  according  to 
Guido  Aretinus.     By  lohn  Do  viand  .  .  .     London,  T.  Adams,  1609. 

4  p.  1.,  80  (i.  e.  90),  [2]  p.     illus.     28^'^ 


Lem 


Title  within   ornamental  border;   title    vignette;  initials.     Page  90  wrongly 
numbered  80. 

MT6.A2072 

See  also  Sebastiani,  C.     Bellvm  mvsicale  [1563] 

Oropesa,  Tomas  de  Iriarte  y. 

See  Iriarte  y  Oropesa,  Tomas  de. 

Orsolini,  Giuseppe. 

See  Berardi,  A.     Ragionamenti  mvsicali,  16§1. 


202  LIBEAEY  OF   CONGBESS 

Orville,  AndrS  Quillaume  Contant  d'. 

See  Contant  d'Orville,  Andre  Guillaume. 

Oslo,  Teodato. 

L'armonia  del  nvdo  parlare  con  ragione  di  nvmeri  Pitagorici, 
discoperta  da  Teodato  Osio,  all'  ecc  ™*>  S/  Don  Fran.*'*'  di  Melo. 
Milano,  C.  Ferrandi  [1637] 

8  p.  1.,  35,  [1],  191  p.     illus.     17^ 


rem 


Engr.  t.-p. 

Half-title:  L'armonia  del  nvdo  parlare,  overo  La  mvsica  ragione  della  voce 
continva,  nella  qvale  a  forza  di  aritmetiche  et  di  mvsiche  specvlationi  si  pon- 
gono  alia  prova  le  regole  sino  al  presente  stabilite  da  gl'  osservatori  del  nvmero 
della  prosa  et  del  verso. 

ML3849.A208 

Oudoux,  abhe. 

Methode  nouvelle  pour  apprendre  facilement  le  plain-chant,  avec 
quelques  exemples  d'hymnes  &  de  proses  .  .  .  Par  M.  Oudoux  .  .  . 
2.  ed.,  rev.,  cor.  &  augm.     Paris,  A.  M.  Lottin  I'aine,  1776. 

2  p.  1.,  72,  xcvi  p.     fold.  1.  (music)     16^"^™. 

Contents. — i.  ptie.  Methode  nouvelle. — ii.  ptie.  Leyons  propres  k  former  la 
voix. 

MT860.A2O93 

Overend,  Marmaduke,  d.  1790. 

A  brief  account  of,  and  an  introduction  to,  eight  lectures,  in  the 
science  of  music  ...  in  which  are  proposed,  to  be  demonstrated  and 
to  be  explained  the  radical  sources  of  melody  and  harmony  .  .  .  By 
Marmaduke  Overend  .  .  .  London,  Printed  for  the  author,  and  sold 
by  Mess.  Payne  and  son  [etc.]  1781. 

Ip.  1.,  20p.     26x21^'"°. 

ML3809.A2O9 

[Owen,  James]  1654-1706. 

Church-pageantry  display'd:  or,  Organ- worship,  arraign'd  and  con- 
demn'd,  as  inconsistent  with  the  revelation  and  worship  of  the  gospel, 
the  sentiments  of  the  ancient  fathers,  the  Church  of  England,  and  sev- 
eral eminent  divines,  both  Protestants  and  Papists  .  .  .  By  Eugenius 
Junior  [psevd.] — in  answer  to  a  letter  about  organs  .  .  .  London, 
A.  Baldwin,  1700. 

1  p.  1.,  25  p.     20  X  16"=™. 

ML3001.O83 

P.,  C.  H. 

See  Mattheson,  J.     Gultige  zeugnisse,  1738. 

Paduani,  Giovanni,  h.  ca.  1512. 

loannis  Padvanii  Veronensis  Institvtiones  ad  diuersas  ex  plurium 
uocum  harmonia  cantilenas,  sine  modulationes  ex  uarijs  instrumentis 
fingendas,  formulas  pene  omnes  ac  regulas,  mira  &  perquam  lucida 
breuitate  complectentes.  Veronae,  apud  Sebastianum,  &  loannem 
fratres  a  Donnis,  1578. 

4  p.  1.,  99,  [1]  p.     20^'='". 

Title  vignette:  ecclesiastical  coat  of  arms.     Errors  in  paging. 

ML171.P22 


EARLY  BOOKS  ON  MUSIC  203 

Pagani,  Pietro  Antonio. 

Breve  trattato  sopra  il  canto  fermo,  et  sopra  gli  otto  tuoni:  con 
alcuni  auisi  intorno  al  corista,  &  cantore.  Composto  per  il  reuerendo 
p.  f.  Pietr'  Antonio  Pagani  .  .  .     Venetia,  G.  A.  Rampazetto,  1604. 

31  numb.  1.,  [2]  p.     22«"'. 

Title  within  ornamental  border;  title  vignette;  rubricated. 

MT860.A2P37 

Paisley,  James  Hamilton,  haron. 

See  Abercorn,  James  Hamilton,  7th  earl  of. 

Paixao  Ribeiro,  Manuel  da. 

Nova  arte  de  viola,  que  ensina  a  tocalla  com  fundamento  sem 
mestre  .  .  .  com  estampas  das  posturas,  ou  pontes  naturaes,  e  acci- 
dentaes;  e  com  alguns  minuettes,  e  modinhas  por  musica,  e  por  cifra 
.  .  .  por  Manoel  da  Paixao  Ribeiro  .  .  .  Coimbra,  Real  omcina  da 
Universidade,  1789. 

1  p.  1.,  V,  51  p.    8  fold.  pi.    22'^'°. 

MT338.A2P2 

[Palissot  de  Montenoy,  Charles]  1730-1814. 

Eloge  de  Jean-Philippe  Rameau,  compositeur  de  musique  du  cabi- 
net duroi.     [Paris,  1765?] 

p.  39-67.     16i<=™. 

Caption  title.    Signature  title,  p.  57 :  "N^crologe  1765."    Taken  from  "LeNe- 
crologe  des  hommes  c^lfebres  de  France." 
"Catalogue  des  ouvrages  de  M.  Rameau":  p.  65-67. 

ML410.R2P15 

Panerai,  Vincenzio. 

Principj  di  musica  teorico-pratici  dell'  ab :  Vincenzio  Paneraj  .  .  . 
Firenze,  G.  Volpini  [n.  d.] 

[1],  13  p.     28  X  21^'''" 

Engraved  throughout. 

Another  edition  was  published  at  Florence  in  1750. 

MT7.A2P26 

Pannilini,  Francesco  de'  Gori. 

See  Gori  Pannilini,  Francesco  de'. 

Paolucci,  Giuseppe,  1726-1776. 

Arte  pratica  di  contrappunto  dimostrata  con  esempj  di  varj  autori 
e  con  osservazioni  di  fr.  Giuseppe  Paolucci  .  .  .  Venezia,  A.  de 
Castro,  1765-72. 

3  V.  in  1.     10  fold.  1.  (music)     22J  x  18"'^. 

Title  vignette. 

MT55.A2P3 

Papillon  de  La  Ferte,  Denis  Pierre  Jean,  1727-1794. 

Sre  Paris.    Academie  royale  de  musique.     Precis  sur  I'Opera 

[1789] 


204  LIBRABY   OF   CONGRESS 

Papius,  Andreas,  1542-1581. 

And.  Papii  Gandensis  De  consonantiis,  sev  j)ro  diatessaron  libri 
y    dvo.     Antverpise,  ex  officina  Christophori  Plantini,  ardutypographi 
regij,  1581. 

208,  [22]  p.,  1 1.    diagre.     ISJ" 


I  cm 


Printer's  mark  on  t.-p.;  initials.    The  22  pages  at  end  contain  "Pater  peccaui 
tribvs  vocibvs"  and  "Als  unverhoetz  [Susan'  vn  iour]  met  ij.  stimmen." 

A  revised  edition  of  his  "  De  consonantiis,  sive  harmoniis  musicis  contra  vul- 
garem  opinionem,"  Antwerp,  1568. 

ML171.P27 

Parfaict,  Claude,  1701  ?-1777. 
See  Parfaict,  Francois. 

[Parfaict,  Frangois]  1698-1753. 

Dictionnaire  des  theatres  de  Paris,  contenant  toutes  les  pieces  qui 
ont  6t6  representees  jusqu'a  present  sur  les  differens  theatres  franpois, 
&  sur  celui  de  I'Academie  royale  de  musique:  les  extraits  de  celles 
qui  ont  6te  jou6es  par  les  comediens  italiens,  depuis  leur  retablisse- 
ment  en  1716,  ainsi  que  des  opera  comiques,  &  principaux  spectacles 
des  foires  Saint  Germain  &  Saint  Laurent.  Des  faits  anecdotes  sur 
les  auteurs  qui  ont  travaille  pour  ces  theatres,  &  sur  les  principaux 
acteurs,  actrices,  danseurs,  cfanseuses,  compositeurs  de  ballets,  des- 
sinateurs,  peintres  de  ces  spectacles,  &c.  .  .  .     Paris,  Lambert,  1756. 

7  V.     17  X  9^''™. 

By  Francois  and  Claude  Parfaict  (completed  and  published  by  Quentin  Godin 
d'Abguerbe) 

ML102.O6P2 

Memoires  pour  servir  a  I'histoire  des  spectacles  de  la  foire.  Par 
un  acteur  forain  .  .  .     Paris,  Briasson,  1743. 

2  V.  in  1  (v.  1:  2  p.  1.,  Ixxxiv,  240  p.;  v.  2:  2  p.  1.,  162  p.)     16i<"°. 
By  Francois  and  Claude  Parfaict. 

PN2633.P3 

Paris.     Academie  royale  de  musique. 

Memoire  justificatif  des  sujets  de  T Academie  royale  de  musique, 
en  r^ponse  a  la  lettre  anonyme  qui  leur  a  ete  adressee  le  4  septembre 
1789,  avec  I'epigraphe:  Tu  dors,  Brutus,  et  Rome  est  dans  les  fers. 
[Paris]  1789. 

18  p.    20«™. 

ML1727.8.P2P23 

.  .  .  Petition,  pour  1' Academie  royale  de  musique,  a  rAssembl6e 
nationale.     [Pans,  Impr.  de  Laillet  &  Garnery,  1790] 

8  p.     19^'='". 

Caption  title. 

At  head  of  first  page:  Supplement  k  la  Chronique  de  Paris,  n°  246,  annee  1790. 

ML1727.8.P2P3 

Precis  sur  TOp^ra  et  son  administration,  et  reponses  a  diff^rentes 
objections.     [Paris,  1789] 

3  p.  1.,  [3]-92  p.     fold.  tab.     25  x  20'^'". 

By  Papillon  de  La  Ferte  (c/.  Pierre,  Le  Conservatoire  national,  1900,  p.  40) 

ML1727.8.P2P4 


EARLY  BOOKS  ON  MUSIC  205 

Paris.     Academie  royale  de  musique — Continued. 

Reglemens  pour  rAcademie  royale  de  musique.  Du  P"".  avril 
1792.     Paris,  Impr.  de  I'Opera,  1792. 

2  p.  1.,  44  p.     fold.  tab.     24  x  ISJ'''". 

ML1727.8.P2R24 

See  also  France: 

Paris.     Conservatoire  national  de  musique  et  de  declamation. 

Organisation  du  Conservatoire  de  musique.  [Paris,  Impr.  de  la 
r^publique,  brumaire  an  v,  1796] 

2  p.  1.,  58  p.     21i<'°'. 

MT3.P2C3 

Parran,  Antoine,  1582-1650. 

Traite  de  la  mvsiqve  theoriqve  et  pratiqve.  Contenant  les  pre- 
ceptes  de  la  composition.  Par  le  R.  P.  Antoine  PaiTan  .  .  .  Paris, 
Par  R.  Ballard,  seul  imprimeur  du  roy  pour  la  musique,  1646. 

4  p.  1.,  143,  [1]  p.     fold,  pi.,  diagr.    24°"'. 

Title  vignette. 

1st  edition  Paris,  1639. 

MT40.A2P18 

Parrilli,  Felice. 

Lettera  villereccia  di  Felice  Parrilli  ad  uno  avvocato  napoletano 
indiritta,  in  cui  si  propone  un  mezzano  sistema  per  la  quistione  se  i 
maestri  di  cappella  son  compresi  fra  gli  artigiani  .  .  .     [Napoli  ?  1785  ?] 

xii,  72  p.     20''". 

The  letter  is  dated:  Mauro  il  di  10.  luglio  1785;  the  dedication,  Napoli  add! 
28.  agosto  1785. 

ML63.P27 

Pasquali,  Nicolo,  d.  1757. 

The  art  of  fingering  the  harpsichord ;  illustrated  with  examples  in 
notes;  to  which  is  added,  An  approved  method  of  tuning  this  mstru- 
ment:  by  Nicolo  Pasquali.     Eclinburgh,  R.  Bremner  [1760?] 

vii,  28  p.     XV  pi.  on  8  1.    24|  x  SS^-^™. 

Text,  except  the  first  4  pages,  printed  on  leaves  24J  x  16*"".     Plates  printed 
on  both  sides. 

MT252.A2P3 

— — ■  The  art  of  fingering,  the  harpsichord.  Illustrated  with  exam- 
ples in  notes.  To  wmch  is  added,  an  approved  method  of  tuning  that 
mstrument.     By  Nicolo  Pasquali.     London,  R:  Bremner  [17 — -] 

V,  28  p.     XV  pi.  on  81.     24  x  33^^™. 

Text  printed  on  leaves  23^  x  I82''™.     Plates  printed  on  both  sides. 

MT252.A2P31 

Thorough-bass  made  easy :  or.  Practical  rules  for  finding  &  applying 
its  various  chords  with  httle  trouble ;  together  with  variety  of  exam- 
ples in  notes,  shewing  the  manner  of  accompanying  concertos,  solos, 


206  LIBRAE Y  OP  CONGRESS 

Pasquali,  Nicole — Continued. 

songs,  and  recitatives:  bv  Nicolo  Pasquali.     Edinburgh,  R.  Bremner 
[1757] 

3  p.  1.,  [3]-48  p.     XXIX  pi.  on  15  1.     24^x331''™.     {With  his  Art  of  fingering 
the  harpsichord.     Edinburgh  [1760?]) 

Text  printed  on  leaves  24J  x  16*^™.     Plates  printed  on  both  sides. 

MT252.A2P3 

Thorough-bass  made  easy:  or,  Practical  rules  for  finding  & 


applying  its  various  chords  with  little  trouble;  together  with  variety 
01  examples  in  notes,  shewing  the  manner  of  accompanying  concertos, 
solos,  songs,  and  recitatives:  by  Nicolo  PasquaU.  London,  R.  Brem- 
ner [17—] 

2  p.  1.,  [3]-48  p.     XXIX  pi.  on  15  1.     24  x  33<"".     {With  his  Art  of  fingering,  the 
harpsichord.     London  [17 — ]) 

MT252.A2P31 

Passeri,  Giovanni  Battista,  1694-1780,  editor. 
See  DoNi,  G.  B.     Lyra  Barberina,  1763. 

Patru,  Olivier,  1604-1681. 

See  Hertel,  J.  W.     Sammlung  musikalischer  schriften,  1757-58. 

Pecourt,  Gnillaume  Louis,  1653-1729. 

See  Feuillet,  R.  A.     Rectieil  de  dances,  1704. 

Rameau,  p.     Abreg6  de  la  nouvelle  methode  [1725  ?] 

Pedroso,  Manuel  de  Moraes. 

See  Moraes  Pedroso,  ]\LiNUEL  de. 

Peletier,  Jacques,  1517-1582. 

See  DiscouRS  non  plus  melancoliqves  qve  divers,  1557. 

Pemberton,  B. 

An  essay  for  the  further  improvement  of  dancing;  being  a  collec- 
tion of  figure  dajices,  of  several  numbers,  compos'd  by  the  most  emi- 
nent masters;  describ'd  in  characters  after  the  newest  manner  of 
Monsieur  Feuillet.  By  E.  Pemberton.  To  which  is  added,  three 
single  dances,  viz.  a  chacone  by  Mr.  Isaac,  a  passacaille  by  Mr. 
L'Abbe,  and  a  jig  by  Mr.  Pecour  .  .  .     London,  J.  Walsh  [etc.]  1711. 

5  p.  1.,  54  pi.  (partly  fold.)    26  x  ig*^"". 

MT950.A2P45 

Pena,  Jean,  d.  1558?  translator. 

See  EuCLlDES.     EuKksidoij  ElcayiDYij  dpfiovncQ,  1557. 

Penna,  Lorenzo,  1613-1693. 

Direttorio  del  canto  fermo,  dal  quale  con  breuit^.  si  apprende  il 
modo  di  cantare  in  coro  cid  s'appartiene  a  coristi,  con  la  maniera  di 
comporre  il  canto  fermo,  ad  vno,  due,  e  tre  cori;  dato  in  Ivce  da  f. 
Lorenzo  Penna  .  .  .  Modana,  Per  gli  eredi  Cassiani  stampatori  episc, 
1689. 

96  p.     24'-'°. 

MT860.A2P41 


EARLY  BOOKS  ON  MUSIC  207 

Penna,  Lorenzo — Continued. 

Li  primi  albori  mvsicali  per  li  principianti  della  musica  figurata; 
distinti  in  tre'  libri:  dal  prime  spuntano  fi  principij  del  canto  figvrato; 
dal  secondo  spiccano  le  regole  del  contrapvnto ;  dal  terzo  appariscono 
li  f ondamenti  per  suonare I'organo  d  clavicembalo  sopra  la  parte ;  del 
padre  fra  Lorenzo  Penna  ...  5.  impresione.  Bologna,  P.  M.  Monti, 
1696. 

199  p.  incl.  illus.,  port.     22J  x  17'^'». 
"  Terzo  choro,"  etc.,  of  example  on  p.  138  is  on  separate  leaf  attached  to  page. 

MT6.A2P41 

[Pepusch,  John  Christopher]  1667-1752. 

A  short  treatise  on  harmony,  containing  the  chief  rules  for  com- 
posing in  two,  three,  and  four  parts.  Dedicated  to  all  lovers  of 
musick,  by  an  admirer  of  this  noble  and  agreeable  science  .  .  .  Lon- 
don, Printed  by  J.  Watts,  1730. 

2p.  1.,  84p.    4  pi.    12xl8i<^"». 

MT50.A2P2 

A  treatise  on  harmony :  containing  the  chief  rules  for  com- 
posing in  two,  three,  and  four  parts.  Dedicated  to  all  lovers  of 
musick,  by  an  admirer  of  this  agreeable  science.  The  2d  ed.,  alter'd, 
enlarg'd,  and  illustrated  by  examples  in  notes  .  London  Printed 
by  W.  Pearson,  1731. 

2  p.  1.,  227^  [1]  p.,  1  1.  incl.  4  pi.     \\\  x  20^^". 

"In  1730  there  was  published  anonymously  'A  [short]  treatise  on  narmony 
.  .  .'  As  the  rules  contained  in  the  book  were  those  Pepusch  was  in  the  habit 
of  imparting  to  his  pupils,  and  as  they  were  published  without  the  necessary 
musical  examples,  he  felt  compelled  to  adopt  the  work,  and  accordingly  in  1731 
published  a  'Second  edition'  ...  It  was  conjectured  that  the  first  edition  was 
put  forth  by  Viscount  Paisley,  afterwards  Earl  of  Abercom." — Grove. 

MT50.A2P22 

See  also  Grassineau,  J.     A  musical  dictionary,  1740. 

Perego,  Camillo,  d.  ca.  1574. 

La  regola  del  canto  fermo  ambrosiano,  composta  gik  d'ordine  di 
S.  Carlo  dal  reuer.  p.  Camillo  Perego  .  .  .  Ed  hora  data  alia  stampa 
per  commessione  di  Monsignor'  illustrissimo,  e  reverendissimo  Fede- 
rico  cardinale  Borromeo  arciuescouo  .  .  .  Milano,  Per  I'her.  di  P. 
Pontio,  &  G.  B.  PiccagUa,  stampatori  archiepiscopaU,  1622. 

2  p.  1.,  161,  [5]  p.     illus.     23  x  17i''">. 

Title  vignette.     Errors  in  paging. 

MT860.A2P45 

Perez  Calderon,  Manuel. 

ExpUcacion  de  solo  el  canto-llano,  que  para  instruccion  de  los 
novicios  de  la  provincia  de  Castilla  del  real  y  militar  Orden  de  N. 
Senora  de  la  Merced,  redencion  de  cautivos,  compuso  el  P.  Fr.  Manuel 
Perez  Calderon  ...  A  que  anade  las  cuerdas  de  Alamire,  Gsolreut, 
Ffaut,  y  la  que  particularmente  usa  la  santa  iglesia  de  Toledo,  llamada 
por  eso  cuerda  toledana.  Contiene  asimismo  todas  las  antifonas, 
lamentaciones.  y  responsorios  de  los  tres  dias  de  Tinieblas.     Todo  lo 


208  LIBRARY   OF   CONGRESS 

Perez  Calder6n,  Manuel — Continued. 

^ue  para  utilidad  comun  ha  dispuesto,  y  da  a  luz  el  P.  Fr.  Isidro 
lopez  .  .  .     Madrid,  For  D.  J.  Ibarra,  impresor,  1779. 
1  p.  1.,  V,  [1],  189  p.     1  Ulua.     21^=™. 
Copy  2.  MT860.A2P49 

Le  petit  Rameau,  ou  Principes  courts  et  faciles,  pour  apprendre 
soi-meme,  &  en  peu  de  terns,  la  musique;  avec  taolettes  de  papier 
nouveau,  pour  6crire  ou  noter  tout  ce  que  Ton  desirera.  raris, 
Desnos  [1772 1] 


48,  24,  48  p.     12  x  6"'". 
Approbation  dated  "  11  juin  1772.' 


MT7.A2P44 


Petri,  Johann  Samuel,  1738-1808. 

Anleitung  zur  practischen  musik,  vor  neuangehende  singer  und 
instrumentspieler,  von  Johann  Samuel  Petri  ...  Lauban,  J.  C. 
Wirthgen,  1767. 

164  p.,  1 1.    17i'='^. 

MT6.A2P47 

Anleitung  zur  praktischen  musik,  von  Johann  Samuel  Petri. 

[2.  umgearb.,  verb,  una  verm,  aufl.]     Leipzig,  J.  G.  I.  Breitkopf,  1782. 

10  p.  1.,  484,  [1]  p.     22  X  17^°'". 

MT6.A2P49 

Pfeiffer,  August  Friedrich,  1748-1817. 

Ueber  die  musik  der  alten  Hebr&er,  von  August  Friedrich  Pfeiffer 
.  .  .     Erlangen,  W.  Walther,  1779. 

lix  p.     fold.  pi.     24 J  X  ig^"™. 

ML166.A2P52 

Phillips,  John,  1631-1706. 

See  Locke,  M.     The  present  practice  of  musick  vindicated,  1673. 

Phillips,  John. 

FamiUar  dialogues  on  dancing,  between  a  minister  and  a  dancer, 
taken  from  matter  of  fact,  with  an  appendix  containing  some  extracts 
from  the  writings  of  pious  and  eminent  men  against  the  entertain- 
ments of  the  stage,  and  other  vain  amusements  .  .  .  By  John  Phil- 
hps  .  .  .     New- York,  Prmted  by  T.  Kirk,  1798. 

39  p.     21<=". 

GV1740.P5 

Philodemus,  of  Gadara. 

Philodemi  De  musica  iv.     [Neapoli,  ex  Regia  typographia,  1793] 

3  p.  1.,  23  p.,  1 1.,  180  p.    facsim.    40"™.     (R.  Accademia  ercolanese  di  arche- 
ologia,  Naples.     Hercvlanensivm  volvminvm  qvae  svpersvnt  tomvs  i) 

Title  given  above  appears  as  half-title  preceding  the  text. 
A  facsimile  of  the  papyrus,  with  transcription  and  Latin  translation  on  oppo- 
site pages.     Edited  by  Carlo  Maria  Rosini. 

ML168.P45 


EARLY  BOOKS  ON   MUSIC  209 

Philodemus — Continued. 

...  In  Philodemi  Ilepl  fwuaiKijc  librum  iv.  nuper  ab  academicis 
herculanensibus  editum  animadversionum  particula  i.  [auctore  C.  G. 
Schuetz]     [Jenae]  ex  officina  Goepferdtii  [1795] 

[4]  p.    35^x19^"'°. 
Program m — Univ.  Jena  (Novi  prorectoratvs  avspicia . . .  indicit  Acad,  ienensis) 

ML169.A2P5 

Philomela  franciscana,  clar4  &  brevi  methodo  decantans  has  ac 
certas  regulas  ad  bene,  perfecteque  cantum  ecclesiasticum  ad- 
diacendum  &  docendum.  Una  cum  tonis  communibus,  hymnis, 
antiphonis,  lectione  mensali,  &c.  ad  usum  FF.  minorum  recollec- 
torum  ordinis  seraphici  patris  S.  Francisci  .  .  .  Augustas  Vindeli- 
corum,  typis  Joannis  Michaelis  Labhart,  1731. 

2  p.  1.,  274  (i.  e.  272)  p.     illus.     13^"°^. 

No.  134-135  omitted  in  paging. 

MT860.A2P55 

Philostratus. 

Philostrati  Lemnii  sopbistse  Epistolse  qusedam,  partim  nunquam, 
partim  auctiores  editse.  loannes  Mevrsivs  primus  vulgavit,  &  ad- 
]unxit,  De  Philostratis  dissertatiunculam.  Lvgdvni  Batavorvm,  ex 
officina  Lvdovici  Elzevirii,  typis  Godefridi  Basson,  1616. 

24  p.     19^  X  13^"™.    {With  Meurs,  Johannes  van,  editor.     Aristoxenva.     Lvg- 
dvni Batavorvm,  1616) 

Printer's  mark:  open  music  book. 

ML167.M57 

Picerii,  Silverio. 

Specchio  prime  di  mvsica,  nel  quale  si  vede  chiaro  non  sol'  il  .  . , 
mode  d'imparar  di  cantare  di  canto  figurato,  e  fermo;  ma  vi  si  ve- 
don'  anco  dichiarate  .  .  .  tutte  le  principali  materie,  che  iui  si  tratta- 
no,  sciolte  le  ma^giori  difficolta,  cne  ...  in  essa  occorrono,  e  scoperti 
nuoui  segreti  nella  medesima  circa  il  cantare,  comporre,  e  sonar  di 
tasti,  nascosti  .  .  .  Composto  dal  m.  r.  p.  f.  Silverio  Picerii  .  .  . 
Napoli,  O.  Beltrano,  1630. 

81,  [9]  p.,  1  1.     20i''"i. 
The  preface  announces  3  parts  but  the  third  part  apparently  not  published. 

MT6.A2P59 

Specchio  secondo  di  mvsica,  nel  qvale  si  vede  chiaro  il  .  .  . 

modo  di  comporre  di  canto  figurato,  e  fermo,  di  fare  con  nuoue  regole 
ogni  sorte  di  contrapnnti  [!],  e  canoni,  di  fomar  [!]  li  toni  di  tutt'  i 
generi  di  musica  reale,  e  finta  .  .  .  e  di  porre  in  prattica  quanto  si  vuole, 
e  puo  desiderare  di  detti  canto  figurato,  e  fermo.  Composto  dal 
m.  r.  p.  f.  Silverio  PicerU  .  .  .     Napoli,  M.  Nucci,  1631. 

7  p.  1.,  196  p.    201^'=°'.    (With  his  Specchio  primo  di  mvsica.    Napoli,  1630) 

MT6.A2P59 

Picitono,  Angelo  da. 

See  Angelo  da  Picitono. 
51234°— 13 14 


210  LIBRARY  OF  CONGRESS 

Pidanzat  de  Mairobert,  Mathieu  Frangois. 

See  Mairobert,  Mathieu  FRANgois  Pidanzat  de. 

Pignolet  de  Monteclair,  Michel. 

See  Monteclair,  Michel  Pignolet  de. 

Pileur  d'Apligny,  le. 

See  Le  Pileur  d'Apligny. 

Pintado,  Giuseppe. 

Vera  idea  della  musica  e  del  contrappunto,  di  D.  Giuseppe  Pintado. 
Roma,  Stamperia  di  G.  Puccinelli,  1794. 

159  p.    20^'^°. 

MT55.A2P65 

Pipegrop,  Heinrich. 

See  Baryphonus,  Heinrich. 

Pipping,  Heinrich,  1670-1722. 

See  LoESCHER,  C.     Dissertatio  historico-theologica  [1688] 

Pizzati,  Giuseppe,  1732-1803. 

La  scienza  de'  suoni,  e  dell'  armonia,  diretta  specialmente  a  render 
ragione  de'  fenomeni,  ed  a  conoscer  la  natura  e  le  leggi  della  medesima, 
ed  a  giovare  alia  pratica  del  contrappunto.  Opera  dell'  ab :  Giuseppe 
Pizzati,  divisa  in  cinque  parti.     Venezia,  G.  Gatti,  1782. 

2  V.  (v.  1:  viii,  358  p.,  11. ;  v.  2:  1  p.  1.,  xlix  pi.  on  26  1.)    3P"»  (v.  2:  34i'='») 

Vol.  [2],  engraved  throughout,  haa  title:   Tavole  degli  esempj  appartenenti 
alia  Scienza  de'  suoni  e  dell'  armonia  .  .  . 

MT50.A2P69 

Planelli,  Antonio,  1747-1803. 

Deir  opera  in  musica,  trattato  del  cavaliere  Antonio  Planelli  .  .  . 
Napoli,  Stamperia  di  D.  Campo,  1772. 

272  p.     20^"™. 

ML3858.P7 

Playford,  Henry,  h.  1657. 

See  The  dancing-master,  1698. 

Playford,  John.  1623-1686  ? 

An  introduction  to  the  skill  of  musick.  In  two  books.  The  first: 
the  grounds  and  rules  of  mvsick,  according  to  the  gam-vt,  and  other 
principles  thereof.  The  second:  instructions  &  lessons  for  the  bass- 
viol  :  and  instruments  &  lessons  for  the  treble- vioUn.  By  John  Plaj^- 
ford.  To  which  is  added.  The  art  of  descant,  or  composing  musick 
in  parts.  By  Dr.  Tho.  Campion.  With  annotations  tnereon,  by  Mr. 
Chr.  Simpson.  The  7th  ed.,  cor.  and  enl.  London,  Printed  by  W. 
Godbid,  for  J.  Playford,  1674. 

7  p.  1.,  121.  [3],  42,  10  p.     illus.     17^ 


Tcm 


EARLY  BOOKS  ON   MUSIC  211 

Plajrford,  John — Continued. 

The  "Art  of  descant"  has  special  t.-p.  and  separate  paging. 

The  first  edition  was  published  in  1654  as  "Breefe  introduction  to  the  skill  of 
musick,  for  song  and  viall." 

"Rules  and  directions  tor  singing  the  Psalms":  p.  71-89. 

"The  order  of  performing  the  divine  service  in  cathedrals  and  collegiate 
chappels: "  10  p.  at  end. 

MT7.A2P72 

An  introduction  to  the  skill  of  musick,  in  two  books.     The 


first  contains  the  grounds  and  rules  of  musick,  according  to  the 
gam-ut,  and  other  principles  thereof.  The  second,  instructions  and 
lessons  both  for  the  basse- viol  and  treble- vioUn.  By  John  Playford. 
To  which  is  added,  The  art  of  descant,  or  composing  of  musick  in 
parts,  by  Dr.  Tho.  Campion;  with  annotations  thereon  by  Mr.  Chr. 
Simpson.  Also  The  order  of  singing  divine  service  in  cathedrals. 
The  8th  ed.  carefully  cor.  London,  Printed  by  A.  C.  and  J.  P.  for 
J.  Playford,  1679. 

7  p.  1.,  119,  [3],  34,  7  p.     front,  (port.)  illus.     16<"°. 

The  "Art  of  descant"  has  special  t.-p.  and  separate  paging. 

MT7.A2P73 

An  introduction  to  the  skill  of  musick,  in  three  books.     The 


first  contains  the  grounds  and  rules  of  musick,  according  to  the 
gam-ut,  and  other  principles  thereof.  The  second,  instructions  and 
lessons  both  for  the  bass-viol  and  treble-violin.  The  third,  the  art  of 
descant,  or  composing  musick  in  parts:  in  a  more  plain  and  easie 
method  than  any  heretofore  published.  By  John  rlayford.  The 
12th  ed.  Corrected  and  amended  by  Mr.  Henry  Purcell.  [London] 
Printed  by  E.  Jones,  for  H.  Playford,  1694. 

9  p.  1.,  144  p.     front,  (port.)  illus.     ni""". 

"A  brief  discourse  of  the  Italian  manner  of  singing  .  .  .  written  some  years 
since  by  an  English  gentleman  who  had  lived  long  in  Italy,  and  being  returned, 
taught  the  same  here":  p.  31-46. 

MT7.A2P75 

An  introduction  to  the  skill  of  musick:  in  three  books.     By 


John  Playford.  Containing  i.  The  grounds  and  principles  of  musick 
according  to  the  gamut  ...  ii.  Instructions  and  lessons  for  the 
treble,  tenor,  and  bass-viols;  and  also  for  the  treble- violin,  iii.  The 
art  of  descant,  or  composing  musick  in  parts;  made  ver}'  plain  and 
easie  by  the  late  Mr.  Henry  Purcell.  The  13th  ed.  [London] 
Printed  by  E.  Jones,  for  H.  Playford  [etc.]  1697. 
2  p.  1.,  ix,  [1],  134  p.     front,  (port.)  illus.     17  x  10''". 

Parts  2  and  3  have  each  special  t.-p. 

MT7.A2P76 

An  introduction  to  the  skill  of  musick:   in  three  books:    by 


John  Playford.  Containing  i.  The  grounds  and  principles  of  musick, 
according  to  the  gamut  ,  .  .  ii.  Instructions  and  lessons  for  the 
treble,  tenor  and  bass-viols;  and  also  for  the  treble-violin,  in.  The 
art  of  descant,  or  composing  musick  in  parts:   made  very  plain  and 


212  LIBRARY   OF   CONGRESS 

Playford,  John — Continued. 

easie  by  the  late  Mr.  Henry  Purcell.  The  15th  ed.  Corrected,  and 
done  on  the  new  ty'd-note.  London,  Printed  by  W.  Pearson,  for 
H.  Playford  [etc.]  1703. 

9  p.  1.,  180  (i.  e.  170)  p.     front,  (port.)  illus.     17'' 


7cm 


Parts  2  and  3  have  each  special  t.-p.,  dated  1700.     No.  81-90  omitted  in  piling; 
no.  108  and  109  transposed. 

"The  order  of  performing  the  divine  service  in  cathedrals,  &  collegiate  chap- 
pels":  p.  5^-60. 

MT7.A2P78 

An  introduction  to  the  skill  of  musick:  in  three  books:  by 


John  Playford.  Containing  i.  The  OTounds  and  principles  of  musick, 
according  to  the  gamut  ...  ii.  Instructions  and  lessons  for  the 
treble,  tenor,  and  bass-viols;  and  also  for  the  treble  vioUn.  iii.  The 
art  of  descant,  or  composing  musick  in  parts;  made  very  plain  and 
easie  by  the  late  Mr.  Henry  Purcell.  The  16th  ed.  Corrected,  and 
done  on  the  new  ty'd  note.  London,  Printed  by  W.  Pearson,  for 
J.  Sprint,  1713. 

9  p.  1.,  170  p.     illus.     16<"". 

"The  order  of  performing  the  divine  service  in  cathedrals,  &  collegiate  chap- 
pels":  p.  53-60. 

MT7.A2P79 

An  introduction  to  the  skill  of  musick:  in  three  books:  by 


John  Playford.  Containing  i.  The  grounds  and  principles  of  musick, 
according  to  the  gamut  .  .  .  ii.  Instructions  and  lessons  for  the 
treble,  tenor,  and  bass-viols;  and  also  for  the  treble- violin,  iii.  The 
art  of  descant,  or  composing  musick  in  parts :  made  very  plain  and 
easy  by  the  late  Mr.  Henry  Purcell.  The  19th  ed.  Cor. ,  and  done  on 
the  new-ty'd  note.  London,  Printed  by  W.  Pearson,  for  B.  Sprint, 
1730. 

9  p.  1.,  170  p.     front,  (port.)  illus.     17"™. 

"The  order  of  performing  the  divine  service  in  cathedrals,  and  collegiate  chap- 
pels":  p.  53-60. 

MT7.A2P793 

See  also  The  dancing-master,  1698. 

Locke,  M.     The  present  practice  of  musick  vindicated, 
1673. 

The  playhouse  pocket-companion,  or  Theatrical  vademecum:  con- 
taining, I.  A  catalogue  of  all  the  dramatic  authors  who  have  written 
for  the  English  stage,  with  a  list  of  their  works,  shewing  the  dates  of 
representation  or  publication,  ii.  A  catalogue  of  anonymous  pieces. 
III.  An  index  of  plays  and  authors.  In  a  method  entirely  new, 
whereby  the  author  of  any  dramatic  performance,  and  the  time  of 
its  appearance,  may  be  reacHly  discovered  on  inspection.  To  which 
is  prefixed,  a  critical  history  of  the  English  stage  from  its  origin  to 
the  present  time;  with  an  enquiry  into  the  causes  of  the  decline  of 
dramatic  poetry  in  England  .  .  .  London,  Richardson  and  Urqu- 
hart  [etc.]  1779. 

2p.l.,  [13]-179p.     18=°^. 

Z2014.D7P/' 


EARLY  BOOKS  ON  MUSIC  213 

Plutarchus. 

IJXovrapxov  diakoyog  Ilepl  fxovGiKrjs.  Dialogue  de  Plutarque 
sur  la  musique,  tr.  en  franpois.  Avec  des  remarques.  Par  M.  Bu- 
rette.    Paris,  Imprimerie  royale,  1735. 

442,  31-126  p.     3  fold.  pi.     26^"'°. 

One  of  12  copies  separately  issued.  Printed  also  in  "M^moires  de  litt^rature 
tirez  des  registres  de  TAcad^mie  royale  des  inscriptions  et  belles  lettres,"  vol. 
10,  13,  15,  17,  1736-51. 

The  last  instalment  ("Suite  des  remarques  [etc.]",  §§ccxlv-cclxxi,  and  a 
"Dissertation,"  p.  61-126)  has  paging  and  signature  of  the  "M^moires." 

"Dissertation  servant  d'epilogue  &  de  conclusion  aux  remarques  sur  le  traite 
de  Plutarque  touchant  la  musique;  dans  laquelle  on  compare  la  theorie  de 
I'ancienne  musique  avec  celle  de  la  musique  moderne.  Par  M.  Burette":  p. 
61-126  at  end. 

ML168.P7B6 

La  poesie  et  la  musique.     Satire.     A  Monsievr  Despreavx.     Paris, 
D.  Mariette,  1695. 

3p.  1.,  14,  8p.     25"™. 

"Cantiques  spirituels  [composez  pour  I'illustre  maison  de  Saint  Cyr,  &  mis  en 
chant  par  Monsieur  Moreau]":  8  p.  at  end. 

ML270.2.A2P7 

[Poisson,  Leonard]  1695-1753. 

Nouvelle  methode,  ou  Traits  theorique  et  pratique  du  plain-chant, 
dans  lequel  on  explique  les  vrais  principes  de  cette  science,  suivant 
les  auteurs  anciens  &  modernes;  on  donne  des  regies  pour  la  com- 
position du  plain-chant,  avec  des  observations  critiques  sur  *les 
nouveaux  livres  de  chant  .  .  .     Paris,  Lottin,  le  jeune,  1745. 

4  p.  1.,  419,  [5]  p.     20"". 

MT860.A2P6 

Traits  theorique  et  pratique  du  plain-chant,  appelle  gregorien, 

dans  lequel  on  explique  les  vrais  principes  de  cette  science,  suivant 
les  auteurs  anciens  &  modernes;  on  donne  des  regies  pour  la  com- 
position du  plain-chant,  avec  des  observations  critiques  sur  les 
nouveaux  livres  de  chant  .  .  .  Paris,  P.  N.  Lottin,  &  J.  H.  Butard, 
1750. 

4  p.  1.,  419,  [5]  p.     20"°'. 

MT860.A2P7 

Polandus,  Nicolaus,  d.  1612. 

Musica  instrumentaUs,  von  christlichem  brauch  der  orgelwerck 
vnnd  seytenspiel  /  bey  dem  heiligen  gottesdienst  /  eine  predigt  / 
gehalten  in  der  domkirchen  zu  Meissen  /  als  die  newe  orgel  /  so  das 
ehrwurdige  domcapitul  &c.  von  newem  erbawen  lassen  /  allda  zu  erst 
gebrauchet  ward  /  Mit  einer  vorrede  /  darinnen  etwas  von  bischoffs 
Bennonis  wundern  /  wider  die  baierische  papisten  /  beruhret  worden  / 
Von  Nicolao  Polanto  .  .  .  Gedruckt  zu  Leipzig  /  durch  Jacobum 
Popporeich  /  in  verlegung  Johann:  Borners  J  des  4ltern  /  1605.  • 

45,  [1]  p.     18J  X  15^"™. 

Line  borders. 

ML3001.P65 


214  LIBRARY  OP   CONGRESS 

Ponzio,  Pietro,  1532-1596. 

Dialogo  del  r.  m.  Don  Pietro  Pontio  Pannigiano,  oue  si  tratta 
della  theorica,  e  prattica  di  musica.  Et  anco  si  mostra  la  diuersita 
de'  contraponti,  &  canoni.     Parma,  E.  Viothi,  1595. 

4  p.  1.,  152  p.    19J''"». 

Title  vignette. 

MT55.A2P7 

Ragionamento  di  mvsica,  del  reuerendo  m.  Don  Pietro  Pontio 
Parmegiano.  Ove  si  tratta  de'  passdggi  delle  consonantie,  &  dis- 
/  sonantie,  buoni,  &  non  buoni;  &  del  modo  di  far  motetti,  messe, 
salmi,  &  altre  compositioni ;  et  d'alcvni  avertimenti  per  il  contra- 
puntista,  &  compositore,  &  altre  cose  pertinenti  alia  musica.  Parma, 
E.  Viotto,  1588. 

2  p.  1.,  161,  [3]  p.  incl.  diagr.    20^"'°. 

Title  vignette. 

MT55.A2P81 

Porphyrius. 

See  GoGAVA,    A.   H.,   translator.     Aristoxeni  .  .  .  Harmonicorvm 
elementorvm  libri  in,  1562. 

Porta,  Persic  della. 

L'Arianna  musicale  del  Signor  Don  Persio  della  Porta  .  .  .  Napoli, 
D.  A.  Parrino,  e  M.  L.  Mutio,  1696. 

^  p.  1.,  88,  [4]  p.     1  illua.    22^"°'. 

Rubricated. 

MT860.A2P8 

Porta  Ferrari,  Carlo  Antonio. 

II  canto  fermo  ecclesiastico,  spie^ato  a'  seminaristi  di  Ferrara  .  .  . 
da  D.  Carlo  Antonio  Porta  Ferrari  .  .  .  Modena,  B.  Soliani,  stam- 
pator  ducale,  1732. 

viii,  77  p.    pi.    27  X  20"™. 

MT860.A2P83 

Portique  ancien  et  moderne,  1785. 

See  Le  Prevost  d'Exmes,  F.     LuUy,  musicien  [1785  ?] 

Portmann,  Johann  Gottlieb,  1739-179*. 

Leichtes  lehrbuch  der  harmonic,  composition  und  des  generalbasses, 
zum  gebrauch.  Mr  liebhaber  der  musik,  angehende  und  fortschreitende 
musici  und  componisten,  hrsg.  von  Johann  Gottlieb  Portmann  .  .  . 
Darmstadt,  Gedruckt  durch  J.  J.  Will,  1789. 

2  p.  1.,  70  p.,  1  1.,  64  p.  (engr.)     illua.     21^  x  17^"'°. 

Musical  examples:  64  p.  at  end. 

MT6.A2P85 

Die  neuesten   und   wichtigsten   entdeckungen   in   der   harmonic, 
•melodic  und  dem  doppelten  contrapuncte.     Eine  beilage  zu  jeder 
musicalischen  theorie,  von  J.  G.  Portmann.     Darmstadt,  1798. 

8  p.  1.,  270,  19  p.  (engr.)    17^"™. 

Musical  examples:  19  p.  at  end. 

MT50.A2P76 


EARLY  BOOKS  ON   MUSIC  215 

Potter,  John. 

Observations  on  the  present  state  of  music  and  musicians.  With 
general  rules  for  studying  music  ...  in  order  to  promote  the  further 
cultivation  and  improvement  of  this  difficult  science.  The  whole 
illustrated  with  .  ,  ,  remarks,  intended  for  the  service  of  its  practi- 
tioners in  general.  With  the  characters  of  some  of  the  most  eminent 
masters  of  music.  To  which  is  added,  A  scheme  for  erecting  and 
supporting  a  musical  academy  in  this  kingdom.  By  John  Potter. 
London,  C.  Henderson,  1762. 

4  p.  1.,  108  p.     20^" 


icm 


"Interspers'd  in  my  lectures  read  at  Gresham-coUege  last  Easter  and  Trinity 
terms. ' ' — Advertisement. 

ML195.P82 

Practical  discourses  of  singing  in  the  worship  of  God;  preach' d  at 
the  Friday  lecture  in  Eastcheap.  By  several  ministers  .  .  .  Lon- 
don, Printed  by  J.  Darby  for  K  Cliff  [etc.]  1708. 

X,  226  p.     l?""". 

Contents. — Of  the  nature  of  the  duty  of  singing,  by  Mr.  Earle. — ^Arguments 
to  prove  the  obligation  of  the  duty,  by  Mr.  Bradbvuy. — Of  the  excellence  of 
singing,  by  Mr.  Harris. — ^Objections  against  singing  consider'd,  by  Mr.  Rey- 
nolds.— Directions  for  the  right  performance  of  the  duty  of  singing,  by  Mr. 
Newman. — Exhortation  to  singing,  by  Mr.  Gravener. 

ML3001.P89 

Praetorius,  Michael,  1571-1621. 

Syntagma  musicum;  ex  veterum  et  recentiorum,  ecclesiasticorum 
autorum  lectione,  polyhistorlim  consignatione,  variarum  linguarum 
notatione,  hodierm  secuU  usurpatione,  ipsius  denique  musicse  artis 
observatione :  in  cantorum,  organistarum,  organopoeorum,  csetero- 
rumque  musicam  scientiam  amantium  &  tractantium  gratiam  collec- 
tum ;  et  secundum  generalem  indicem  toti  operi  prsefixum,  in  quatuor 
tomos  distributum,  a  Michaele  Praetorio  ...     [n.  p.,  1615-20] 

3  V.  in  1.     XLii  pi.  on  21 1.,  fold.  tab.     22  x  17"™. 

Each  vol.  has  special  t.-p.  (v.  1)  Syntagmatis  musici  tomus  primus  com- 
plectens  duas  partes:  quarum  prima  agit  de  musica  sacra  vel  ecclesiastica  .  .  . 
Wittebergse,  e  typographic  J.  Richteri,  1615  (Part  2  has  half-title:  Syntagmatis 
musici  tomo  primo.  Conjuncta  pars  altera:  videlicet,  Historia  de  musica  extra 
ecclesiam  .  .  .)  (v.  2)  Syntagmatis  musici  .  .  .  tomus  secundus  De  organogra- 
phia  .  .  .  Wolffenbiittel,  Gedrucktbey  E.  Holwein,  in  verlegung  des  autoris, 
1619.  (v.  3)  Syntagmatis  musici  .  .  .  tomus  tertius.  Darinnen  1.  Die  be- 
deutung  /  wie  auch  abtheil-  vnnd  beschreibung  fast  aller  nahmen  /  der  italia- 
nischen  /  frantz68ischen  /  englischen  vnd  jetziger  zeit  in  Teutschland  gebrauch- 
lichen  gesinge  ...  2.  Was  im  singen  /  bey  den  no  ten  vnd  tactu,  modis  vnd 
transpositione,  partibus  seuvocibus  vnd  vnterschiedenen  choris,  auch  bey  den 
unisonis  vnnd  octavis  zu  observiren:  3.  Wie  die  italianische  vnd  andere  termini 
musici  .  .  .  zu  verstehen  vnd  zu  gebrauchen  [etc.,  etc.]  .  .  .  Wolff enbuttel, 
Gedruckt  bey  E.  Holwein,  in  verlegung  des  autoris,  1619. 

The  plates  form  the  last  part  of  vol.  2,  with  special  t.-p.:  Theatrum  instru- 
mentorum,  seu  Sciagraphia Michaelis Praetorii C.  Darinnen  eigentliche  abriss vnd 
abconterfeyung  /  fast  aller  derer  musicalischen  instrumenten,  so  jtziger  zeit  in 
Welschland  /  Engeland  /  Teutschland  vnd  andern  ortern  vblich  vnd  vorhanden 
seyn  ...     Wolffenbuttel,  1620. 

Part  1  in  Latin,  parts  2  and  3  in  German.  In  the  general  table  of  contents, 
at  the  beginning  of  vol.  1,  a  fourth  part  is  given  in  outline,  which  has  never 
appeared. 

ML100.A2P8 


216  LIBEAEY   OF   CONGRESS 

[Prelleur,  Peter] 

An  introduction  to  singing  after  so  easy  a  method,  that  persons  of 
the  meanest  capacities  may  (in  a  short  time)  learn  to  sing  (in  tune) 
any  song  that  is  set  to  musick,  with  a  choice  collection  of  songs  for 
one,  two  or  three  voices,  with  a  thorough  bass  to  each,  by  y  most 
eminent  masters  of  f  age.     London,  D.  Rutherford  [17 — ] 

32  p.     22"™. 

Engraved  throughout. 

MT870.A2P63 

The  modern  musick-master;  or,  The  imiversal  musician,  containing, 
I.  An  introduction  to  singing  ...  ii.  Directions  for  playing  on  the 
flute  .  .  .  III.  The  newest  method  for  learners  on  the  German  flute 
...  IV.  Instructions  upon  the  hautboy  ...  v.  The  art  of  playing 
on  the  vioUn  ...  vi.  The  harpsichord  illustrated  and  improv'd  .  .  . 
in  which  is  included  a  large  collection  of  airs,  and  lessons,  adapted 
to  the  several  instruments  .  .  .  With  A  brief  history  of  musick  .  .  . 
To  which  is  added,  a  musical  dictionary  .  .  .  Curiously  adorn' d  with 
cuts  .  .  .  4th  ed.,  finelv  engrav'd  .  .  .  London,  At  the  Printing-office 
in  Bow  Church  Yard.  1738. 

8  V.  in  1.     fronts.,  plates  (partly  fold.)     23'^'°. 

Vol.  l-[7]  have  each  special  t.-p. 

MT6.A2P93 

See  also  The  compleat  tutor  for  the  German  flute. 

The  COMPLEAT  tutor  for  the  harpsichord  [175-] 
The  HARPSICHORD  illustrated  and  improv'd  [174-] 

Preus,  Georg. 

Grund-regeln  von  der  structur  und  den  requisitis  einer  untadel- 
haften  orgel,  worinnen  hauptsS,chlich  gezeiget  wird,  was  bey  erbauung 
einer  neuen  und  renovirung  einer  alten  orgel  zu  beobachten  sey,  auch 
wie  eine  orgel  bey  der  ueberheferung  musse  probiret  und  examiniret 
werden;  in  einem  gesprach  entworffen  von  Georg  Preus,  organisten 
an  der  Heil.  Geist-^rche  in  Hamburg.  Hamburg,  C.  W.  JBrandt, 
1729. 

7  p.  1.,  104  p.     front.     16"™. 

ML555.A2P9 

Preus,  Georg. 

Observationes  musicse,  oder  Musicalische  anmerckungen  /  welche 
bestehen  in  eintheilung  der  thonen  /  deren  eigenschafft  und  wirckung  / 
den  music-liebenden  zum  besten  heraus  gegeben  von  Georg  Preus, 
organist  der  stadt  Greiffswald.  Greiffswald/  Gedruckt  bey  D.  B. 
Starcken  [1706] 

[24]  p.     fold,  diagr.     20  x  15^"™. 

"Musicalische  exempel":  7  p.  at  end. 

ML3809.A2P37 

Prevost  d'Exmes,  Frangois  le. 

See  Le  Prevost  d'Exmes,  Fran90is. 

Prieto,  Victor,  editor. 

See  Abreu,  A.     Escuela  para  tocar  ...  la  guitarra,  1799.' 


EAKLY  BOOKS  ON  MUSIC  217 

Primcock,  A.,  pseud. 
See  Ralph,  James. 

Primi  elementi  di  musica  prattica  per  gli  student!  principianti  di  tal 
professione.  A'  quali  si  sono  aggiunti  alquanti  solfeggi  a  due  voci 
in  partitura,  d'eccellente  autore.     Venezia,  A.  Bortoli  [170-  ?] 

68  p.     22  X  16^""'. 

Published  1708  or  earlier,  as  it  is  advertised  in  Gasparini's   "  L'armonico 
pratico,"  Venice,  Bortoli,  1708. 

MT870.A2P68 

Principes  abrlges  de  musique,  en  forme  de  dialogue,  a  F usage  des 
commen^ans.     Metz,  Behmer,  an  vi  [1798  ?] 

2  p.  1.,  18  p.    2  pi.    21"'°. 

MT7.A2P84 

Principj  di  musica.  Nei  quali  oltre  le  antiche,  e  solite  regole  vi  sono 
aggiunte  altre  figure  di  note,  schiarimento  di  chiavi,  scale  dei  tuoni, 
lettura  alia  francese,  scale  semplici  delle  prime  regole  del  cimbalo, 
violino,  viola,  violoncello,  contrabasso,  oboe,  e  flauto.  Firenze,  G. 
Chiari  [1750  ?] 

[1],  9  p.    25^"». 

Illustrated  t.-p.;  line  borders;  engraved  throughout. 

MT7.A2P96 

Principj  di  musica  nei  quali  oltre  le  antiche,  e  solite  regole  vi  sono 


aggiunte  altre  figure  di  note,  schiarimento  di  chiavi,  scale  dei  tuoni, 
lettura  alia  francese,  scale  semplici  delle  prime  regole  del  cimbalo, 
violino,  viola,  violoncello,  contrabbasso,  oboe,  e  flauto.  Venezia,  A. 
Zatta,  e  figh  [17—] 

[1],  10  p.     28^^™. 
Title  within  ornamental  border;  line  borders;  engraved  throughout. 

MT7.A2P8 

Prinner,  Johann  Jacob. 

MusicaUscher  schhssl  welcher  aufsparet  dass  schreibkhastlein  dess 
verstands,  darinnen  vnterschiedliche  ladlein  alss  capitl  begriffen,  dar- 
von  jedes  nach  der  ordnung  seinen  schaz  zeiget.  Sowoll  dass  instru- 
ment vnd  clauir  zuuerstehen,  alss  auch  singen,  geigen  der  violin,  viola 
da  ^amba,  violon  vnd  andrer  geigen  zuerlehrnen,  wie  auch  die  com- 

Eosition  von  grund  auss  zuergreiifen,  die  partitur  oder  den  general 
ass  zum  accompagniren  zuuerstehen.  Welchen  schlissl  ich  der 
lieben  Jugendt  zum  besten  auf  dass  fleissigste  an  die  handt  reiche  vnd 
mittheille  dise  edle  khunst  auf  das  leichteste  vnd  beste  zu  fassen,  vnd 
khiinfftig  das  erlehrnete  wider umb  vergessener  massen  zuerhollen 
auch  verf asset  anno  1677.  Joannes  Jacobus  Prinner. 

[174]  p.     20|  X  loi  "". 

Author's  autograph.  Contains  the  " Musicalischer  schlissl"  (13  chapters,  100 
p.),  teaching  the  rudiments  of  music,  use  and  notation  of  stringed  instruments; 
the  "Organische  instruction"  (21  p.),  treating  of  organ  and  "clavier";  the 
"Fuga"  (53  p.),  treating  of  fugue  and  canon. 

Eitner,  in  his  Quellen-lexikon,  gives  Prinner's  name  as  Prumer. 

ML95.P7 


s/ 


218  LIBRARY  OF   CONGRESS 

Printz,  Wolfgang  Caspar,  0/  Waldihum,  1641-1717. 

Exercitationes  musicae  theoretico-practicae  curiosae  de  concor- 
dantiis  singulis,  das  ist  Musicalische  wissenschafft  und  kunst-ubungen 
von  jedweden  concordantien,  in  welchen  jeglicher  concordantz  natur 
und  wesen  /  composition,  eigentlicher  sitz,  production,  continuation 
und  progressus  aus  gewissen  griinden  erkl&ret  /  und  beschrieben 
werden  .  .  .  von  Wolfgang  Caspar  Printzen  /  von  Waldthurn  .  .  . 
Dresden,  J.  C.  Mieth,  1689. 

9  V.  in  1.    \^  X  16^''"'. 

Added  t.-p.,  engr.:    Wolfgang  Caspar  Printzens  Musicalische  wissenschafft 
[etc.] 

Contains  a  "Prodromus  "  and  eight  dissertations,  each  with  special  t.-p.  bear   ' 
ing  imprint:  Franckfurt  und  Leipzig,  J.  C.  Mieth,  1687[-89] 

MT55.A2P96 

Historische  beschreibung  der  edelen  sing-  und  kling-kunst,  in 
welcher  deroselben  ursprung  und  erfindung,  fortgang,  verbesserung, 
unterschiedlicher  gebrauch,  wunderbare  wiirckungen,  mancherley 
feinde,  und  zugleich  beriihmteste  ausilber  von  anfang  der  welt  biss 
auff  unsere  zeit  in  m6glichster  kiirtze  erzehlet  und  vorgestellet  werden, 
aus  denen  vornehmsten  autoribus  abgefasset  und  in  ordnung  gebracht 
von  Wolfgang  Caspar  Printzen,  von  Waldthurn  .  .  .  Dresden,  J.  C. 
Mieth,  1690. 

3  p.  1.,  240  p.     V  pi.     19J  X  l?*"". 

ML159.P9 

Musica  modulatoria  vocalis,  oder  Manierliche  und  zierliche  sing- 
kunst  /  in  welcher  alles  /  was  von  einem  guten  s&,nger  erfordert  wird  / 
griindlich  und  auf  das  deutlichste  gelehret  und  vor  augen  gestellet 
wird  .  .  .  von  Wolfgang  Caspar  Printzen /von  Waldthurn  .  .  .  Schweid- 
nitz  /  C.  Okel  /  1678. 

4p.l.,79,  [l]p.    pi.    igixlS""*.    {Withhis7\vcyms.    Quedlinburg [etc.]  1676-77) 

MT40.A2P95 

Musicus  curiosus,  oder  Battalus,  der  vorwitzige  musicant,  in  einer 
sehr  lustigen  /  anmuthigen  /  unertichteten  /  und  mit  sch6nen  moralien 
durchspickten  geschichte  vorgestellet  von  Mimnermo,  des  Battali 
guten  freunde.     Freyburg  /  Verlegt  von  J.  C.  Miethen  /  1691. 

333  (1  e.  331)  p.     IS^"""  x  9" 


icm 


.  No.  319-320  omitted  in  paging.     Frontispiece  (added  t.-p.,  engr.?)  wanting. 
Ascribed  also  to  Johann  Kuhnau. 

ML410.K97A1 

Musicus  magnanimus,  oder  Pancalus,  der  grossmuthige  musicant  / 
in  einer  ilberaus  lustigen  /  anmuthigen  /  und  mit  sch6nen  moralien 
gezierten  geschicht  vorgestellet  von  Mimnermo,  des  Pancali  guten 
freunde.     Freyburg  /  Zu  linden  bey  J.  C.  Miethen,  1691. 

1  p.  1.,  262  p.    15Jx9°™.     (Tfi^A^is  Musicus  curiosus.    Freyburg,  1691) 

Added  t.-p.,  engr. 

Ascribed  also  to  Johann  Kuhnau. 

ML410.K97A1 

Wolffgang  Caspar  Printzens  /  von  Waldthurn  .  .  .  Phrynis  oder 
Satyrischer   componist  /  welcher   vermittelst    einer   satyrischen  ge- 


EARLY  BOOKS  ON  MUSIC  219 

Printz,  Wolfgang  Caspar — Continued. 

schicht  alle  und  iede  f ehler  /  der  ungelehrten  /  selt^ewachsenen  /  iinge- 
schickten  und  unverst&ndigen  componisten  h6mich  darstellet  /  und 
darneben  lehret  /  wie  ein  musicaliscnes  stiick  rein  /  ohne  fehler  und 
nach  dem  rechten  grunde  zu  componiren  und  zu  setzen  sev  .  •  .  Qued- 
linburg  /  C.  Okel  /  1676-77. 

2  V.  in  1.    front,  (v.  2)  fold.  pi.     19i  x  IS""". 

Added  t.-p.,  engr.    Unpaged  (pagination  trimmed  off  in  binding?) 

Vol.  2  has  title:  Wolffgang  Caspar  Printzens/  von  Waldthurn  .  .  .  Phrynia 

Mytilenaeus,  oder  ander  theil/  dea  Satyrischen  componistena  .  .  .    Sagan,   C. 

Okel,  1677. 

MT40.A2P95 

Wolffgang  Caspar  Printzens  von  Waldthurn  Phrynis  Mitile- 


nseus,  oder  Satyrischer  componist,  welcher,  vermittelst  einer  satyri- 
schen geschicht,  die  fehler  der  ungelehrten,  selbgewachsenen,  uige- 
schickten,  und  unverstandigen  componisten  h6mch  darstellet,  und 
zugleich  lehret,  wie  ein  musicaUsches  stiick  rein,  ohne  fehler,  und 
nach  dem  rechten  grunde  zu  componiren  und  zu  setzen  sey,  worb-^y 
mancherley  musicalische  discurse  .  .  ,  wie  auch  eine  beschreibung 
eines  labyrinthi  musici,  nebst  eingemengten  lustigen  erzehlungen 
gefunden  werden.  Dressden  und  Leipzig,  J.  C.  Mieth  und  J.  C. 
Zimmermann,  1696. 

3  V.  in  1.    4  fold.  1.  (muaic),  fold,  diagr.    20^  x  16|'-'°. 

Title  varies.  Added  t.-p.,  engr.  "  Wunderbahrliche  echo  .  .  .  in  einer  dop- 
pelten  fugd  ligat4  .  .  .  von  Ismenia  Stratonico  :"  2d  1. 

Vol.  3,  although  ready  for  publication  in  1679,  first  appeared  in  this,  the  second, 
edition.     A  fourth  part  to  the  work  was  written,  but  was  destroyed  by  fire. 

In  the  "prodromus"  to  vol.  1  of  the  present  edition  are  included:  (1)  "Refu- 
tation des  Satyrischen  componisten  .  .  .  von  .  .  .  Matz  Tapinsmus  .  .  .  und  Charia 
Lausimpeltz  written  by  Printz  himself  (c/.  p.  23  et  seq.)  and  first  pub.  sepa- 
rately in  1678;  (2)  a  pretended  reply  by  Printz,  "Declaration  oder  weitere  erkl&- 
rung  der  Refutation  .  .  .  von  Philomuso  Polyandro,"  1679;  (3)  a  colloquy  by 
one  of  Printz's  pupils,  "Der  aberwitzige  pickelhering  Jean  Rebhu,  in  emem 
kurtzen  gesprS,ch  entworffen  von  Veridico  Grato,"  being  a  satirical  reply  to  an 
attack  on  Printz,  which  appeared  in  a  contemporary  almanac,  containing  also 
"Lebensbeschreibung  dea  abenteuerlichen  Jean  Rebnu." 

MT40.A2P96 

[Prixner,  Sebastian]  1744-1799. 

Kann  man  nicht  in  zwey,  oder  drey  monaten  die  orgel  gut,  und 
regelmassig  schlagen  lernen?  Mit  ja  beantwortet,  und  dargethan 
vermittelst  einer  einleitung  zum  ^eneralbasse.  Verfasst  fur  die 
Pfianzschule  des  furstlichen  reichsstiftes  St.  Emmeram.  Landshut, 
Mit  Hagenschen  schriften,  1789. 

223,  [5]  p.,  1  1.  incl.  2  fold.  pi.     W  x  21<-"». 

The  plates  are  each  counted  as  one  page  in  numbering. 

MT182.A2P7 

Proved!,  Francesco. 

Paragone  della  musica  antica,  e  della  moderna:  ragionamenti  iv. 
di  Francesco  Provedi  coltellinajo  sanese.     [n.  p.,  17 — ] 

[107]  p.     17  X  9'^'°. 

Dedication  dated:  Siena,  22.  novembre  1752.  Signatures:  A5-[A12],  B-D  in 
twelves,  E  in  ten. 

ML169.A2P7 


220  LIBRARY   OF   CONGRESS 

Provedi,  Francesco — Continued. 

Paragone  della  musica  antica,  e  della  modema:  ragionamenti 

IV.  di  Francesco  Provedi  coltellinajo  sanese.     [n.  p.,  17 — ] 

4  p.  1.,  p.  353-451.     16  x  9=°. 

Dedication  dated  as  in  the  foregoing.     Signature  title:  Opusc.  torn.  L, 
Originally  formed  part  of  volume  50  of  Calogera's  "  Raccolta  d'opuscoli  scien- 

tifici  e  filologici, "  Venice,  1754.    c/.  Lichtenthal,  Dizionario  e  bibl.  della  musica, 

1826. 

ML169.A2P6 

Psellus,  Michael. 

See  Alard,  L.     De  veterum  musica,  1636. 

Ptolemaeus,  Claudius. 

KXaud'coo  nrokfjbouou  ^ Ap/xoviioLv  /3;/?Aia  f.  Claudii  Ptolemsei  Haraldm- 
corum  libri  tres.  Ex.  cod.  mss.  vndecim,  nunc  primum  grsece 
editus.  Johannes  Wallis  .  .  .  recensuit,  edidit,  versione  &  notis 
illustravit,  &  auctarium  adjecit.  Oxonii,  e  Theatro  Sheldoniano, 
1682. 

10  p.  1.,  328  p.    front.,  tables,  diagrs.    24''™. 

Title  vi^ette. 

Appendix,  "  De  veterum  harmonica  ad  hodiemam  comparata:"  p.  281-328. 

ML168.P97 

See  also  Gogava,  A.  H.,  translator.    Aristoxenl  ,  .  .  Harmonicorvm 
elementorvm  libri  ni,  1562. 

Puig,  Bernardo  Comes  y  de. 
See  Comes  y  de  Puig,  Bernardo. 

Pujades,  Antonio  Eximeno  y. 

See  Eximeno  y  Pujades,  Antonio. 

PurceU,  Henry,  1658  or  9-1695,  editor. 

See  Playtord,  J.     An  introduction  to  the  skill  of  musick. 

Purmann,  Johann  Georg,  1733-1813. 

Antiquitates  musicae  .  .  .  [Specimen  i]  Francofurti  ad  Moenum, 
excudebat  I.  P.  Bayrhoffer  [1776] 

24  p.     23  X  18''™. 

Programm — Gymnasium,  Frankfurt  a.  M. 

ML64.P9 

Puteanus,  Erycius,  1574-1646. 

Errici  Pvteani  .  ,  .  Modvlata  Pallas,  siue  Septem  discrimina  vocvm, 
ad  harmonicas  lectionis  nouum  &  compendiarium  vsum  aptata  &  con- 
texta,  philologo  quodam  filo.     Mediolani,  apud  Pontianos,  1599. 

122,  [5]  p.     illus.     17^'''°. 

ML171.P9 


EARLY  BOOKS   ON   MUSIC  221 

Puteanus,  Erycius — Continued. 

Eryci  Pvteani  Mvsathena,   sive  Notarvm  heptas,   ad  har- 


monicse  lectionis  nouum  &  facilem  vsum.  Eiusdem  Iter  nonianvm. 
Dialogus,  qui  epitomen  Musathenae  comprehendit.  Eiusdem  De  dis- 
tinctionibvs  syntagma,  cum  epistol^  lusti  Lipsii  de  eadem  materia. 
Hanovise,  typis  Wechelianis,  apud  C.  Marnium  &  heredes  I.  Aubrii, 
1602. 

103,  [1]  p.     17-=°. 

2d  edition  of  the  Modulata  Pallas. 

MT44.A2P92 

Quantz,  Johann  Joachim,  1697-1773. 

Johann  Joachim  Quantzens  .  .  .  Versuch  einer  anweisung  die  fl6te 
traversiere  zu  spielen;  mit  verschiedenen,  zur  befdrderung  des  guten 
geschmackes  in  der  praktischen  musik  dienlichen  anmerkungen 
begleitet,  und  mit  exempeln  erl&,utert.  Nebst  xxiv.  kupfertafeln. 
Berlin,  J.  F.  Voss,  1752. 

7  p.  1.,  334,  [20]  p.,  1 1.     illus.,  xxiv  pi.  on  12  fold.  1.     24  x  19<"". 
The  plates  contain  the  "  exempel  "  and  are  printed  on  both  sides. 

MT342.A2Q2 

See  also  Lorenzoni,  A.     Saggio  per  ben  sonare  il  flauto traverse, 
1779. 

Quatremere  de  Quincy,  Antoine  Chrysostome,  1755-1849. 

De  la  nature  des  operas  bouffons  italiens,  et  de  1' union  de  la  comedie 
&  de  la  musique  dans  ces  poemes ;  par  M.  Quatremere  de  Quincy. 
(InL'Espritdesjoumaux  .  .  .    Paris  [1789]    16^'='".    18.  ann^e,  t.  ix.  p.  281-30S) 

Separate. 

Reprinted  from  the  Journal  encyclop4dique. 

ML3858.A2Q4 

Querlon,  Anne  Gabriel  Meusnier  de. 

See  Meusnier  de  Querlon,  Anne  Gabriel. 

Quetant,  Antoine  Frangois,  1733-1823. 
Essai  sur  I'opera-comique. 

{In  his  Le  serrurier,  opera  bouffou.     Paris,  1765.     21"™.     p.  [43]-47) 

ML48  S5205 

Quincy,  Antoine  Chrysostome  Quatremere  de. 

See  Quatremere  de  Quincy,  Antoine  Chrysostome. 

Quintanilla,  Giacinto. 

Annotationi,  regole  e  documenti  necessarii  per  direttione  del  canto 
fermo  estratti  da  diuerse  auttori  da  Giacinto  Quintanilla  ad  instanza 
di  Suor  Clara  Maria  Donati  Monaca  professa  In  S.  Huomobono  I'anno 

MDCLVII. 

2p.  1.,  [16]p.     26X20^'='". 

Unpublished  manuscript,  probably  in  author's  own  hand. 

^  ^     ^  '  MT860.A2Q4 


222  LIBBAEY   OF   CONGKESS 

Quintilianus,  Aristides. 

See  Aristides  Quintilianus. 

Quirsfeld,  Johann,  1642-1686. 

Breviarium  musicum,  oder  Kurtzer  begriff  wie  ein  knabe  leicht  und 
bald  zur  singe-kunst  gelangen  und  die  ndthigsten  dinge  darzu  kiirtz- 
lich  begreiffen  und  erlernen  kan.  Nebenst  einem  anhange  unter- 
schiedener  deductionen  und  fugen,  nach  den  zw61ff  tonis  musicis. 
Zusammen  gebracht  und  aufs  neue  vermehret  von  M.  Johanne  Qvirs- 
felden  .  .  .     Dresden,  M.  G.  Hilbner,  1688. 

6  p.  1.,  112  p.    16"°. 

3d  edition.    Ist  edition,  Pirna,  1675. 

MT870.A2Q8 

R.,  P.  J.  L.  C. 

See  Neue  .  .  .  art  zu  solmisiren,  1763. 

Rafaele,  Benvenuto,  conte  di  San. 

See  San  Rafaele,  Benvenuto,  conte  di. 

CRaguenet,  FranQois]  1660?-1722. 

Paralele  des  Italiens  et  des  Francois,  en  ce  qui  regarde  la  musique 
et  les  op^ra.     Paris,  J.  Moreau,  1602  [i.  e.  1702] 

4  p.  1.,  124,  [12]  p.    15<''". 

ML1733.2.A2R1 


La  paix  de  I'opera,  ou  Parallele  impartial  de  la  musique 

fran^oise  et  de  la  musique  italienne.     Amsterdam,  1753. 

40  p.     191=". 

A  much  altered  edition  of  the  "Paralele,"  with  notes  by  the  editor. 

ML1727.33.R2 

A  comparison  between  the  Frencli  and  Italian  musick  and 


opera's.  Translated  from  the  French;  with  some  remarks.  To 
which  is  added  A  critical  discourse  upon  opera's  in 'England,  and  a 
means  proposed  for  their  improvement.  London,  Printed  for  W. 
Lewis,  and  sold  by  J.  Morphew,  1709. 

3  p.  1.,  86  p.     21^"°'. 

"Sir  John  Hawkins  conjectured,  from  internal  evidence,  that  Galliard  made 
the  translation  of  the  Abbe  Raguenet's  Parallele,  published  in  1709  .  .  .  and  was 
the  author  of  A  critical  discourse  upon  operas  in  England  .  .  .  printed  at  the  end 
of  that  translation;  whUst  Dr.  Burney  .  .  .  was  of  a  contrary  opinion." — Grove, 
Diet,  of  music. 

ML1733.2.A2R12 

[Ralph,  James]  d.  1762. 

The  touch-stone:  or.  Historical,  critical,  political,  philosophical, 
and  theological  essays  on  the  reigning  diversions  of  the  town  .  .  . 
In  which  everything  antique,  or  modem,  relating  to  musick,  poetry, 
dancing,  pantomimes,  chorusses,  cat-calls  .  .  .  circus  bear-garden, 
gladiators,  prize-fighters  ...  is  occasionally  handled.     By  a  person 


EARLY  BOOKS  ON  MUSIC  223 

[Ralph,  James] — Continued. 

of  some  taste  and  some  quality.  With  a  preface,  giving  an  account 
of  the  author  and  the  work  .  .  .     London,  1728. 

2  p.  1.,  iii-xxviii,  237  p.     VT'^. 
Dedication  signed:  A.  Primcock  [pseud,  of  James  Ralph] 

PN2021.R29 

The  taste  of  the  town:  or,  A  guide  to  all  publick  diversions. 

Viz,  I.  Of  musick,  operas  and  plays  ...  ii.  Of  poetry,  sacred  and 
profane  .  .  .  in.  Of  dancing,  rehgious  and  dramatical ...  iv.  Of  the 
mimes,  pantomimes  and  choruses  of  the  antients  ...  v.  Of  audi- 
ences, at  our  theatrical  representations  ...  vi.  Of  masquerades, 
ecclesiastical,  political,  civil  and  military  .  .  .  vii.  Of  the  athletic 
sports  of  the  antients  .  .  .  London,  Printed,  and  sold  by  the  book- 
sellers of  London  and  Westminster,  1731. 

xxviii,  237  p.    illus.     16<"°. 

Epistle  dedicatory  signed:  A.  Primcock. 
Reissue  of  "The  touchstone." 

PN2021.R3 

[Rameau,  Jean  Frangois]  &.  1716. 

La  Rameide,  poeme  .  .  .  Inter  ramos  [vignette]  liha  fulgent.  Prix, 
1.  3.  6.  12.  24.  48.  96.  A  Petersbourg,  aux  Rameaux  couronnes. 
M.DCC.LXVi.     [Paris,  1766] 

28  p.,  1  1.     19f '". 

ML410.R2R2 

See  also  Cazotte,  J,     La  nouvelle  Ram^ide,  1766. 

Rameau,  Jean  Philippe,  1683-1764. 

Code  de  musique  pratique,  ou  M^thodes  pour  apprendre  la  musique, 
meme  a  des  aveugles,  pour  former  la  voix  &  I'oreille,  pour  la  position 
de  la  main  avec  une  mechanique  des  doigts  sur  le  clavecin  &  I'orgue, 
pour  I'accompagnement  sur  tous  les  instrumens  qui  en  sont  suscep- 
tibles,  &  pour  le  prelude:  avec  de  nouvelles  reflexions  sur  le  principe 
sonore.     Par  M.  Rameau.     Paris,  Imprimerie  royale,  1760. 

1  p.  1.,  XX,  237,  33  p.     front.     26x19^^". 

Title  vignette. 

"Exemples  du  Code  de  musique  pratique":  33  p.  at  end. 

MT50.A2R16 

Demonstration  du  principe  de  Fharmonie,  servant  de  base  a  tout 
I'art  musical  th^orique  &  pratique.  Approuvee  par  messieurs  de 
r Academic  royale  des  sciences  .  .  .  Par  Monsieur  Rameau.  Paris, 
Durand  [etc.]  1750. 

xxiii,  xlvij,  112  p.     5  fold.  tab.     19 J'"'". 

L.  of  C.  has  also  another  copy,  with  4  unnumbered  pages  containing  the 
privilege  and  errata,  which  are  not  in  this  copy.  The  two  issues  show  slight 
typographical  differences,  e.  g.  in  the  second  copy  the  signature  letter  on  first 
page  of  each  signature  is  preceded  by  an  asterisk  which  does  not  appear  in  the 
first  copy. 

"Extrait  des  registres  de  I'Academie  royale  des  sciences  (rapport  des  com- 
missaires  nommes  par  I'Academie  sur  le  memoire  de  M.  Rameau)  ":  xlvij  p. 

ML3815.A2R17 


224  LIBRARY   OP   CONGRESS 

Rameau,  Jean  Philippe — Continued. 

Erreurs  sur  la  musique  dans  FEncyclopedie.     Paris,  S.  Jorr}',  1755. 
124  (i.  e.  128)  p.     19«'". 

No.  109-112  repeated  in  paging. 

ML3805.A2R2 

Extrait  d'une  reponse  de  M.  Rameau  a  M.  Euler,  Sur  I'identite  des 
octaves,  d'oil  resultent  des  verites  d'autant  plus  curieuses  qu'elles 
n'ont  pas  encore  ete  soupponn6es.     Paris,  Durand,  1753. 

2  p.  1.,  41  p.    19^^"™.    {With  his  Demonstration  du  principe  de  Tharmonie. 

Paris,  1750) 

ML3815.A2R17 

Generation  harmonicjue,  ou  Traite  de  musique  theorique  et  pratique. 
Par  M.  Rameau.-    Pans,  Prault  fils,  1737. 

8  p.  1.,  201  (i.  e.  227),  [13],  xlvij,  [4]  p.     12  pi.     20^  x  12'='°. 

Title  vignette.     Pages  226  and  227  numbered  208  and  201  respectively. 

ML3815.A2R19 

Nouveau  systeme  de  musique  theorique,  oh  Ton  decouvre  le  prin- 
cipe de  toutes  les  regies  necessaires  a  la  pratique,  pour  servir  d'intro- 
duction  au  Traite  de  I'harmonie;  par  Monsieur  Rameau  .  .  .  Paris, 
Impr.  de  J.  B.  C.  Ballard,  1726. 

viij,   114,  [6]  p.     2  fold.  tab.     25  x  19i<=™.     {With  his  Traite  de  Tharmonie. 
Paris,  1722) 

MT50.A2R17 

Nouvelles  reflections  de  M.  Rameau.  Sur  sa  Demonstration  du 
principe  de  Fharmonie  .  .  .     Paris,  Durand  [etc.]  1752. 

2  p.  1.,  85,  [1]  p.,  1  1.     19^"™.     {With  his  Demonstration  du  principe  de  I'har- 
monie.    Paris,  1750) 

ML3815.A2R17 

Observations  sur  notre  instinct  pour  la  musique,  et  sur  son  prin- 
cif)e;  oil  les  moyens  de  reconnoitre  run  par  I'autre,  conduisent  k  pou- 
voir  se  rendre  raison  avec  certitude  des  differens  effets  de  cet  art.  Par 
Monsieur  Rameau.     Paris,  Prault  fils  [etc.]  1754. 

xvj,  125,  [1]  p.     7  fold.  pl.     19''°'. 

ML3845.A2R2 

/  Traite  de  Tharmonie*  reduite  a  ses  principes  naturels;    divise  en 

"^       quatre    livres  .  .  .     Par    Monsieur    Rameau  .  .  .     Paris,    Impr.     de 
J.  B.  C.  Ballard,  1722. 

4  p.  1.,  xxiv,  432,  17,  [1]  p.     25  x  19^'^. 

MT50.A2R17 

A  treatise  of  musick,  containing  the  principles  of  composition. 

Wherein  the  several  parts  thereof  are  fully  explained,  and  made  useful 
both  to  the  professors  and  students  of  that  science.  By  Mr.  Rameau 
.  .  .  Tr.  into  English  from  the  original  in  the  French  language  .  .  . 
London,  Printed  by  R.  Brown,  for  the  proprietor,  and  sold  by  J. 
Walsh,  1752. 

4  p.  1.,  176,  [2]  p.     2^  X  20^'^°'. 
A  translation  of  the  third  part  of  the  Traite  de  Tharmonie.     1st  edition,  1737. 

MT50.A2R173 


EARLY  BOOKS   ON"    MUSIC  225 

Rameau,  Pierre. 

Abrege  de  la  nouvelle  methode,  dans  I'art  d'ecrire  ou  de  tracer 
toutes  sortes  dedanses  de  ville  .  .  .  mise  au  jour  par  le  S'".  Rameau  .  .  . 
Ouvrage  tres  utile  pour  toutes  personnes  qui  ont  s^u  ou  qui  appren- 
nent  a  danger,  puis  que  par  le  secour  de  ce  livre,  on  peut  se  remettre 
facilement  dans  toutes  les  danses  que  Ton  a  appris  ,  .  .  Paris,  Chez 
I'auteur  [etc.,  1725?] 

2  pt.  in  1  V.  (5  p.  1.,  Ill  (i.  e.  109),  [2]  p.;  1  p.  1.,  83  p.)     diagrs.     20« 


'kcm 


Running  title:  Abrege  de  la  nouv.  choregraphie. 

No.  29-30  omitted  in  paging  of  part  1.  Page  73  (probably  "planche  du  bal") 
wanting  in  this  copy. 

Part  2,  engraved  throughout,  has  title:  Seconde  partie  contenant  douze  des 
plus  belles  danses  de  Monsieur  Pecour  .  .  .  remis  en  choregraphie  suivant  la 
nouvelle  correction  et  augmentation  du  S"^.  Rameau  .  .  .  (The  tune  for  each 
dance  is  gi^-en) 

GV1590.R33 

Le  maitre  a  danser.  Qui  enseigne  la  maniere  de  faire  tous  les 
differens  pas  de  danse  dans  toute  la  regularite  de  Tart,  &  de  conduire 
les  bras  k  chaque  pas.  Enrichi  de  figures  en  taille-douce,  servant  de 
demonstration  pour  tous  les  differens  mouvemens  qu'il  convient  faire 
dans  cet  exercice  .  .  .  Par  le  sieur  Rameau  .  .  .  Paris,  Rollin  fils, 
1748. 


xxiv,  271,  [1]  p.     60  pi.  (partly  fold.,  incl.  front.)     19^^^ 
Plates  signed:  P.  Rameau,  invenit  et  fecit. 


GV1590.R3 


The  dancing-master:  or,  The  art  of  dancing  explained  ...     In 

two  parts  .  .  .  The  whole  containing  sixty  figures  drawn  from  the 
life,  and  curiously  engraved  on  copper  plates.  Done  from  the  French 
of  Monsieur  Rameau,  by  J.  Essex  .  .  .  London,  Printed  and  sold  by 
him,  and  J.  Brotherton,  1728. 

xxxii,  160  p.     57  pi.  (partly  fold.,  incl.  front.)     25"=™ 

GV1590.R4 

Ramoneda,  Ignacio. 

Arte  de  canto-llano  en  compendio  breve,  y  methodo  muy  facil  para 
que  los  particulares,  que  deben  saberlo,  adquieran  con  brevedad,  y 
poco  trabajo  la  inteligencia,  y  destreza  conveniente.  Su  autor  el 
P.  Fr.  Ignacio  Ramoneda  .  .  .     Madrid,  Impr.  de  P.  Marin,  1778. 

8p.  1.,  216p.     2P™. 

MT8G0.A2R17 

Rangoni,  Giovanm  Battista. 

Essai  sur  le  gotit  de  la  musique,  avec  le  caractere  des  trois  celebres 
joueurs  de  violon,  Messieurs  Nardini,  Lolli,  &  Pugnani,  par  Monsieur 
le  marquis  Jean-Baptiste  de  Rangoni  .  .  .  Livourne,  Impr.  de  T. 
Masi  &  comp.,  1790. 

vii,  2-91  p.    19^"^. 

Text  in  French  and  Italian  on  opposite  pages.     Added  t.-p.  in  Italian. 

ML3853.A2R19 
51234''— 13 15 


226  LIBKARY   OF   CONGRESS 

Raparlier, 

Principes  de  musique,  les  agr^ments  du  cliant,  et  un  Essai  sur  la 
prononciation,  rarticulation  et  la  prosodie  de  la  langue  franpoise  .  .  . 
Par  M.  Raparlier  .  .  .     LiUe,  P.  S.  Lalau,  1772. 

4  p.  1.,  44  p.     1  illus,     26""^. 

Title  visTiette;  ornamental  borders. 

MT7.A2R17 

Kaselius,  Andreas,  d.  1602. 

Hexacliordvm,  seu  (^vaestiones  mvsicae  practicse,  sex  capitibus 
comprehensse,  quae  continent  perspicua  methodo  ad  praxin,  ut  hodie 
est,  necessaria.  Pro  gynmasio  poetico  s.  p.  q.  ratisponensis,  hoc 
ordine  distinctse,  &  idoneis  exemplis,  una  cum  pulcherrima  xii. 
modorum  doctrina  illustrata  a  M.  Andrea  Raselio  .  .  .  Noribergse 
[in  ^fficina  typographica  Gerlachiana]  1589. 

[175]  p.     16''"'. 

Signatures:  A-L  in  eights.  * 

ML171.R28 

Rauch,  Christoph. 

Theatrophania,  Entgegen  gesetzet  der  so  genanten  schrifft  Thea- 
tromania.  Zur  verth&digung  der  christliclien  /  vornemlich  aber  / 
deren  musicalischen  operen  /  und  verwerffung  aller  heidnischen  und 
von  den  alten  kirchen-v&ttern  allein  verdammeten  schauspielen.  In 
druck  verfertiget  durch  Cbristophorum  Rauch  .  .  .  Hannover, 
W.  Schwendimann,  1682. 

15  p.  1.,  15-150  p.    16i  X  9""^. 

Against  Anton  Reiser's  "Teatromania." 

ML3858.R24 

[Raupach,  Christoph]  h.  1686. 

VeritophiU  DeutUche  beweis-grilnde  /  worauf  der  rechte  gebrauch 
der  music,  beydes  in  den  kirchen  /  als  ausser  denselben  /  beruhet;  aus 
der  Heil.  Schrifft  /  denen  zeugnussen  der  heil.  v&ter  /  und  aus  der 
theorie  der  music  selbst  /  mit  alt-  und  neuen  /  sowol  geist  -/  als  welt- 
lichen  exempeln  /  nebst  der  milgHchen  pflicht  eines  jeden  christen 
im  gebrauch  dieser  g6ttl.  gabe  erdrtert  /  und  mit  ungemeinen  bissher 
versteckt-gewesenen  doch  n6thigen  erinnerungen  /  samt  einer  vor- 
rede  /  heraus  gegeben  von  Mattheson.  Hamburg,  Sel.  B.  Schillers 
erben  /  1717. 

12  p.  1.,  56  p.    17  X  21"™.    (In  Niedt,  Friedrich  E.     ...  Musical ischer  handlei- 
tung  dritter  und  letzter  theU.    Hamburg,  1717) 

"  Veritophilus  "  is  the  pseudonym  of  Christoph  Raupach. 

MT40.A2N48 

Ravn,  Hans  Mikkelsen,  1610-1663. 

Heptachordum  danicum,  seu  Nova  solfisatio  in  qua  musicse  prac- 
ticse usus  tam  qvi  ad  canendum,  qv^m  qvi  ad  componendum  cantum, 
sive  choralem  seu  planum,  sive  mensuralem  seu  contrapunctum  per- 
tinet  .  .  .  ostenditur.  Cui  accessit  Logistica  harmonica  musicse  theo- 
ricse  vera  &  firma  prsestruens  fundamenta  .  .  .  studi6  Johannis  Michae- 
lii  Corvini.     Hafmae,  typis  Melchioris  Martzan,  1646. 

29p.  1.,  209p.,  4  1.,  56p.    2  fold.  tab.    19^  x  15i<'"». 

Added  t.-p.,  engr. 

MT6.AR219 


EARLY  BOOKS   ON   MUSIC  227 

Rawlins,  John. 

The  power  of  musick,  and  the  particular  influence  of  church-musick : 
a  sermon  preached  in  the  cathedral-church  of  Worcester,  at  the  anni- 
versary meeting  of  the  choirs  of  Worcester,  Hereford,  and  Gloucester, 
September  8.  1773.  By  John  Rawlins  .  .  .  Oxford,  Clarendon-press, 
1773. 

2  p.  1.,  29  p.     20"=™. 

ML3920.A2R18 

Raymundo  da  Convergao,  1601-1661. 

Manval  de  tvdo  o  qve  se  canta  fora  do  choro,  conforme  ao  uzo  dos 
religiosos,  &  religiosas  da  sagrada  ordem  de  penitencia  de  nosso  sera- 
phico  padre  Sao  Francisco  do  reyno  de  Portugal.  Pello  p.  fr.  Ray- 
mvndo  da  Conver^am  .  .  .  contem  as  ceremonias  do  altar,  &  choro, 
em  todos  os  actos  solemnes  que  occorrem  em  o  descurso  do  anno: 
conforme  o  breviario,  missal  mais  correctos.  Coimbra,  Officina  de 
R.  de  Carvalho  Coutinho,  1675. 

4  p.  1.,  485,  [5]  p.     20  X  15J''°'. 

According  to  Vieira,  this  is  a  translation  and  revision  c  f  an  unpublished  work 
of  Luiz  das  Chagas,  "Manual  para  todo  lo  que  se  canta  fuera  del  coro  [etc.]" 

MT860.A2R19 

Reading,  John,  1588-1667. 

A  sermon  lately  dehvered  in  the  cathedral  church  of  Canterbury, 
concerning  church-musick.  By  John  Reading  .  .  .  London,  Printed 
by  T.  Newcomb,  1663. 

2  p.  1.,  18  p.     21^'^'". 

ML3001.R31 

Reflexions  sur  la  musique,  ou  recherches  sur  la  cause  des  effets 
qu'elle  produit.  Par  M.  V  *  *  *  *.  A  Amsterdam,  et  se  trouve  a 
Paris,  cnez  Nyon  I'aine;  1785. 

2  p.  1.,  iij-xiij,  [15]-82  p.     18^^'°. 

Title  vignette. 

ML3830.R3 

Regole  d'alcuni  capi  necessarj,  e  piu'  frequent!  per  I'osservanza  delle 
sacre  cerimonie,  e  del  canto  fermo  ambrosiano,  stampate  per  ordine 
del  card.  Federico  Borromeo.     Milano,  Stamperia  Pulini,  1795. 

76  p.     15'=°. 

Half-title:  Liturgia  Ambrosiana. 

Ch.17.1854 

Regole  musicali  per  li  principianti  di  cembalo.  Nuova  ed.  accresciu- 
ta.     Napoli,  D.  Sangiacomo,  1795. 

60  p.    ibh'^. 

MT224.A2R4 

Reichardt,  Johann  Friedrich,  1752-1814. 

Briefe  eines  aufmerksamen  reisenden  die  musik  betreffend.  An 
seine  freunde  geschrieben  von  Johann  Friederich  Reichardt  .  .  . 
Frankfurt  und  Leipzig,  1774-76. 

2  V.  in  1  (v.  1:  4  p.  1.,  184  p.;  v.  2:  134  p.)     16^^'°. 

Vol.  2  published  Frankfurt  and  Breslau. 

ML275.3.R34 


228  LIBRARY   OF   CONGRESS 

Reichardt,  Johann  Friedrich — Continued. 

Geist  des  Musikalischen  kunstmagazins  von  Johann  Friederich 
Reichardt.  Hrsg.  von  I.  A[lberti]  Berlin,  Gedruckt  und  in  com- 
mission bey  J.  F,  Unger,  1791. 

xii,  195,  [1]  p.    16i«°^. 

"Aufsatze  imd  urtheile  aus  dem  Musikalischen  kunstmagazin." — Pref. 

ML3845.A2R3 

Johann  Friedrich  Reichardt  an  das  musikahsche  pubUkum  seine 
franzosischen  opern  Tamerlan  und  Panthee  betreffend.  Hamburg, 
In  commission  bey  B.  G.  Hofmann  [1787] 

55  p.    ISi"'^. 

ML410.R3A12 

Joh.  Friedrich  Reichardt  iiber  die  deutsche  comische  oper,  nebst 
einem  anhange  eines  freundschaftUchen  briefes  uber  die  musikahsche 
poesie.     Hamburg,  C.  E.  Bohn,  1774. 

124  p.     27^'='". 

"Zergliederung  der  comischen  oper:  Die  jagd":  p.  24-96. 

ML410.H67R3 

Leben  des  berilhmten  tonkunstlers  Heinrich  Wilhelm  Gulden 
nachher  genannt  Gughehno  Enrico  Fiorino.  Erster  theil.  BerUn, 
A.  Myhus,  1779. 

1  p.  1.,  258  p.     W"". 

A  romance,  supposed  by  many  to  be  partly  autobiographical ,  although  Reichardt 
himself  denied  this.     Only  the  first  part  was  published. 

ML3925.A2R3 

Schreiben  uber  die  berhnische  musik  an  den  herrn  L.  v.  Sch.  in  M,, 
von  Johann  Friedrich  Reichardt.     Hamburg,  C.  E.  Bohn,  1775. 

32  p.    16'''°. 

"Eine  beylage  zu  dem  ersten  theile  der  Briefe  eines  aufmerksamen  reisenden." 

ML279.8.B2R3 

Ueber  die  pflichten  des  ripien-violinisten,  von  Johann  Friederich 
Reichardt  .  .  .     Berlin  und  Leipzig,  G.  J.  Decker,  1776. 

92  p.     16 J'^'". 

MT68.A2R35 

Reichardt,  Johann  Friedrich,  1752-1814,  editor. 

See  LoHLEiN,  G.  S.     Anweisun^  zum  viohnspielen,  1797. 
MusiKALiscHE  monathsschrift  [1792] 
MusiKALiscHER  almanach  auf  das  jahr  1782. 
MusiKALiscHES  kunstmagasiu,  1782-91. 
MusiKALiscHES  wochcublatt  [1791-92] 
Studien  fiir  tonkiinstler,  1793. 

Reichenberger,  Johann  Nepomuk,  1737-1805. 

Die  ganze  musikkunst,  so,  wie  sie  die  weltweisheit  und  die  mathe- 
matik  leichthch  jeden  lehrt,  der  auch  zur  musik  am  mindesten  taug- 


EARLY  BOOKS  ON  MUSIC  229 

Reichenberger,  Johann  Nepomuk — Continued. 

lich  zu  seyn  scheinen  d&rfte,  an  das  licht  gegeben  durch  p.  Johann 
Nepomuk  Reichenberger  .  .  .     [Regensburg]  1777-80. 
212p.  incl.  tab.    fold.  tab.     18i<"". 
In  3  parts,  each  with  special  t.-p.    At  end  of  part  3:  Die  fortsetzung  folgt. 

MT6.A2R3 

Reinhard,  Andreas. 

Monochordum  Andreas  Reinhardi  Nivimontami  [!]  Lipsi3e,Valentin 
am  Ende  imprimeb.,  typis  hseredum  Beyeri,  1604. 

64  p.    diagrs.    15^'='°. 

Title  within  ornamental  border,  text  within  line  borders;  printer's  mark  on 
t.-p.    At  end:  Lipsiae,  sumtibus  lohan.  Rosii.  bibliop. 

ML171.R35 

Reinhard,  Leonhard,  &.  1710. 

Kurzer  und  deutlicher  unterricht  von  dem  general-bass,  in  welchem 
durch  deutUche  regeln  und  leichte  exempel  nach  dem  neuesten  musi- 
calischen  stylo  gezeiget  wild,  wie  die  anf&nger  in  dieser  h6chst- 
niltzhchen  wissenschaft  zu  einer  grAndlichen  fertigkeit  auf  die  leich- 
teste  art  gelangen  k6nnen,  verfertiget  von  Leonhard  Reinhard  .  .  . 
Augspurg,  J.  J.  Loiters  seel,  erben,  1750. 

60  p.    16i  X  2P«». 

An  earlier  edition  is  cited  by  Heinsius,  published  at  Augsburg  in  1744. 

MT49.A2R2 

Reisch,  Gregor,  d.  1525. 

.  .  .  De  principijs  musice  tractatus  i  [-ii]  ...     [n.  p.,  n.  d.] 
[50]  p.    illus.,  fold,  diagr.    22"™. 

From  Reisch's  Margarita  philosophica;  the  signatures  and  illustrations  cor- 
respond to  those  of  the  3d  edition,  Strassburg,  1508,  as  described  by  W.  Eames 
in  his  "List  of  editions  of  the  Margarita  philosophica,"  1886.     The  signatures        /O 
are  as  follows:   3  1.  unsigned,  U  in  eight,  X  in  six,  Y  in  eight. 

Leaf  [1]  recto:  Illustration,  inscribed  Typvs  Mvsices. — 1.  [1]  v°-l.  [6]  v°:  Liber 
quintus  de  principijs  musice.  Tractatus  I  .  .  .  (Running  title:  Libri  v  trac- 
tatus I.  Musice  speculatiue) — 1.  [6]  v°-l.  13  x":  Libri  quinti  tractacus  [!]  secudus 
de  praxi  music§  (Running  title,  beginning  with  recto  of  1.  [6]:  Libri  V  tract.  II. 
Musice  practice) — 1.  13  v":  Illustration. — 1.  [14] -1.  [25]  r":  Musica  figurata 
(By  Malcior  of  Worms) — 1.  [25]  v^:    Illustration,  inscribed  Typvs  Geometric. 

The  folding  leaf  (part  of  which  has  been  torn  off)  bears  a  diagr.  on  recto  and 
another  on  verso,  and  is  inserted  between  U  and  Uij. 

ML171.R37 

Rellstab,  Johann  Carl  Friedrich,  1759-1813. 

Versuch  liber  die  vereinigung  der  musikalischen  und  oratorischen 
declamation,  haupts&chUch  fur  musiker  und  componisten  mit  erlau- 
ternden  beyspielen,  von  Johann  Carl  Friedrich  Rellstab  .  .  .  Berlin, 
Im  verlage  der  musikhandlung  und  musikdruckerey  des  verfassers 
[1786] 

4  p.  1.,  [3]-49,  [1]  p.     28  X  21*'-'°. 
*       '  ^  J^  '  L  J  ^  MT67.A2R37 

Remacha,  Miguel  Lopez. 

See  Lopez  Remacha,  Miguel. 


230  LIBEARY   OF   CONGRESS 

[Remond  de  Saint-Mard,  Toussaint]  1682-1757. 

Reflexions  sur  I'opera.     La  Haye,  J.  Neaulme,  1741. 

1  p.  1.,  v-x,  104  p.    le""". 

ML1727.3.A2R26 

See  also  Hebtel,  J.  W.     Sammlung    musikalischer   schriften, 
1757-58. 

Requeno  y  Vives,  Vincenzo,  1743-1811. 

Sag^  sul  ristabilimento  dell'  arte  armonica  de'  greci  e  romani 
canton  del  Signer  abate  D.  Vincenzo  Requeno  .  .  .  Parma,  Fratelli 
Gozzi,  1798. 

2v.  (v.  1:  4p.  l.,xxxix,  347,  [4]p.;  V.  2:  453,  [6]p.)     pi.     20J'"°. 

ML169.A2R4 

Reynolds,  Thomas,  1667  ?-1727. 
See  Practical  discourses,  1708. 

Reynvaan,  Joos  Verschuere- 

See  Verschuere-Reynvaan,  Joos. 

Rhaw,  Gteorg,  1488-1548. 

Enchi-  II  ridion  vtri-  ||  usq,.Music§  Practice  ||  a  Georgio  Rhau-  ||  uo 
congestum.  ||  (E  Isagoge  lo-  ||  annis  Galliculi  De  ca  ||  tus  Composi- 
tione.     [Lipsise,  1520] 

3  V.  in  1.    illua.    16i<'™. 

Title  in  red  and  black  within  woodcut  border.  At  end  of  part  [1]:  Explicit 
mvsica  cho- 1|  ralis.  Nvnc  ad  ||  mvsices  men-  ||  svralis  ||  enchi-  ||  ridi-  |i  on  || 
pergamvs,  ||  Valentinva  Shv-  ||  man  Lypsiae  ||  impres-  ||  sit.  _ 

Part  [2]  haa  special  t.-p.  (with  woodcut  border):  Enchiri  ||  dion  mvsi  |1  cse 
mensv-  (|  ralis  !|  .  .  .  (Colophon,  followed  by  printer's  mark:  d  Lipsiae  ex 
sedibus  Valentini  Schuman  ||  Anno  domini  Millesimo  quin- 1|  gentesimo  vigesimo) 
_  Part  [3]  has  special  t.-p.  (with  woodcut  border):  Isagoge  ||  loannis  ||  Gallicv- 1| 
li  de  II  compo-  ||  sicione  ||  cantvs.  ||  Lipsise,  apud  Valenti-  ||  num  Schumannti 
An.  II  Christi.  m.d.xx.  (Colophon,  preceded  by  printer's  mark:  C  Lipsise  ex 
sedibvs  ||  Valentini  Schv- 1|  man  mense  ma- 1|  io  anno  ||  m.d.xx) 

Signatures:  a  in  eight,  b-1  in  fours,  m  in  three;  A  in  eight,  B-M  in  fours,  N  in 
three;  A  in  eight,  B-D  in  fours,  E  in  three. 

According  to  F6tis,  Eitner,  and  others  this  is  the  2d  edition  of  Rhaw's 
"Enchiridion  musices  ex  variis  musicorum  libris,"  Leipzig,  1518. 

ML171.R42 

Ribeiro,  Manuel  da  Paixao. 

See  Paixao  Ribeiro,  Manuel  da: 

Ribeiro  de  Almeida  Campos,  Joao. 

Elementos  de  musica  .  .  .     Por  .  .  .  Joao  Ribeiro  de  Almeida  .  .  . 
Coimbra,  Real  imprensa  da  Universidade,  1786. 
4p.  1.,  92p.     fold.pl.     H''™. 


MT7.A2R48 


Riccati,  Giordano,  conte,  1709-1790 

Saggio  sopra  1 
.  .  .     Castel-Frar 

2  p.  1.,  155  p.     18 


Saggio  sopra  le  leggi  del  contrappunto  del  conte  Giordano  Riccati 
.     Castel-Franco,  G.  Trento,  1762. 


MT55.A2R49 


EARLY   BOOKS   01^   MUSIC  231, 

Ricci,  Pasquale,  h.  1733. 

Methode  ou  recueil  de  coimoissances  elementaires  pour  le  forte- 
piano  ou  clavecin;  oeuvre  mel6  de  theorie  et  de  pratique,  divis6  ©q 
deux  parties,  compost  pour  le  Conservatoire  de  Naple  par  J.  C.  Bach 
et  F.  P.  Ricci  .  .  .     Paris,  Le  Due  [17—] 

1  p.  1.,  12,  45  p.;  1  p.  1.,  48-75  p.    25J  x  32i''«». 

Title-page  and  musical  examples  engraved. 

MT222.A2B12 

Richer, 

See  Iso.     Memoire  [17 — ] 

Biedel,  Friedrich  Justus,  1742-1785,  editor. 

Ueber  die  musik  des  fitters  Christoph  von  Gluck  verschiedene 
schriften,  gesammelt  und  hrsg.  von  Friedrich  Just.  Riedel.  Wien, 
Gedruckt  bei  Joh.  Thorn,  edl.  v.  Trattnern,  1775. 

xvi,96p.    17^^. 

Title  vignette;  head-piecesi  -     -         •,...-. 

Contents. — Brief  des  herm  von  *  *  an  die  frau  grS,fin  von  *  *  db^r  die 
neue  oper.  [By  the  Abb6  Amaud] — Brief  an  die  frau  von  *  *  *,  iiber  die  oper 
Iphigenie  en  Aulide.  Paris  vom  26.  april  1774. — Gespr§,ch  zwischen  Lulli, 
Rameau  und  Orpheus  in  den  Elis&ischen  Feldern.  Von  herrn  M  *  *  *  [P.  L. 
Moline] — Auszug,  aus  dem  EncyklopSdischen  joiu-nal  [May  1774] 

ML410.G5R42 

Riederer,  Johann  Bartholomaus,  1720-1771. 

D.  Joh.  Bartholom&us  Kiederers  .  .  .  Abhandlung  von  einfuhrung 
des  teutschen  gesangs  in  die  Evangelisch  lutherische  kirche  ilber- 
haupts  und  in  die  nurnbergische  besonders.  Wobey  auch  von  den 
^Itesten  gesangbuchern  und  liedern  so  bis  zum  tode  Lutheri  heraus- 
gegeben  und  verfertigt  worden  gehandelt  wird.  Nilrnberg,  J.  A. 
Endter,  1759. 

8  p.  1.,  326  p.    17«'°. 

"Nachtrage  dazu  in  seinen  Nachrichten  zur  kirchen-geschichte." — Eitner, 
Biog.-bibl.  quellen-lexikon. 

"Abdruck  eines  seltenen  buchleins  .  .  .  Von  der  Evangelischen  mess,  wie 
eie  zu  Nurmberg  im  Newen  spital,  durch  Andream  Ddber,  gehalten  wurdt,  caplan 
doselbst.     1525":  p.  313-326. 

ML3129.A2R5 

Riedt,  Friedrich  Wilhelm,  1710  or  12-1784. 

Versuch  liber  die  musikalische  intervallen,  in  ansehung  ihrer 
wahren  anzahl,  ihres  eigentlichen  sitzes,  und  naturlichen  vorzugs  in 
der  composition,  von  Friedrich  Wilhelm  Riedt  .  .  .  Berlin,  A.  Haude 
und  J.  C.  Spener,  1753. 

4  p.  1.,  32  p.    diagr.    21^  x  18''"'. 

ML3809.A2R5 

Riepel,  Joseph,  1707  or  8-1782. 

Anfangsgriinde  zur  musicaUschen  setzkunst:  nicht  zwar  nach  alt- 
mat  hematischer  einbildungsart  der  zirkel-harmonisten,  sondern  durch- 
gehends  mit  sichtbaren   exempeln   abgefasset.     De  rhythmopoeia, 


232  LIBRABY   OF  CONGRESS 

Riepel,  Joseph — Continued. 

oder  Von  der  tactordnung.     Zu  etwa  beliebigem  nutzen  hrsg,  von 
Joseph  Riepel . .  .     Frankfurt  [etc.,  Gedruckt  bey  J.  J.  Lotter,  Augs- 
purg]  1752-68. 
5  V.  in  2.     34'"". 

Each  vol.  has  special  t.-p.  (v.  2)  Grundregeln  zur  tonordnung  insgemein. 
Abermal  durchgehends  mit  musicalischen  exempeln  abgefaest  und  geepr&ch- 
weise  vorgetragen  von  Joseph  Riepel  .  .  .  Frankfurt  [etc.,  Gedruckt  bey  C.  U. 
Wagner,  Ulm]  1755.  (v.  3)  Grftndliche  erklSrung  der  tonordnung  insbesondere, 
zugleich  aber  fdr  die  mehresten  organisten  insgemein.  Wieder  durchaus  mit 
musikalischen  exempeln  abgefasst  und  gesprSch-weise  vorgetragen  von  Joseph 
Riepel  .  .  .  Frankfurt  [etc.]  1757.  (v.  4)  Erliuterung  der  betrfiglichen 
tonordnung,  n§,mlich  das  versprochene  vierte  capitel.  Abermal  durchaus  mit 
musicalischen  exempeln  abgefasst  und  gesprSch-weise  vorgetragen  von  Joseph 
Riepel...  Augsburg,  J.  J.  Lotter,  1765.  (v.  5)  Funftes  capitel.  Unenfc- 
behrliche  anmerkungen  zum  contra^unct  .  .  .  mit  musikalischen  exempeln 
abgefasst,  und  wieder  gesprichweise  vorgetragen  von  Joseph  Riepel  .  .  .  Regens- 
burg,  In  commission  bey  herm  J.  C.  Knppner,  1768. 

MT47.A2R65 

Bassschli5ssel,  das  ist,  Anleitung  Mr  anf&nger  und  liebhaber  der  setz- 
kunst,  dis  sch6ne  ^edanken  haben  und  zu  papier  bringen,  aber  nur 
klageTi,  dass  sie  keinen  bass  recht  dazu  zu  setzen  wissen,  von  Joseph 
Riepel  .  .  .  hrsg.  von  Johann  Kaspar  Schubarth  .  .  .  Regensburg, 
J.  L.  Montags  erben,  1786. 

5  p.  1.,  83,  [1]  p.     34"'°. 

MT49.R55 

Harmonisches  syllbenmass,  dichtern  melodischer  werke  gewiedmet, 
und  angehenden  singcomponisten  zur  einsicht  mit  platten  beyspielen 
gespr&^cnweise  abgefasst  .  .  .  Durch  Joseph  Riepel  .  .  .  Regens- 
burg, J.  L.  Perile,  1776. 

2  p.  1.,  51,  [6],  54-93,  [1]  p.    35"^. 

Head  and  tail  piece. 

MT64.A2R3 

Rigler,  Franz  Paul. 

Anleitung  zum  gesange,  und  dem  klaviere,  oder  die  orgel  zu  spielen; 
nebst  den  ersten  griinden  zur  komposizion;  als  n6thige  vorkenntnisse 
der  freyen  und  gebundenen  fantasie;  mit  2  anh&ngen:  der  33  kir- 
chenlieder;  und  31  charakteristischen  tonstilcken  verschiedener 
meister  dieses  jahrhunderts  .  .  .  Verf asset:  von  Franz  Paul  Rig- 
ler ..  .  Ofen,  Im  verlage  der  K6nigl.  hungar.  universit&tsbuch- 
druckerey,  1798. 

4  p.  1.,  510  p.    19  X  22^0™. 

"Verzeichniss  der  besten  musikalischen  bftcher;  und  der  berfihmtesten  kom- 
ponisten":  p.  278-281. 

MT40.A2R4 

Riley,  William. 

Parochial  music  corrected.  Containing  remarks  on  the  perform- 
ance of  psalmody  in  country  churches,  and  on  the  ridiculous  and  pro- 
fane manner  of  singing  practised  by  the  Methodists;  reflections  on  the 
bad  performance  of  psalmody  in  London,  Westminster,  &c.,  with 
some  hints  for  the  improvement  of  it  in  public  worship ;  observations 


EARLY  BOOKS  ON  MUSIC  233 

Riley,  William — Continued. 

on  the  choice  and  quaUfications  of  parish-clerks;  the  utility  of  teach- 
ing charity-children  psalmody  and  hymns ;  the  use  of  organs,  and  the 
performance  of  organists.  By  William  Riley  ...  To  which  are 
added,  a  scarce  and  valuable  collection  of  psalm  tunes  .  .  .  London, 
Printed  for  the  author,  1762. 

xix,  34  p.     22"". 

The  psalm  tunes  are  wanting  in  this  copy. 

ML3001.R45 

Rio,  Antonio  Ventura  Reel  del. 

See  RoEL  del  Rio,  Antonio  Ventura. 

Riquetti,  Honore  Gabriel,  comte  de  Mirabeau. 

See  Mirabeau,  Honore  Gabriel  Riquetti,  comte  de. 

Risposta  di  un'  anonimo  al  celebre  Si^.  Rousseau  circa  al  suo  senti- 
mento  in  proposito  d'alcune  proposizioni  del  Sig.  Giuseppe  Tartini. 
Venezia,  A.  ae  Castro,  1769. 
15  p.    diagr.    20^'"°. 

Neither  dedicated  to  Delia  Torre  Taeeis  nor  written  by  him,  as  internal  evi- 
dence proves.  Possibly  written  by  the  mathematician  "padre  Colombo," 
whom  Bm-ney  mentions  in  connection  with  Tartini.  Certainly  not  by  Tartini 
himself,  and  is  not  to  be  confused  with  his  "Risposta  di  Giuseppe  Tartini  ..." 

ML3805.A2T3 

[Ritson,  Joseph]  1752-1803,  editor. 

Ancient  songs,  from  the  time  of  King  Henry  the  Third,  to  the 
revolution  .  .  .     London,  J.  Johnson,  1790. 

2  p.  1.,  Ixxx,  332  p.    illus.    18<^«. 

Title  vignette. 

" Observations  on  the  ancient  English  minstrels,"  and  "  Dissertation  on  the 
songs,  music,  and  vocal  and  instrumental  performance  of  the  ancient  English:" 
p.  i-lxxvi. 

PR1187.R5 

Riva,  Giuseppe,  h.  ca.  1696. 

See  Mizler  von  Kolof,  L.  C.     Musikalischer  staarstecher  [1740] 

[Robbe  de  Beauveset,  Pierre  Honore]  1714-1792. 

Satire  a  Monsieur  le  marquis  D  .  .  .     [n.  p.,  17 — ] 

22  p.,  1 1.    19'^'". 

In  verse.     No.  6  in  a  volume  of  pamphlets  lettered  Quere[lle]  des  Bouffo[ns] 
Attributed  to  "M.  Robbe"  in  the  ms.  table  of  contents  prefixed  to  the  col- 
lection. 

ML1727.33.A1 

Rocca,  Angelo,  1545-1620. 

De  campanis  commentarivs  a  fr.  Angelo  Roccha  ...  ad  Sanctam 
ecclesiam  catholicam  directvs,  in  quo  multa  non  minus  admiratione, 
ac  scitu  digna,  quam  lectu  iucunda,  in  ecclesia  Dei  reperiri  narratur 
.  .  .     Romse,  apud  G.  Facciottum,  1612. 

viii,  166,  [26]  p.     plates  (partly  fold.)    22^™. 

Illus.  t.-p.;  initials;  text  within  line  borders. 

CC200.R7 


234  LIBRARY   OF   CONGRESS 

Rocchi,  Antonio,  1724-1780. 

Istituzioni  di  musica  teorico-pratica  di  D.  Antonio  Rocchi  .  .  . 
Delia  teoria  matematica,  libro  primo.  Del  genere  diatonico  .  .  , 
Venezia,  Stamperia  Albrizziana,  1777. 

60  p.    26"'". 

ML3809.A2R6 

[Rochemont,        de]  6.  ca.  1715. 

Reflexions  d'un  patriote  sur  I'opera  fran^ois,  et  sur  I'opera  italien, 
qui  pr^sentent  le  parallele  du  goftt  des  deux  nations  dans  les  beaux 
arts.     Lausanne,  1754. 

xij,  137,  [1]  p.    19'™. 

ML1727.33.R67 

Roche tte  de  Lamorliere,  Jacques. 

See  Lamorlieee,  Jacques  Rochette  de. 

Rochlitz,  Johann  Friedrich,  1709-1842,  editor. 
See  Allgemeine  musikalische  zeitung  [1798]-1882. 

Roel  del  Rio,  Antonio  Ventura. 

Institucion  harmonica,  o  Doctrina  musical,  theorica,  y  practica, 
que  trata  del  canto  llano,  y  de  organo;  exactamente,  y  segun  el 
moderno  estilo  expUcada,  de  suerte  que  escusa  casi  de  maestro  .  .  . 
Escrita  por  Don  Antonio  Ventura  Roel  del  Rio  .  .  .  Madrid, 
Herederos  de  la  viuda  de  J.  Garcia  Infanzon,  1748. 

18  p.  1.,  279,  53  p.     21i<^°». 
"Motetes  y  obras  diferentes  al  Santissimo  y  ^  Nra  Sra  ":  53  p.  at  end. 

MT860.A2R6 

Rollig,  Karl  Leopold,  d.  1804. 

.  .  .  Die  orphica,  ein  neues  musikahsches  instrument,  erfunden  von 

.  Ra 


hr.  E.[!]  L.  Rdllig  .  .  . 

{In  Journal  def 
Jbruar,  p.  87-98. 

Detached  copy. 


{In  Journal  des  luxus  und  der  moden.     Weimar,  1796.     19^''".     11.  jahrg., 
februar,  p.  87-98.     fold,  pi.) 

ML1015.A2R63 


Roger,  Joseph  Louis,  d.  1761. 

Tentamen  de  vi  soni  et  musices  in  corpus  humanum.  Authore 
Josepho,  Ludovico  Roger  .  .  .  Avenione,  apud  Jacobum  Garrigan, 
1758. 

117,  [3]  p.    pi.    Wi""". 


ML3920.A2R72 


Rojas,  Juan  Fernandez  de. 

See  Fernandez  de  Rojas,  Juan. 


EARLY  BOOKS  ON  MUSIC  235 

Rolle,  Christian  Carl,  b.  1714. 

Neue  wahrnehmungen  zur  aufnahme  und  weitern  ausbreitung  der 
musik.     Von  Christian  Carl  Rolle  .  .  .     BerUn,  A.  Wever,  1784. 

2  p.  1.,  106,  [2]  p.    16"™. 

"Ehren-gedichtniss  Johann  Friedrich  Agricola,  k6nielich-preu8siBchen  hof- 
compositora  (hof-componisten)  nach  Grauns  tode  capelldirektore " :  p.  92-95. 
*'Ehren-ged§,chtnis8  Carl  Heinrich  Graun":  p.  96-106. 

ML60.R74 

BoUet, 

M^thode  pour  apprendre  la  musique  sans  transposition,  avec  quatre 
vingt  lemons  a  deux  parties,  sur  toutes  les  clefs,  toutes  les  mesures,  et 
tous  les  tons  qui  sont  usit^s  dans  la  musique  .  .  .  compos6e  par  M'^. 
Rollet  .  .  .     Paris,  Chez  M"".  Le  Menu;  [etc.,  etc.,  1780] 

1  p.  1.,  98  p.     32i  X  26i«™. 

Engraved  throughout. 

MT222.A2R7 

[Romaine,  WiUiam]  1714-1795. 

.    An  essay  on  psalmody  .  .  .     London,  1775. 

iv,  5-368  p.    19'^'°. 

Preface  signed:  W.  R. 

"A  collection  out  of  the  book  of  Psalms,  suited  to  every  Sundaj'  in  the  year," 
p.  [155]-368,  has  special  t.-p. 

ML3186.A2R7 

Romero  de  Avila,  Geronimo. 

Arte  de  canto-llano,  y  organo,  6  Promptuario  musico,  dividido  en 
quatro  partes.  La  primera  trata  de  la  especulativa  del  canto-llano. 
La  segunda,  de  la  practica  del  mismo  canto.  La  tercera,  de  la  espe- 
culativa, y  practica  de  todo  hynmo,  sequencia,  o  prosa.  Y  la  quarta, 
de  la  especulativa,  y  practica  del  canto  de  organo,  segun  el  moderno 
estilo.  Su  autor  Don  Geronymo  Romero  de  Avila  .  .  .  Madrid.  J. 
Ibarra,  1762. 

8  p.  1.,  535  p.    illus.    21  x  W"^. 

MT860.A2R76 

Rondet,  Laurent  Etienne,  1717-1785,  editor. 

See  Gauthier,  F.  L.     Traits  contre  les  danses,  1785. 

Rosa,  Onorato. 

Regole  del  canto  fermo  detto  gregoriano  spogliate  dell'  antica  loro 
oscurita,  e  registrate  con  brevita,  e  chiarezza  dal  r.  p.  f.  Onorato 
Rosa  da  Cairano  .  .  .     Napoli,  Stamperia  degli  eredi  di  More,  1788. 

xii,  96  p.    23  x  18^""". 


MT860.A2R78 


Rosario,  Domingos  do. 

See  Domingos  do  Rosario. 

Rosini,  Carlo  Maria,  1748-1836,  editor. 

See  Philodemus,  of  Gadara.     De  musica  [1793] 


236  LIBRARY   OF   CONGRESS 

Bosseto,  Vincenzo,  translator. 

See  Vanned,  S.     Recanetvm  de  mvsica  avrea,  1533. 

Rossetti,  Biagio. 

Blasii  Bos-  ||  setti  Veronensis  li-  ||  bellus  de  rudimentis  Musices. 
De  triplici  musices  specie.  ||  De  mode  debite  solugdi  divinu  pensum. 
Et  de  auferendis  noimullis  abusibus  in  dei  ||  templo.  ||  Quq  omnia  suii 
compendio  candidus  lector  J|  inueniet.  ||  C  Cum  priuilegio  prout  in 
breue  cont.  [Colophon:  C  VeronQ,  per  Stephanum,  &  fratres  de  Nico- 
linis  II  de  Sabio,  sumptu  &  requisitione  D.  Blasii  Roset-  ||  ti  piQsbyteri, 
in  Ecclesia  maiori  Organistse.  ||  mdxxix.  mense  Septembrio] 

[104]  p.     22^"'". 

Title  within  woodcut  border.    Signatures:  a-n  in  fours. 

ML171.R7 

Bossi,  Lemme,  d.  1673. 

Sistema  mvsico,  ouero  Mvsica  specvlativa  done  si  spiegano  i  piii 
celebri  sistemi  di  tutti  i  tre  generi,  di  Lemme  Bossi  Perugino.     [Colo^ 

glwn:  In  Pervgia,  Nella  Stampa  episcopale,  per  Angelo  Laurenzi. 
on  licenza  de'  superiori.  16661 
6  p.  1.,  179,  [1]  p.    diagrs.    25=°». 

Head  and  tail  piece;  initials. 

ML3805.A2R8 

Bossino,  Francesco  di. 

Grammatica  melodiale  teorico-pratica  esposta  per  dialoghi,  nella 
quale  .  .  .  insegnasi  il  modo  d'imparare  ancne  di  per  se  il  vero  canto 
ecclesiastico,  o  sia  canto  fermo,  trattine  i  primi  rudimenti.  Divisa  in 
tre  parti.  Opera  del  p.  f.  Francesco  di  Kossino  .  .  .  Con  in  fine  un 
appendice  pratica,  la  quale  servira  di  direttorio  al  clero  tanto  secolare, 
cne  regolare,  particolarmente  ai  religiosi  francescani  .  .  .  Roma, 
I  Lazzarini,  1793. 

xxiv,  396  p.    29  X  22J<="^. 

MT860.A2R82 

Both,  Georg  Michael,  1769-1817. 

Ueber  die  bisherige  unm6glichkeit  einer  philosophic  des  bildes,  der 
musik  und  sprache,  von  Georg  Michael  Roth.  G6ttingen,  J.  C.  Die- 
terich,  1796. 

xxxii,  95  p.     19''™ 

Ch.26.2.5479 

Boullet,  Francois  Louis  Gaud  Lebland,  marquis  du. 

See  Du  Roullet,  Francois  Louis  Gaud  Lebland,  marquis. 

Bousseau,  Jean. 

Methode  claire,  certaine  et  facile,  pour  apprendre  a  chanter  la 

\J      musique,  sur  les  tons  transposez  comme  sur  les  naturels.     A  battre  la 

mesure  h  toutes  sortes  de  mouvemens  ordinaires  &  extraordinaires. 


EARLY  BOOKS   ON   MUSIC  237 

Rousseau,  Jean — Continued. 

A  faire  les  ports  de  voix,  &  les  cadances  sur  la  musique  avec  regu- 
larite ;  et  a  connoitre  oti  il  f aut  faire  les  tremblemens  dans  les  livres  oh 
ils  ne  sent  point  marquez.  Le  tout  explique  &  mis  en  ordre  par  Jean 
Rousseau  .  .  .     Paris,  Chez  I'autheur  [etc.]  1683. 

4  p.  1.,  64  p.     12  X  18^''". 

The  1st  edition  was  published  by  Ballard  in  1678. 

MT7.A2R8 

Traite  de  la  viole,  qui  contient  une  dissertation  curieuse  sur  son 
origine.  Une  demonstration  generale  de  son  manche  en  quatre 
figures,  avec  leurs  explications.  L'explication  de  ses  jeux  differents, 
&  particulierement  des  pieces  par  accords,  &  de  I'accompagnement  h 
fond.  Des  regies  certames,  pour  connoitre  tous  les  agremens  qui  se 
peuvent  pratiquer  sur  cet  instrument  dans  toutes  sortes  de  pieces  de 
musique.  La  veritable  maniere  de  gouverner  I'archet,  &  des  moyens 
faciles  pour  transposer  sur  toutes  sortes  de  tons.  Par  lean  Rovsseav 
.  .  .     Paris,  C.  Ballard,  imprimeur,  1687. 

8  p.  1.,  151  p.    fold.  tab.    IS^'^"'. 

"Modelles  povr  la  transposition  .  .  .":  p.  120-151. 

MT338.A2R7 

Rousseau,  Jean  Jacques,  1712-1778. 

Dictionnaire  de  musique,  par  J.  J.  Rousseau  .  .  .  Paris,  Veuve 
Duchesne,  1768. 

jx,  [3],  548  {%.  e.  556),  [2]  p.     a-n  fold.  pi.  (partly  music)    26^''™. 

Title  vignette.     No.  473-480  repeated  in  paging. 

ML108.A2R7 

Dictionnaire  de  musique.  Par  J.  J.  Rousseau  .  .  .  Amster- 
dam, M.  M.  Rey,  1768. 

2  V.  (v.  1:  xvi,  504  p.;  v.  2:  2  p.  1.,  372  p.)  a-x  fold.  pi.  (partly  music),  fold.  tab. 
18''™. 

ML108.A2R8 

A  complete  dictionary  of  music.  Consisting  of  a  copious  ex- 
planation of  all  words  necessary  to  a  true  knowledge  and  understand- 
mg  of  music.  Tr.  from  the  original  French  of  J.  J.  Rousseau.  By 
WilHam  Waring.     2d  ed.     London,  J.  Murray;   [etc.,  etc.]  1779. 

Ip.  1.,  468p.    24^"^. 

ML108.A2R86 

Lettre  sur  la  musique  frtoQoise.  Par  J.  J.  Rousseau.  Sunt  verba 
cfc  voces,  'prxtereaque,  nihil,     [n.  p.]  1753. 

2  p.  1.,  92  p.    17i<=™. 

ML1727.33.R7 

Lettre  sur  la  musique  fran^oise,  par  J.  J.  Rousseau  ...     2.  ed. 

[n.  p.]  1753. 

4  p.  1.,  92  p.     20*'^'". 

ML1727.33.R72 


238  LIBRARY   OF   CONGRESS 

Rousseau,  Jean  Jacques — Continued. 
Trait^s  siir  la  musique,     [Geneve,  1781  ?] 
437,  [1]  p.    24  fold.  pi.  on  19  1.  (partly  music)    20""'. 

The  general  title  is  in  the  form  of  a  half-title,  without  imprint;  the  first  essay- 
has  special  t.-p.  with  imprint  "Geneve,  1781."  The  plates  include  "Airs  prin- 
cipaux  du  Devin  du  village"  (pi.  I-X) 

Half-title,  title-page  and  a  slight  variation  in  paging  excepted,  this  issue 
corresponds  to  another  of  the  same  year:  CEuvres  posthumes  de  Jean-Jaques 
Rousseau,  ou  Recueil  de  pieces  manuscrites,  pour  servir  de  supplement  aux 
editions  publi^es  pendant  sa  vie.      Tome  troisieme.    Geneve,  1781. 

Contents. — Projet  concemant  de  nouveaux  signes  pour  la  musique. — Disser- 
tation sur  la  musique  modeme. — Essai'sur  I'origine  dea  langues,  oil  il  est  parl6 
de  la  melodie  &  de  I'imitation  musicale. — Lettre  a  Monsieur  I'abb^  Raynal,  au 
sujet  d'un  nouveau  mode  de  musique,  invent^  par  M.  Blaiuville. — Examen  de 
deux  principes  avanc^s  par  M.  Rameau,  dans  sa  brochiue  intitul^e:  Erreurs 
sur  la  musique,  dans  l'Encyclop6die. — Lettre  a  M.  Bumey  sur  la  musique, 
avec  fragmens  d' observations  sur  I'Alceste  italien  de  M.  le  chevalier  Gluck. 
Extrait  d'une  reponse  du  petit  faiseur  a  son  prete-nom,  sur  un  morceau  de  I'Or- 
ph^e  de  M.  le  chevalier  Gluck. 

ML60.R86 

See  also  Baton,  C.     Examen  de  la  lettre  de  M.  Rousseau,  1753. 
Framery,  N.  fi.     Musique,  1791-1818. 

Roussier,  Pierre  Joseph,  1716-1790? 

L'harmonie  pratique,  ou  Exemples  pour  le  Traite  des  accords,  par 
M.  Roussier  .  .  .  ^Iis  au  jour  par  M.  Bailleux.  Paris,  Chez  I'editeur; 
[etc.,  etc.,  1775] 

xvj,  [2],  111  (i.  e.  113)  p.,  1 1.    21<"°. 
Engraved,  with  the  exception  of  the  18  pages  preceding  the  examples. 

• Copy  2. 

Title-page,  half-title  and  preliminary  matter  (xvj  p.)  wanting. 

MT49.A2R6 

Memoire  sur  la  musique  des  anciens,  ou  Ton  expose  le  principe  des 
proportions  authentiques,  dites  de  Pythagore,  &  de  divers  systSmes 
de  musique  chez  les  Grecs,  les  Chinois  &  les  Egyptiens.     Avec  un 

Sarallele  entre  le  syst^me  des  Egyptiens  &  celui  des  modernes.     Par 
[.  I'abb6  Roussier  .  .  .     Paris,  Lacombe,  1770. 

2  p.  1.,  xxiv,  252  p.     illus.,  pi.  (music),  fold.  tab.     26"™. 

ML162.A2R7 

Memoire  sur  la  nouvelle  harpe  de  M.  Cousineau,  lutbier  de  la  reine; 
par  M.  I'abb^  Roussier  .  .  .  mis  au  jour  par  M.  F.  Delaunay  .  .  . 
Paris,  Lamy,  1782. 

40  p.     IS*"". 

ML1006.A2R7 

Observations  sur  diff^rens  points  d'harmonie,  par  M.  I'abbe  Rous- 
sier ...     A  Geneve,  et  se  trouvent  h,  Paris,  chez  JBailleux,  1755. 

4  p.  1.,  249  p.    fold.  pi.    21<'». 

MT50.A2R«6 

Traits  des  accords,  et  de  leur  succession;  selon  le  syst^me  de  la 
basse-fondamentale;  pour   servir    de    principes   d'harmonie    a   ceux 


EARLY  BOOKS  ON  MUSIC  239 

Roussier,  Pierre  Joseph — Continued. 

qui  6tudient  la  composition  ou  raccompagnement  du  clavecin.  Avec 
une  methode  d'accompagnement  .  .  .  Paris,  Duchesne;  [etc.,  etc.l 
1764. 

xxviij,  [4],  192  p.     3  pi.  (1  fold.)  fold.  tab.     20i<"". 

Dedication  signed:  Roussier. 

MT49.A2R4 

Traits  des  accords,  et  de  leur  succession;  selon  le  systeme  de 


la  basse-fondamentale;  pour  servir  de  principes  d'harmonie  a  ceux 
qui  6tudient  la  composition  ou  I'accompagnement  du  clavecin;  avec 
une  methode  d'accompagnement  .  .  .     raris,  Bailleux,  1764. 
xxxij,  192  p.     3  pi.  (1  fold.)  fold.  tab.     21''™. 


Dedication  signed:  Roussier. 


MT49.A2R5 


See  also  La  Borde,  J.  B.  de.     Essai  sur  la  musique,  1780. 

Memoires  sur  les  proportions  musi- 
cales,  1781. 

Roussier,  Pierre  Joseph,  1716-1790?  editor. 

See  Amiot,  J.  M.     Memoire  sur  la  musique  des  Chinois,  1779. 

Roxas  y  Montes,  Diego  de. 

Promptuario  armonico,  y  conferencias  theoricas,  y  practicas  de 
canto-llano,  con  las  entonaciones  de  choro,  y  altar,  segun  la  costumbre 
de  la  santa  iglesia  cathedral  de  Cordoba,  y  de  otras.  Compuesto  por 
D.  Diego  de  Roxas,  v  Montes  .  .  .  Cordoba,  Impresso  por  A.  Serrano, 
y  D.  Rodriguez,  1760. 

13  p.  1.,  482  p.     V  fold.  pi.     20J'-'". 

MT860.A2R9 

Roy,  Pierre  Charles,  1683-1764. 

See  Hertel,  J.  W.     Sammlung  musikalischer  schriften,  1757-58. 

RUmlang,  Eberhard  von. 

See  Lampadius,  A.     Compendivm  mvsices,  1554. 

Ruetz,  Caspar,  1708-1755. 

Widerlegte  vorurtheile  vom  ursprunge  der  kirchenmusic,  und  klarer 
beweis,  dass  die  gottesdienstliche  music  sich  auf  Gottes  wort  grilnde, 
und  also  g6ttliches  ursprungs  sey,  der  gleichgultigkeit  in  ansehung 
dieser  art  des  gottesdienstes  entgegen  gesetzet  von  Caspar  Ruetz  .  .  . 
Lubeck,  J.  Schmidt,  1750. 

12  p.  1.,  114,  [C]  p.     19"'°. 

Title  vignette:  printer's  mark. 

ML3001.R92 

Widerlegte  vorurtheile  von  der  beschaffenheit  der  heutigen  kirchen- 
music und  von  der  lebens-art  einiger  musicorum,  ans  hcht  gegeben  von 
Caspar  Riietz  .  .  .     Lilbeck,  P.  B6ckmann,  1752. 

8  p.  1.,  175,  [9]  p.    19«"'. 

ML3001.R93 


240  LIBRARY   OF   CONGRESS 

Ruetz,  Caspar — Continued. 

Widerlegte  vorurtheile  von  der  wirkung  der  kirchenmusic,  und  von 
den  darzu  erfoderten  unkosten,  nebst  einer  vorrede  von  der  musi- 
calischen  liebhaberey,  ans  licht  gestellt  von  Caspar  Ruetz  .  .  .  Ro- 
stock und  Wismar,  J.  A.  Berger  und  J.  Boedner,  1753. 

23  p.  1.,  152,  [15]  p.     ISi-^"*. 

ML3001.R94 

Ruggero,  Francesco  Girolamo. 

Dichiarazione  della  eccellente  musica  seguita  in  Novara  coU'  inter- 
vento  de  primi  virtuosi  d'ltaglia  nell'  occasione  del  famoso  trasporto 
del  sagro  corpo  di  S.  Gaudenzo,  primo  vescovo,  e  protettore  di  detta 
citta,  spiegata  dal  prete  Francesco  Girolamo  Ruggero  .  .  .  Vercelli, 
Nella  stampa  di  P.  A.  Gilardone,  1711. 

15,  [1]  p.     IS'^'". 

ML290.8.N6R9 

Rules;  or  a  short  and  compleat  method  for  attaining  to  play  a  thor- 
ough bass  upon  the  harpsicord  or  organ.  By  an  eminent  master. 
Also  an  explanation  of  figur'd  time,  with  the  several  moods  &  charac- 
ters made  use  of  in  musick.  To  which  is  added,  a  dictionary,  or  ex- 
phcation  of  such  Italian  words,  or  terms,  as  are  made  use  of  in 
vocal,  or  instrumental  musick.  London,  Printed  for  &  sold  by  I: 
Walsh  [1715?] 
42  p.     2P='. 

Engraved  throughout. 

The  dictionary  (pages  10-42)  was  published  separately,  London,  1724,  as  "A 
short  explication  of  such  foreign  words,  as  are  made  use  of  in  musick  books." 

MT49.A2R9 

[Ridhiere,  Claude  Carloman  de]  1734-1791. 

Jugement  de  I'orchestre  de  I'Opera.     [n.  p.,  175-] 
8  p.     164'=™. 

Caption  title. 

ML1727.33.R95 

Sabbatini,  Luigi  Antonio,  1739-1809. 

Elementi  teorici  della  musica  colla  pratica  de'  medesimi,  in  duetti, 
e  terzetti  a  canone  accompagnati  dal  basso,  ed  eseguibili  si  a  solo,  che 
a  piti  voci,  di  f.  Luigi  Antonio  Sabbatini  .  .  .  Roma,  Stamperia  P. 
Cracas,  e  G.  Rotilj  socio,  1789-95. 

3  V.  in  1.     23^  x  SO""*. 

Vol.  2  has  title:  Elementi  pratici  della  musica  formati  in  duetti  a  canone  accom- 
pagnati dal  basso  .  .  .    Parte  seconda.     Ed.  2.  .  .  .     1795. 

MT55.A2S11 

La  vera  idea  delle  musicali  numeriche  segnature  diretta  al  giovane 
studioso  deir  armonia  da  f.  Luigi  Ant.°  Sabbatini  .  .  .  Venezia,  S. 
Valle,  1799. 

iv,  clxxix,  [1]  p.     29i'=™. 

MT50.A2S11 


EAELY  BOOKS  ON   MUSIC  241 

Sacchi,  Giovenale,  1726-1789. 

Del  nvmero  e  delle  misvre  delle  corde  mvsiche  e  loro  corrispon- 
denze,  dissertazione  del  p.  D.  Giovenale  Sacchi  Bemabita.  Miano 
[G.  Mazzucchelli]  1761. 

126  p.     20"™. 

ML60.S11 

Delia  divisione  del  tempo  nella  musica,  nel  ballo  e  nella  poesia. 
Dissertazioni  iii  del  p.  D.  Giovenale  Sacchi  Bemabita.  Milano  [Per 
G.  MazzuccheUi  nella  stamperia  Malatesta]  1770. 

4  p.  1.,  248  p.    diagr.    20"™.    (With  his  Del  nvmero  .  .  .  delle  corde  mvsiche. 
MUano,  1761) 

ML60.S11 

Delia  natura  e  perfezione  della  antica  musica  de'  Greci  e  della 
utihta  che  ci  potremmo  noi  promettere  dalla  nostra  applicandola 
secondo  il  loro  esempio  alia  educazione  de'  giovani;  dissertazioni  ni 
del  p.  D.  Giovenale  Sacchi  Bemabita.  Milano  [Per  A.  Mogni  nella 
stamperia  Malatesta]  1778. 

5  p.  1.,  207  p.     20"™. 

ML60.S12 

Delle  quinte  successive  nel  contrappunto  e  delle  regole  degli  accom- 
pagnamenti;  lettera  del  p.  D.  Giovenale  Sacchi  al  *  .  .  Sig.  Wincislao 
richl .  .  .     Milano,  Per  C.  Orena,  stamperia  Malatesta,  1780. 

183  p.    20"™.    (With   his   Della   natura  .  .  .  della   antica   musica  de'  Greci. 
Milano,  1778) 

ML60.S12 

Don  Placido,  dialogo  del  p.  Don  Giovenale  Sacchi  .  .  .  dove  cercasi: 
se  lo  studio  della  musica  al  rehgioso  convenga  o  disconvenga.  Pisa, 
L.  RaffaeUi,  1786. 

152  p.    20"™. 

ML63.S12 

Vita  del  cavaUere  Don  Carlo  Broschi,  scritta  da  Giovenale  Sacchi 
.  .  .     Vinegia,  Stamperia  Coleti,  1784. 

48  p.     19i"™. 

ML420.B8S14 

See  also  Zaxotti,  F.  M.     Lettere,  1782. 

Sacchi,  Giovenale,  1726-1789,  translator. 

See  FoxTANA,  F.  L.     Vita  di  Benedetto  Marcello,  1788. 

Sache,  fitienne,  d.  ca.  1724. 

Traite  des  tons  de  I'eglise  selon  I'usage  romain,  dans  lequel  la 
game  ancienne  et  nouvelle  est  mise  au  commencement.  Avec 
plusieurs  autres  chants  pour  vespres,  complies,  matines,  la  haute 
messe,  &c.  .  .  .  Par  E.  Sach6  .  .  .  Lisieux,  R.  Le  Boullenger, 
M.  DC.  Lxciv  [i.  e.  1676] 

8  p.  1.,  47,  [1],  136  p.    illus.     14^"™. 

ML3082.A2S2 

51234°— 13 16 


242  LIBEAKY   OF   CONGBESS 

[Saint  Hilaire,  Cecile  de]  psevdJ 

Lettre  a  I'auteur  des  Lettres  sur  les  homines  celebres  dans  les 
sciences,  la  litterature  &  les  beaux  arts.  Sous  le  regne  de  Louis  xv. 
Amsterdam,  P.  Marteau.     [Paris?]  1752. 

32  p.     IS""*. 

Signed:  Cecile  de  Saint  Hilaire. 

Mainly  a  comparison  of  the  art  of  Lully  and  Rameau. 

ML410.L95S14 

Saint-Mard,  Toussaint  Remond  de. 

See  Remond  de  Saint-Mabd,  Toussaint. 

[Saint- Sevin,  Joseph  Barnabe]  1727-1803. 

Principes  du  violon  pour  apprendre  le  doigte  de  cet  instrument,  et 
les  diflferends  a^ements  dont  il  est  susceptible  .  .  .  par  M"^.  I'Abbe  le 
fils.  Ces  principes  sont  suivis  de  deux  suites  d'airs  d'op^ra  a  deux 
violons  .  .  .  de  plusieurs  lepons  dans  le  genre  de  sonates  avec  la  basse 
chiffree  pour  le  clavecin,  d'exemples  analogues  a  ces  lepons,  de  pre- 
ludes .  .  .  et  d'une  suite  de  jolis  airs  varies  pour  un.  violon  seul  .  .  . 
Paris,  Des  Lauriers  [1761?] 

2  p.  1.,  81  p.     35""'. 
Engraved  throughout. 

MT262.A2S24 

Sala,  Nicola,  1701-1800. 

Regole  del  contrappunto  pratico  di  Nicola  Sala  Napoletano,  primo 
maestro  nel  Reale  conservatorio  della  Pieta'  de'  Torchini,  dedicate 
alia  maestk  di  Ferdinando  iv.  re  delle  Due  Sicilie  &c.  Napoli, 
Stamperia  reale,  1794. 

3  V.  in  2.     52  X  SG""*. 

Title  vignette.    The  work  consists  almost  entirely  of  contrapuntal  examples 
and  exercises,  which  are  printed  from  engraved  plates. 

MT55.A2S2 

Salinas,  Francisco  de,  1513-1590. 

Francisci  Salinas  .  .  .  De  musica  libri  septem,  in  quibus  eius  doc- 
trinse  Veritas  tarn  quae  ad  harmoniam,  quam  quae  ad  rhythmum  per- 
tinet,  iuxta  sensus  ac  rationis  indicium  ostenditur,  &  demonstratur. 
Cvm  duplici  indice  capitum  &  rerum  .  .  .  Sabnanticse,  excudebat  M. 
Gastius,  1577. 

2  p.  1.,  438,  [18]  p.  incl.  fold.  tab.    diagrs.  (1  fold.)    29i<'">. 
Title  vignette:  coat  of  arms.     Printer's  mark  at  end. 

ML171.S16 

Salle,        la. 

See  Lasalle. 

Salle,  Jean  Frangois  Demotz  de  la. 

See  Demotz  de  La  Salle,  Jean  Francois. 

Salmon,  Thomas,  1648-1706. 

An  essay  to  the  advancement  of  musick,  by  casting  away  the  per- 
plexity of  different  cUff s.  And  uniting  all  sorts  of  musick :  lute,  viol, 
violin,  organ,  harpsechord,  voice,  &c.  in  one  universal  character.  By 
Thomas  Salmon  .  .  .  London,  Printed  bv  J.  Macock,  and  are  to  be 
sold  by  J.  Car,  1672. 

8  p.  1.,  92  p.    5  fold.  pi.  (partly  music)     17''™. 
Added  t.-p.,  engr.     Preface  signed:  John  Birchensha. 

ML432.A2S2 


EARLY  BOOKS  ON  MUSIC  243 

Salmon,  Thomas — Continued. 

A  proposal  to  perform  musick,  in  perfect  and  mathematical  propor- 
tions. Containing,  i.  The  state  of  musick  in  general,  ii.  The  princi- 
ples of  present  practice;  according  to  which  are,  iii.  The  tables  of  pro- 
portions, calculated  for. the  viol,  and  capable  of  being  accommodated 
to  all  sorts  of  musick.  By  Thomas  Salmon  .  .  .  Approved  by  both 
the  mathematick  professors  of  the  Vniversity  of  Oxford.  With  large 
remarks  upon  this  whole  treatise,  by  the  reverend  and  learned  John 
Wallis  .  .  .     London,  J.  Lawrence,  1688. 

6  p.  1.,  42  p.     4  pi.     23  X  ISi""". 

ML3807.A2S17 

A  vindication  of  an  Essay  to  the  advancement  of  musick,  from  Mr. 
Matthew  Lock's  Observations.  By  enquiring  into  the  real  nature, 
and  most  convenient  practise  of  that  science.  By  Thomas  Salmon 
. .  .  London,  Printed  by  A.  Maxwell,  and  are  to  be  sold  by  J.  Car, 
1672. 

2  p.  1.,  85,  20  p.    fold.  pi.     17^"™. 

Written  in  the  form  of  a  letter  to  Dr.  John  Wallis.     The  20  p.  at  end  contain  a 
letter  to  Salmon  signed  N.  E.,  concerning  his  Essay  and  Locke's  "Observations." 

ML432.A2S3 

Salvadore  Maria  da  Vercelli. 

Nelle  funebri  pompe  del  Signor  arcimaestro  in  musica  David  Peres, 
maestro  di  camera  di  S.  R.  M.  fedelissima  felicemente  regnante  ora- 
zione.  Tributo  d'ossequio  di  irk  Salvadore  Maria  da  Vercelli  .  .  . 
Lisbona,  Stamperia  reale,  1779. 

15  p.     20i«". 

ML410.P27S15 

Sam.ber,  Johann  Baptist. 

Manuductio  ad  organum,  das  ist:  Griindlich-  und  sichere  handlei- 

tung  durch  die  hdchst-nothwendige  solmisation,  zu  der  edlen  schlag- 

kunst  .  .  .     Sambt   einer    kurtz-verfassten    information    von    denen 

kirchen-  oder  choral-tonen,  wi3  solche  geschwind  zuerkennen,  imd  auff 

denen  in  cornet-ton  gestimmten  orgl-wercken  abzuschlagen  seynd. 

Alles  mit  vilen  in  kupffer  gestochenen  figuren  und  exemplen  gezieret  / 

und  mit  sonderbahren  fleiss  zusamen  getragen  /  auch  das  erste  mahl  in 

den  druck  gegeben  durch  M.  Joannem  Baptistam  Samber  ...     Zu 

finden  bey  dem  authore.     Saltzburg  /  Gedruckt  durch  J.  B.  Mayrs  / 

seel,  wittib  /  und  erb.,  1704. 

8  p.  1.,  177,  [6]  p.     16*  X  22*""'. 

MT182.A2S2 

Continuatio    ad   Manuductionem    organicam,  das  ist:   Fort- 


setzung  zu  der  Manuduction  oder  handleitung  zum  orgl-schlagen ;  wo- 
rinnen  .  .  .  begriffen  seynd  .  .  .  i.  Was  gestalten  die  in  besagter  Manu- 
ductione  vorgezeigte  intervalla  und  concenten  in  auf-  und  absteigend- 
haltend-  und  springenden  noten  auff  dem  clavier  sollen  genommen 
und  geschlagen  werden  /  sambt  beygefiigten  nutzlichen  exercitiis. 
II.  Wird  die  natur  und  namen  der  registern  in  verschidenen  orgl- 
wercken  zu  erkennen  /  solche  zu  verwechslen  /  und  zu  combiniren  / 
demonstrirt :  und  zugleich  /  was  in  compositione  der  galantarien  /  als 


244  LIBRARY   OF   CONGRESS 

Samber,  Johann  Baptist — Continued. 

allemanden  /  couranten  /  sarabanden  /  menueten  /  &c.  .  .  .  zu  beo- 
bachten  .  .  .  dem  giinstigen  liebhaber  solcher  capriccien  hiemit  com- 
municirt  ...  iii.  Auff  was  weise  eine  gute  harmonia  .  .  .  zu  compo- 
niren  und  zu  setzen  seye  ...  iv.  Wie  man  allerley  fugen  .  .  .  for- 
miren  solle  /  der  rechte  weeg  gewisen  .  .  .  auss  vilen  approbirten 
authoribus,  auch  eigner  praxi  zusaffien  getragen  und  verlegt  durch  M. 
Joannem  Baptistam  Samber  .  .  .  Saltzburg,  Gedruckt  bey  J.  B. 
Mayrs  seel,  wittib  und  sohn,  1707. 

4  p.  1.,  239,  [4]  p.    VIII  pi.     18  X  23^"'°. 

MT182.A2S21 

San  Eafaele,  Benvenuto,  conte  di. 

Lettere  due  sopra  I'arte  del  suono,  del  Signor  co:  Benvenuto  di  S. 
Rafaele,  Torinese.     Vicenza,  A.  Veronese,  1778. 

38  p.     15i<="'. 

ML63.S16 

Sander,  F.  S.,  d.  1796. 

Kurze  und  grAndliche  anweisung  zur  fingersetzung  fur  clavier- 
spieler  mit  genau  bestimmten  regeln  und  beygefugten  exempeln. 
Hrsg.  von  F.  S.  Sander.     Bresslau,  F.  E.  C.  Leuckart,  1791. 

iv,  24  p.    20J  X  25""^. 

MT220.A2S2 

Santa  Maria,  Tomas  de. 

See  Tomas  de  Santa  Maria. 

Santoro,  Fabio  Sebastiano,  6.  1671. 

Scola  di  canto  fermo,  in  cui  s'insegnano  facilissime,  e  chiare  regole 
per  ben  cantare,  e  componere  .  .  .  Dal  sacerdote  D.  Fabio  Sebastiano 
Santoro  .  .  .  Con  infine  le  considerazioni  di  novissimi,  ed  altre  cose 
utili  h,  chi  spera  il  paradiso.  Napoli,  Stamperia  di  Novello  de  Bonis, 
1715. 

8  p.  1.,  108,  [1],  109-292,  [16]  p.    front,  (port.)  iUus.    22  x  16^""^. 

MT860.A2S23 

Sanz  y  Celma,  Gaspar  Francisco  Bartolome,  1640-1710. 

Instrvccion  de  mvsica  sobre  la  gvitarra  espanola;  y  metodo  de  svs 
primeros  rvdimentos,  hasta  tanerla  con  destreza.  Con  dos  laberintos 
mgeniosos,  variedad  de  sones,  y  dances  de  rasgueado,  y  punteado,  al 
estilo  espanol,  italiano,  francos,  y  ingles.  Con  vn  breve  tratado  para 
acompanar  con  perfeccion,  sobre  la  parte  muy  essencial  para  la  gui- 
tarra,  arpa,  y  organo,  resumido  en  doze  reglas,  y  exemplos  los  mas 
principales  de  contrapunto,  y  composicion  .  .  .  Compvesto  por  el 
licenciado  Gaspar  Sanz  .  .  .  Zarago^a,  Herederos  de  D.  Dormer, 
1674. 

3  pt.  in  1  V.    40  pi.  (partly  music),  port.    21^  x  28J=°'. 

MT582.A2S2 


EABLY  BOOKS  ON  MUSIC  245 

Sartorius,  Erasmus,  1578-1637. 

Musomachia,  id  est  Bellum  musicale.  Ante  quinque  lustra  bellige- 
ratum  in  gratiam  Er:  Sar:  nunc  denu6  institutum  k  primo  ejus  aucto- 
re  Petro  Laurembergio  professore  academico.  [Rostochii]  Richelianis 
arma  suppeditantib.^  S,  Johanne  Hallervordio  toti  orbi  indictum,  1642. 

1  p.  1.,  78  p.     15"™. 

The  let  edition  was  published  at  Hamburg  in  1622  as  "Erasmi  Sartori  .  .  .  Bel- 
ligerasmuB,  id  est  Historia  belli  exorti  in  regno  musico." 

ML63.S17 

Saunier  de  Beaumont,        d.  ca.  1750. 

Lettre  sur  la  musique  ancienne  &  moderne,  a  Madame  la  duchesse 
de  *  *  *.  Avec  des  anecdotes  interessantes.  Par  M.  Saunier  de 
Beaumont  .  .  .     Paris,  Veuve  Pissot,  1743. 

Ip.  1.,  50p.    ISi""*. 

ML1727.3.A2S2 

Sauveur,  Joseph,  1653-1716. 

Systdme  general  des  intervalles  des  sons,   &  son  application  h, 
tons  les  syst^mes  &  k  tous  les  instrumens  de  musique.     Par  M.       ^^ 
Sauveur. 

(In  Acad^mie  des  sciences,  Paris.    Histoire  de  TAcad^mie  .  .  .  ann^e  1701. 
Paris,  1704.    297-364,  [2]  p.    25^"°'.    infold,  tab.) 

Detached  copy. 

ML3809.A2S2 

Sayas,  Juan  Francisco  de. 

Musica  canonica,  motetica,  y  sagrada,  su  origen,  j  pureza  con  que 
la  eri^o  Dios  para  sus  alabanzas  divinas  .  .  .  Escnta  por  Don  Juan 
Francisco  de  Sayas  .  .  .  Pamplona,  Por  M.  J.  de  Rada,  impressor 
[1761  ?] 

10  p.  1.,  411,  405-411  p.    20i''°». 

ML3000.A2S27 

Scaletta,  Orazio,  d.  1630. 

Scala  di  mvsica  molto  necessaria  per  principianti.  Di  Horatio 
Scaletta  .  .  .  Dall'  istesso  ampliata  di  molti  essempij,  &  auuertimenti 
molto  vtili,  per  QAntar  polito,  e  bene.  Et  in  questa  vltima  impres- 
sione  da  D.  Florido  .  .  .  corretta.     Roma,  A.  Fei,  1642. 

1  p.  1.,  29,  [1]  p.    1  nius.    22  X  16^='°. 

MT44.A2S28 

Scheibe,  Johann  Adolph,  1708-1776. 

Johann  Adolph  Scheibens  .  .  .  Abhandlung  vom  ursprunge  und 
alter  der  musik,  insonderheit  der  vokalmusik  .  .  .  Mit  einer  bisto- 
rischen  und  critischen  vorrede  versehen,  worinn  vom  inhalte  dieser 
abhandlung,  und  von  einigen  andern*musikalischen  sachen  gehandelt 
wild.     Altona  und  Flensburg,  Kortische  buchhandlung,  1754. 

Ixxx,  107  p.    184'='°. 

ML3800.A2S31 


246  LIBRAEY   OF   CONGRESS 

Scheibe,  Johann  Adolph — Continued. 

Eine  abhandlung  von  den  musicalischen  intervallen  und  geschlech- 
ten,  abgefasset  von  Johann  Adolph  Scheibe.  Hamburg,  Auf  kosten 
des  verfassers,  1739. 

8  p.  1.,  114  p.,  1 1.    3  fold.  1.  (musical  examples)     18"". 

ML3809.A2S4 

Johann  Adolph  Scheibens  . . .  Critischer  musikus.  Neue  verm,  und 
verb.  aufl.     Leipzig,  B.  C.  Breitkopf,  1745. 

24p.  1.,  1059,  [24]p.    20i<"°. 

Appeared  in  weekly  numbers  (irr^iilar)  1737-1740. 

ML4.C82 

Johann  Adolph  Scheibe  .  .  .  Ueber  die  musikaUsche  composition. 
Erster  theil.  Die  theorie  der  melodie  und  harmonic.  TLeipzig, 
Schwickert,  1773. 

Ix,  600  p.    fold,  tables.    20i  x  17«°'. 

No  more  published. 

MT6.A2S31 

See  also  Mattheson,  J.     GAltige  zeugnisse,  1738. 

Scheibel,  Gottfried  Ephraim,  1696-1759. 

Zuf&lUge  gedancken  von  der  kirchen-music,  wie  sie  heutiges  tages 
beschaffen  ist,  alien  rechtschaffnen  Uebhabern  der  music  zur  nachlese 
und  zum  erg6tzen  wohlmeinende  ans  Ucht  gestellet  von  Gottfried 
Ephraim  Scheibel.  Franckfurt  und  Leipzig,  Zu  finden  bevm  authore, 
1721. 

2  p.  1.,  84  p.     16"™. 

ML3865.A2S3 

Scheid,  Johann  Friedrich. 

.  .  .  Dissertatio  inaugurahs  de  jure  in  mnsicos  singulari,  germ. 
Dienste  und  obrigkeit  der  spielleuth  /  Rappolsteinensi  comitatui  an- 
nexo,  quam  solo  Deo  prassiae,  auctoritate  amplissimse  Facultatis  juri- 
dicse  ar^entoratensis,  pro  licentia  summos  in  utroque  jure  honores  et 
privilegia  doctoralia  rite  consequendi  solenniter  defendet  Jo.  Frideri- 
cus  Scheid,  Francofurt.  ad  Mcen.  d.  xix.  maji  anno  mdccxix.  hor. 
&  loc.  consuet.     Argentorati,  Uteris  J.  Pastorii  [1719] 

2  p.  1.,  52  p.     18J  X  15"°'. 

This  copy  closely  trimmed  in  binding. 
"Documenta":  p.  44-49. 

ML63.S34 

Scheyrer,  Bernhard. 

Mvsica  choraHs  theoro-practica,  das  ist :  Ein  nutzhche  underwei- 
sung  /  wie  man  das  choral  gesang  ...  in  kurtzer  zeit  ergreiffen  m6ge. 
Aus  vnderschidUchen  /  sowol  lateinisch:  als  teutschen  authoribus  .  .  . 
zusammen  getragen  /  auch  in  ein  bequeme  ordnung  redigirt  vnnd 
verfasset  /  vnnd  ...  in  truck  verfertiget.  Durch  p.  f.  Bernardvm 
Scheyrer  .  .  .     Mfinchen,  Gedruckt  durch  J.  J^ckUn,  1663. 

4  p.  1.,  92  p.     19i  X  16""^. 

MT860.A2S32 


EAELY  BOOKS  ON  MUSIC  247 

Schlegel,  Franz  Anton. 

Griindliche  anleitung  die  flote  zu  spielen,  nach  Quanzens  Anwei- 
sung.  Hrsg.  von  Franz  Anton  Schlegel.  Graz,  J.  G.  Weingand  und 
F.  Ferstl,  1788. 

166,  [2]  p.     viii  pi.  on  4  1.     20<'"», 
Engr.  t.-p.  MT342.A2S13 

[Schlichtegroll,  Adolf  Heinrich  Friedrich  von]  1765-1822. 
Mozarts  leben  .  .  .     Gratz,  J.  G.  Hubeck,  1794. 

32  p.     front,  (port.)     18" 


}cm 


Printed  also  in  Schlichtegroll's  "Nekrolc^  auf  das  jahr  1791,"  Gotha,  1792, 
2.  jahr,  2.  bd.,  p.  82-112. 

ML410.M9S34 

[Schlick,  Rudolph] 

Exercitatio  qua  mvsices  origo  prima,  cvltvs  antiqvissimvs,  dig- 
nitas  maxima,  &  emolumenta,  quae  t^m  animo  qukm  corpori  humane 
confert  summa,  breuiter  ac  duucidd  exponuntur  .  .  .  Spirse,  typis 
Bernardi  Albini,  1588. 

48  p.     14J'>™. 

Dedication  signed:  Rodolphvs  Schlick  Misnensis,  medic,  d.  The  present  copy 
has  been  closely  trimmed  in  binding,  and  the  author's  name  is  supplied  with 
pen  and  ink  at  head  of  title. 

ML171.S34 

Schmid,  Christian  Ernst,  1715-1786. 

Cantandi  ritvm  per  noctes  festorvm  apvd  Ebraeos  exponit  et  viris 
clarissimis  doctissimisqve  dn.  loanni  Friderico  Wittichio  .  .  .  dn. 
loanni  Lvdovico  GenseKenio  .  .  .  [et  al.]  lavrcam  magisterialem  ipsis 
d.  XXX.  april.  cioioccxxxviii.  a  Levcoride  rite  impositam  sincere 
gratvlatvr  Collegivm  examinatorio-dispvtatorivm  Deylingianvm,  in- 
terprete  Christiano  Ernesto  Sclmiidio  .  .  .  Lipsiae,  ex  officina  Lan- 
genhemiana  [1739] 

xvip.    18xl5i«™. 

ML166.A2S3 

Schmid,  Jo[hann]  An[dreas]  1652-1726,  praeses. 

De  cantoribvs  ecclesiae  V.  et  N.  T.    ...      Helmstadii,  litteris 

Hammianis,  1708. 

1  p.  1.,  44  p.     19  X  IG"*". 

Diss. — Helmstedt  (J.  A.  Jussov,  respondent  and  author) 

Ch.  16. 1193 

Schmidt,  Johann  Michael,  1728-1799. 

Musico-theologia,  oder  Erbauliche  anwendung  musicalischer  wahr- 
heiten,  entworfen  von  m.  Johann  Michael  Sclunidt,  d.  z.  h.  Bay- 
reuth  und  Hof,  J.  G.  Vierling,  1754. 

5  p.  1.,  [3]-312,  [14]  p.    17««. 

Half-title:  Musico-theologia.  Oder,  Anleitung  zur  erkS,nntniss  Gottes  und 
seines  willens  aus  der  music. 

ML380O.A2S35 


248  LIBRARY   OF   CONGRESS 

Schmidt,  Johann  Michael — Continued. 

^lusico-theologia,    of   Stigtelyke    toepassing    van   muzikaale 

waarheden;  ontworpen  door  Mr.  Johann  Michael  Schmidt.  Uit  het 
Hoogduitsche  vertaald  door  Jacob  Wilhehn  Lustig  .  .  .  Amsterdam, 
A.  Oloisen[1756?] 

xxiii,  [1],  261,  [25]  p.    16i««. 

The  publisher's  dedication  is  dated  July,  1756. 

ML3800.A2S36 

[Schmith,  Amand  Wilhelm] 

Philosophische  fragmente  ilber  die  praktische  musik  .  .  .  Wien, 
Gedruckt  in  der  K.  K.  Taubstmnmeninstitutsbuchdruck.,  1787. 

7  p.  1.,  164,  [6]  p.     17«™. 

Preface  signed:  Dr.  A.  W.  S. 

ML3800.A2S34 

Schneegass,  Cyriacus,  1546-1597. 

Isagoges  mvsicse  hbri  dvo.  Tarn  theoricse  quam  practicae  studiosis 
inseruire  iussi.  Annexo  ad  finem  tractatulo,  ex  poetic  a  desumto: 
paucis(^  de  canendi  elegantia  obseruationibus:  nee  non  solmisandi 
exercitio.  Methodo  facili  &  perspicua  ita  conscripti,  ut  neq^  neces- 
saria  artis  prsecepta,  cum  selectioribus  exemplis  omittantur,  neqj 
superuacanea  discentibus  obtrudantur.  Autore  m.  Cyriaco  Snegas- 
sio  MotxrcKJiv  Ipcjc  dcddxjKst.  m.d.  xcvi.  [CoZo^^on :  Erphordiae  Geor 
gius  Bauman  excudebat.  anno  salvtis.1596] 

[189]  p.     IbY"^. 

Signatures:  A-M^  (recto  of  [Mvj],  verso  of  [Mvij]  and  last  leaf  blank) 

2d  edition;  Ist  edition  Erfurt,  1591. 

"Exercitivm  dcodsKozovov  discentium  captui  solerter  attemperatum:  quo  singuli 
modi  elegantibus  fugis  principales  clausulaa  complexis,  &  conuenienti  textui 
applicatis,  egregi^  illustrantiu-.  Omnes  sunt  duarum  vocum:  in  hypodiapason 
decantanda  .  .  .    Autore  Philippo  A venario" :  1.  Hiij-[Hvij] 

"Fvgae  viginti  ex  solmizandi  exercitio  lohannis  Steuerlini  descriptae,  &  ad 
calcem  opusculi  in  tyronum  gratiam  &  usum,  (commostratis  modis)  annexae":  1. 
[Ivj>Miijr°.  ML171.S36 

Schreiben  an  die  herren  verfasser  der  Freyen  urteile.     [n.  p.]  1752. 

11  p.     20i  X  IQ^""^. 

Signed:  M.  H.  H.     Dated:  Nevistadt,  den  26.  februar,  i.  j.  1752. 

ML275.3.S35 

Schroter,  Christoph  Gottlieb,  1699-1782. 

Christoph  Gottlieb  Schr6ters  . .  .  letzte  besch&ftigung  mit  musica- 
lischen  dingen;  nebst  seciis  temperatur-planen  und  einer  noten-tafel 
[8  pt.  Canon  infinitus]     Nordhausen,  1782. 

4  p.  1.,  52  p.    1 1.  (music),  diagrs.    20i  x  17"'''. 

ML3809.A2S5 

Deutliche  anweisung  zum  general-bass,  in  best&ndiger  ver&nderung 
des  uns  angebohrnen  harmonischen  dreyklanges,  mit  zulinglichen 
exempeln:  wobey  ein  umst&ndUcher  vorbericht  der  vornehmsten 
vom  general-basse  handelnden  schriften  dieses  jahrhunderts;  von 
Cbristoph  Gottlieb  Schr6ter  .  .  .     Halberstadt,  J.  H.  Gross,  1772. 

xxiv,  202,  [6]  p.    23i  x  18i<>™. 

MT49.A2S38 


EARLY  BOOKS  ON  MUSIO  249 

Schroter,  Christoph  Gottlieb — Continued. 

Sendschreiben  an  hr.  hoch-edlen,  den  herm  magister  Lorenz  Mzler, 
preisswilrdigen  stiffter  der  l&ngst  gewilnschten  Societlit  der  musicali- 
schen  wissenschafften,  in  welcnem  i.  der  bevorstehenden  reformation 
der  music;  ii.  einer  aufgabe  wegen  der  temperatur;  iii.  einiger  miz- 
licher  erfindungen  gedacnt;  und  etliche  ndtnige  erinnerungen  Mr  die 
tonkinstler  . .  .  eingeschaltet  worden,  von  Christoph  Gottheb  Schrdter 
.  .  .     Nordhausen,  1738. 

16  p.     16"™. 

Published  also  in  Mizler's  Neu  er6£fnete  musikalische  bibliothek,  3.  bd.,  3. 
th.,  Leipzig,  1747. 

ML3809.A2S46 

Schroter,  Johann  Georg. 

Churfiirstl.  mayntzisches  gn&digstes  privilegium,  wie  auch  derer 
cl6ster  und  gemeinden  attestata  wegen  derer  verfertigten  neuen  orgel- 
wercke  /  ertheilet  Johann  Georg  Schrdtern  .  . .  [Erffurth  ?]  Gedruckt 
anno  1723. 

24  p.     21  X  17i<'™. 

ML424.S37 

[Schuback,  Jacob]  1726-1784. 

Von  der  musicalischen  declamation.  G6ttingen,  Vandenhoecks 
wittwe,  1775. 

48  p.     18i<=°^. 

ML3849.A2S3 

Schubart,  Christian  Friedrich  Daniel,  1739-1791. 

Schubart's  leben  und  gesinnungen.  Von  ilim  selbst,  im  kerker 
aufgesetzt  .  .  .     Stuttgart,  Bei  den  gebriidern  Mantler,  1791-93. 

2  V.  (v.  1:  xviii,  292  p.;  v.  2:  2  p.  1.,  iii-vi  p.,  1 1.,  vii-xiv,  320  p.)    fronts,  (v.  1: 
port.)  4  pi.     17<="». 

Title  vignette.    Vol.  2:  Hrsg.  von  seinem  eohne,  Ludwig  Schubart. 

PT2510.S5Z8 

Schubart,  Ludwig  Albrecht,  1765-1811. 

Schubart's  karakter,  von  seinem  sohne  Ludwig  Schubart  .  .  . 
Erlangen,  Auf  kosten  des  verfassers,  1798. 

viii,  168  p.     16 J'^". 


PT2510.S5Z95 


Schubart,  Ludwig  Albrecht,  1765-1811,  editor. 

See  Schubart,  C.  F.  D.     Schubart's  leben,  1791-93. 

Schubarth,  Johann  Kaspar,  1756-1810,  editor. 
See  RiEPEL,  J.     Bassschlussel,  1786. 


250  LIBKARY   OF   CONGRESS 

Schulz,  Johann  Abraham  Peter,  1747-1800. 

Entwurf  einer  neuen  und  leichtverst&ndlichen  musiktablatur,  deren 
man  sich,  in  ermangelung  der  notentypen,  in  kritischen  und  theo- 
retischen  schriften  bedienen  kann,  und  deren  zeichen  in  alien  buch- 
druckereyen  vorr&thig  sind,  nebst  einem  probeexempel,  von  J.  A.  P. 
Schulz  .  .  .     BerUn,  Rellstab  [1786] 

1  p.  1.,  57,  [1]  p.    17  X  9^"^. 

ML431.A2S39 

See  also  Sulzer,  J.  G.     AUgemeine  theorie  der  sch6nen  ktoste, 
1792-99. 

Schurtzfleisch,  Conrad  Samuel,  1641-1708,  praeses. 

.  .  .  De   hymnis    ecclesise    veteris  .  .  .     Wittenbergse,    imprimebat 

J.  Wilcke  [1725] 

•    [16]  p.    18  xM""*. 

Diss. — ^Wittenberg  (Daniel  Galle,  respondent  and  author) 

ML169.A2S3 

Scorpione,  Dom.eiiico,  h.  ca.  1645. 

Riflessioni  armoniche  divise  in  due  libri.  Nel  prime  de'  qvali  si 
tratta  dello  stato  della  musica  in  tutte  I'et^  del  mondo,  e  di  materie 
spettanti  al  musico  specolativo.  Nel  secondo  si  d^  il  modo  per  ben 
comporre;  si  registrano  con  nuovo  ordine  sotto  i  loro  generi  tutte  le 
varie  specie  de'  contrapunti,  delle  fughe,  deUe  imitationi,  delle  conse- 
qvenze,  e  de'  canoni :  e  si  danno  le  regole  per  rivoltarli,  e  roversciarU 
con  ogni  faciltk  per  mezzo  di  numeri.  Composte  dal  padre  fra  Do- 
menico  Scorpione  .  .  .     Opera  qvinta.     Napoli,  De  Boms,  1701. 

8  p.  1.,  219,  [11]  p.,  1 1.     32i«™. 

MT55.A2S32 

Sebastiani,  Claudius. 

Bellvm  mvsicale,  inter  plani  et  mensvraUs  cantvs  r^es,  de  princi- 
patu  in  musicse  prouincia  obtinendo,  contendentes.  Clavdio  Sebas- 
tiani Metensi,  organista,  authore  .  .  .  [Coloplion:  Argent,  in  officina 
Pavli  Machaeropoei,  anno  m.  d.  lxiii.] 

[174]  p.    illus.    21xl6'^i». 

Printer's  mark  on  t.-p.     Signatures:  -,  A-X  in  fours. 

Chapters   31,  32,   34-36   are  taken   from  the   "Musice   actiue   micrologus" 
of  Andreas  Ornithoparcus. 

ML171.S44 

Secchi,  Anacleto. 

.  .  .  De  ecclesiastica  hymnodia  libri  tres,  in  quibus  de  pr^stantia, 
effectibus,  et  modo  rite  psallendi  in  choro  copiose  agitur,  avctore 
Anacleto  Sicco  .  .  .     Bononiae,  apud  C.  Ferronu,  1629. 

10  p.  1.,  381  (i.  e.  371),  [13]  p.    21""'. 

Engr.  t.-p.    Numbers  329-338  omitted  in  paging. 

Ch.  16.1193 

Della  hinnodia  ecclesiastica  libri  tre,  ne'  quali  della  nobilta, 

de  gli  effetti,  e  del  modo,  di  bene  e  regolatamente  cantare  i  salmi  in 
choro,  copiosamente  si  tratta:    composti  gia  dal  r.  p.  d.    Anacleto 


EARLY  BOOKS  ON  MUSIC  251 

Secchi,  Anacleto — Continued. 

Secchi  .  .  .  et  hora  recati  fedelmente  di  latino  in  volgare  dal  p.  D. 
Donate  Benzoni  .  .  .     Milano,  G.  P.  Cardi,  1643. 
14  p.  1.,  511  p.,  12 1.    ir^"". 

Added  t.-p.,  engr.    Printer's  mark  at  end. 

Ch.  16.1193 

Seelen,  Johann  Heinrich  von,  1688-1762. 

.  .  .  De  patribvs  edoctis  mvsicam  Eccles.  xliv.  5.  collavdatis  exerci- 
tatio  philologico-historica,  panegyri,  qva  d.  xxvi.  april.  a.MDCcxxxvii. 
cantor  solenni  ritv  inavgvrabitvr,  praemissa  a  lo.  Henr.  a  Seelen  .  .  . 
Gym.  Ivb.  rect.     Lvbecae,  typis  I.  N.  Greenii  [1737] 

16  p.     20^  X  l?""". 

ML64.S33 

.  .  .  Principem  mvsicvm  ex  sacra  et  profana  historia  exhibet  et 
eximios  iwenes  Olavm  Mollervm,  Flensburg.  de  ervditis  mvsicis  ac 
Petr vm  Cramervm ,  Flensburg.  de  historia  pvblice  d .  avgvst .  diet vros 
patrvm  reipvblicae,  virorvm  sacri  ordinis  ceterorvmqve  stvdiis  nos- 
tris  faventivm  splendida  corona  cingi  decenter  rogat  lo.  Henr.  von 
Seelen,  conrector.     Flensbvrgi,  operis  Vogelianis,  1715. 

1  p.  1.,  21  p.    2lj°»». 

ML166.A2S4 

Sendschreiben  an  die  herren  verfasser  der  Freyen  urtheile  in  Ham- 
burg, das  Schreiben  an  den  herrn  verfasser  des  Kritischen  musikus 
an  der  Spree  betreffend.     Berlin,  1750. 

16  p.    21^x17^™. 

Signed  "A"  and  dated  "Berlin,  den  28ten  august  1750." 

ML275.3.A3 

[Senece,  Antoine  Bauderon  de]  1643-1737. 

Lettre  de  Clememt  Marot  [fsevd.],  a  Monsieur  de  *  *  *,  touchant 
ce  qui  s'est  passe  a  Tarrivee  de  Jean  Baptiste  de  Lulli,  aux  Champs 
Elis^es.     A  Cologne,  chez  Pierre  Marteau,  1688. 

119  p.     13  X  7'"°'. 

ML410.L95S4 

Senff,  Carl  Samuel,  praeses. 

.  .  .    De   cantionibvs   fvnebribvs    vetervm    .  .  .     Lipsise,    typis   C. 

Gvntheri  [1689] 

16  p.     18i  X  14i<'">. 

Diss. — Leipzig  (G.  Wezelius,  respondent) 

ML169.A2S4 

Sense  against  sound ;  or,  A  succedaneum,  for  Abbey  music  .  .  . 
This  is  (strictly  speaking)  the  clerical  widow's  sermon  at  St. 
James's  ...  on  the  disappointment  in  losing  advantages  expected 
from  Handel's  anniversaiy  .  .  .     London,  C.  Stalker  [1788?] 

1  p.  1.,  24  p.    24J«°i. 

ML64.S36 

Serio,  Luigl. 

See  Mattei,  S.     Se  i  maestri  di  cappella  son  .  .  .  artigiani  [1785  ?] 

Sermes,  Sieur  de,  pseud. 
See  Mersenne,  Marin. 


252  LIBRAEY  OF   CONGRESS 

Serra,  Paolo. 

Introduzione  armonica  sopra  la  nuova  serie  de'  suoni  modulati 
oggidi  e  modo  di  rettamente,  e  piti  facilmente  intuonarla,  di  Paolo 
Serra.  Koma,  Nella  stamperia  (U  S.  Michele  a  Ripa,  per  il  Giunchi, 
1768. 

XV,  [1],  230  p.    front.,  a-d  fold.  pi.    28''"». 

MT44.A2S48 

Serre,  Jean  Adam,  h.  1704. 

Essais  sur  les  principes  de  rhannonie,  oil  Ton  traite  de  la  th^orie 
de  rharmonie  en  g^n^ral,  des  droits  respectifs  de  rharmonie  &  de  la 
melodie,  de  la  basse  fondamentale,  et  de  I'origine  du  mode  mineur. 
Par  Monsieur  Serre  .  .  .     Paris,  Prault  fils,  1753. 

4  p.  1.,  159,  [1]  p.    2  pi.     19«™. 

ML3815.A2S4 

Observations  sur  les  principes  de  rharmonie,  occasionn^es  par 
quelques  ecrits  modernes  sur  ce  sujet,  &  particulierement  par  Particle 
Fondamental  de  M.  d'Alembert  dans  1' Encyclopedic,  le  Traits  de 
theorie  musicale  de  M.  Tartini,  et  le  Guide  harmonique  de  M,  Gemi- 
niani.     Par  J.  A.  Serre  .  .  .     Geneve,  H.-A.  Gosse  et  J.  Gosse,  1763. 

xiii,  [3],  206  p.    22<='°. 

ML3815.A2S48 

[Serre  de  Rieux,  Jean  de] 

Les  dons  des  enf  ans  de  Latone :  La  musique  et  La  chasse  du  cerf , 
poemes  d^dife  au  roy.    Paris,  P.  Prault  [etc.]  1734. 

xij  p.,  1 1.,  330  p.,  1 1.,  32  p.  (music,  engr.),  [2]  p.    front.,  7  pi.     IQi"". 

Souhart,  "Bibl.  ,  .  .  des  ouvr.  sur  la  chasse,"  1886,  gives  a  full  description  of 
this  work  and  adds  that  it  is  practically  a  translation  of  Jean  Savary's  "  Venationis 
cerviase. "  In  the  present  copy,  the  "  Remarques  sur  la  musique,"  14, 4  p.  (engr.) 
are  inserted  at  p.  [14]  and  28. 

Contents. — Au  roy. — Preface. — ^ApoUon,  ou  L'origine  des  spectacles  en 
musique,  poeme. — La  musique,  epitre  en  vers.  3.  ed.,  rev.,  cor.  &  augm. — 
Catalogue  chronologique  des  opera  represent^s  en  France  depuis  I'annee  1645 
.  .  .  jusqu'^  present. — Diane,  ou  Les  loix  de  la  chasse  du  cerf,  poeme. — Dic- 
tionaire  des  termes  usit^s  dans  la  Chasse  du  cerf. — Nouvelle  chasse  du  cerf, 
divertissement  en  musique;  compost  de  plusieiurs  airs  parodies  sur  les  opera 
d'Angleterre. — Parodies  sur  les  fanfares. — Tons  de  chasse  et  fanfares  a  une  et 
deux  trompes. — Remarques  sur  la  musique. 

ML63.S36 

[Servan,  Joseph  Michel  Antoine]  1737-1807. 

Discours  d'un  ancien  avocat-g6n6ral,  dans  la  cause  du  comte 
de  *  *  [La  Suze],  et  de  la  DUe.  *  *  *  [Bon],  chanteuse  de  I'Gpera. 
Lyon,  S.  Grabit,  1772. 

xxiij,  368  p.    ITi"™. 

ML420.L2S3 

Sevin,  Joseph  Barnabe  Saint- 

See  Saint-Sevin,  Joseph  Barnabe:. 

Sharp,  Granville,  1735-1813. 

A  short  introduction  to  vocal  music.     By  Granville  Sharp.     The 
2d  ed.     London:  first  printed  in  the  year  1767,  re-printed  in  1777. 
iv,  5-32  p.    20=°'. 

MT870.A2S4 


EARLY  BOOKS  ON  MUSIC  253 

Sherlock,  William,  hp.  of  London,  d.  1707. 

A  sermon  preach'd  at  St.  Paul's  cathedral,  November  22.  1699. 
being  the  anniversary  meeting  of  the  Lovers  of  musick.  By  W. 
Sherlock  .  .  .     London,  W.  Rogers,  1699. 

2  p.  1.,  27  p.     19J  X  IS""*. 

ML3001.S43 

Shield,  WiUiam,  1748-1829. 

An  introduction  to  harmony,  by  Wilham  Shield.  London,  Printed 
for  the  author  &  sold  by  G.  G.  &  J.  Robinson,  1800. 

3  p.  1.,  125,  [3]  p.     31  X  25<'"i. 

Engr.  t.-p. 

MT50.A2S55 

A  short  explication  of  such  foreign  words,  as  are  made  use  of  in 
musick  books.     London,  J.  Brotherton,  1724. 

93,  [3]  p.     13^"°'. 

Appended:  "An  account  of  printed  musick,  for  violins,  hautboys,  flutes  and 
other  instruments,  by  several  masters,"  and  "Books  printed  for  J.  Brotherton" 
(24  p.) 

ML108.A2S39 

See  also  Rules  . . .  for  attaining  to  play  a  thorough  bass  [1715  ?] 

Signoretti,  P. 

M^thode  contenant  les  principes  de  la  musique  at  du  violon,  par  P. 
Signoretti.  Premiere  [-seconde]  partie.  La  Haye,  Les  freres  Wil- 
Uams,  1777. 

5  p.  1.,  3-36  p.,  1 1.,  41,  [1]  p.    illus.,  3  pi.  on  2  1.    23i  x  18i«°». 

L.  of  C.  copy  imperfect,  wanting  p.  27-30  of  part  2  and  all  of  part  3. 
Ms.  signature  at  end  of  "Avertissement  de  I'auteur":  P.  Signoretti. 

MT7.A2S4 

Silva,  Alberto  Jose  Gomes  da. 

See  Gomes  da  Silva,  Alberto  Jose. 

Silva,  Manuel  Nunes  da. 

See  Nunes  da  Silva,  Manuel. 
Silva  Leite,  Antonio  da,  1759-1833. 

Estudo  de  guitarra,  em  que  se  expoem  o  meio  mais  facil  para 
aprender  a  tocar  este  instrumento:  dividido  em  duas  partes.  Apri- 
meira  contem  as  principaes  regras  da  musica,  e  do  accompanhamento. 
A  segunda  as  da  guitarra;  a  que  se  ajunta  huma  collec^ao  de  minuetes, 
marchas,  allegros,  contradanpas,  e  outras  pepas  mais  usuaes  para 
desembara<?o  dos  principiantes :  tudo  com  accompanhamento  de 
segunda  guitarra  ..  .  Por  Antonio  da  Silva  Leite  ..  .  Porto,  Officina 
typografica  de  A.  Alvarez  Ribeiro,  1795. 

38,  [2],  xxiii  p.     1  illus.     ZZ^"^. 

MT582.A2S53 

Rezumo  de  todas  as  regras,  e  preceitos  da  cantoria,  assim  da  musica 
metrica,  como  do  canto-chao.  Dividido  em  duas  partes.  Composto 
por  Antonio  da  Silva  Leite  .  .  .  Para  o  uso  dos  sens  discipulos. 
Porto,  Officina  de  A.  Alvarez  Ribeiro,  1787. 

4  p.  1.,  43,  [1]  p.    2  pi.  (1  fold.)    20^""'. 

MT7.A2S58 


254  LIBRARY   OF   CONGRESS 

Simpson,  Christopher,  d.  1669. 

A  compendium  of  practical  musick  in  five  parts :  teaching,  hy  a  new, 
and  easie  method,  1.  The  rudiments  of  song.  2.  The  principles  of 
composition.  3.  The  use  of  discords.  4.  The  form  of  ngurate  des- 
cant. 5.  The  contrivance  of  canon.  -By  Christopher  Simpson  .  .  . 
London,  Printed  by  W.  Godbid  for  H.  Brome,  1667. 
8  p.  1.,  176  p.  front,  (port.)  ly^"". 
The  1st  edition,  London,  1665,  has  title:  The  principles  of  practical  musick. 

MT40.A2S6 

A  compendium  of  practical  musick  in  five  parts.     Teaching, 

by  a  new,  and  easie  method,  1.  The  rudiments  of  song.  2.  The 
principles  of  composition.  3.  The  use  of  discords.  4.  The  form  of 
ngurate  descant.  5.  The  contrivance  of  canon.  Together  with  les- 
sons for  viols,  &c.  The  3d  editio.  By  Christopher  Simpson  .  .  . 
London,  Printed  by  M.  C.  for  H.  Brome, 'l678. 

7  p.  1.,  192  p.     front,  (port.)     17i<=™. 

"Appendix:  Short  and  easie  ayres  designed  for  learners":  p.  145-192. 

MT40.A2S63 

A  compendium :  or.  Introduction  to  practical  musick.     In  five 


parts.  Teachmg,  by  a  new,  and  easie  method,  1.  The  rudiments  of 
song.  2.  The  principles  of  composition,  3.  The  use  of  discords.  4. 
J  The  form  of  ngurate  descant.  5.  The  contrivance  of  canon.  By 
Christopher  Simpson.  The  4th  ed.  with  additions:  much  more  cor- 
rect than  any  former,  the  examples  being  put  in  the  most  useful  cliffs 
.  .  .     London,  Printed  by  W.  Pearson,  for  J.  Cullen,  1706. 

7  p.  1.,  144  p.     front,  (port.)     17*'=°'. 

MT40.A2S64 

A  compendium;  or.  Introduction  to  practical  music.     In  five 


parts.  Teachmg,  by  a  new  and  easy  method,  1.  The  rudiments  of 
song.  2.  The  principles  of  composition.  3.  The  use  of  discords.  4. 
The  form  of  figurate  descant.  5.  The  contrivance  of  canon.  By 
Christopher  Sympson.  The  6th  ed.  with  additions:  much  more  cor- 
rect than  any  former,  the  examples  being  put  in  the  most  useful  cliffs 
.  .  .     London,  Printed  by  W.  P.  for  J.  Young,  1714. 

7  p.  1.,  144  p.     front,  (port.)     18<=™. 
A  slip  with  printed  date  1722  is  mounted  over  imprint  date  on  t.-p. 

MT40.A2S66 

A  compendium :  or,  Introduction  to  practical  music.     In  five 

parts.  Teachmg,  by  a  new  and  easy  method,  i.  The  rudiments  of 
song.  II.  The  principles  of  composition,  iii.  The  use  of  discords. 
IV.  The  form  of  figurate  descant,  v.  The  contrivance  of  canon.  By 
Christopher  Sympson.  The  8th  ed.,  with  additions:  much  more  cor- 
rect than  any  former,  the  examples  being  put  in  the  most  useful  chft's 
.  .  .  London,  Printed  by  W.  Pearson,  for  A.  Bettesworth,  and  C. 
Hitch  [etc.]  1732. 

7  p.  1.,  144  p.     front,  (port.)     IS*"™. 

MT40.A2S68 


EARLY  BOOKS  ON  MUSIC  •        255 

Simpson,  Christopher — Continued. 

A  compendium,  or  Introduction  to  practical  music,  in  five 

parts.  Teaching  by  a  new  &  easy  method,  l.«*The  rudiments  of  song. 
2.'^  The  principles  of  composition.  3.**  The  use  of  discords.  4.***  The 
form  of  figurate  descants,  b.^  Y°  contrivance  of  canons.  By  Chris- 
topher Sympson.  The  9th  ed.  with  material  additions,  corrected 
from  many  gross  errors  in  the  former  editions,  the  examples  being 
put  in  the  most  useful  cliffs  .  .  .  London,  Longman,  Lukey  and  co. 
[1775?] 

1  p.  1.,  vi,  90  p.     front,  (port.)     19  x  26"™. 

Engraved,  with  the  exception  of  p.  i-vi. 

MT40.A2S69 

The  division-violist :  or,  An  introduction  to  the  playing  upon  a 
grovnd:  divided  into  two  parts.  The  first,  directing  the  hand,  with 
other  preparative  instructions.  The  second,  laying  open  the  manner 
and  method  of  playing  ex-tempore,  or  composing  division  to  a  grovnd. 
To  which,  are  added  some  divisions  made  upon  grounds  for  the  prac- 
tice of  learners.  By  Chr.  Simpson.  London,  Printed  by  W.  Godbid, 
and  sold  by  J.  Playford,  1659. 

5  p.  1.,  67  p.  incl.  illiis.,  diagrs.  on  pi.     front,  (port.)     30''"'. 

Pages  51-52  blank  in  this  copy. 

The  2d  edition,  London,  1665,  has  title:  Chelys,  minnritionum  artificio  exor- 
nata,  sive  Minuritiones  ad  baein,  etiam  extempore  modulandi  ratio  .  .  .  The 
division  viol. 

MT49.A2S4 

See  also  Playford,  J.     An  introduction  to  the  skill  of  musick. 

Smith,  Amand  Wilhelm. 

See  ScHMiTH,  Amand  Wilhelm. 

Smith,  Robert,  1689-1768. 

Harmonics,  or  The  philosophy  of  musical  sounds.  By  Robert  Smith 
.  .  .  Cambridge,  Printed  by  J.  Bentham,  and  sold  by  W.  Thurlbourn; 
[etc.,  etc.]  1749. 

XV,  [1],  292,  [13]  p.    XXV  fold.  pi.  (incl.  tables,  diagrs.)  tables  (1  fold.)    20^'=™. 

ML3805.A2S6 

Harmonics,  or  The  philosophy  of  musical  sounds.     By  Robert 

Smith  ...  2d  ed.,  much  improved  and  augm.  London,  Printed  for 
T.  and  J.  Merrill,  Cambridge,  1759. 

XX,  280,  [12]  p.    XXIX  fold.  pi.  (incl.  tables,  diagrs.)  tables  (1  fold.)    21«™. 

ML3805.A2S62 

A  postscript  to  D"".  Smith's  Harmonics,  upon  the  changeable 

harpsichord:  which  being  supplied  with  all  the  useful  flat  and  sharp 
sounds  and  tuned  in  the  best  manner,  is  made  as  harmonious  as  pos- 
sible: and  yet  the  execution  of  music  upon  this  perfect  instrument  is 
the  same  as  upon  the  common  harpsichord.  London,  Printed  for  T. 
and  J.  Merrill,  Cambridge;  [etc.,  etc.]  1762. 

12  p.    2P™.     (With  his  Barmonics.    London,  1759) 

ML3805.A2S62 


256  LIBKAEY   OF   CONGEESS 

Solano,  Francisco  Ignacio,  d.  1800. 

Disserta^ao  sobre  o  caracter,  qualidades,  e  antiguidades  da  musica, 
em  obsequio  do  admiravel  mysterio  da  Immaculada  conceiQao  de 
Maria  santissima,  Nossa  Senhora,  feita  per  Francisco  Ignacio  Solano, 
e  por  elle  recitada  no  dia  24  de  novembro  de  1779  para  effeito  de  abrir, 
e  estabelecer  nesta  corte  huma  aula  de  musica  theorica,  e  pratica  .  .  . 
Ldsboa,  Kegia  officina  typografica,  1780. 

27  p.     20^=°. 

"Poeziaa  que  recitdrao  na  meama  occasiao  alguns  professores  musicos":    p. 
24-27. 

ML3800.A2S68 

Exame  instructivo  sobre  a  musica  multiforme,  metrica,  e  rythmica, 
no  ciual  se  pergunta,  e  da  resposta  de  muitas  cousas  interessantes  para 
o  solfejo,  contraponto,  e  composipao:  sens  termos  privativos,  regras, 
e  preceitos,  segundo  a  melhor  pratica,  e  verdadeira  theorica  .  .  •  Por 
.  .  .  Francisco  Ignacio  Solano.  Lisboa,  Regia  officina  typogranca, 
1790. 

10  p.  1.,  289  p.,  1 1.    IS^"". 

MT6.A2S68 

Nova  arte,  e  breve  compendio  de  musica  para  lipao  dos  princi- 
piantes,  extrahido  do  livro,  que  se  intitula  Nova  instrucpao  musical, 
ou  Theorica  pratica  da  musica  rythmica  .  .  .  Por  .  .  .  Francisco 
Ignacio  Solano.  Lisboa,  Officina  de  M.  Manescal  da  Costa,  impressor, 
1768. 

2  p.  1.,  16  p.    20=™. 

MT7.A2S69 

Nova  arte,  e  breve  compendio  de  musica  para  li^ao  dos  princi- 


piantes  mais  purificada,  e  accrescentada  nesta  2.  ed.  .  .  .     For 

Francisco  Ignacio  Solano.     Lisboa,  Officina  de  S.  T.  Ferreira,  1794. 

16  p.     19'='". 

MT7.A2S69 

Nova  instruc^ao  musical,  ou  Theorica  pratica  da  musica  rythmica, 
com  a  qual  se  f o'rma,  e  ordena  sobre  os  mais  sohdos  f  undamentos  hum 
novo  methodo,  e  verdadeiro  systema  para  constituir  hum  intelhgente 
solfista,  e  destrissimo  cantor,  nomeando  as  n6tas,  ou  figuras  da  solfa 
pelos  seus  mais  proprios,  e  improprios  nomes,  a  que  chamamos  ordina- 
ries, e  extraordmarios  no  canto  natural,  e  accidental,  de  que  precede 
toda  a  difficuldade  da  musica  .  .  .  Por  .  .  .  Francisco  Ignacio  Solano. 
Lisboa,  Officina  de  M.  Manescal  da  Costa,  impressor,  1764. 

30  p.  1.,  340  p.,  1 1.,  [2],  47,  [1]  p.    illus.,  fold.  pi.    23  x  17'=°'. 

MT44.A2S68 

Novo  tratado  de  musica  metrica,  e  rythmica,  o  qual  ensina  a  acom- 
panhar  no  cravo,  orgao,  ou  outro  qualquer  instrumento,  em  que  se 
possao  regular  todas  as  especies,  de  que  se  compoe  a  harmonia  da 
mesma  musica.  Demonstra-se  este  assumpto  pratica,  e  theorica- 
mente,  e  tratao-se  tambem  algumas  cousas  parciaes  do  contraponto,  e 
da  composi^ao  .  .  .  Por  .  .  .  Francisco  Ignacio  Solano.  Lisboa,  Regia 
officina  typografica,  1779. 

xvi,  301,  [1]  p.    illus.    20i''"». 

MT68.A2S68 


EARLY  BOOKS  ON  MUSIC  '     257 

Soler,  Antonio,  1729-1783. 

Llave  de  la  modulacion,  y  antiguedades  de  la  mvsica,  en  que  se  trata 
del  fundamento  necessario  para  saber  modular:  theorica,  y  practica 
para  el  mas  claro  conocimiento  de  qualquier  especie  de  figuras,  desde 
el  tiempo  de  Juan  de  Muris,  hasta  hoy,  con  algunos  canones  enig- 
maticos,  y  sus  resoluciones.  Su  autor  el  P.  Fr.  Antonio  Soler  .  .  . 
Madrid,  Oficina  de  J.  Ibarra,  1762. 

20  p.  1.,  272  p.  incl.  28  pi.  (partly  fold.)    fold.  1.  (music)     21  x  le^"". 

The  plates,  each  counted  as  one  page  only,  contain  music. 

MT52.A2S68 

Some  observations  on  Dr.  Brown's  Dissertation  on  the  rise,  union, 
&c.,  &c.,  &c.  of  poetry  and  musick.  In  a  letter  to  Dr.  B  *  *  *  *  * 
.  .  .  London,  W.  Johnston,  1764. 

2  p.  1.,  59  p.    24i  X  ISi""*. 

ML3849.A2B89 

Sonne tte,  Jean  Jacques,  psevd. 
See  GouDAR,  Ange. 

Sorge,  Georg  Andreas,  1703-1778. 

Anleitung  zur  fantasie,  oder  zu  der  sch6nen  kunst,  das  clavier,  wie 
auch  andere  instrumente  aus  dem  kopfe  zu  spielen;  nach  theorethi- 
schen  und  practischen  grunds&tzen,  wie  solche  die  natur  des  klangs 
lehret,  gestellet  von  Georg  Andreas  Sorgen  .  .  .  Mit  17.  kupfer- 
tafeln  .  .  .     Lobenstein,  Verlag  des  verfassers  [1767] 

4  p.  1.,  80  p.     xvii  pi.  (incl.  diagr.)     20J  x  16^'=°'. 

MT68.A2S84 

Anweisung  zur  stinunung  und  temperatur  sowohl  der  orgelwerke, 
als  auch  anderer  instrumente,  sonderhch  aber  des  claviers.  In  einem 
gesprS^che  zwischen  einem  musico  theoretico  und  seinem  scholaren. 
Mit  n6thigen  mathematischen  beweisthumern  versehen,  und  durch 
frag  und  antwort,  auch  endeckung  [!]  vieler  durch  lange  praxin 
erlangter  vortheile  und  handgriffe  leicht  und  deutlich  gemacht  von 
Georgio  Andrea  Sorgen  .  .  .  Hamburg,  Gedruckt  mit  Piscators 
schriften,  1744. 

56  p.     18"™. 

ML3809.A2S7 

AusfiihrUche  und  deuthche  anweisung  zur  rational-rechnung,  und 
der  damit  verknilpfften  ausmessung  und  abtheilung  des  monochords, 
vermittelst  welcher  man  die  musikalische  temperatur  .  .  .  nicht  nur 
.  .  .  ausrechnen,  sondern  auch  .  .  .  ausmessen,  und  folglich  auf  orgeln 
und  allerhand  andefe  instrumente  bringen  kan.  Nebst  einer  aus- 
filhrlichen  nachricht  von  dem  neuen  Telemannischen  intervallen 
system  .  .  .  gespr&chs-weise  gestellet  und  ans  licht  gegeben  von  Georg 
Andreas  Sorgen  .  .  .     Lobenstein,  Im  verlag  des  verfassers,  1749. 

•  6  p.  I.,  308  p.  incl.  tables.    17^"™. 

ML^09.A2S73 

51234°— 13 ^17 


258  LIBRARY   OF   CONGRESS 

Serge,  Georg  Andreas — Continued. 

Ausweichungs-tabellen;  in  welchen  auf  vierfache  art  gezeiget  wird 
wie  eine  iede  tonart  in  ihre  neben-tonarten  ausweichen  konne  /  ent- 
worffen  von  herrn  Georg  Andreas  Sorge  .  . .  Ntirnberg,  J.  U.  Haffner 
[17—] 

11  p.     37<"™. 

Engraved  throughout.    At  foot  of  t.-p.:  N."  lxiv.    Pag.  x. 

MT52.A2S71 

Compendium  harmonicum,  oder  Kurzer  begrif  der  lehre  von  der 
harmonie,  vor  diejenigen,  welche  den  generalbass  und  die  composition 
studiren,  in  der  ordnung  welche  die  natur  des  klangs  an  die  hand 
giebt,  verfasset  von  Georg  Andreas  Sorge  .  .  .  Mit  24.  kupfertafehi. 
Lobenstein,  Im  verlag  des  verfassers,  und  in  commission  in  Hof  bey 
Ludwig  [1760] 

8  p.  1.,  XXIV  pi.,  121,  [3]  p.    19i  X  le*"". 

MT50.A2S71 

Genealogia  allegorica  intervallorum  octavae  diatono-chromaticae, 
das  ist:  Gesclilecht-register  der  intervallen  der  diatonisch-chromati- 
schen  octav  in  einem  verblilmten  verstande,  nach  anleitung  der  kl&nge 
so  das  grose  waldhorn  gibt  .  .  .  von  Georgio  Andrea  Sorgen  .  .  .  Hof, 
Gedruckt  bey  J.  E.  Schultzen  auf  kosten  des  auctoris  [1741] 

4  p.  1.,  44  p.,  1 1.     17=™. 

ML3809.A2S75 

Gespr^ch  zwischen  einem  musico  theoretico  imd  einem  studioso 
musices  von  der  Pr&torianischen  /  Printzischen  /  Werckmeisterischen 
/  Neidhardtischen  und  Silbermannischen  temperatur  /  wie  auch  von 
dem  neuen  systemate  herrn  capellmeister  Telemanns  /  zu  befdrderung 
reiner  harmonie  entworffen  von  Georg  Andreas  Sorgen  .  .  .  Loben- 
stein, Verlag  des  autoris  [1748] 

85,  [1]  p.   lej'^"'. 

ML3809.A2S8- 

Der  in  der  rechen-  und  messkunst  wohlerfalirne  orgelbaumeister, 
welcher  die  beh6rige  weite  und  l&^nge  aller  orgelpfeifen,  ihren  erforder- 
Uchen  raum,  die  ndtlaige  metalldicke,  die  gr6sse  der  cancellen  und 
can&le,  die  accurate  abtheilung  der  windladen,  u.  a.  m.  genau 
erforschen  und  ausmessen  kan  .  .  .  zum  nutzen  des  gemeinen  wesens, 
wie  auch  der  orgelmacher  und  probisten  neuerbaueter  und  reparirter 
orgelwercke,  nebst  5  kupfer-tafeln  in  folio,  beschrieben  von  Georg 
Andreas  Sorge  .  .  .  [Lobenstein]  Auf  kosten  und  im  verlag  des 
verfassers  [1773] 

64,  [4]  p.     diagrs.  on  v  fold.  pi.     22  x  18^'"™. 

^  ML552.A2S7 

Vorgemach  der  musicalischen  composition,  oder:  Ausfiihrliche, 
ordentliche  und  vor  heuti^e  praxin  ninlangliche  anweisung  zum 
general-bass,  durch  welche  em  studiosus  musices  zu  einer  grilndHchen 
erk&nntniss  aller  in  der  composition  und  clavier  vorkommenden  con- 
und  dissonirenden  grund-s&tze,  und  wie  mit  denenselben  natur-  geh6r- 
und  kunst-m&ssig  umzugehen,  kommen,  folghch  nicht  nur  ein  gutes 


EARLY  BOOKS  ON  MUSIC  259 

Serge,  Georg  Andreas — Continued. 

clavier  als  ein  compositor  extemporaneus  spielen  lernen,  sondern  auch 
in  der  composition  selbst  wichtige  und  gegrundete  profectus  machen 
kan.  Er6ffnet  von  Georgio  Andrea  Sorgio  .  .  .  Lobenstein,  Verlag 
des  autoris  [1745-47] 

3  pt.  in  1  V.    98  pi.  on  49  1.    21^  x  16^"™. 

Each  part  has  special  t.-p.    Plates  printed  on  both  sides. 

MT49.A2S81 

Georg  Andreas  Sorgens  .  .  .  Zuverl&ssige  anweisung  claviere  und 
orgeln  beh6rig  zu  temperiren  und  zu  stimmen,  nebst  einem  kupfer, 
welches  die  ausmessung  und  ausrechnung  der  temperatur,  wie  auch 
das  Telemannische  intervallen-system  &c.  darstellet;  auf  veranlas- 
sung  herrn  Barthold  Fritzens  .  .  .  herausgegebenen  Mechanischen  art 
zu  stimmen,  und  zur  vertheidigung  gegen  desselben  angrif  entworfen 
.  .  .  Leipzig  und  Lobenstein,  Bey  dem  autore,  und  G.  F.  Authenrieth 
[1758] 

4  p.  1.,  28  p.    fold.  pi.    21  X  17i<'»». 

MT165.A2S6 

See  also  Ludwig,  J.  A.  J.     Eine  helle  brille  [1767] 
Sousa  Villa  Lobes,  Mathias  de. 

Arte  de  cantochao  .  .  .  Composta  por  Mathias  de  Sousa  Villa- 
Lobos  .  .  .     Coimbra,  Officina  de  M.  Rodrigves  de  Almeyda,  1688. 

8  p.  1.,  214,  [4]  p.     19  X  Hi"™. 

MT860.A2S72 

South,  Robert,  1634-1716. 

Musica  incantans,  sive  Poema  exprimens  musicae  vires,  juvenem  in 
insaniam  adigentis,  et  musici  inde  periculum.  Authore  Roberto 
South  .  .  .     Oxonii,  typis  W.  H,  impensis  G.  West,  1667. 

1  p.  1.,  19  p.     20  X  15^"™. 

First  edition,  Oxford,  1655. 

ML3920.A2S7 

Spangenberg,  Jehann,  1484-1550. 

Qvaestiones  mvsicae  in  usum  scholse  Northusianse,  per  loann. 
Spang,  Herdess,  coUectse.     Norimbergse,  apud  I.  Petreium  [1536] 

[58]  p.     15^"'". 

Title   vignette:   coat    of    arms.     Dedication   dated:   Northusise   pridie   idus 
augusti,  anno  xxxvi.     Signatures:  A-C  in  eirfits,  D  in  five. 

"De  arte  canendi,  ex  libro  decimosexto  De  subtilitate  Hieronymi  Cardani 
Mediolanensis:"  [2]  p.  at  end. 

ML171.S83 

See  also  Agricola,  M.     Rvdimenta  mvsices,  1539. 

Spataro,  Giovanni,  d.  1541. 

Tractato  di  mvsica  di  Gioanni  Spataro  mvsico  bolognese  nel  qvale 
si  tracta  de  la  perfectione  da  la  sesqvaltera  prodvcta  in  la  mvsica 
mensvrata  exercitate  .  .  .  [Coloplion:  Impressa  in  Vinegia  per  Maes- 
tro Bernardmo  /  de  Vitali  el  di  octauo  del  mese  di  ottobre  m.d.xxxi.] 

[118]  p.  incl.  diagrs.    28^'^°'. 

The  t.-p.,  wanting  in  this  copy,  is  supplied  in  facsimile.     Signatures:  11. 
unsigned,  a  in  two,  A  in  eight,  b-h  in  sixes  (except  c  in  seven)  i  in  five. 

ML171.S88 


260  LIBRARY   OF   CONGRESS 

Spazier,  Johann  Gtottlieb  Carl,  1761-1805,  editor. 
See  Berlinische  musikalische  zeitung,  1794. 

Spechtshart,  Hugo,  of  ReuUingen,  1285-1359  or  60. 

Flores  Musi  ||  ce  omnis  catus  ||  Gregoriani.  [Colophon:  Impssum 
Aigetine  p  Johan  ||  nem  pryss  Anno  Mcccclxxxviij] 

Hain  *  7174  (1)    Proctor  538. 

With  heliog.  facsim.  of  the  "dispoeitio  monocordi,"  between  fol.  27  and  28. 
cf.  Beck,  C,  Flores  musice  .  .  .  neu  hrsg.,  Stuttgart,  1868,  p.  8.  Bound  in  limp 
vellum  (a  fragment  of  a  15th  (?)  cent.  ms.  service  book) 

Of  the  2  examples  described  in  Hain,  neither  agrees  with  the  copy  in  hand. 
In  this  copy  the  word  Argentine  in  the  colophon  is  printed  Argetine,  and  the  last 
leaf  (97)  has  on  verso  a  full  page  woodcut. 

ML171.H84 

Speer,  Daniel,  d.  1693  or  4. 

Grund-richtiger  /  kurtz  /  leicht  und  n6thiger  unterricht  der  musi- 

y     calischen  kunst  /  wie  man  fiiglich  und  in  kurtzer  zeit  choral  und 

figural  singen  /  den  general-bass  tractiren  /  und  componiren  lernen 

soil.     Denen  lehr-  und  lernenden  zu  beliebigem  gebrauch  /  herauss 

gegeben  von  Daniel  Speeren  .  .  .     Ulm  /  G.  W.  Kiibne  /  1687, 

144  p.     fold.  tab.     lej""'. 

Running  title:  Musicalische  fragstuck. 

MT6.A2S7 

Spiess,  Meinrad,  1683-1761. 

Tractatus  musicus  compositorio-practicus.  Das  ist,  Musicalischer 
tractat,  in  welchem  alle  gute  und  sichere  fundamenta  zur  musica- 
lischen  composition  aus  denen  alt-  und  neuesten  besten  autoribus 
herausgezogen  .  .  .  und  deutlich  erl&utert  werden  .  .  .  Samt  einem 
anhang  in  welchem  fast  alle  ...  in  griechisch-  lateinisch-  welsch- 
frantz6sisch-  und  teutscher  sprach  gebr&uchHche  kunst-  und  andere 
gew6hnlich-vorkommende  w6rter  nach  ordnung  des  alphabets 
gesetzt,  und  erkl&ret  werden.  Hrsg.  von  r.  p.  Meinrado  Spiess  . . . 
Opus  vm.     Augspurg,  J.  J.  Lotters  seel,  erben,  1746. 

8  p.  1.,  220,  [8],  11,  [1]  p.    front.    33««. 

"Specification  aller  meiner  musicalischen  wercken,  so  im  druck  heraus 
seynd":  [1]  p.  at  end. 

MT40.A2S85 

Sponsel,  Johanii  XJlrich,  1721-1788. 

Johann  ULrich  Sponsels  .  .  .  Orgelhistorie.  Nilrnberg,  G.  P.  Monath, 
1771. 

167  p.     18  X  lOJ^"". 

Title  vignette. 

ML552.A2S8 

[Steffani,  Agostino]  1654-1728. 

V         Quanta  certezza  habbia  da  suoi  principii  la  musica  et  in  qua! 
pregio  fosse  perci5  presso  gli  antichi.     Amsterdam,  1695. 

72  p.     14i<='». 

A  second  title  is  given  on  p.  3:  Risposta  di  D.  A.  Steffani  •  •  ..ad  vna  lettera 
del  S'.  march".  A.  G.  in  difesa  d'vna  proposizione  aostenuta  da  lui  in  vna  assem- 
blea  hanuoveia  sett.  1694. 

ML3800.A2S79 


EARLY  BOOKS   ON   MUSIC  261 

[Steflfani,  Agostino] — Continued. 

D.  A.  Steffani .  .  .  send-schreiben  /  darinn  enthalten  wie  grosse 

gewissheit  die  music  aus  ihren  principiis,  und  grund-s&tzen  habe  /  und 
m  welchen  werthe  /  und  wiirckung  sie  bey  denen  alten  gewesen  /  aus 
dem  italienischen  ins  hochdeutscne  bef6rdert;  dann  um  der  wiirde 
und  nutzen  so  darinnen  enthalten  /  mit  einigen  anmerckungen  erl&u- 
tert  /  und  dem  druck  ilbergeben  von  Andr.  Werckmeister  .  .  .  Qued- 
linburg  und  Aschersleben,  G.  E.  Struntz,  1700. 

101,  [1]  p.     16i«». 

ML3800.A2S81 

[Steinberg,  Christian  Gottlieb]  1738-1781. 

Betrachtungen  ilber  die  kirchen-music  und  heiligen  ges&nge  derer 
rechtgl&ubigen,  und  ihrem  nutzen.  Breslau  und  Leipzig,  D.  Piet- 
schische  buchhandlung,  1766. 

125  p.     17^''°'. 

"Beurtheilung  der  AUbrechtischen  abhandlung  von  der  kirchen-music":  p. 
[7H9. 

ML3001.S73 

[Stillingfleet,  Benjamin]  1702-1771. 

Principles  and  power  of  harmony  .  .  .  London,  Printed  by  J.  and 
H.  Hughs  and  sold  by  S.  Baker  and  G.  Leigh  [etc.]  1771. 

vii,  [1],  154,  [6]  p.     fold.  pi.     22^  x  17«">. 

An  analysis  of  Tartini's  "Tratta,to  di  musica. " 

ML3836.A2S8 

[Stolzel,  Gottfried  Heinrich]  1690-1749. 

Practischer  beweiss,  wie  aus  einem  nach  dem  wahren  fundamente 
solcher  noten-kilnsteleyen  gesetzten  canone  perpetuo  in  hypo  dia 
pente  quatuor  vocum,  viel  und  mancherley,  theils  an  melodic,  theils 
auch  nur  an  harmonic,  unterschiedene  canones  perpetui  a  4  zu  machen 
seyn.  Der  warheit,  und  einigen  music-freunden  zu  gef alien,  dem 
druck  liberlassen,  von  G.  H.  S.     [n.  p.]  1725. 

[24]  p.     20i  X  17«"'. 

MT59.A2S8 

Stohrius,  Johannes  Mauritius,  praeses. 

.  .  .  Organum  musicum,  historice  extructum  .  . .     Lipsise,  Uteris  J. 

Georg  [1693] 

[16]  p.    17i<='°. 

Diss. — Leipzig  (Johannes  Schiecke,  respondent) 

ML64.S86 

Straet,  Jan  van  der,  d.  1605. 

Enconivm  mvsices  quod  Sacris  Litteris  concinnabat  Phihp.  Gallseus. 
Iconibus  exprimebat  pictor  celeberrimus  lo.  Stradanus.  Versibus 
illustrabat  doctissimus  lo.  Bochius,  urbi  Antverp.  k  secretis.  Ant- 
verpise,  apud  PhiUppum  Gallseum  [ca.  1600] 

2  p.  1.,  18  pi.  (incl.  t.-p.)    25i  x  32^""'. 


262  LIBEARY   OF   CONGRESS 

Straet,  Jan  van  der — Continued. 

Engr.  title,  with  illustration  consisting  of  3  figures,  Mvsica,  Harmonia,  and 
Mensvra;  in  the  background  musical  instruments,  mostly  those  in  use  in  the 
16th  century,  and  in  center  an  open  book  showing  a  complete  motet  for  six 
voices,  * '  Nata  et  grata  polo . ' '  The  inscription  is  from  Psalm  150,  ' '  Laudate  Eum 
in  sono  tubse  [etc.]"  The  title  is  at  top  of  page,  and  at  foot  is  the  dedication 
"Amplissimis  omatissimisqve  d.  d.  EdVardo  vander  Dilft  et  Carolo  Malineo 
civitatifl  Antverpiae  consvlibvs  Philppvs  [!]  Gallaevs  d.  d. — Title-page,  verso 
blank. — Preface,  "Philippvs  Gallaevs  ad  artis  mvsicae  stvdiosos,"  p.  1.  [2]  r°. 
Verso  blank. — Plates,  numbered  3-18,  each  with  Latin  hexameter  verse  para- 
phrasing a  text  from  the  Vulgate  at  foot. — Unnumbered  plate  illustrating  Luke 
XV,  7,  with  the  corresponding  verse  from  the  Vulgate. 

Plates  3-15,  17,  are  signed:  "loan.  Stradan.  inuent.  Adrian.  Collaert  sculp. 
Phis.  Galle  excudit"  (form  of  signature  varies  slightly,  and  Collaert's  name 
does  not  appear  on  pi.  5,  10,  12,  13,  17)  On  pi.  16:  "loan.  Stradan.  inuent. 
Theodor.  Galle  sculpsit";  pi.  18:  "loan.  Stradan.  inuent."  Last  pi. has  "Marti. 
de  VoB  inuen.    Phis.  Gall,  excud." 

ML467.A2S7 

Strodtmann,  Johann  Christoph,  1717-1756. 
See  Abhandlung  von  den  pantomimen,  1749. 

Stryk,  Elias  August,  d.  1733,  praeses. 

.  .  .  Disputatio  juridica  de  eo  quod  justum  est,  circa  ludos  scenicos 
operasqve  modernas,  dictas  vulgo  operen  .  .  .  Kiloni,  typis  J.  Keu- 
manni  [1693J 

63,  [1]  p.    18  X  ISi""'. 

Diss. — Kiel  (G.  von  Bertuch,  respondent  and  author) 

ML1703.A2B35 

Studien  fur  tonkunstler  und  musikfreunde.  Eine  historisch- 
kritische  zeitschrift  mit  neun  und  dreissig  musikstiicken  von  ver- 
schiedenen  meistern  fiirs  jahr  1792,  in  zwei  theilen  herausgegeben 
von  F.  Ae.  Kunzen  und  J.  F.  Reichardt.  Berlin,  Im  verlage  der 
Neuen  musikhandlung,  1793. 
2  pt.  in  1  V.  (2  p.  1.,  191,  [1],  172  p.)    25  x  21<"°. 

Reissue  with  new  t.-p.  and  preface,  of  two  periodicals,  the  Musikalisches  wo- 
chenblatt,  1791-92,  and  the  Musikalische  monathsschrift,  1792. 

ML4.S92 

Sueur,  Jean  Prangois  le. 

See  Le  Sueur,  Jean  Francois. 

Suire,  Robert  Martin  le. 

See  Lesuire,  Robert  Martin. 

Sulzer,  Johann  Georg,  1720-1779. 

Allgemeine  theorie  der  sch6nen  kilnste,  in  einzeln,  nach  alplia- 
betiscner  ordnung  der  kunstw6rter  auf  einander  folgenden,  artikeln 
abgehandelt,  von  Johann  George  Sulzer  .  .  .  Neue  verm.  2.  aufl. 
Leipzig,  Weidmannsche  buchhandlung,  1792-99. 

5  V.    front.,  illus.,  fold,  pi.,  6  fold.  1.     22=™. 

The  6  fold,  leaves,  in  vol.  4,  contain  39  musical  examples. 
Ed.  by  C.  F.  von  Blankenburg.    The  articles  relating  to  music  are  by  J.  A.  P. 
Schulz  and  J.  P.  Kimberger. 

ML3845.A2S9 


EAKLY  BOOKS   ON   MUSIC  263 

Suremain  de  Missery,  Antoine,  1767-1852. 

Th^orie  acoustico-musicale,  ou  de  la  doctrine  des  sons  rapport^e 
aux  principes  de  leur  combinaison.  Ouvrage  analytique  et  pniloso- 
phique.     Par  A.  Suremain-Missery  .  .  .     Pans,  F.  Didot,  1793. 

9  p.  1.,  [ix]-xxxvj,  [37H04  p.     fold.  pi.     20""'. 

ML3805.A2S9 

Sweerts,  Pierre  Frangois,  1567-1629,  editor. 
See  Maggi,  G.     De  tintinnabvlis  liber. 

Symmes,  Thomas,  1678-1725. 

Utile  dulci.  Or,  A  joco-serious  dialogue,  concerning  regular  sing- 
ing: calculated  for  a  particular  town,  (where  it  was  publickly  had,  on 
Friday  Oct.  12.  1722.)  but  may  serve  some  other  places  in  the  same 
climate.  By  Thomas  Symmes  . . .  Boston:  Printed  by  B.  Green, 
for  S.  Gerrish,  in  Cornhill,  1723. 

1  p.  1.,  ii,  59  p.     15"™. 

ML3869.S98 

[Tabourot,  Jean]  1519-1595. 

Orchesographie.  Et  traicte  en  forme  de  dialogve,  par  leqvel  tovtes 
personnes  pewent  facilement  apprendre  &  practiquer  I'honneste  exer- 
cice  des  dances.  Par  Thoinot  Arbeau  [pseud]  . . .  Lengres,  Imprim^ 
par  lehan  des  Preyz  [1589] 

'  104  numb.  1.    illus.    21"™. 

Thoinot  Arbeau  is  an  anagram  for  Jehan  Tabourot. 

Includes  a  large  number  of  dance  tunes,  with  words  fitted  to  the  melodies. 

GV1590.T3 

Tacet,  Joseph. 

See  CoMPLEAT  instructions  for  the  German  flute. 

r 

Tans'ur,  William,  d.  1783. 

The  elements  of  musick  display'd:  or,  its  grammar,  or  ground-work 
made  easy:  rudimental,  practical,  philosophical,  historical,  and  tech- 
nical. In  five  books.  Containing,  i.  An  universal  introduction  to 
all  the  rudiments  of  musick  ...  ii.  Of  time,  in  all  its  various 
moods  .  .  .  III.  The  structure  of  musical  instruments  .  .  .  With 
sacred  lessons;  songs  in  parts;  and  tunes  for  instruments,  iv.  The 
theory  of  sound  .  .  .  with  the  principles  of  composition,  in  all  its 
branches,  v.  A  new  musical-dictionary  .  .  .  By  William  Tans'ur, 
senior  .  .  .  London,  Printed  for  S.  Crowder;  and  sold  by  the  author, 
and  his  son,  1772. 

xiii,  [1],  232  p.    illus.    21"™. 

Preface  dated  1766.    Books  ii-v  have  each  special  t.-p. 

MT6.A2T16 

A  new  musical  grammar :  or.  The  harmonical  spectator.  Contain- 
ing all  the  useful  theoretical,  practical,  and  technical  parts  of  musick. 
Being  a  new  and  correct  introduction  to  all  the  rudiments,  terms,  and 
characters,  and  composition  in  all  its  branches.     With  several  scales 


264  LIBRAE Y   OF   CONGRESS 

Tans'ur,  William — Continued. 

for  musical  instruments;  and  philosophical  demonstrations,  on  the 
nature  of  sound.  Laid  down  in  so  concise  and  easy  a  method,  as  to 
be  understood  by  the  meanest  practitioner,  whether  .vocal  or  instru- 
mental, by  way  of  question  ana  answer  .  .  .  By  William  Tansur  .  .  . 
Printed  for  the  author,  and  sold  by  him,  and  in  London,  by  J.  Robin- 
son, 1746. 

1  p.  1.,  iv,  [2],  156  p.  incl.  14  pi.,  diagrs.     17''°». 

MT7.A2T16 

A  new  musical  grammar,  and  dictionary:  or,  A  general  intro- 


duction to  the  whole  art  of  musick.  In  four  books  .  .  .  The  whole 
is  extracted  from  the  best  authors,  both  ancient,  and  modern;  and 
methodically  digested  to  every  capacity  ...  3d  ed.,  with  large  addi- 
tions. By  William  Tans'ur,  senior  .  .  .  London,  Printed  by  R. 
Brown,  for  J.  Hodges;  also  sold  by  the  author;  and  by  his  son,  1756. 

xii,  [4],  176  p.     illus.     19^""^. 

Books  ii-iv  have  each  special  t.-p. 

MT6.A2T13 


Tapia,  Martin  de,  h.  1542  ? 

.  .  .  Vergel  de  mvsica  ||  spiritual  speculatiua  y  actiua.  del  ||  qual, 
muchas,  diuersas  y  suaues  flores  se  puede  coger.  Dirigi-  ||  do  al 
yllustrissimo  y  Reuergdissimo  Senor  do  Fracisco  Tello  ||  de  San  Doual 
Obispo  de  Osmay  del  Cosejo  de  su  Magestad  ||  0  Autor  el  Bachiller 
Tapia  Numantino.  J|  G  Tratase  lo  primero  con  grade  artiflcio  y  pro- 
fundidad,  las  ||  alaoan^as,  las  gracias,  la  dignidad,  Las  virtudes  y 
prerrogati-  ||  uas  delamusicaydespues,Lasartes  deCantollano,Organo 
y  Contraputo,  en  suma  y  en  Theorica.  C  Esta  tassado  cada  volume 
en  papel  A  tres  Reales.  [Colophon:  .  .  .  Se  |{  acabo  de  imprimir  el 
presete  Ubro  .  .  .  el  ql  fue  imf)resso  ela  Incly  ||  ta  vniuersidad  dela 
Villa  del  Burgo  de  Osma  por  Diego  ||  Fernandez  de  Cordoua  impressor. 
Acabose  a  veynte  y  ocho  ||  dias  del  mes  de  Mayo,  Ano  de  nuestra 
redemp  ||  cion  de  mil  y  quinietos  y  setenta  anos] 

4  p.  1.,  cxx  numb.  1.    diagrs.     19i<=™. 

Contains  three  approbations,  the  first  undated,  the  others  dated  1559. 

At  head  of  title  the  arms  of  the  bishops  of  Osmay,  surrounded  by  quotations 
from  the  Psalms  (32,  149,  95,  67)  within  line  borders.  Printer's  mark  following 
colophon  on  recto  of  last  leaf.  Leaves  liv  and  Ixxi  numbered  Iv  and  Ixxxvij 
respectively. 

ML171.T17 

Tartini,  Giuseppe,  1692-1770. 

De'  principj  dell'  armonia  musicale  contenuta  nel  diatonico  genere, 
dissertazione,  di  Giuseppe  Tartini.  Padova,  Stamperia  del  Semi- 
nario,  1767. 

6  p.  1.,  120  p.     24J^". 

Title  vignette;  initial;  head-piece. 

ML3815.A2T19 


EARLY  BOOKS   ON   MUSIC  265 

Tartini,  Giuseppe — Continued. 

Trait6  des  agr^mens  de  la  musique,  contenant  I'origine  de  la  petite 
note,  sa  valeur,  la  maniere  de  la  placer,  toutes  les  differentes  especes 
de  cadences,  la  maniere  de  les  employer,  le  tremblement  et  le  mordant, 
I'usage,  qu'on  en  pent  faire,  les  modes  ou  agr6mens  naturels,  les  modes 
artimciels  qui  vont  a  I'infini,  la  maniere  de  former  un  point  d'orgue 
.  .  .  compose  par  le  c^lebre  Giuzeppe  Tartini  .  .  .  et  tr.  par  le  Sig/  P. 
Denis,     raris,  Chez  I'auteur  [1782J 

1  p.  1.,  94  p.     23«'". 

Engraved  throughout. 

"Never  published  in  the  original  Italian." — Vander  Straeten,  The  romance  of 
the  fiddle,  1911. 

MT80.A2T2 

Trattato  di  musica  secondo  la  vera  scienza  dell'  armonia.  Padova, 
Nella  stamperia  del  Seminario,  appresso  G.  Manfre,  1754. 

4  p.  1.,  175,  [1]  p.    fold,  pi.,  diagrs.    24^"'". 

Title  vi^ette. 

Tartini  is  given  aa  author  in  a  preface  by  Decio  Agostino  Trento,  who  published 
the  work. 

ML3805.A2T2 

[Tate,  Nahum]  1652-1715. 

An  essay  for  promoting  of  psalmody.     London,  J.  Holland,  1710. 

5  p.  1.,  38  p.     16i<"". 

Dedication  signed:  N.  Tate. 

ML3001.T16 

[Tauber  von  Taubenfurt,  Johann  Nepomuk, /rei^err] 

Uiber  meine  violine  .  .  .     Wien,  Bey  Joseph  edlen  von  Kurzbock 

[1780] 

188  p.    illus.     17«™. 


Title  vignette. 

"Reflexionen  des  kapellmeisters":  p.  28-188. 


ML66.A2T2 


Taylor,  Dan,  1738-1816. 

A  dissertation  on  singing  in  the  worship  of  God :  interspersed  with 
occasional  strictures  on  Mr.  Boyce's  late  tract,  entitled,  "Serious 
thoughts  on  the  present  mode  and  practice  of  singing  in  the  public 
worship  of  God."  By  Dan  Taylor  .  .  .  London,  Printed  for  the 
author,  and  sold  by  J.  Buckland  [etc.,  1786] 

v,  7-72  p.     17i<'°'. 

ML3001.T18 

A  second  dissertation  on  singing  in  the  worship  of  God;  intro- 
duced with  two  letters  to  the  Rev''.  Mr.  Gilbert  Boyce,  in  defence  of  a 
former  dissertation  on  that  subject.  By  Dan  Taylor  . . .  London, 
J.  Buckland  [etc.]  1787. 

77  p.     lU""^. 

^         ^  ML3001.T183 


266  LIBRARY  OF   CONGRESS 

Taylor,  John,  1704-1766. 

The  music  speech  at  the  public  commencement  in  Cambridge,  July  6, 
MDCcxxx.  "To  which  is  added,  an  ode  designed  to  have  been  set  to 
music  on  that  occasion.  By  John  Taylor  .  .  .  London,  Printed  by 
W.  Bowyer,  jun.,  and  sold  by  W.  Thurlbourn,  Cambridge;  [etc.,  etc.] 
1730. 

26  p.     19i<='°. 

Ch.  33 

Telemann,  Georg  Michael,  1748-1831. 

Georg  Michael  Telemanns  .  .  .  Unterricht  im  generalbass-spielen, 
auf  der  orgel  oder  sonst  einem  clavier-instrumente.  Hamburg, 
M.  C.  Bock,  1773. 

112  p.     20  X  17'''°. 


MT182.A2T3 


Telemann,  Georg  Philipp,  1681-1767,  editor. 
See  Haltmeier,  C.  J.  F.     Anleitung,  1737. 

Telemann,  Georg  Philipp,  1681-1767,  translator. 

See  Castel,  L.  B.     Beschreibung  der  augen-orgel,  1739. 


[Teller,  Wilhelm  Abraham]  1734-1804. 

Kurze  wahrhafte  geschichte  der  41testen  deutschen  kirchenges&nge, 
besonders  von  D.  Martin  Luther.  Zur  heilsamen  anwendung  auf  das 
fur  die  k6nighch  preussischen  lande  bestimmte  allgemeine  gesang- 
buch.     Berlin,  Bey  Unger  dem  jungem,  1781. 

35  p.     16'^'". 

Signed:  Willhelm  Abraham  Teller. 

Ch.17.1896 


[Tempelhof,  Georg  Friedrich  von]  1737-1807. 

Gedanken  ilber  die  temperatur  des  herm  Kimberger,  nebst  einer 
anweisung,  orgeln,  claviere,  fliigel,  &c.  &c.  auf  eine  leichte  art  zu 
stimmen,  von  G.  F.  T.  einem  liebhaber  der  music.  Berlin  und  Leip- 
zig, G.  J.  Decker,  1775. 

37  p.     17'=°». 

ML3809.A2T28 

Teralbo  Timate. 

Gr  elementi  generali  della  musica  esposti,  e  spiegati  con  metodo  sis- 
tematico  per  uso  de'  giovanetti  principianti,  con  diverse  figure  in 
rame,  da  Teralbo  Timate,  accadenuco  augusto  delle  buone  arti,  e  socio 
letterario  vmbro;  dati  in  luce  da  N.  N.  In  grazia  de'  signori  dilet- 
tanti.    Roma,  A.  Casaletti,  1792. 

xij,  103  p.    7  pi.  on  4  fold.  1.,  2  fold.  tab.     18"™. 

MT7.A2T58 


EARLY  BOOKS  ON  MUSIC  267 

[Terrasson,  Antoine]  1705-1782. 

Dissertation  historique  sur  la  vielle;  oil  Toil  Examine  I'origine  &  les 
progres  de  cet  instrument.  Avec  une  digression  sur  I'histoire  de  la 
musique  ancienne  &  moderne.  Dedi6e  a  Mademoiselle  de  *  *  * 
par  M.  *  *  *    Paris,  J.  B.  Lamesle,  1741. 

6  p.  1.,  104,  [4]  p.     18  X  lO""". 

ML760.A2T38 

Tessarini,  Carlo,  h.  1690. 

A  musical  grammar  which  teaches  an  easy  and  short  method  of 
.learning  to  play  to  perfection  the  violin  in  parts.  Divided  in  two 
books.  With  all  the  necessary  figures,  lessons,  sonnets,  for  the  use  of 
all  the  tones  in  music,  with  the  measures  and  the  touches  of  all  the 
sounds  that  can  possibly  be  expressed  on  the  violin  ...  by  Carlo 
Tessarini  .  .  .     Edmburgh,  N.  Stewart  [176-?] 

18  p.     pi.     22J  X  31'''°. 

Engraved  throughout.    At  end:  "End  of  book  first." 
Published  originally  in  Italian,  Rome,  1741  (?) 

MT262.A2T3 

Testori,  Carlo  Giovanni,  1714-1782. 

La  musica  ragionata  espressa  famigliarmente  in  dodici  passeggiate  a 
dialog© ;  opera  di  Carlo  Giovanni  Testori  .  .  .  per  cui  si  giungera  .  .  . 
air  acquisto  del  vero  contrappunto.     VercelU,  G.  Panialis,  1767. 

4  p.  1.,  cli,  [1]  p.     22  pi.     24  X  18^'='". 

Title  within  ornamental  border. 

MT55.A2T34 

Primi  rudimenti  della  musica  e  supplemento  alia  Musica  ragio- 
nata. Opera  di  Carlo  Giovanni  Testori  .  .  .  Libro  secondo.  Vercelli, 
Nelle  stampe  di  G.  Panialis,  1771. 

2  p.  1.,  Ixx  p.     6  pi.     24i  X  19i<^'°. 

The  third  work  in  the  series  was  published  in  1773  as  "Supplemento  alia 
Musica  ragionata  .  .  .     Libro  terzo  " . 

MT55.A2T35 

L'arte  di  scrivere  a  otto  reali,  e  supplemento  alia  Musica 

ragionata,  opera  di  Carlo  Giovanni  Testori  .  .  .     Libro  quarto.     Ver- 
celli, G.  PaniaUs,  1782. 

3  p.  1.,  [iiiHvi  p.     26  fold.  pi.  ("pag.  1-29")     25  x  19i<"". 

Added  t.-p.,  engr.:  Esempi  della  Musica  ragionata  di  Carlo  Gio  Testori. 

MT55.A2T37 

Tettamanzi,  Fabrizio,  h.  ca.  1650. 

Breve  metodo  per  fondatamente,  e  con  faciUtk  apprendere  il  canto 
fermo.  Diuiso  in  tre  Ubri.  Nel  primo  si  pongono  breuemente  le 
regole  del  medesimo  canto,  con  il  modo  di  pratticarle.  Nel  secondo 
il  modo  di  cantare  I'hore  canoniche,  all'  vso  francescano,  e  romano. 
Nel  terzo  si  pone  I'officio  in  canto  di  tutta  la  Settimana  santa.  Del 
padre  F.  Fabricio  Tettamanzi  .  .  .  Milano,  Per  F.  Agnelli  scultore,  e 
stampatore,  1636  [i.  e.  1686] 

148  p.     illus.    22*  X  17*'='". 

MT860.A2T31 


268  LIBEAKY  OF  CONGRESS 

Tettamanzi,  Fabrizio — Continued. 

Breve  metodo  per  apprendere  fondatamente  e  con  facilita'  ii 

canto  fermo;  diviso  in  tre  libri,  nel  primo  si  pongono  brevemente  le 
regole  del  medesimo  canto,  con  il  modo  di  praticarle:  nel  secondo,  il 
modo  di  cantare  Tore  canoniche;  nel  terzo,  si  pone  Tofficio  in  canto 
di  tutta  la  Settimana  santa.  Del  padre  F.  Fabrizio  Tettamanzi 
.  .  .  Milano,  Per  B.  Sirtori,  stampatore  arcivescovile,  ad  istanza 
di  G.  Galleazzi  libraro,  1756. 

155,  [1]  p.     illus.     22  X  16i<'". 

3d  edition. 

MT860.A2T34     * 

Tevo,  Zaccaria,  h.  1651. 

II  mvsico  testore  del  p:  bac:  Zaccaria  Tevo  .  .  .  Venezia,  A.  Bor- 
toli,  1706. 

7  p.  1.,  366,  [2]  p.    illus.,  2  pi.     2^  x  17^'™. 

Engr.  t.-p.  with  ornamental  border.    Added  t.-p.,  engr.,  with  port,  of  the 
author. 

MT6.A2T42 

Thalesio,  Pedro. 

Arte  de  canto  chao,  com  hvma  breve  instrvc^ao  pera  os  sacerdotes, 
diaconos,  subdiaconos,  &  mopos  do  coro,  conforme  ao  vso  romano. 
Composta,  &  ordenada  por  o  mestre  Pedro  Thalesio  .  .  .  Agora  nesta 
segunda  impressao  nouamente  emendada,  &  aperfeipoada  pello  mesmo 
autor  .  .  .     Coimbra,  Na  impressao  de  D.  Gomez  de  Louveiro,  1628. 

6  p.  1.,  136  p.     illus.     20^^". 

Title  vignette :  ecclesiastical  coat  of  arms. 

MT860.A2T42 

[Thielo,  Carl  August]  1702-1763. 

Grund-regeln  wie  man,  bey  weniger  information,  sich  selbst  die  fun- 
damenta  der  music  und  des  claviers,  lernen  kan,  beschrieben,  mit 
exempeln  in  noten  gezeiget  und  verlegt  von  C.  A.  T.  Erster  theil. 
[Kopenhagen,  1753] 

1  p.  1.,  81  p.    16  X  2P™. 

No  more  published. 

According  to  F^tis  this  is  an  abridged  translation  of  Thielo's  "Tanker  og  regler 
fra  grunden  af  om  musiken,"  Copenhagen,  1746. 

MT224.A2T43 

Thomas,  Christian  Gottfried,  1748-1806. 

Praktische  beytr&ge  zur  geschichte  der  musik,  musikalischen  lit- 
teratur  und  gemeinen  besten,  bestehend  vorziiglich.  in  der  einrichtung 
eines  6ff entlichen  allgemeinen  und  &cliten  verlags  musikalischer  manu- 
scripte,  zum  vortheil  derer  hrn.  verfasser  und  kA,ufer;  wie  auch  in 
andern  litterarischen  abhandlungen,  die  musik  betreffend.  Hrsg. 
von  Christian  Gottfried  Thomas  .  .  .  Erste  sammlung.  Leipzig, 
Verlag  des  verfassers,  1778. 

64  p.     23  X  IQ"-". 

No  more  published. 

ML112.A2T45 


EARLY  BOOKS  ON  MUSIC  269 

Tigrini,  Orazio. 

II  compendio  della  mvsica,  nel  ovale  brevemente  si  tratta  dell'  arte 
del  contrapunto,  diviso  in  qvatro  libri.  Del  r.  m.  Oratio  Tigrini  .  .  . 
Nouamente  composto,  &  date  in  luce  . . .     Venetia,  R.  Amadino,  1588. 

6  p.  1.,  135,  [1]  p.     21  X  le""". 

Title  within  ornamental  border;  title  vignette. 

ML171.T47 

II  compendio  della  mvsica,  nel  qvale  brevemente  si  tratta 


deir  arte  del  contrapvnto,  diuiso  in  quattro  libri.  Del  r.  m.  Oratio 
Tigrini ...  Di  nouo  con  diligentia  corretto,  &  ristampato  . . .  Vene- 
tia, R.  Amadino,  1602. 

4  p.  1.,  135,  [1]  p.     21J  X  15^"™. 

Title  vignette. 

MT55.A2T56 

Til,  Salomon  van,  1644-1713. 

Digt-  sang-  en  speel-konst,  soo  der  ouden,  als  bysonder  der  Hebreen, 
door  een  nauwkeurig  ondersoek  der  oudheyd  uyt  sijn  vorige  duyster-  / 
beyt  wederom  opgeheldert:  dienende,  om,  by  wege  van  een  voor- 
looper,  den  leser  tot  een  beter  verstand  der  goddeujke  Psalmen,  en 
netter  begrip  van  haar  ware  gebruyk  onder  de  beyde  Testamenten 
op  te  leyden:  door  Salomon  van  Til  .  .  .     Dordrecht,  D.  Goris,  1706. 

14  p.  1.,  533,  [15]  p.     illus.     20i« 


I  cm 


Title  vignette. 

Ist  edition,  Dordrecht,  1692. 

ML166.A2T55 


Digt-  sang-  en  speel-konst,  soo  der  ouden,  als  bysonder  der 


Hebreen,  door  een  nauwkourig  ondersoek  der  oudheyd  uyt  sijn  voorige 
duysterheyd  wederom  opgeheldert:  dienende,  om,  by  wege  van  een 
voor  looper,  den  leser  tot  oen  beter  verstand  der  goddelijke  Psalmen, 
en  netter  begrip  van  haar  waare  gebruyk  onder  de  beyde  Testamenten 
op  te  leyden :  door  Salomon  van  Til  .  .  .  Amsterdam,  A.  Schoonen- 
burg,  1725. 

14  p.  1.,  533,  [15]  p.     illus.,  5  pi.  (1  fold.)     20^  x  IG"''". 

The  illustrations  are  printed  from  engr.  plates. 

ML166.A2T57 


Dicht-  sing-  und  spiel-kunst  /  so  wohl  der  alten  /  als  ins 


besonder  der  Hebreer.  Durch  neus^ierige  untersuchung  der  antiqui- 
tkt  aus  ihrer  vorigen  dunckelheit  wieder  auflfgekUret :  als  vorlaiiffer 
d'  g6ttliche  Psalmen  /  zu  dero  besserem  verstand  dem  leser  dienend  und 
zum  deutlicherm  begriff  ihres  gebrauchs  unter  beyden  Testamenten 
anleitung  zu  geben  durch  Salomon  von  Til  .  .  .  Franckfurt/M.  Groot ' 
1706. 

9  p.  1.,  478,  [16]  p.     illus.,  fold.  pi.     21  x  16^"™. 

ML166.A2T56 


270  LIBRARY   OF   CONGRESS 

Tilesius  von  Tilenau,  Nathanael.  1565-1616. 

Christliche  vnd  grilndliche  erweisun^  dass  die  musica  vnd  singe- 
kunst  Gott  wolgefeilig  /  vnd  mit  gleubiger  andacht  /  in  kirchen  vnd 
Musern  m6ge  gebraucht  werden.  In  einer  hochzeitpredigt  gehandelt 
.  .  .  Gehalten  zu  Stroppen  /  den  13.  novembris  anno  1596,  vnd 
jetzt ...  in  druck  verfertiget  durch  Nathanaelem  Tilesium  ...  [n.  p,] 
Gedruckt  im  jahr  1599. 

[20]  p.     19^"". 

ML3001.T57 

Tinctoris,  Joannes,  d.  1511. 

See  FoRKEL,  J.  N.     Allgemeine  litteratur  der  musik,  1792. 

Todd,  John,  d.  1812. 

An  humble  attempt  towards  the  improvement  of  psahnody:  the 
propriety,  necessity  and  use,  of  evangehcal  psalms,  in  Christian  wor- 
ship.    DeHvered  at  a  meeting  of  the  Presbytery  of  Hanover  in  Vir- 
fima,  October  6th,  1762.     By  John  Todd  . . .     Philadelphia:  Printed 
y  A.  Steuart,  1763. 
40  p.    I6i<=™. 

[Hazard  pamphlets,  v.  10,  no.  5] 

AC901.H3 

Topfer,  Johann  Christian  Carl,  &.  1740? 

Anfangsgrilnde  zur  erlernung  der  musik  und  insonderheit  des 
claviers,  durch  eigenen  fleiss  und  erfahrung  aufgesetzet  und  mit  einer 
kritischen  vorrede  begleitet  von  Johann  Christian  Carl  T6pfer  .  . . 
Bresslau,  W.  G.  Korn,  1773. 

xii,  [13]-44  p.    3  fold.  pi.  (music)    20  x  16"™. 

MT7.A2T6 
Tollius,  Jacobus,  d.  1696. 

See  Bacchini,  B.     De  sistris,  1696. 

Tomas  de  Santa  Maria,  d.  1570. 

Libro  llamado  Arte  de  taner  fantasia,  assi  para  tecla  como  para 
vihuela,  y  todo  instrumeto,  en  que  se  pudiere  taner  a  tres,  y  a  quatro 
vozes,  y  a  mas  .  .  .  Elqual  por  mandado  del  muy  alto  Consejo  real 
fue  examinado,  y  aprouado  por  el  eminete  musico  de  Su  Magestad 
Antonio  de  Cabepon,  y  por  iuan  de  Cabe^on,  su  hermano.  Com- 
puesto  por  el  muy  reuerendo  padre  fray  Thomas  de  Sancta  Maria  .  .  . 
Valladolid,  Impresso  por  F.  Fernandez  de  Cordoua,  1565. 

4  p.  1.,  90,  124  numb.  1.    28^"™. 

Title  vignette. 

ML171.T65 

Tomeoni,  Florido,  1757  ?-1820. 

Th^orie  de  la  musique  vocale,  ou  des  dix  regies  g^u'il  faut  connaitre 
et  observer  pour  bien  chanter  ou  pour  apprendre  a  juger  par  soi-m^me 
du  degre  de  perfection  de  ceux  que  Ton  entend;  par  Florido  Tomeoni 
.  . .  Avec  des  remarques  sur  la  prononciation  des  langues  franpaise  et 
italienne,  r6dig4es  par  un  homme  de  lettres.  Paris,  Chez  I'auteur 
[etc.]  an  vii  [1799] 

viij,  138,  2-5  p.,  1  1.     19i«"'. 

MT820.A2T76 


EARLY  BOOKS  ON   MUSIC  271 

Tomeoni,  Pellegrino,  h.  1729. 

Regole  pratiche  per  accompagnare  il  basso  continue  esposte  in  dia- 
lo^hi  per  facilitare  il  possess©  alia  principiante  gioventti  da  Pelle- 
grino Tomeoni  .  .  .     Firenze,  A.  G.  Pagani,  e  comp.,  1795. 

44  p.     22^^^". 

Pages  17-18,  21-22,  25-26,  31-32,  37-38,  43-44  (musical  examples)  are  printed 
on  leaves  31J  x  21i«"'. 

MT49.T65 

[Toneellief,  Willem]  psevdJ 

Missive  van  een  heer  in  Leijden,  aan  zyn  vriend  in's  Gravenhaage, 
vervattende  eenige  nieuwigheeden,  betreffende  de  Amsteldamsche  en 
Rotterdamsche  schouwburgen,  benevens  een  nette  origineele  lyst  en 
staat  der  muziciens,  acteurs,  actrices,  dansers  .  .  .  enz.  zoo  als  die  voor 
beide  de  schouburgen  geangageert  zyn  om  het  toneel  te  openen,  bene- 
vens hunne  riaamen  en  de  characters  waar  voor  zy  in't  vervolg  zuUen 
speelen,  gevolgt  van  iets  het  geen  de  Hoogduitsche  en  Vlaamsche 
operas  betreft.     Monnikendam,  By  de  Gorter;  [etc.,  etc.,  1774] 

8  p.    ISJ'^"'. 
Signed:  Willem  Toneellief.     Dated:  Leijden  den  14  Augustus  1774. 

ML1735.3.A2T7 

Torino,  Illuniinato  da. 

See  Illuminato  da  Torino. 

Torres  Martinez  Bravo,  Jose  de,  1665-1738. 

Reglas  generales  de.  acompanar,  en  organo,  clavicordio,  y  harpa, 
con  solo  saber  cantar  la  parte,  6  vn  baxo  en  canto  figurado.  Distri- 
bvidas  en  tres  partes.  En  la  primera,  se  ensenan  los  fundamentos, 
que  deben  preceder  al  acompanar,  en  la  segunda  el  modo  de  acom- 
panar, vsando  solo  de  especies  consonantes,  y  en  la  tercera  el  modo  de 
practicar  las  especies  falsas  .  .  .  Compuestas  por  Don  Joseph  de 
Torres  .  .  .     Madrid,  Imprenta  de  mvsica,  1702. 

8  p.  1.,  143,  [12]  p.     2P°'. 

MT49.A2T7 

Reglas  generales   de  acompanar,   en  organo,   clavicordio,  y 

harpa,  con  solo  saber  cantar  la  parte,  o-un  baxo  en  canto  figurado. 
Distribuidas  en  tres  partes  .  .  .  Anadido  aora  un  nuevo  tratado, 
donde  se  expHca  el  modo  de  acompanar  las  obras  de  musica,  segun  el 
estilo  itaUano.  Compuestas  por  Don  Joseph  de  Torres  Martinez 
Bravo  .  .  .     Madrid,  Imprenta  de  musica,  1736. 

4  p.  1.,  124,  [3]  p.     illus.     21  x  28i«"'. 

MT49.A2T72 

Torres  Martinez  Bravo,  Jose  de,  1665-1738,  editor. 
See  Nassaeee,  P.     Fragmentos  musicos,  1700. 

[Toscan,  G.  L.  George]  1756-1826. 

De  la  musique  et  de  Nephte.  Aux  manes  de  I'abb^  Arnaud.  Paris, 
Imprimerie  de  Monsieur,  1790. 

2  p.  1.,  28  p.     20*'""^. 

ML3920.A2T7 


272  LIBRARY  OF   CONGRESS 

Tosi,  Pietro  Francesco,  ca.  1650-ca.  1731. 

Opinioni  de'  cantori  antichi,  e  moderni,  o  sieno  Osservazioni  sopra 
il  canto  figurato  di  Pierfrancesco  Tosi  .  .  .  Dedicate  a  Sua  Eccellenza 
Mylord  Peterborough  . . .     [Bologna,  L.  dalla  Volpe,  1723] 

3  p.  1.,  118  p.    18"™. 

This  copy  is  without  imprint  and  contains  the  dedication  to  Lord  Peterborough. 
For  variations  in  the  different  copies  of  this  edition  see  Gaapari's  catalogue  of  the 
Liceo  musicale  of  Bologna. 

MT820.A2T72 

Observations  on  the  florid  son^;  or,  Sentiments  on  the  ancient 

and  modern  singers.  Written  in  Itahan  by  Pier.  Francesco  Tosi  .  .  . 
Tr.  into  English  by  Mr.  Galliard  ...  To  which  are  added,  explan- 
atory annotations,  and  examples  in  musick  ...  2d  ed.  London, 
J.  Wilcox,  1743. 

xviii,  [2],  184  p.    vi  fold.  pi.     l?""'. 

"A  prefatory  discourse  giving  some  account  of  the  author":  p.  [vii]-xiii. 

MT820.A2T73 

Anleitung  zur  singkunst.     Aus  dem  itaH&nischen  des  herm 

Peter  Franz  Tosi  .  .  .  mit  erl&uterungen  und  zus§,tzen  von  Johann 
Friedrich  Agricola  .  .  .     Berlin,  Gedruckt  bey  G.  L.  Winter;  1757. 

xvi,  239  p.     21  X  17"™. 

Title  vignette;  head  and  tail  pieces. 

MT820.A2T74 

Tovar,  Francisco. 

Libro  de  mu  ||  sica  pratica  Compuesto  por  ||  mosz  Francisco  touar: 
di  II  rigido  al  illustrissimo  y  ||  reuer6dissimo  senyor  ||  do  Enrique  de 
Car  II  d5a  obispo  d'Bar  ||  celona.  y  a  su  insi  ||  gno  capitulo.  [Colophon: 
C  La  presente  obra  fue  compuesta  por  mossen  Francisco  to  ||  uar  de 
la  villa  de  Pareia  Imprimida  en  la  insigne  ||  cibdad  de  Barcelona  por 
maestre  Johan  Rose  ||  bach  aleman  a.  v.  de  Janero  anyo  de  mil  y  || 
quinientos  y  diez] 

4  p.  1.,  XXXV  numb.  1.     diagrs.     28"™. 

Title  in  red;  printer's  mark  at  end.  The  musical  notes  and  clefs  are  in  ms.  on 
printed  staves. 

ML171.T73 

Towerson,  Gabriel,  d.  1697. 

A  sermon  concerning  vocal  and  instrumental  musick  in  the  church. 
As  it  was  delivered  in  the  parish  church  of  St.  Andrew  Undershaft, 
upon  the  31*''  of  May,  1696,  being  Whit-Sunday,  and  the  day  wherein 
the  organ  there  erected  was  first  made  use  of.  By  Gabriel  Towerson, 
D.  D.     London,  B.  Aylmer,  1696. 

30  p.     18i  X  IS""". 

ML3001.T78 

Tractatvs  mvsices. 

See  CoMPENDitj  musices. 


EAKLY  BOOKS  ON  MUSIC  273 

[Travenol,  Louis]  d.  1783. 

Les  entrepreneurs  entrepris,  ou  Complainte  d'un  musicien  opprim6 
par  ses  camarades,  adressee  aux  protecteurs  et  aux  protectrices  des 
sciences  &  des  beaux  arts,     [Paris,  Impr.  de  S.  Jorry,  1758] 

40  p.     19i''"^. 

Caption  title:  Memoire  pour  le  sieur  Travenol  .  .  .  Contre  le  sieur  Mondon- 
ville,  ex-nausicien  dii  roi,  le  sieur  Capperan,  ex-musicien  de  I'Op^ra,  &  la  dame 
Rover,  tous  trois  entrepreneurs  &  directeurs  du  Concert  spirituef. 

This  copy  has  ms.  notes  and  inscription  on  t. -p.:  "A  Monsieur  I'abb^  de  la 
Porte."  On  fly-leaf  at  end:  "Chanson  nouvelle,  sur  I'air,  Or  ecout^s  petits  et 
grands." 

ML1727.8.P2T8 

La  galerie  de  I'Academie  royale  de  musique,  contenant  les  portraits, 
en  vers,  des  pruicipaux  sujets,  qui  la  composent  en  la  presente  annee 
1754.  Dediee  h,  Jean  Jacques  Rousseau  .  .  .  Par  un  zele  partisan  de 
son  syst^me  sur  la  musique  franpoise.     [Paris]  1754. 

62  p.     17i  X  10'-'". 

ML1727.33.T7 

Histoire  du  Theatre  de  I'opera  en  France.  Depuis  Tetablissement 
de  I'Academie  royale  de  musique,  jusqu'a  present  .  .  .  Paris,  J. 
Barbou,  1753. 

2  v.  in  1  (v.  1:  4  p.  1.,  264  p.;  v.  2:  1  p.  1.,  221,  [3]  p.)     20<=™. 
Vol.  2  dated  m.lcc.liii.     Dedication  signed:  J)  ^  :^  ^ 
By  Durey  de  Noinville  and  Louis  Travenol. 

ML1727.3.D8 

Histoire  du  theatre  de  l'x4.cademie  royale  de  musique  en  France, 

depuis  son  etablissement  jusqu'^,  present.  2.  ed.,  cor.  &  augm.  des 
pieces  qui  ont  6te  representees  sur  le  Theatre  de  Fopera  par  les 
musiciens  italiens,  depuis  le  premier  aotit  1752.  jusqu'^  leur  depart 
en  1754.  avec  un  extrait  de  ces  pieces  &  des  ecrits  qui  ont  paru  k  ce 
sujet  .  .  .     Paris,  Duchesne,  1757. 

2  V.  in  1  (v.  1:  6,  [8],  320  p.;  v.  2:  1  p.  1.,  221,  [3],  221-222  p.,  1  1.,  11  p. j    20'=°'. 
Dedication  signed :  D  4^  ^(.  ^j. 

ML1727.3.A2D82 

(Euvres  melees  du  sieiu*  *  *  *,  ouvrage  en  vers  et  en  prose,  contenant 
des  remarques  curieuses  sur  les  mysteres  de  la  confrairie  des  Francs- 
ma9ons,  sur  la  Lettre  de  J.  J.  Rousseau,  contre  la  musique  fran^oise, 
&  sur  le  Dialogue  de  Pegaze  &  du  vieillard,  par  M.  de  Voltaire. 
Amsterdam  [i.  e.  Paris]  1775. 

xij,  114  p.     2P°'. 

ML1727.33.T8 

Treiber,  Johann  Friedrich,  1641  or  42-1719. 

.  .  .  De  cantantium  ordinibus  Veteris  Testamenti:  cantico  novo 

Novi  Testamenti:  ut  &  de  officio  civium  erga  choros,  symphoniacum 

&  currentium;  &  tandem  de  officio  beneficiarionun  utrius^  chori,  in 

solennitate  Catharinali,  d.  xxvii.  novembr.  a.  r.  s.  cio.ioccv.  h.  1.  q.  c. 

peroraturos  sistet  m.  Joh.  Fridericus  Treiber  .  .  .     Amstadise,  Uteris 

Meurerianis  [1705] 

8  p.     19  X  ISi"™. 

ML166.A2T7 

51234°— 13 18 


274  LrBRAEY    OF    CONGEESS 

Treiber,  Johann  Friedrich — Continued. 

.  .  .  Orationes  de  musica  Davidica,  itemque  discursibus  per  urbem 
cum  musica  noctumis,  in  solennitate  Catharinali  d.  nov.  a.  r.  s. 
cio.iocci.  h.  1.  q.  c.  habendas  intimat  M.  Jo.  Frider.  Treiber  .  . . 
Amstadiae,  Uteris  Bachmannianis  [1701] 

[8]  p.     19J<='". 

ML63.T7 

Treiber,  Johann  Philipp,  1675-1727. 

D.  Johann  Philipp  Treibers  .  .  .  sonderbare  invention:  eine  arie  in 
einer  einzigen  melodey  aus  alien  tonen  und  accorden  /  auch  jederley 
tacten  /  zu  componiren  /  so  /  dass  sie  in  dem  h&,rtesten  accord  anf &ngt  / 
in  dem  weichsten  auffhdret  /  und  dem  auffmercker  dennoch  die 
abwechselung  derer  accorde  nicht  frembde  vorkommet.  Von  wel- 
cher  invention  der  autor,  besage  der  vorrede  ...  in  nachfolgender 
arie,  worinne  die  regirung  Gottes  und  der  obrigkeit  mit  der  music 
verglichen  wird  /  eine  probe  abgeleget  .  .  .     Jena,  C.  Junghans,  1702. 

[8]  p.     12  pi.  (music)     30^  x  20""'. 

Initial;  head -piece. 

MT47.A2T85 

Trento,  Decio  Agostino. 

See  Tartini,  G.     Trattato  di  musica,  1754. 

Trew,  Abdias,  1597-1669,  praeses. 

Disputatio  musica  de  divisione  monochordi  et  deducendis  inde 
sonorum  concinnorum  speciebus  et  affectionibus  et  tandem  tota  praxi 
compositionis  musicae  .  .  .     Altdorffi,  typis  Georgi  Hagen,  1662. 

[32]  p.     pi.     19  X  ISi""". 

Diss. — Altdorff  (T.  G.  Mayr,  respondent) 

ML3809.A2T8 

Trillo,  Camille,  pseud. 

See  Lesuire,  Robert  Martin. 


Tromlitz,  Johann  George,  1726-1805. 

Ausfuhrlicher  und  ^nlndlicher  unterricht  die  fl6te  zu  spielen,  von 
Johann  George  Tromlitz  .  .  .     Leipzig,  A.  F.  B6hme,  1791. 
xxiv,  376,  [8]  p.,  1 1.     pi.     24i  x  19'''°. 

Title  vignette. 

MT348.A2T84 

Ueber  die  fl6ten  mit  mehrem  klappen;  deren  anwendung  und 
nutzen.  Nebst  noch  einigen  andem  dahin  geh6rigen  aufs&tzen  von 
Johann  George  Tromlitz  .  .  .  Als  zweyter  theil  zu  meinem  Ausfuhr- 
lichen  und  griindhchen  unterricht  die  n6te  zu  spielen.  Leipzig,  A.  F. 
B6hme,  1800. 

x,  140,  [4]  p.    24^x19'=™.    ( IFitA /iis  Ausftihrlicher  ...  unterricht.    Leipzig,  1791) 

MT348.A2T84 


EAELY  BOOKS  ON  MUSIC  275 

Trydell,  John. 

Two  essays  on  the  theory  and  practice  of  music.  In  the  first  are 
laid  down  the  principles  of  the  science.  In  the  latter  are  demon- 
strated the  rules  of  harmony,  composition,  and  thorough  bass.  To 
which  is  added,  a  new  and  short  method  of  attaining  to  sing  by  note. 
By  the  Rev.  John  Trydell  .  .  .  Dublin,  Printed  for  the  editor  by  B. 
Grierson,  1766. 


icm 


XX,  140,  51  p.     21J'' 

"Examples":  51  p.,  engr. 


MT6.A2T87 


Tiibel,  Christian  Gottlieb,  d.  1776. 

Korte  onderrichting  van  de  musiek,  met  daar  by  gevoegde  lxxvii. 
handstukkies,  voor  het  clavier.  Beneevens  eene  korte  verhandeling 
van  het  contrapunct,  door  den  Heer  C.  G.  Tubel  .  .  .  Kurzer  unter- 
richt  von  der  music,  nebst  den  dazu  gehdrigen  lxxvii.  piecen,  fur  die 
ienigen  welche  das  clavecin  spielen,  nebst  eine  kurze  nachricht  von 
contrapunct  .  .  .     Amsterdam,  J.  Covens  [pref .  1766] 

1  p.  1.,  4, 123  p.    17  X  24*=™. 

Engraved,  with  the  exception  of  4  p.  following  title.    Text  in  German  and 
Dutch,  in  parallel  colimins. 

MT224.A2T8 

Turk,  Daniel  Gottlob,  1750?-1813. 

Klavierschule,  oder  Anweisung  zum  klavierspielen  filr  lehrer  und 
lernende,  mit  kritischen  anmerkungen,  von  Daniel  Gottlob  Turk  .  .  . 
Leipzig  und  Halle,  Auf  kosten  des  verfassers,  in  kx)mmission  bey 
Schwickert  in  Leipzig  [etc.]  1789. 
4  p.  1.,  408,  [12],  15  p.     22  x  ITi""'. 

"Zw61f  handstucke  zum  gebrauche  beym  unterrichten  " :  15  p.  at  end. 

MT222.A2T9 

Kurze  anweisung  zum  generalbassspielen,  von  Daniel  Gottlob 
Tiirk  .  .  .  Halle  und  Leipzig,  Auf  kosten  des  verfassers,  in  kommis- 
sion  bey  Schwickert  in  Leipzig  [etc.]  1791. 

2  p.  1.,  307,  [1]  p.     20i««. 

MT49.A2T8 

Von  den  \vdchtigsten  pfhchten  eines  organisten.  Ein  beytrag  zur 
verbesserung  der  musikalischen  liturgie,  von  D.  G.  Turk.  Halle,  Auf 
kosten  des  verfassers,  in  kommission  bei  Schwickert  zu  Leipzig  [etc.] 

1787. 

211,  [1]  p.     18^^'". 

"Das  choralspielen  bey  den  protestanten " :  p.  6-109. 


MT190.A2T9 


Turmair,  Johannes. 

See  AvENTiNus  i.  e.  Johannes  Turmair,  o/  Ahensherg. 


276  LIBRARY   OF   CONGRESS 

Tiirner,  William. 

Sound  anatomiz'd,  in  a  philosophical  essay  on  musick.  Wherein  ia 
explained  the  nature  of  sound,  both  in  its  essence  and  regulation,  &c. 
Contrived  for  the  use  of  the  voice  in  singing,  as  well  as  for  those  who 
play  on  instruments.  Together  with  a  thorough  explanation  of  all 
the  different  moods  used  in  musick,  for  regulating  time  in  the  different 
divisions  of  measures  used  therein  .  .  .  To  wmch  is  added,  a  dis- 
course concerning  the  abuse  of  musick.  By  WilUam  Turner  Lon- 
don, Printed  by  W.  Pearson  for  the  author,  1724. 

3  p.  1.,  80,  7  p.     pi.     21  X  16'="». 

MT7.A2T95 

Tyard,  Pontus  de,  1521-1605. 

Les  disco vrs  philosophiqves  de  Pontvs  de  Tyard,  seignevr  de  Bissy, 
et  depvis  euesque  de  Chalon.  fLe  tout  reueu  &  beaucoup  augments, 
depuis  la  derniere  edition]     A  Paris,  Chez  A.  L'Angeher,  1587. 

368  numb.  1.,  [24]  p.    fold,  pi.,  port.,  diagrs.    24  x  17'=°'. 
Printer's  mark  on  t.-p. 

Contents.— ^Solitaire  premier,  ov  Discours  de  muses,  &  de  la  fureur  poetique. — 
Solitaire  second,  ov  Discours  de  la  musique. — Mantice,  ov  Discours  de  la  verite 
de  diuination  par  astrologie. — Le  premier  cvrievx,  ov  Premier  discovrs  de  la 
natvre  dv  monde,  &  de  ses  parties. — Le  second  cvrievx,  ov  Second  discovrs  de 
la  natvre  dv  monde,  et  de  ses  parties,  traitant  des  choses  intellectuelles. — Sceve, 
ov  Discovrs  dv  temps,  de  Tan,  et  de  ses  parties. 

Ch.40 

SoUtaire  second,  ov  Prose  de  la  musique.  Lion,  Par  Ian  de 
Tovrnes,  1555. 

160,  [16]  p.    illus.  (port.)  fold,  pi.,  diagrs.    22^'="'. 

Title  within  ornamental  border,  in  this  copy  colored  by  hand;  initials. 

On  verso  of  t.-p.  is  a  portrait  of  the  author,  with  inscription  "  P.  D.  T.  en  son 
an  31 "  and  on  p.  [161]  is  a  laudatory  poem:  "G.  Altarij  Carolatis,  ad  Pontum 
Tyardaeum  endecasyllabi." 

ML171.T9 

U.,  B.  W. 

See  Neue  ...  art  zu  solmisiren,  1763. 

Uberti,  Grazioso. 

Contrasto  mvsico.  Opera  dilettevole  del  Signor  Gratioso  Vberti 
.  .  .     Roma,  L.  Grignani,  1630. 

4  p.  1.,  152  p.     ISi'''". 
Title  vignette. 

ML3795.A2U14 

Xnioa,  Pedro  de,  1663-1721. 

Musica  universal,  6  Principios  universales  de  la  musica,  dispuestos 
por  el  padre  maestro  Pedro  de  UUoa  .  .  .  Madrid,  En  la  Imprenta 
de  musica,  por  B.  Peralta,  1717. 

6  p.  1.,  104  p.     2  fold.  pi.    22^''°'. 

MT6.A2U42 


EARLY  BOOKS   ON    MUSIC  277 

Unger,  Johann  Friedrich  von,  1716-1781. 

Entwurf  einer  maschine,  wodurch  alles  was  auf  dem  clavier  gespie- 
let  wird,  sich  von  selber  in  noten  setzt.  Im  jahr  1752.  an  die  K6nigl. 
akademie  der  wissensc&aften  zu  Berlin  eingesandt,  nebst  dem  mit 
dem  herrn  direktor  Euler  dariiber  gefilhrten  briefwechsel,  und  eini- 

fen  andern  diesen  entwurf  betreffenden  nachrichten.     Von  Johann 
riedrich  Unger  .  .  .     Mit  8  kupfertabellen.     Braunschweig,  Filrstl. 
Waisenhaus-buchhandlung,  1774. 

5  p.  1.,  [3]-52  p.     VII  {i.  e.  8)  fold.  pi.  (partly  music)    21  x  17"'". 

ML1050.A2U5 

XTraniaii  society,  PMladelpJiia. 

See  Intkoductory  lessons,  practised  by  the  Uranian  society  [1785] 

XT    *    *    *    *       J^ 

See  Reflexions  sur  la  musique,  1785. 

Valenti-Gonzaga,  Silvio,  cardinal,  1690-1756,  editor. 

See  Bandini,  A.  M.     Commentariorvm  de  vita  .  .  .  loannis  Bapt. 
Doni,  1755. 

Vallara,  Francesco  Maria. 

Primizie  di  canto  fermo  del  padre  Francesco  Maria  Vallara  .  .  . 
Modona,  Per  A.  Capponi,  stampatore,  1700. 

8,  80  p.     23^  X  18'-™.  MT860.A2V17 

Scuola  corale  nella  quale  s'insegnano  i  fondamenti  piti  necessarii 
alia  vera  cognizione  del  canto  gregoriano,  composta  dal  padre  Fran- 
cesco Maria  Vallara  .  .  .     Modena,  Per  A.  Capponi,  stamp,,  1707. 

viii,  198  p.,  1 1.     24i  X  18^'^'". 

The  frontispiece  given  by  Gaspari  is  wanting  in  this  copy. 

MT850.A2V17 

Teorico-prattico  del  canto  gregoriano,  dato  alia  luce  dal  padre 
Francesco  Maria  Vallara  .  .  .     rarma,  G.  Rosati,  1721. 

viii,  140  p.     2  fold.  pi.     25i'''". 

MT860.A2V19 

[VaUe,  GugUelmo  deUa]  1740  M794? 

Memorie  storiche  del  p.  m.  Giambattista  Martini,  minor  conven- 
tuale  di  Bologna,  celebre  maestro  di  cappella.  Napoli,  Stamperia 
Simoniana,  1785. 

viii,  152  p.    20<'°i. 

ML410.M38V2 

Valliere,  Louis  Cesar  de  La  Baume  Le  Blanc,  due  de  la. 

See  La  Valliere,  Louis  Cesar  de  La  Baume  Le  Blanc,  due  de. 


278  LIBRARY   OF   CONGRESS 

Vallotti,  Francesco  Antonio,  1697-1780. 

Delia  scienza  teorica,  e  pratica  della  moderna  musica  libro  prime. 
Opera  del  p.  f,  Francescantonio  Vallotti  .  .  .  Padova,  Nella  stam- 
peria  del  Seminario,  appresso  G.  Manfre,  1779. 

xxxi,  168  p.    7  pi.  (1  fold.)  fold.  tab.    25J  x  19^<"". 

"Non  fu  pubblicato  che  questo  primo  volume;  ma  tutto  il  rimanente  dell'  ope- 
ra conservasi  ms.  nella  biblioteca  de'  Min.  conv.  al  Santo  di  Padova." — 
Ga«pari,  Catalogo  della  bibl.  del  Liceo  musicale  di  Bologna. 

ML3805.A2V2 


Vandermonde,  Alexandre  Theophile,  1735-1796. 

Second  memoire  sur  un  nouveau  syst^me  d'hannonie  appjlicable  k 
r^tat  actuel  de  lamusique.     ParM.  Vandermonde  .  .  .     [Paris,  1781  ?] 

18,  4  p.     27  X  21"™. 

Caption  title. 

Musical  illiistrations:  4  p.,  engr. 

ML3815.A2V23 


See  also  La  Borde,  J.  B.  de.     Memoires  sur  les  proportions  musi- 
cales,  1781. 


Vanneo,  Stefano,  h.  1493. 

Recanetvm  de  mvsica  avrea  a  magistro  Stephano  Vanneo  Reci- 
nensi  .  .  .  nuper  seditum,  &  solerti  studio  enucleatum,  Vincentio 
Rosseto  Veronensi  interprete.  Romae  apvd  Valerivm  Doricvm 
Brixiensem,  1533. 

4  p.  1.,  93  numb.  1.     illus.,  diagrs.     28"™. 
The  Italian  original  was  not  published. 


ML171.V26 


Vaucanson,  Jacques  de,  1709-1782. 

Le  mecanisme  du  fluteur  automate,  presents  a  messieurs  de  I'Aca- 
demie  royale  des  sciences.  Par  M.  Vaucanson,  auteur  de  cette 
machine.  Avec  la  description  d'un  canard  artificiel;  mangeant, 
beuvant,  digerant  &  se  vuidant,  epluchant  ses  ailes  &  ses  plumes, 
imitant  en  diverses  manieres  un  canard  vivant.  Invents  par  la 
mesme.  Et  aussi  celle  d'une  autre  figure,  ^galement  merveilleuse, 
jouant  du  tambourin  &  de  la  flute,  suivant  la  relation,  qu'il  en  a 
donnee  depuis  son  memoire  6crit.     Paris,  J.  Guerin,  1738. 

11  (i.  e.  23)  p.     front.     25^  x  lOi"™. 

Last  page  numbered  11  for  23. 

ML1055.A2V19 


Vayer,  Frangois  de  La  Mothe  le. 

See  La  Mothe  Le  Vayer,  Francois  de. 


EAELY  BOOKS  ON  MUSIC  279 

Vaz  Barradas  Muitop&o  e  Morato,  Joao,  h.  1689. 

Breve  resumo  de  cantocham,  com  as  regras  mais  principaes  e  a 
f6nna  que  devem  guardar,  o  director  do  coro  para  o  sustentar  firme 
na  corda  chamada  coral,  e  o  organista  quando  o  acompanha,  orde- 
nado  ao  uso  romano,  por  Joa6  V  az  Barrada  Muito  Pam,  e  Morato 
. .  .    Lisboa  Occidental,  Officina  da  musica,  1735. 

2  p.  1.,  59  p.    19i<'™. 

MT860.A2V39 

Flores  musicaes  colhidas  no  jardim  da  melhor  lipao  de  varios 
au tores.  Arte  pratica  de  canto  de  orgao,  indice  de  cantoria  para 
principiantes,  com  hum  breve  resummo  das  regras  mais  principaes 
de  acompanhar  com  instrumentos  de  vozfes,  e  o  conbecimento  dos 
tons  assim  naturaes  como  accidentaes  .  .  .  por  Joao  Vaz  Barradas 
Muito  Pam,  e  Morato  .  .  .  Lisboa  Occidental,  Officina  da  musica, 
1735. 

6  p.  1.,  113,  [6]  p.  incl.  pi.,  tables.    2P™. 

MT860.A2V41 

[Veal,  George] 

Musical  travels  through  England.  By  Joel  CoUier  [psettd.]  .  .  . 
London,  G.  Kearsly,  1774. 

viii,  59  p.    19^'="'. 


[Miscellaneous  pamphlets,  v.  1141,  no.  1] 

A  satire  on  Bumey.    Attributed  also  to  J.  L.  Bicknell. 


AC901.M5 


Musical  travels  through  England.     By  the  late  Joel  Collier 


,  .     4th  ed.     London,  G.  Kearsly,  1776. 

2  p.  1.,  vi  p.,  1 1.,  102,  28  p.     20i« 


ML429.V394 


Musical  travels  through  England.     By  the  late  Joel  CoUier 

. .  .     New  ed.     London,  G.  Kearsley,  1785. 

xiv,  [2],  126,  32  p.     15""^. 

ML429.V396 

Velasco,  Sebastian  Lopez  de. 

See  Lopez  de  Velasco,  Sebastian. 

Venceslaus  Philomathes,  de  Nova  Domo. 

Venceslai  Philomatis  de  Nova  Domo  Musicorum  libri  quatuor  .  .  . 
[Colophon:  Impressum  Viennse  Pannonise  per  loannem  Singrenium. 
Anno  M.D.xxiii.] 

[43]  p.     22"=". 

Below  title,  on  t.-p.:  "Rvdberti  Resch  Grecensis  .  .  .  epigramma  extempo- 
rale,  musicse  complectens  obiter  laudeni"  (14  lines  in  pentameter)  followed  by 
the  sentence  "Eme  lector  et  gavdebis"  in  capitals. 

Title  within  woodcut  border  with  printer's  mark;  initials.  Signatures:  a-d 
in  fours;  e  in  six.    This  copy  has  ms.  notes. 

The  present  is  the  3d  edition.  According  to  F^tis,  the  1st  edition,  Vienna, 
1512,  has  title:  Venceslai  Philomathis  de  Nova  Domo  Musicorum  libri  quatuor, 
compendioso  carmine  elucubrati. 

^  ML171.V36 


280  LIBEAEY   OF   CONGKESS 

Venezia,  Giacinto. 

Esercizio  accademico  sulla  musica  pubblicamente  esposto  da  cherici 
delle  scuole  pie  nel  coUegio  della  ducnesca  sotto  la  direzione  del  padre 
Giacinto  Venezia  .  .  .     Napoli,  1792. 

26  p.    23xl8i'^«. 

ML64.V3 

Venini,  Francesco,  1737-1820. 

De  i  principi  dell'  armonia  musicale,  e  poetica,  e  sulla  lore  appli- 
cazione  alia  teoria  e  alia  pratica  della  versificazione  italiana.  JDis- 
sertazione  dell'  abate  Francesco  Venini.     Parigi,  G.  C.  Molini,  Tan 

6me_(i7g8) 

2  p.  1.,  3-165  p.    21i«™. 

2d  edition.     Ist  edition,  Paris,  1784. 

PC1505.V5 

Verato,  Giovanni  Maria. 

II  Verrato  insegna  con  noua  e  breuissima  inuentione  facile  per 
imparare  per  tutte  le  chiaue,  a  leg^ere  le  notte,  cantare  &  portar  la 
batuda,  con  cinque  sole  regole,  in  dialogo  cioue  maestro,  &  discepolo 
.  .  .  Con  vn  epilogo  breue  per  li  maestri  che  insegnano.  Di  f.  Gio. 
Maria  Verrato  .  .  .    Novamente  stampata.    Venetia,  B.  Magni,  1623. 

1  p.  1.,  18  p.    23""'. 

MT44.A2V35 

Veridicus  Gratus,  psevd. 

See  Printz,  W.  C.     Phrynis  Mitilenseus,  1696. 

Verissimo  dos  Martyres,  1699?-1767. 

Director  ecclesiastico  das  ceremonias  da  Cinza,  Ramos,  e  de  toda  a 
Semana  santa,  conforme  as  rubricas  do  Missal  romano,  e  decretos  da 
S.  Congregapao  de  ritos,  com  todo  o  canto-chao  que  nos  sobreditos 
dias  se  deve  cantar  .  .  .  Pelo  R.  padre  Fr.  Verissimo  dos  Mar- 
tyres  .  .  .     Lisboa,  Ofiic.  de  J.  da  Costa  Coimbra,  1755. 

4  p.  1.,  407,  [1]  p.     19*'='° 

MT860.A2V51 

Director  funebre  de  ceremonias  na  administra^ao  do  sagrado 
viatico,  extrema-un^ao  aos  enfermos,  enterro,  officio  dos  defuntos, 
procissao  das  almas,  e  outras  funpoes  pertencentes  aos  mortos,  com  o 
canto,  que  em  to  das  se  deve  observar  .  .  .  Dedicado  ao  .  .  .  Senhor 
Luiz  Cesar  de  Menezes,  ii.  conde  de  Sabugosa  .  .  .  pelo  R.  P.  Fr.  Ve- 
rissimo dos  Martyres  .  .  .     Lisboa,  J.  da  Costa  Coimbra,  1749. 

7  p.  1.,  289  p.    20'="'. 

MT860.A2V5 

Veritophilus,  pseud. 

See  Raupach,  Christoph. 


EAELY  BOOKS   ON    MUSIC  281 

Vermehrter  /  und  nun  zum  zweytemnal  in  druck  bef 6rderter  kurtzer 
jedoch  grilndlicher  wegweiser  /  vermittelst  welches  man  nicht  nur 
allein  aus  dem  grund  die  kunst  /  die  orgel  recht  zu  schlagen  /  so  wol  was 
den  general-bass,  als  auch  was  zu  dem  gregorianischen  choralgesang 
erf ordert  wild /erlernen  .  . .  sondern  auch  weiland  herrn  Giacomo  Ca- 
rissimi  Sing-kunst  /  und  leichte  grund-regeln  /  vermittelst  welcher 
man  die  jugend  ...  in  der  music  perfectioniren  kan  /  zu  finden  seyn. 
Wobey  aucn  die  eigentliche  unterweisung  /  den  choral-gesang  zu  be- 
greiffen  /  alle  desselben  then  zu  erkennen  /  und  sich  nach  denselben  in 
den  introitibus,  Kyrie,  hymnis,  psalmis,  Benedictus,  Magnificat,  &c. 
wissen  auf  der  orgel  mit  den  praeambulis  zu  richten.     Deme  hinzu 

.  geMgt  ein  in  kupffer  verferti^ter  ubungs-plan  /  bestehend  in  aller- 
nand  praeambulis,  interambuhs,  versen,  toccaten,  tastaten,  varia- 
tionen,  fugen,  und  dergleichen  .  .  .  Allen  /  so  geist-  als  weltlichen  / 
welche  nothwendig  den  choral-gesang  verstehen  soUen  .  .  .  abson- 
derlich  denen  /  so  der  lateinischen  sprach  unerfahren  /  zu  lieb  in 
teutsch  hervor  gegeben  /  und  in  druck  verfertiget.  Augspurg,  J. 
Koppmayer,  1693. 

48,  55  p.    1  illus.    16  x  20^=™. 

"Prseambula,  variationen,  &c.":  55  p. 

MT35.A2K87 

See  also  Carissimi,  G.  G.     Ars  cantandi,  1693. 


Verschuere-Reynvaan,  Joos,  1739-1809. 

Muzijkaal  kunst-woordenboek,  behelzende,  de  verklaaringen,  als- 
mede  hot  gebruik  en  de  kracht  der  kunstwoorden,  die  in  de  muzijk 
voorkomen,  door  J.  Verschuere  Reynvaan  ...  [1.  deel]  Amsteldam, 
W.  Brave,  1795. 

xxii,  [2],  618  p.    fold,  plates.    21^'''". 

Cover  dated  1796.     Several  of  the  plates  are  printed  on  both  sides. 
Only  the  first  part  was  published,  covering  the  letters  A-M. 

Versuch    einer    systematischen    entwickelung    der    tactarten   und 
vorschl&ge  zu  neuen  tactzeichen. 

(In  Deutsches  magazin.    [Altona?]  1792.     17  x  10'='".    m&rz,  p.  [231]-264) 
Detached  copy. 

ML432.A2V5 

Vicentino,  Nicola,  h.  1511. 

L'antica  mvsica  ridotta  alia  modema  prattica,  con  la  dichiaratione, 
et  con  gli  essempi  de  i  tre  generi,  con  le  loro  spetie.  Et  con  Tinven- 
tione  di  vno  nvovo  stromento,  nel  qvale  si  contiene  tvtta  la  perfetta 
mvsica,  con  molti  segreti  mvsicali.  Nuouamente  mess'  in  luce,  dal 
reverendo  M.  Don  Nicola  Vicentino.     Roma,  A.  Barre,  1555. 

146  numb.  1.,  [10]  p.,  1 1.     illus.  (port.)     SIJ^'". 

Title  vignette.     Leaf  105  numbered  106. 

^  ML171.V43 


282  LIBBABY  OF   CONGBESS 

Vierling,  Johann  Gottfried,  1750-1813. 

Versuch  einer  anleitung  zum  pr^ludiren  Mr  ungeAbtere,  mit  bei- 
spielen  erl&utert,  von  Johann  Gottfried  Vierling  . .  .  Neue  ausg. 
Leipzig,  Breitkopf  und  H&rtel  [1794] 

28  p.    25"°. 

MT68.A2V66 

Vieville,  Jean  Laurent  Le  Cerf  de  la. 

See  Le  Ceef  de  La  Vievelle,   Jean    Laurent,   seigneur  de 
Freneuse. 

Villa  Lobos,  Mathias  de  Sousa. 

See  Sousa  Villa  Lobos,  Mathla.s  de. 

Villasagra,  Pedro  de. 

Arte,  y  compendio  del  canto  llano.  Brevissimo  en  su  inteligencia 
para  los  que  quieran  aprender  con  f  acilidad :  con  algunas  antiphonas, 
y  missas  para  la  practica.  Su  autor  el  P.  Fr.  Pedro  de  Villasagra  .  . . 
Valencia,  Impr.  de  la  viuda  de  J.  de  Orga,  1765. 

2  p.  1.,  136  p.    1  illus.    2P°». 

Appended:    "Adicion  al  Compendio  del  arte  de  canto  llano  ...    La  escribia 
Don  Manuel  Narro,"  Valencia,  1766.    12  p. 

MT860.A2V6 

Ville  sur  Dion,  Bernard  Oermain  Etienne  de  la,  comte  de  Lace- 
pede. 

See  Lacepede,  Bernard  Germain  Etienne  de  La  Ville  sub 
Illon,  comte  de. 

Villers,  Clemence  de. 

Dialogues  sur  la  musique,  par  M"®  de  Villers,  adress^s  a  son  amie. 
Paris,  Vente,  1774. 

64  p.    l?"™. 

ML1727.35.V7 

Vincent,  William,  1739-1815. 

Considerations  on  parochial  music.  By  WiUiam  Vincent  ...  2d 
ed.,  with  additions.    London,  T.  Cadell,  1790. 

iv,  43  p.    20i«™. 

ML3(X)1.V77 

Vinet,  filie,  1509-1587. 

See  DiscouRS  non  plus  melancoliqves  qve  divers,  1557. 

Viotti,  Giovanni  Battista,  1753-1824. 

M6moire  au  roi,  concemant  I'exploitation  du  privilege  de  POp^ra, 
demand^  par  le  sieur  Viotti.     (Pans  ?  1789  ?] 
50  p.    20"™. 

Dated  "  29  avrill789." 

ML1727.8.P2V5 


EARLY  BOOKS  ON  MUSIC  283 


Virdung,  Sebastian. 

See  LusoiNius,  O.    Mvsvrgia,  1536. 


[Vismes,  Alphonse  Denis  Marie  de,  called  de  Saint-Alphonse] 

1746-1792. 

Lettre  a  Madame   de   *  *  *,   sur  Top^ra  d'lphig^nie   en  Aulide. 
A  Lausanne,  1774. 

23  p.     18J<''». 

For  authorship  see  Pougin's  supplement  to  F6tis'  Biographic  universelle  des 
musiciens. 

ML1727.35.V74 


Vives,  Vincenzo  Requeno  y. 

See  Requeno  y  Vives,  Vincenzo. 


Vockerodt,  Gottfried,  1665-1727. 

Missbrauch  der  freyen  kunste  /  insonderheit  der  music  /  nebenst 
abgenSthigter  erdrterung  der  frage:  was  nach  d.  Luthers  und  anderer 
evangelischen  theologorum  und  politicorum  meinung  von  opern  und 
com6dien  zu  halten  sey  ?  Gegen  hn.  d.  Wentzels  /  hn.  Job.  Christian 
Lorbers  /  und  eines  weissenf elsischen  hof-musicantens  schm5,h-schriff- 
ten  .  .  .  vorgestellet  /  und  mit  einer  zugabe:  darinne  enthalten:  i. 
Eine  erinnerung  an  die  censores  dieser  schrifft :  ii.  Das  von  den  pas- 
quillanten  angefochtene  programma:  iii.  Der  hochldblichen  Theol. 
facult&t  zu  Giessen  bedencken:  iv.  Vorstellung  des  .  .  .  beginnens  des 
weissenf  elsischen  pasquillanten  .  .  .  hrsg.  von  Gottfried  Vockerodt .  .  . 
Franckfurt  /  Bey  J.  D.  Zunnern,  1697. 

176  p.,  11.     19  X  15i<"'". 

The  program  has  special  t.-p.:  .  .  .  De  falsa  mentium  intemperatarum  medi- 
ciaa  .  .  .    Litteris  Reyherianis. 

ML194.A2V6 

Gottfried  Vockerodts  .  .  .  Wiederholetes  zeugnus  der  warheit 
gegen  die  verderbte  music  und  schauspiele  /  opern  /  comddien  und 
dergleichen  eitelkeiten  /  welche  die  heutige  welt  vor  unschuldige  mit- 
teldinge  will  gehalten  wissen:  abgendthiget  durch  die  andere  von 
einem  weissf elsischen  hof-musicanten  /  im  jahr  1697.  herausgegebene 
schm&.h-schriflFt  .  .  .  Hierzu  komt  als  eine  zugabe  /  nebenst  andern 
.  .  .  materien  /  des  herrn  von  Chanteresme  grundliches  .  .  .  bedencken 
von  denen  heutigen  schau-spielen;  wie  aucn  des  .  .  .  hn.  Armand  yon 
Bourbon,  printzens  von  Conty,  herrliches  tract§,tlein  von  denen  pflich- 
ten  grosser  herren.     Franckfurt  und  Leipzig  /  Bey  J.  Bielcken  /  1698. 

6  p.  1.,  148,  59,  [1]  p.    19  X  15y^.     {WiA  his  Missbrauch  der  freyen  kunste.* 
Franckfurt,  1697) 

The  "tract&tlein  "  haa  special  t.-p. 

ML194.A2V6 


284  LIBRARY  OF   CONGRESS 

Vogelsang,  Joannes. 

Mvsicae  rv-  ||  dimenta,  per  loan.  ||  Vogelsangum  Lindauiensem, 
tarn  II  fideliter  quam  compendiose  ||  congesta.  ||  loan.  Pedionevs 
Rhse-  II  tus,  ad  literarum  tvrunculos.  ||  (^ui  cupis  in  teneris,  statim  per- 
discere  cantum,  ||  Annis,  nsec  musse  prima  clementa  para:  ||  Quse  tibi 
cui  nomen  cantus  foecere  uolucrum  ||  Succincto  tradit  colligit  atcjh 
libro.    [Colophon:  Auguste  Vindelicorum  per  Va-  ||  lentinum  Otthmar] 


lem 


[88]  p.     14i« 
Dedication  dated  1542.    Signatures:  A-E  in  eights,  F  in  four. 


ML171.V64 


Vogler,  Georg  Joseph,  aht,  1749-1814. 

Georg  Joseph  Vogler's  . . .  Stimmbildungskunst,     Mannheim,  Kuhr- 
furstliche  hoibuchdruckerei,  1776. 

[7]  p.    4  fold.  1.  (music)    18^"™. 

Leaves  printed  on  both  sides. 

MT820.A2V6 

Vogler's  Tonschule,  tonwissenschaft  und  tonsezkunst.     Nebst  bey- 
spielen  .  .  .     Offenbach  a/M,  J.  Andre  [n.  d.] 

2  V.  in  1.     fold,  tab.,  fold,  diagr.     IT^"". 

A  reissue,  with  Andre's  engr.  t.-p.  added,  of  Vogler's: 

Kxihrpf&lzische  tonschule.  Auf  kosten  des  verfassers.  Mannheim,  In 
commission  bei  herrn  C.  F.  Schwan,  und  bei  herrn  M.  G6tze  [1778] 

2v.inl(v.  l:viii,  96p.;  V.  2:4p.  l.,206p.)    fold,  tab.,  fold,  diagr.    17^"™. 

Contents. — 1.  th.  Tonkunst.  Clavierschule.  Stimmbildungskunst. 
Singschule.  Begleitungskunst. — 2.  th.  Tonwissenschaft.  Tonsezkunst. 
Nuzbarkeit  des  tonmases.    Gebrauch  der  harmonic.    Tonlehre. 

From  this  it  appears  that  the  "Nuzbarkeit  des  tonmases"  does  not  consti- 
tute a  third  part  to  the  work,  as  is  stated  in  Barclay  Squire's  "Catalogue of 
printed  music  (1487-1800)  in  the  British  mftseum." 

The  "Zweiter  theil "  is  apparently  a  reissue  with  the  original  t.-p.  of 
"Georg  Joseph  Vogler's  .  .  .  Tonwissenschaft  und  tonsezkunst,"  Mannheim, 
1776. 

The  "beyspiele"  refer  to  the  "Griinde  der  Kuhrpfalzischen  tonschule  in 
beispielen"  following. 

MT40.A2V88 

Griinde  der  Kuhrpfalzischen  tonschule  in  beispielen :  als  vor- 

bereitung  zur  Mannheimer  monat-schrift,  und  zu  den  herausgaben  des 
Offentlichen  tonlehrers.     [Mannheim,  1778] 


XXX  p.     30  X  24''°». 
Engraved  throughout. 


MT40.A2V883 


Verbesserung  der  Forkel'schen  ver&,nderungen  liber  das  englische 
volkslied  God  save  the  King.  Nebst  acht  kupfertafeln.  Frankfurt 
am  Main,  Varrentrapp  und  Wenner,  1793. 

2  V.  (v.  1:  48  p.     fold,  tab.;  v.  2:  10  p.)    W'^™  (v.  2:  35'^"') 

Preface  signed:  A.  V. 

Vol.  2,  engraved  throughout,  has  title:    Kontrapunktische  bearbeitung  des 
englischen  volkslieds  God  save  the  King. 

MT64.A2V6 

See  aZsoERSTE  musikahsche  preisaustheilung,  1794. 


EAELY  BOOKS  ON  MUSIC  285 

Vogt,  Moritz  Johann,  1669-1730. 

Conclave  Thesauri  magnse  artis  musicse  [in  quo  tractatur.  Prse- 
cipue  de  compositione  pura,  musicse  theoria,  anatomia  sonori,  musica 
enharmonica,  chromatica,  diatonica,  mixta,  nova,  &  antiqua:  termi- 
norum  musicorum  nomenclatura :  musica  authenta,  plagali,  chorali, 
figurali:  musicse  historia  .  .  .  &c.  .  .  .  Authore  R.  P.  Mauritio  Vogt] 
.  .  .     Vetero-Pragse,  typis  Georgij  Labaun,  1719. 

8  p.  1.,  223,  [3]  p.,  1  1.     illus.,  diagrs.     33^""'. 

Supposed  by  some  authorities  to  have  been  written  by  Tomds  Baltazar  Janovka 
and  merely  edited  by  Vogt. 

MT7.A2V75 

[Voigt,  C] 

Gespr&ch  von  der  musik,  zwischen  einem  organisten  und  adjuvan- 
ten,  darinnen  niclit  nur  von  verschiedenen  missbr&uchen,  so  bey  der 
musik  eingerissen,  gehandelt,  sondem  auch  eines  und  das  andere  beym 
clavier-  und  orgel-spielen  angemerket  wird  ...  an  das  licht  gestellet 
von  einem,  der  von  jugend  auf  christlich  vnterrichtet,  und  oeffentlich 
die  wabrheit  an  den  tag  gegeben.  In  iv.  unterredungen.  Erfurth, 
J.  D.  Jungnicol,  1742. 

5  p.  1.,  140  p.     front.     20  x  17''«. 

Preface  by  Lorenz  Mizler. 

ML3001.V89 

[Voisenon,  Claude  Henri  de  Fusee,  ahhe  de]  1708-1775. 

R^ponse  du  coin  du  roi  au  coin  de  la  reine.     2.  ed.  cor.  &  augm. 
[n.  p.,  1753] 

No,  1  in  a  volume  of  pamphlets  lettered  Quere[lle]  des  Bou£fo[ns] 

ML1727.33.A1 

See  also  Grimm,  F.  M.,  freiherr  von.    Le  petit  prophete  [1753?] 

Voltaire,  Frangois  Marie  Arouet  de,  1694-1778. 

See  Hertel,  J.  W.     Sammlung  musikalischer  schriften,  1757-58. 

Voye  Mignot,  de  la. 

See  La  Vote  Mignot,        de. 

Wagenseil,  Johann  Christoph,  1633-1705. 

Job.  Christophori  Wagenseilii  De  Sacri  rom.  imperii  Libera  civitate 
noribergensi  commentatio.  Accedit,  De  Germanise  pbonascorvm, 
von  der  meister-singer  /  origine,  prsestantia,  vtilitate,  et  institvtis, 
sermone  vernacvlo  liber.  Altdorli  Noricorvm,  typis  impensisqve 
J.  W.  Kohlesii.  1697. 

4  p.  1.,  7-576  (i.  e.  588)  p.    front.,  vign.,  plates  (partly  fold.)  ports.,  fold,  plan, 
tab.    21  x  164"=™. 

Between  p.  554  and  555  is  "  Der  meisterliche  hort,  in  vier  gekr6nten  th6nen, " 
[12]  p.  ^ 

"  Vrbs  Norimberga  carmine  heroico  illvstrata  per  Helivm  Eobanvm  Hessvm    : 

"•P'^HS^-  ML1S3.A2W3 


286  LIBEAEY   OF   CONGRESS 

Walder,  Johann  Jacob,  1750-1817. 

Anleitung  zur  singkunst  in  kurzen  regein  fur  lehrer  und  in  stuffen- 
weyser  reyne  von  uebungen  und  beyspielen  fur  schuler,  zum  gebrauch 
der  vaterl&ndischen  scnulen.  Von  J.  J.  Walder.  Zuricn,  Orell, 
Gessner,  Fussli  und  compagnie,  1788. 

XX,  60  p.    20J  X  17^"™. 

MT935.A2W26 

Walker,  Joseph  Cooper,  d.  1810. 

Historical  memoirs  of  the  Irish  bards.  Interspersed  with  anecdotes 
of,  and  occasional  observations  on,  the  music  of  Ireland.  Also,  an 
historical  and  descriptive  account  of  the  musical  instruments  of  the 
ancient  Irish.  And  an  appendix  .  .  .  By  Joseph  C.  Walker  .  .  . 
Dublin,  Printed  for  the  author,  by  L.  White,  1786. 

xii,  166,  124,  [6]  p.     front,  (port.)  illus.    27  x  21=™. 

Appendix:  no.  i.  Inquiries  concerning  the  ancient  Irish  harp  .  .  .  By  the 
Rev.  Edward  Ledwich. — ^no.  ii.  A  letter  ...  on  the  style  of  the  ancient  Irish 
music.  From  the  Rev.  Edward  Ledwich. — no.  iii.  An  essay  on  the  poetical 
accents  of  the  Irish:  by  William  Beauford. — no.  iv.  Dissertazione  del  Signor  cano- 
nico  Orazio  Maccari  di  Cortona,  sopra  un'  antica  statuetta  di  marmo,  rapprasen- 
tante  un  suonator  di  cornamusa. — no.  v.  Memoirs  of  Cormac  Coromon. — no.  vi. 
The  life  of  Turlough  O'Carolan.— no.  vii.  An  account  of  three  brass  trumpets, 
found  near  Cork:  with  remarks  thereon. — no.  viii.  An  essay  on  the  construction 
and  capability  of  the  Irish  harp,  in  its  pristine  and  present  state.  By  William 
Beauford. — no.  ix.  Select  Irish  melodies. 

ML287.W18 

Wallin,  Georg,  1686-1760. 

See  Wernsdorf,  G.     De  prudentia  [1723] 

Wallis,  John,  1616-1703. 

See  Salmon,  T.    A  proposal  to  perform  musick,  1688. 

Wallis,  John,  1616-1703,  translator. 

See  Ptolemaeus,  Claudius.     'ApiwvcKujv  ^c^^a  f,  1682. 

Walter,  Thomas.  1696-1725. 

The  grounds  and  rules  of  musick  explained:  or.  An  introduction 
to  the  art  of  singing  by  note.  Fitted  to  the  meanest  capacities  .  .  . 
Recommended  by  several  ministers,     [n.  p.,  17 — ] 

iii,  [1],  25  p.,  20  1.  (music)    12i  x  18'''". 

Imperfect,  wanting  t.-p.  and  plate  4.  Title  taken  from  that  of  the  Ist  edition, 
1721,  as  given  in  "Catalogue  of  the  American  library  of  .  .  .  Mr.  George  Brinley," 
Hartford,  1881.  According  to  Mr.  Metcalf,  however,  our  copy  is  not  of  the  1st 
edition,  but  was  published  probably  about  1740. 

Contains  (1)  "A  recommendatory  preface,"  dated  Boston,  April  18,  1721,  and 
signed  by  Increase  and  Cotton  Mather  and  13  other  ministers,  iii  p.  (2)  Expla- 
nation of  musical  characters.  [1]  p.  (3)  "Some  brief  and  very  plain  instructions 
for  singing  by  note."  25  p.  (4)  Music  (engraved)  consisting  of  "Rules  for 
tuning  the  voice"  (leaf  1)  followed  by  hymn  tunes  arranged  for  3  parts  (1.  2-20) 

M2116.W23 


EARLY  BOOKS  ON  MUSIC  287 

Walter,  Thomas — Continued. 

— I —  The  grounds  and  rules  of  musick  explained :  or,  An  intro- 
duction to  the  art  of  singing  by  note.  Fitted  to  the  meanest  capaci- 
ties. By  Thomas  Walter  .  . .  Boston:  Printed  for,  and  sold  by 
T.  Johnston,  1764. 

1  p.  1.,  25  p.,  24  1.  (music)     11^  x  17""'. 
The  first  20  1.  of  music  in  this  issue  correspond  to  those  in  the  foregoing. 

M2116.W24 

The  Sweet  psalmist  of  Israel.  A  sermon  preach'd  at  the  lecture 
held  in  Boston,  by  the  Society  for  promoting  regular  &  good  singing, 
and  for  reforming  the  depravations  and  debasements  our  psalmody 
labours  under,  in  ordet  to  introduce  the  proper  and  true  old  way  of 
singing.     Boston,  J.  FrankHn,  for  T.  Fleet,  1722. 

3p.  l.,6+p.     16°. 

Imperfect,  wanting  p.  7-28. 

Ch.  17.1063 

Walther,  Johann  Gottfried,  1684-1748. 

Musicalisches  lexicon,  oder  Musicalische  bibliothec,  darinnen  nicht 
allein  die  musici,  welche  so  wol  in  alten  als  neuern  zeiten,  ingleichen 
bey  verschiedenen  nationen,  durch  theorie  und  praxin  sich  hervor 

gethan,  und  was  von  jedem  bekamit  word  en,  oder  er  in  schrifften 
interlassen,  mit  allem  fleisse  und  nach  den  vomehmsten  umst^nden 
angefijhret,  sondern  auch  die  in  griechischer,  lateinischer,  itali&nischer 
una  frantz6sischer  sprache  gebr§.uchUche  musicalische  kunst-  oder 
sonst  dahin  geh6rige  w6rter,  nach  alphabetischer  ordnung  vorgetragen 
und  erkl&ret,  una  zugleich  die  meisten  vorkommende  signaturen 
erl&utert  werden  von  Johann  Gottfried  Walthern  .  .  .  Leipzig,  W. 
Deer,  1732. 

7  p.  1.,  659,  [7]  p.     XXII  fold.  pi.     22*^™. 

ML100.A2W2 

Weaver,  John,  1673-1760. 

An  essay  towards  an  history  of  dancing,  in  which  the  whole  art  and 
its  various  excellencies  arc  in  some  measure  explain' d.  Containing 
the  several  sorts  of  dancing,  antique  and  modern,  serious,  scenical, 
grotesque  .  .  .     London,  J.  Tonson,  1712. 

4p.  1.,  172p.     17"™. 

GV1601.W36 

The  history  of  the  mimes  and  pantomimes,  with  an  historical 
account  of  several  performers  in  dancing,  living  in  the  time  of  the 
Roman  emperors.  To  which  will  be  added,  a  list  of  the  modern 
entertainments  that  have  been  exhibited  on  the  English  stage,  either 
in  imitation  of  the  ancient  pantomimes,  or  after  the  manner  of  the 
modern  Italians;  when  ana  where  first  performed,  and  by  whom 
composed.    By  John  Weaver  .  .  .    London,  J.  Roberts  [etc.]  1728. 

56  p.     20'='^. 

[Miscellaneous  pamphlets,  vol.  31,  no.  6] 


288  LIBRARY  OF   CONGRESS 

[Webb,  Daniel]  1719?-1798. 

Observations  on  the  correspondence  between  poetrj  and  music. 
By  the  author  of  An  enquiry  into  the  beauties  of  painting  .  .  .  Lon- 
don, J.  Dodsley,  1769. 

vii,  155  p.     17i<"°. 

ML3849.A2W3 

Weidling,  Christian,  1660-1731,  praeses. 

.  .  .  Exercitatio  philologica  de  instrumentis  Ebrseorum  musicis 
mV^n^m  nirjJn  ex  psalmo  iv.  &  v.  .  .  .     Lipsise,  Uteris  J.  Coleri  [1686] 

[20]  p.     17i  X  Hi'-"'. 

Diss. — Leipzig  (J.  A.  Glaser,  respondent  and  author) 

ML166.A2G56 


Weimar,  Georg  Peter,  1734-1800. 

Versuch  kurzer  praktischer  uebungs-exempel  allerley  art  itiv 
schuler,  die  im  gesange  zum  sogenannten  notentreffen  oder  vom  blatt- 
singen  angeleitet  werden  sollen ;  ein  pendant  zu  Hillers  kilrzeren  und 
erleichterten  singeanweisung  .  .  .  von  Georg  Peter  Weimar  .  .  .  Leip- 
zig, Breitkopfische  musikhandlung  [1795] 

1  p.  1.,  110  p.    22  X  ITi""*. 

MT870.A2W3 


Weissbeck,  Johann  Michael,  1756-1808. 

Protestationsschrift,  oder  Exemplarische  widerlegung  einiger  stellen 
und  perioden  der  kapellmeister  Voglerischen  Tonwissenschaft  und 
tonsetzkunst,  von  Johann  Michael  Weissbeck,  d.  r.  g.  b.  Erlangen, 
Gedruckt  mit  Kunstmannischen  schriften,  1783. 

1  p.  1.,  17,  [5]  p.     21J  X  18''°>. 

Title  vignette. 

Contains  another  t.-p.,  undated,  and  with  different  vignette,  under  which  the 
motto:  Ich  werdekeinenspruchundkeineprufungscheuen.  Weissbeck  is  here 
designated  as  "juris  stud. 

"Anhang  zur  Protestations-schrift  .  .  .     Im  februar  1784":  [4]  p.  at  end. 

MT40.A2W45 

Werckmeister,  Andreas,  1645-1706. 

Andrese  Werckmeisters  .  .  .  Cribrvm  mvsicvm,  oder.  Musicalisches 
sieb,  darinen  einige  m&ngel  eines  halb  gelehrten  componisten  vorge- 
stellet,  und  das  b6se  von  dem  guten  gleichsam  ausgesiebet  und  abge- 
sondert  worden,  in  einem  sendschreiben  an  einem  [ !]  guten  freund 
dargestellet,  dann  denen  unzeitigen  componisten  zur  nachricht  und 
fleissigern  nachsinnen  zum  druck  bef6rdert  durch  Johann  Georg 
Carln  .  .  .     Quedlinburg  und  Leipzig,  T.  P.  Calvisius,  1700. 

4  p.  1.,  60  p.     19J  X  IG""*. 

Pages  42-60  contain  an  extract  from  Johann  Kuhnau's  "Der  musikalische 
quack-salber,"  Dresden,  1700. 

MT55.A2W48 


EARLY  BOOKS  ON  MUSIC  289 

Werckmeister,  Andreas —  Continued. 

Harmonologia  musica,  oder  Kurtze  anleitung  zur  musicalischen 
composition,  wie  man  vermittels  der  regeln  und  anmerckungen  bey 
den  general-bass  einen  contrapunctum  simplicem  .  .  .  durch  drey  sS,tze 
oder  griffe  componiren  /  una  extempore  spielen:  audi  dadurch  im 
clavier  und  composition  weiter  zu  scnreiten  und  zu  variiren  gelegen- 
heit  nehmen  k6nne :  benebst  einen  unterricht  /  wie  man  einen  gedop- 
pelten  contrapunct  und  mancherley  canones  oder  fugas  ligatas,  durch. 
sonderbahre  griffe  und  vortheile  setzen  und  einricnten  m6ge  /  aus 
denen  mathemathischen  und  musicalischen  griinden  aufgesetzet  und 
zum  drucke  heraus  gegeben  durch  Andream  Werckmeistern  .  .  . 
Franckfurth  und  Leipzig  /  In  verlegung  T.  P.  Calvisii,  Qvedlinburg, 
1702. 

13p.  1.,  142p.    20ixl6i'^'». 

MT55.A2W5 

Hypomnemata  musica,  oder  Musicalisches  memorial  /  welches 
bestehet  in  kurtzer  erinnerung  dessen  /  so  bisshero  unter  guten 
freunden  discurs-weise  /  insonderheit  von  der  composition  und  tem- 
peratur  m6chte  vorgangen  seyn  /  zu  eigener  nachricht  aufifgesezzet  / 
und  denen  musical-lernend-  und  liebenden  zum  besten  /  den  druck 
Tjbergeben  von  Andrea  Werckmeister  .  .  .  Qvedlimburg,  In  verlegung 
T.  P.  Calvisii,  1697. 

4  p.  1.,  44,  [3]  p.     20x15^""'. 

ML3809.A2W37 

Musicse  mathematicse  hodegus  curiosus.  Oder,  Richtiger  musica- 
lischer  weg-weiser  /  das  ist,  wie  man  nicht  alleine  die  naturlichen 
eigenschafften  der  musicalischen  proportionen  /  durch  das  mono- 
chordum,  und  ausrechnung  erlangen  /  sondern  auch  vermittels  der- 
selben  /  naturUche  und  richtige  rationes  liber  eine  musicalische 
composition  vorbringen  konne.  Benebenst  einem  allegor-morali- 
schem  /  von  der  music  entspringendem  anhange  .  .  .  Von  Andrea 
Werckmeistern  .  .  .  Franckiurt  und  Leipzig,  In  verlegung  T.  P. 
Calvisii,  1687. 

4  p.  1.,  160,  [12]  p.     20  X  15^'-'". 

ML3809.A2W3 

Musicalische  paradoxal-discourse,  oder  Ungemeine  vorstellungen  / 
wie  die  musica  einen  hohen  und  gdttlichen  uhrsprung  habe  /  und  wie 
hingegen  dieselbe  so  sehr  gemissbrauchet  wird.  Dann  wie  dieselbe 
von  den  lieben  alten  mit  grosser  schwiirig-  und  weitlaufftigkeit  / 
welche  uns  zum  theil  noch  anhanget  /  ist  fortgesetzet  worden  /  und 
wie  man  hingegen  in  vielen  stilcken  /  in  heutiger  musica  practica 
eines  nahern  weges  und  vortheils  sich  bedienen  kdnne.  &c.  So  wohl 
denen  so  ihre  music  zur  ehre  Gottes  gedencken  anzuwenden  /  auch 
andern  Gott-  und  kirchen-music  Hebenden  zum  weitern  nachdencken 
mathematice,  historice,  und  allegorice,  durch  die  musicahschen  pro- 
portional-zahlen  entdecket  /  und  vorgestellet  von  Andrea  Werck- 
meister .  .  .     Qvedlinburg  /  T.  P.  Calvisius,  1707. 

120,  [2]  p.    19^  X  1%'=^. 

Imperfect,  wanting  p.  27-28. 

ML3800.A2W4 

51234"— 13 19 


290  LIBRARY   OF   CONGRESS 

Werckmeister,  Andreas —  Continued. 

Die  nothwendigsten  aiunerckungen  /  und  regeln  wie  der  bassus 
continuus,  oder  general-bass  wohl  k6nne  tractiret  werden  /  und  ein 
jeder  /  so  nur  ein  wenig  wissenschafft  von  der  music  und  clavier  hat  / 
denselben  vor  sich  selbst  erlemen  k6nne.  Aus  dem  wahren  funda- 
ment der  musicalischen  composition  denen  anf&ngem  zu  besserer 
nachricht  aufgesezet  /  u.  aniezo  merckicb  [!]  vermehret  /  und  mit 
vielen  exempeln  erkl&ret  durch  Andreas  Werckmeistem  /  m.  u.  o.  z. 
S.  M.  i.  H.     Andere  aufl.     Aschersleben  /  G.  E.  Struntz,  1715. 

75,  [1]  p.    19  X  16 J"". 

MT49.A2W48 

iJie  nothwendigsten  anmerckungen  /  und  regeln  wie  der  bassus 


continuus,  oder  general-bass  wol  k6nne  tractiret  werden  und  ein  jeder 
so  nur  ein  wenig  wissenschafft  von  der  music  und  clavier  hat  den- 
selben vor  sich  selbst  erlemen  k6nne.  Aus  dem  wahren  fundament 
der  musicalischen  composition  denen  anf&ngern  zu  besserer  nachricht 
auffgesezzet  und  aniezzo  mercklich  vermehret  /  und  mit  vielen 
exempeln  erkl&ret  /  durch  Andreas  Werckmeistem  /  m.  u.  o.  z.  S.  M. 
i.  H.     Aschersleben  /  G.  E.  Struntze  [n.  d.] 

72,  [4]  p.     18  X  IS""*. 

As  most  of  the  errata  in  this  edition  are  also  in  the  edition  of  1715,  it  is  not 
possible  to  determine  which  is  the  earlier.  Various  authorities  date  the  Ist 
edition  1698  and  describe  as  the  third  an  undated  edition. 

MT49.A2W47 

.  .  .  Organum  gruningense  redivivum,  oder  Kurtze  beschreibung 
des  in  der  gruningischen  schlos-kirchen  beruhmten  orgel-wercks,  wie 
dasselbe  anfangs  erbauet  und  beschaffen  gewesen:  und  wie  es  anitzo 
...  ist  renoviret  und  mercklich  verbessert  worden  .  .  .  von  Andreas 
Werckmeister.  Quedlinburg  und  Aschersleben  /  G.  E.  Struntz 
[pref.  1705] 

[36]  p.    19  X  15J«^. 

ML594.G7 

Andrese  Werckmeisters  .  .  .  erweiterte  und  verbesserte  Orgel-probe  / 
oder  Eigentliche  beschreibung  /  wie  und  welcher  gestalt  man  die  orgel- 
wercke  von  den  orgelmachern  annehmen  /  probiren  /  untersuchen  und 
denen  kirchen  Uefern  k6nne;  auch  was  bey  verdungniss  eines  neuen 
und  alten  wercks  /  so  da  zu  renoviren  vorf alien  m6chte  /  nothwendig  in 
acht  zu  nehmen  sey  .  .  .  jetzo  von  dem  autore  selbst  iibersehen  /  mit 
grAndhchen  uhrsachen  bekr&fftiget  /  und  zum  druck  befordert. 
Qvedlinburg,  In  verlegung  T.  P.  Calvisii,  1698. 

8  p.  1.,  84,  [4]  p.     19«°'. 

Added  t.-p.,  engr.,  in  this  copy  colored  by  hand. 

ML552.A2W4 

Andreas  Werckmeisters  .  .  .  erweiterte  und  verbesserte  Orgel- 


probe  /  oder:  Eigenthche  beschreibung  wie  und  welcher  gestalt  man 
die  orgelwercke  von  den  orgelmachern  annehmen  /  probiren  /  unter- 
suchen und  denen  kirchen  Hefem  k6nne;  auch  was  bey  verdiingniss 
eines  neuen  und  alten  wercks  /  so  da  zu  renoviren  vorfcillen  m6chte  / 
nothwendig  in  acht  zu  nehmen  sey  .  .  .  jezo  von  dem  autore  .selbst 


EAELY  BOOKS  ON  MUSIC  291 

Werckmeister,  Andreas — Continued. 

libersehen  /  mit  grundlichen  ursachen  bekr&fftiget  /  und  zum  druck 
bef6rdert.     Quedlinburg  und  Aschersleben  /  G.  E.  Struntz  /  1716. 
12  p.  1.,  85,  [3]  p.    21  X  16J«»». 

Added  t.-p.,  engr. 

ML552.A2W41 

Andreas  Werkmeisters  erweiterte  und  verbesserte  Orgelprobe. 

Leipzig,  J.  M.  Teubner,  1754. 

110  p.     front.     17'=°'. 

ML552.A2W42 

Werckmeister,  Andreas,  1645-1706,  translator. 

See  Steffani,  A.     Send-schreiben,  1700. 

[Wernich,  Johann  Carl  Gustav]  d.  1796. 

Versuch.  einer  richtigen  lehrart  die  harfe  zu  spielen,  wobey  die 
grundsS-tze  nach  welchen  dieses  instrument  erlernet  werden  muss, 
mit  der  grSssten  deutlichkeit,  und  solchergestalt  vorgetragen  wer- 
den, dass  der  liebhaber  desselben  eine  hinl&ngiiche  geschicklichkeit 
darauf  erlangen  k6nne,  von  J.  C.  G.  W.     Berlin,  G.  L.  Winter,  1772. 

8  p.  1.,  43  p.     1  illus.     21^  X  l?"*". 

Dedication  signed:  J.  C.  G.  Wemich. 

MT540.A2W57 

Wernsdorf,  Gottlieb,  1668-1729,  praeses. 

.  .  .  De  prudentia  in  cantionibus  ecclesiasticis  adbibenda  .  .  .  Wit- 
tenbergae.  Uteris  vidvae  Gerdesiae  [1723] 

76  p.    W™. 

Diss. — ^Wittenberg  (Georg  Wallin,  respondent  and  author) 

ML3001.W49 

Wiedeburg,  Michael  Johann  Friedrich,  h.  ca.  1735, 

Musikalisches  charten-spiel  ex  G  dur,  wobey  man  allezeit  ein  musi- 
kalisches  stuck  gewinnet,  zum  vergnugen  und  zur  uebung  der  clavier- 
spieler  und  zum  gebrauch  der  organisten  in  kleinen  st§.dten  und  auf 
aem  lande.  Erstes  spiel.  Von  Mich.  Joh.  Fridr.  Wideburg  .  .  . 
Aurich,  A.  F.  Winter,  1788. 

8,  48  p.     22i  X  19'=™. 

No  more  published. 

MT68.A2W4 

Der  sich  selbst  informirende  clavierspieler,  oder  Deutlicher  und 
leichter  unterricht  zur  selbstinformation  im  clavierspielen  ...  so 
deutlich  und  mit  fleiss  weitl&uftig  abgef asset,  dass  die  liebhaber  .  .  . 
sich  selbst  so  weit  bringen  kdnnen,  nach  noten  ein  lied  auf  dem 
clavier  zu  spielen,  nebst  dreyssig  bekannten  liedermelodien  und  einer 
aria,  wie  auch  einer  kurzen  anweisung  alle  Ueder  auch  nach  dem 
generalbass  spielen  zu  lernen,  aufgesetzet  von  Michael  Johann  Fried- 
rich  Wiedeburg  .  .  .  Halle  und  Leipzig,  Verlag  der  buchhandlung 
des  Waisenhauses,  1765-75. 

3  V.  in  4.     2  pi.  (1  fold.)    24J  x  19^''"'. 


292  LIBRARY   OF   CONGRESS 

Wiedeburg,  Michael  Johann  Priedrich — Continued. 

Vols.  2  and  3  have  special  t.-p.:  (v.  2)  Anderer  theil  des  Sich  selbst  infonni- 
renden  clavier-spielers,  oder  Deutlicher  und  grundlicher  unterricht  zur  selbst- 
information  im  general-bass  .  .  .  Von  Michael  Johann  Friedrich  Wideburg  .  .  . 
Halle,  Gedruckt  und  verlegt  im  Waisenhause,  1767.  (v.  3)  Dritter  theil  .  . . 
worin  gezeiget  wird,  wie  ein  liebhaber  der  music  bey  fleissiger  selbst-information 
nicht  allein  .  .  .  zum  fantasiren  auf  der  orgel  und  dem  clavier,  Bondem  auch  zu 
einer  geschicklichkeit,  allerley  musicalische  stucke  .  .  .  zu  verfertigen  und  zu 
componiren,  gelangen  kan  .  .  .    Halle,  -Im  verlag  des  Waisenhauses,  1775. 

MT248.A2W64 

[Wiese,  Christian  Ludwig  Gustav,  freiherr  von]  1732-1800. 

Discours  analytique  sur  la  coherence  imperturbable  de  Funite  du 
principe  des  trois  premieres  parties  integrantes  de  la  th^orie  musicale, 
et  qui  sent:  1.)  La  partie  canonique  ...  2.)  La  partie  melodique  .  . . 
3.)  La  partie  harmonique  .  .  .  Ouvrage  enrichi  de  cinq  tables  formu- 
laires  .  .  .  Par  le  B.  de  W.  .  .  .  Dresde,  Chez  les  freres  Walther, 
1795. 

38  p.     5  fold.  pi.     22i  X  IG''™. 

ML3805.A2W5 

Versuch  eines  formularisch  und  tabellarisch  vorgebildeten  leit- 
f  ad  ens  im  bezug  auf  die  quelle  des  harmonischen  tonungsausflusses; 
ferner  auf  die  mechanisch  ausfiihrbare  stimmungsiibertragung  der 
sowohl  rationalstimmung,  als  auch  ungleichschwebenden  fixen  tem- 

Seraturstimmung  auf  der  orgel  und  den  tastenjnstrument  .  .  .     Dres- 
en,  P.  C.  Hilscher  [1791] 

1  p.  1.,  33  p.     24  X  36''">.  , 

Engraved  in  part. 

ML3809.A2W6 

Wilisch, 

See  Nachgedanken  herrn  m.  Joh.  Gottl.  Biedermanns,  1750. 

Wilke,  Johann  Georg  Leberecht  von,  1730-1810. 
See  MusiKALiscHES  handwdrterbuch,  1786. 

Wochentliche  nachrichten  und  anmerkungen  die  musik  betreffend. 
1.  jahrg.  1.  Jul.  1766-22.  jun.  1767;  3.  jahrg.,  4.  jul.  1768-26.  jun. 
1769;  4.  jahr^.,  1.  jan.-24.dec.  1770.  Leipzig,  Im  verlag  der  Zei- 
tungs-expedition,  1766-70. 

3  V.    24J  X  19<>"'. 

Each  quarter-year  has  t.-p.    4.  jahrg.  has  title:   Musikalische  nachrichten  und 
anmerkungen  auf  das  jahr  1770.     1.  [-52.]  stiick.    (Signatures:  iv.  jahrg.) 

J.  A.  Hiller,  editor. 

L.  of  C.  set  lacks  2.  jahrg.  and  24  numbers  published  July  10-Dec.  25,  1769,  as 
anhang  to  the  3.  jahrg. 

ML4.W6 

Wolf,  Ernst  Wilhelm,  1735-1792. 

Auch  eine  reise,  aber  nur  eine  kleine  musikaHsche,  in  den  monaten 

i'unius,  Julius  und  august  1782  zum  vergnii^en  angestellt  und  .  .  . 
>eschrieben  und  herausgegeben  von  Ernst  Wilhelm  Wolf  .  .  .     Wei- 
mar, C.  L.  Hoffmanns  sel.  wittwe  und  erben,  1784. 

64  p.    16=™. 

ML275.3.W75 


EAELY  BOOKS  ON  MUSIC  293 

Wolf,  Ernst  Wilhelm — Continued. 

Musikalischer  unterricht.  Vom  ton;  von  den  tonleitem;  von  den 
kon-  und  dissonirenden  t6nen;  denen  daraus  entstehenden  akkorden 
u.  s.  w.;  von  den  fortschreitungen  der  t6ne  und  akkorde;  von  ihren 
ausweichungen,  aufldsungen  und  den  daraus  entstehenden  ver- 
schiedenenkadenzen;  vomtakt  .  .  .  vom  tempo;  von  der  melodie  .  .  . 
vom  generalbass,  und  von  der  harmonisclien  modulazion;  vom  kon- 
trapunkt  .  .  .  von  der  nachahmung  .  .  .  von  der  fuge  .  .  .  alles  durch 
pjraktische  beyspiele  erl&utert ;  vom  ausdruk,  und  etwas  von  der  ein- 
richtung  musikalischer  tonstilkke  .  .  .  geschrieben  und  hrsg.  von 
Ernst  Wilhelm  Wolf.     Dresden,  Hilschersche  musikverlage,  1788. 

2  V.  (v.  1:  2p.  1.,  76p.;  V.  2:  Ip.  1.,  54p.)    34i«». 

Vol.  [2],  "Praktische  beyspiele,"  is  engraved  throughout. 

MT40.A2W85 

Wolf,  Georg  Friedrich,  1762-1814. 

Kurzgefasstes  musikalisches  lexikon,  zusammengetragen  von  Georg 
Friedrich  Wolf  .  .  .     Halle,  J.  C.  Hendel,  1787. 

xiv,  192  p.    20''"'. 

ML100.A2W8 

Georg  Friedrich  Wolfs  .  .  .  Unterricht  im  klavierspielen  .  .  .  Halle, 
J.  C.  Hendel,  1799. 

2  V.  in  1  (v.  1:  104  p.;  V.  2:  96  p.)     20"™.      ' 

Parti:  4.,  verb,  und  verm.  aufl.    Part  2:   Zweiter  theil,  welcher  die  anfangs- 
grunde  des  generalbasses  entMlt.    2.,  verb,  und  verm.  aufl. 

MT220.A2W85 

Georg  Friedrich  Wolfs  Unterricht  in  der  singekunst.  Halle  in 
Sachsen,  J.  C.  Hendel,  1784. 

123,  [1]  p.    20i«°'. 

Title  vignette. 

MT820.A2W7 

Wollick,  Nicolas. 

Opus  Aureum.  ||  Musice  castigatissimu  ||  de  Gregoriana  et  Figura- 
tiua  atqj  con  ||  trapticto  simplici  percomode  tra  ||  ctans  omib^  cantu 
oblectan  ||  tibus  vtile  et  necessa-  ||  rium  e  diuersis  J|  excerptum  || 
Fata  regunt  finem,  spero  dij  cepta  secundent  ||  Qui  ducis  vultus  &  non 
legisista  libenter  ||  Omnibus  inuideas,  liuide  nemo  tibi  |  [Colophon: 
C  Explicit  opusculu  musices  oib)  volentib)  cantum  |  vtrucb  scire 
necessariu  fausto  fine  Impressum  Colo-  ||  nie  in  edibus  honesti  viri 
Henrici  Quentell.  Anno  |]  domini.  M.ccccc.iiij] 
[78]  p.     lillus.,  diagr.    21"°'. 

Signatures:  A",  B\  C^  D-E*,  F^,  G*,  H^  (one  leaf,  to  complete  signature  H, 
wanting) 

In  four  parts,  of  which  only  the  first  two,  treating  of  the  Gregorian  choral,  are 
by  Wollick;  the  last  two,  dealing  with  florid  song,  are  by  Malcior  of  Worms. 
The  staves  alone  are  given  for  the  musical  examples  of  the  third  and  fourth 

parts.  .,,     .     • 

On  the  last  page  is  a  letter  headed:  Nicolaus  wollick  de  Serouilla  Artiu  magister 

dno  Ade  Popardiensi  sacre  pagine  licentiato  ac  in  gymnasio  Corneliano  regenti 

Salute.  P.  D. 
According  to  Fetis  this  is  a  reissue  of  the  1st  edition,  Cologne,  1501,  with 

new  t.-p. 

^  ML171.W75 


294  LIBRARY   OF   CONGRESS 

Wollick,  Nicolas — Continued. 

C  Enchiridio  musices  Nicolai  wolici  ||  Barroducensis  de  grego- 

riana  et  figu  ||  ratiua  atq,  cotrapticto  simplici  pcom-  ||  mode  tractas  / 
omnibus  cantu  oblecta  ||  tibus  perutile  et  necessarium.  ||  C  Distichon. 
II  Fata  regunt  musas  placidum  pertingere  callem  ||  Aiinuet  optanti 
cepta  canora  deus.  ||  [printer's  mark]  ||  G  Distichon 'in  zostum.  || 
Liuidus  americos  liuenti  murmure  tractus.  ||  Vadat:  vt  inuidiam 
liuor  acerbus  edat.  {Colophon:  C  Impressum  Parisii  impensa  .  .  .  Jo- 
hanis  ||  Parui  ad  itersigniti  leonis  argentei.  z  Francisci  Regnault  ad 
in-  I  tersigniu  diui  Claudii  comoratiu.  Anno  virginei  partus.  1512. 
14.   j  kalendas  Nouembris] 

[163]  p.    illus.    19'"". 

Signatures:  a-i^  k®,  1*.    Gothic  type;  rubricated.    Lettered:  Thesaurus  melo- 
diae. 

ML171.W86 

Wonnegger,  Johann  Ludwig. 

See  Glareanus.     Musicse  epitome  [1559] 


An  enquiry  into  the  principal  phsenomena  of  sounds  and  musical 
strings.     By  Matthew  Young  .  ,  .     London,  G.  Robinson,  1784. 


Young,  Matthew,  Ip.  of  ClonfeH,  1750-1800 

An  enquiry  into  the  principal  phf 
rings.     By  Matthew  Young  ...     I 

3  p.  1.,  203  p.    pi.,  diagrs.  on  fold.  pi.    22«°». 

QC225.Y8 

Yzo, 

Lettre  sur  celle  de  M.  J.  J.  Rousseau,  citoyen  de  Geneve,  sur  la 
musique.     Par  M.  Yzo  .  .  .     [Paris]  1753. 

24  p.     16""'. 

Addressed  to  "Monsieur  Breun  de  Larcherie,  Am^ricain." 

ML1727.33.Y97 
See  also  Iso. 

Zacconi,  Giulio  Cesare,  in  religion  Lodovico,  1555-1627. 

Prattica  di  mvsica  vtile  et  necessaria  si  al  compositore  per  com- 
porre  i  canti  suoi  regolatamente,  si  anco  al  cantore  per  assicurarsi  in 
tutte  le  cose  cantabili.  Divisa  in  qvattro  Ubri.  Ne  i  qvali  si  tratta 
delle  cantilene  ordinarie,  de  tempi  de  prolationi,  de  proportioni,  de 
tuoni,  et  della  conuenienza  de  tutti  gU  istrumenti  musicah.  S' insegna 
a  cantar  tvtte  le  composizioni  antiche,  si  dichiara  tutta  la  messa  del 
Palestina  titolo  Lome  arme,  con  altre  cose  d'importanza  &  dilet- 
teuole.  Vltimamente  s'  insegna  il  modo  di  fiorir  una  parte  con  uaghi 
&  modemi  accenti.  Composta  dal  r.  p.  f .  Lodovico  Zacconi  .  . , 
Venetia,  B.  Carampello,  1596. 

6  p.  1.,  218  numb.  1.    illus.    29<='». 

Title  vignette.  Leaves  30,  67,  124,  130,  188  numbered  29,  140,  130,  122,  194 
respectively. 

Leaf  inserted  before  leaf  50,  bearing  also  the  number  50,  and  having  on 
recto  the  alto,  etc.:  Beatus  author  seculi,  in  measured  notation;  on  verso,  canto 
etc. :  Gloria  tibi  domine,  in  black  choral  notation.  The  original  leaf  has  on  recto 
the  alto,  etc.:  Beatus  author  seculi,  in  black  choral  notation,  and  on  verso,  text. 

According  to  Gaspari  this  edition  is  the  same,  t.-p.  excepted,  as  the  edition 
of  1592. 

A  second  part  was  published  at  Venice  in  1622. 

ML171.Z23 


EARLY  BOOKS   ON    MUSIC  295 

Zanger,  Johann. 

Practicae  mv-  ||  sicae  praecepta,  ||  pveritiae  institvendae  ||  gratia, 
ad  certam  metho-  J|  dum  reuocata,  per  I]  loannem  Zange-  J  rum 
Oenipontanum.  ||  Lipsiae,  ||  In  officina  Typographica  ||  Georgij 
Hantzsch.  ||  Anno  ||  1554. 

[154]  p.    lillus.    20"°'. 

S^natures:  A-S  in  fours,  T  in  six  (last  leaf  blank)     Guidonian  hand  on  verso 
ofB2. 

ML171.Z26 

De  zangkunst  gemaklijk  gemaakt;  of,  Musykaal  handboek;  met 
behulp  van  't  welke  men  alle  de  gronden  dier  loflijke  kunst  zonder 
meester  kan  leeren :  benevens  eene  duidelijke  verklaaring  van  de 
hoogstnuttige  transpositie:  opgehelderd  met  veele  voorbeelden,  op 
uitslaande  plaaten,  zeer  zindelyk  in  't  koper  gegraveerd.  Amster- 
dam, H.  Gartman,  1788. 

40  p.     front.,  9  fold.  pi.     19^"™. 

Introduction  signed:  D.  v.  H. 

A  new  edition  of  Dirk  van  der  Hooch's  Grondslag  van  't  vocaalmuzijk? 

MT870.A2Z2 

Zanotti,  Francesco  Maria,  1692-1777. 

Lettere  del  Sig.  Francesco  Maria  Zanotti,  del  pad.  Giambatista 
Martini,  min.  con.,  del  pad.  Giovenale  Sacchi,  c.  r.  b.,  accademici 
deir  Istituto  di  Bologna,  nelle  quali  si  propongono,  e  risolvono  alcuni 
dubbj  appartenenti  al  trattato:  Delia  divisione  del  tempo  nella 
musica,  nel  ballo,  e  nella  poesia,  pubblicato  in  Milano  I'anno  1770 
nella  stamperia  Malatesta;  e  aU'  altro:  Delle  quinte  successive  nel 
contrapnunto,  e  delle  regole  degli  accompagnamenti,  pubblicato  nella 
medesima  stamperia,  I'anno  1780.  Milano,  Stamperia  de'  fratelli 
Pirola,  1782. 

2  p.  1.,  [3]-59  p.     23'- 


}pm 


Pages  &-10,  39-40  (half-titles?)  do  not  appear  in  this  copy. 
The  treatises  in  question  were  written  by  Sacchi. 

MT55.A2Z2 

Zapata,  Maurizio,  1640-1709. 

Ristretto,  overo  breve  discorso  sopra  le  regole  di  canto  fermo,  di 
D.  Mavrizio  Zapata  .  .  .     Parma,  G.  dall'  Oglio,  e  I.  Rosati,  1682. 

64  p.     21'"™. 

MT860.A2Z2 

Zarlino,  GioseflFo,  d.  1590. 

De  tvtte  I'opere  del  r.  m.  Gioseffo  Zarlino  .  .  .  ch'  ei  scrisse  in 
bvona  lingva  italiana;  gia  separatamente  poste  in  luce;  hora  di 
nuouo  corrette,  accresciute,  &  migliorate,  insieme  ristampate  .  .  . 
Venetia,  Francesco  de'  Franceschi  Senese,' 1588-89. 

4  V.  in  3.     illus.,  diagrs.  (1  fold.)     ?>0^''^. 

Printer's  mark  on  t.-p.     Title  varies. 

Contents. — I.  v.  L'istitvtioni harmoniche.  1589.  —2.  v.  Le  dimostrationi  har- 
moniche.  1589. — 3.  v.  Sopplimenti  mvsicali  .  .  .  ne  i  quali  si  dichiarano 
molte  cose  contenute  ne  i  due  primi  volumi,  delle  istitutioni  e  dimostrationi; 
per  essere  state  mal'  intese  da  molti;  e  si  risponde  insieme  alle  loro  calonnie. 
1588. — 4.  V.  II  trattato  delLa  patientia,  II  discorso  del  vero  anno,  &  giorno  della 
morte  di  Christo,  L'origine  de  i  r.  p.  Capuccini,  et  Le  risoliitioni  d'alcune  di- 
mande  fatte  intomo  la  coiTettione  del  calendario  di  Giulio  Cesare.   1589. 

ML171.Z33 


296  LIBRAE Y   OF   CONGRESS 

Zarlino,  Gioseffo — Continued. 

Dimostrationi  harmoniche  del  r.  m.  Gioseffo  Zarlino  .  .  .  Nelle 
quali  realmente  si  trattano  le  cose  della  musica:  &  si  risoluono  molti 
dubii  d'importanza.  Opera  molto  necessaria  h.  tutti  quelli,  che 
desiderano  di  far  buon  profitto  in  questa  nobile  scienza.  Con  la 
tauola  delle  materie  notabiU  contenute  nell'  opera  .  .  .  Venetia, 
Francesco  de  i  Franceschi  Senese,  1571. 

4  p.  1.,  312,  [10]  p.,  1 1.    illua.,  diagre.    30«°». 

Printer's  mark  on  t.-p. 

ML171.Z37 

Le  istitvtioni  harmoniche  di  m.  Gioseffo  Zarlino  da  Chioggia;  nelle 
quali;  oltra  le  materie  appartenenti  alia  mvsica;  si  trouano  dichiarati 
molti  luoghi  di  poeti,  d'mstorici,  &  di  filosofi;  si  come  nel  leggerle  si 
potra  chiaramente  vedere  .  .  .     Venetia,  1558. 

6  p.  1.,  347  p.    diagrs.    30i''°». 

Printer's  mark  (?)  on  t.-p.,  with  legend:  Excubo  ac  vigilo.     Text,  preface  and 
table  of  contents  printed  in  italics.    Page  95  wrongly  numbered  87. 

ML171.Z35 

Istitvtioni  harmoniche  del  rev.  messere  Gioseffo  Zarlino  .  .  . 


di  nuouo  in  molti  luoghi  migUorate,  &  .  .  .  ampliate.  Nelle  quali; 
oltra  le  materie  appartenenti  alia  mvsica;  si  trouano  dichiarati  molti 
luoghi  di  poeti,  historici,  &  di  filosofi;  si  come  nel  leggerle  si  potra 
chiaramente  vedere.  Con  due  tauole;  I'vna  che  contiene  le  materie 
principali:  &  I'altra  le  cose  piti  notabili,  che  nell'  opera  si  ritrouano  .  .  . 
Venetia,  Francesco  de  i  Franceschi  Senese,  1573. 

6  p.  1.,  428,  [20]  p.     illus.,  diagrs.     30"=". 

Printer's  mark  on  t.-p. 

Bound  with  the  "  Dimostrationi  harmoniche"  and  "Sopplimenti  musicali." 

ML171.Z37 

Sopphmenti  mvsicali  del  rev.  m.  Gioseffo  Zarlino  .  .  .  Ne  i  quali  si 
dichiarano  molte  cose  contenute  ne  i  due  primi  volumi,  delle  Istitu- 
tioni  &  Dimostrationi;  per  essere  state  mal'  intese  da  molti;  &  si 
risponde  insieme  alle  loro  calonnie.  Con  due  tauole.  Tuna  che  con- 
tiene i  capi  principali  delle  materie,  &  I'altra  le  cose  piti  notabili,  che 
si  trouano  nell'  opera.  Terzo  volume  .  .  .  Venetia,  Francesco  de' 
Franceschi,  Sanese,  1588. 

8  p.  1.,  330,  [20]  p.    illus.  (incl.  coat  of  arms)  diagrs.  (1  fold.)     30"'". 

Printer's  mark  on  t.-p. 

Boimd  with  "Dimostrationi  harmoniche"  and  "Istitutioni harmoniche.'' 

ML171.Z37 
See  also  Cerone,  D.  P.     El  melopeo,  1613. 

Zeidler,  Carl  Sebastian,  1719-1786. 

Dissertatio  epistolica  de  vetervm  philosophorvm  stvdio  mvsico, 
qvam  .  .  .  domino  Erhardo  Andreae  Frommanno  in  anniversario 
Academiae  altdorffinae  sacro  a.  d.  xxix.  ivnii  mdccxlv.  dignitatem 
philosophicam  impetranti  gratvlationis  cavssa  dicat  Carolvs  Sebas- 
tianvs  Zeidler  .  .  .     Norimbergae,  typis  A.  BieUngii  [1745] 

12  p.     20  X  16i«™. 

ML168.Z34 

See  also  Gruber,  J.  S.     Bejiir&ge  zur  htteratur  der  musik. 


EARLY  BOOKS  ON  MUSIC  297 

Zeidler,  Johann  Georg,  h.  ca.  1590,  praeses. 

.  .  .  Ternarius  musicus  .  .  .  Jena[e]  typis  Henri[ci  Rauchmauls? 
1615] 

[8]  p.     18  X  ISO*". 

Diss. — Jena  (U.  Fritsch  respondent) 
Imperfect,  part  of  t.-p.  torn  off. 

ML64.Z34 

Zeno,  Apostolo,  1668-1750. 

See  Allacci,  L.     Drammaturgia,  1755. 

Zuccari,  Carlo. 

The  true  method  of  playing  an  adagio  made  easy  by  twelve  exam- 
ples, first,  in  a  plain  manner  with  a  bass,  then  with  all  their  graces, 
adapted  for  those  who  study  the  violin;  composed  by  Carlo  Zuccari 
.  .  .     London,  Printed  by  R:  Bremner  [17 — ] 

1  p.  1.,  XII  p.    24  X  Sy^.    {With  Pasquali,  Nicolo.    The  art  of  fingering,  the 
harpsichord.     London  [17 — ]) 

Engraved  throughout. 

MT252.A2P31 

[Zumbag  de  Koesfelt,  Coenraad]  1697-1780. 

Institutiones  musicse,  of  Korte  onderwyzingen  rakende  de  practyk 
van  de  musyk;  en  inzonderheid  van  den  generaalen  bas.  of  bassus 
continuus,  benevens  de  daer  uit  sprtiitende  gronden  van  de  compo- 
sitie.  tJitgegeven  door  een  liefhebber  van  deze  kunst.  Leyden, 
G.  PotvKet,  1743. 

4  p.  1.,  74,  [2]  p.    vrii  pi.    ISi" 


icm 


Engr.  t.-p.     Dedication  signed:  Coenraad  Zumbag  de  Koesfelt,  m.  d. 
Based  on  a  work  left  in  ms.  by  his  father,  Lothar  Zumbag  de  Koesfelt 
(1661-1727) 

MT49.A2Z8 


INDEX  TO  anony:moxjs  works. 

Including  references  to  special  contents. 


ABC  Dario  musico.    See  Title. 

A.  G.  Kaestners  .  .  .  schreiben.    See  Bollioud-Mermet. 

Der  aberwitzige  pickelhering  Jean  Bebhu.    See  Printz'  Phrynis  Mitilenaeus. 

Abhandlung  vom  schalle.     See  Belz'  Dissertation  sur  le  son  et  sur  I'ouie. 

Abhandlung  von  den  pantomimen.    See  Title. 

Abrege  de  I'histoire  de  la  Menestrandie.     See  Beche. 

Abstract  of  the  laws  ...  of  the  Fund  for  the  support  of  decayed  musicians. 
See  Bumey's  Account. 

An  account  of  printed  musick.     See  A  short  explication. 

An  account  of  the  institution  and  progress  of  the  Academy  of  ancient 
music.     See  Hawkins. 

An  account  of  three  brass  trumpets,  found  near  Cork.    See  Walker. 

Adicion  al  Compendio  del  arte  de  canto  llano.     See  Villasagra. 

Aggiunta  di  alcune  messe  proprie  de  santi.    See  La  Feillee's  II  cantore  eccle- 
siastico. 

Alcuni  essempi  della  piu  antica  musica.     See  Joao  IV. 

Alguns  hymnos  selectos.     See  Bernardo  da  Concei?ao. 

AUgemeine  musikaJische  zeitung.     See  Title. 

Almanach  des  Theaters  in  Wien.     See  Title. 

Als  unverhoetz.     See  Papius. 

Altri  documenti  musicall  nel  canto  fermo.    See  Banchieri's  Cartella  musicale. 

Alypii  Introductio  musica.     See  Meibom. 

Die  an  derkirchen  Gottes  gebauete  satans-capelle.     See  Fuhrmann. 

Analyse  critique  de  Tarare.     See  Title. 

Ancient  songs  from  the  time  of  King  Henry  the  Third.     See  Ritson. 

Anecdotes  dramatiques.     See  Clement,  J.  M.  B. 

Anecdotes  of  .  .  .  Handel  .  .  .  and  .  .  .   Smith.     See  Coxe. 

Aneddoto  forense.    See  Mattel. 

Anleitung   zum   selbstxinterxicht   in   der   musikalischen   composition.     See 
Daube's  Anleitung  zur  erfindung  der  melodie. 

Anmerkungen  ueber  die  musik  ueberhaupt.     See  Hertel's  Sammlung. 

L'anti-scurra.     See  Title. 

Apologia  delle  opere  drammatiche  di  Metastasio.     See  Franceschi. 

Apologie  de  la  musique  frangoise.    See  Laugier. 

Apologie  du  go<it  fransois.     See  Caux  de  Cappeval. 

Argimients  to  prove  the  obligation  of  the  duty,  by  Mr.  Bradbury.     See  Prac- 
tical discourses. 

Ariette,  mise  en  musique  par  M.  I'abbe  Dugue.     See  Foumier. 

'Apiareido'j  KoivzdiavoO  ITspi  fiooaiKrjc  ^cfiUa.     See  Meibom. 

Aristidis  Quintiliani  De  musica  libri  III.     See  Meibom. 

Aristoxeni  Harmonicorum  elementorum  libri  III.    See  Meibom. 

Armonici  erudimenti.    See  Title. 

Arrest  de  la  Cour  de  Parlement.     See  France. 

299 


300  INDEX   TO  ANONYMOITS  WORKS 

Arrest  du  Conseil  d'estat  du  roy.    See  France. 

Arrgt  du  Conseil  d'etat  du  roi.    See  France. 

Arr§t  rendu  a  I'amphithgatre  de  I'Opera.     See  Holbach. 

L'art  du  plein-chant,  ou  Traite  theorico-pratique  sur  la  fa^on  de  le  chanter. 

See  Title. 
Th.e  art  of  composing  music  by  a  method  entirely  new.    See  Hayes. 
The  art  of  descant.    See  Playford,  John. 
The  art  of  playing  on  the  violin.    See  Prelleur. 
L'arte  del  detto  contrapiito.    See  Title. 
Au  petit  proph§te  de  Boesmischbroda.     See  Title. 
Bacchii  senioris  Introductio  artis  musicae.    See  Meibom. 
Balaam:  an  attempt  towards  an  oratorio.    See  Davy's  Letters. 
Des  ballets  anciens  et  modemes.    See  Menestrier. 
Ballets,  opera,  et  autres  ouvrages  lyriques.    See  La  VaUi^re. 
Berlinische  musikalische  zeitung.    See  Title. 
Betrachtungen  ueber  die  kirchen-music.    See  Steinberg. 
Beurtheilung  der  Allbrechtischen  abhandlung.    See  Steinberg. 
Beytraege  zur  geschlchte  der  musik,  besonders  in  Deutschland.    See  Boecklin 

von  Boecklinsau. 
Biblioteque  des  theatres.    See  Maupoint. 
BibUothSque  des  theatres.    See  Clement,  J.  M.  B. 
Der  blutige  und  sterbende  Jesiis  (libretto)    See  Hunold. 
Breefe  introduction  to  the  skUl  of  musick.    See  Plaj^ord,  John. 
Brevi  et  primi  documenti  musicali.     See  Banchieri's  Cartella  musicale. 
Brief  an  die  frau  von  *  *  *  ,  ueber  die  oper  Iphigenie  en  Aulide.     See  Ritdel. 
Brief  des  herm  Boy  von  der  oper.    See  Hertel's  Sammlung. 
Brief  des  herm  von  *  *  .  .  .  ueber  die  neue  oper.    See  Riedel. 
A  brief  discourse  of  the  Italian  manner  of  singing.    See  Playford,  John. 
Briefe  ueber  musikwesen,  besonders  Cora  in  HaUe.    See  Bnimbey. 
Briefwechsel  ueber  Danziger  musik.    See  Title. 
Le  brigandage  de  la  musique  italienne.    See  Goudar,  Ange. 
Calendrier  musical  universel.     See  Title. 

Canoni  musicali  a  quatro  voci.    See  Banchieri's  Cartella  musicale. 
Cantiques  spirituels  [par  Monsieur  Moreau].     See  La  poesie  et  la  musique. 
n  canto  ecclesiastico.     See  Erculeo. 

n  cantore  ecclesiastico,  ossia  Metodo  facile.    See  La  Feill^. 
Cantorinus.    See  Title. 

Cantus  diversi  ex  GraduaJi  romano.    See  Title. 
Cantus  ecclesiastici.    See  Nivers. 
Ce  que  I'on  doit  dire.    See  Foliot. 
Ce  qu'on  a  dit,  ce  qu'on  a  voulu  dire.    See  Marin. 
Che  sera  sed  al  cielo,  d'Alessandro  Striggio.    See  Caus'  Raasons. 
Chelys,  minuritionum  artiflcio  exomata.    See  Simpson's  The  division-violist. 
Choix  de  chansons  mises  ^  quatre  parties.     See  La  Borde's  Essai. 
Das   choralspielen   bey  den   protestanten.    See  Turk's  Von  den  wichtigsten 

pflichten  eines  organisten. 
Chronological  list  of  Handel's  works.    See  Bumey's  Account. 
Church-pageantry  display  'd:  or,  Organ-worship.    See  Owen. 
Ciencia  de  las  castanuelas.    See  Femdndez  de  Rojas. 

Le  code  lyrique,  ou  reglement  pour  I'Opera  de  Paris.     See  Meusnier  de  Querlon. 
Comparaison  de  la  musique  italienne  et  de  la  musique  frangoise.    See  Le  Cerf 

de  La  Vi^ville. 
A  comparison  between  the  French  and  Italian  musick.    See  Raguenet. 
Compendiaria  musice  artis  aeditio.     See  Koswick. 


INDEX   TO  ANONYMOUS  WORKS  301 

Compendium  musice.    See  Cantorinus. 

Com.pen(iiu  zausices.    See  Title. 

Compendium  regularum  generalium  cantus.    See  Title. 

Compleat  instructions  for  the  German  flute.    See  Title. 

The  compleat  tutor  for  the  fife.    See  Title. 

The  compleat  tutor  for  the  German  flute.    See  Title. 

The  compleat  tutor  for  the  harpsichord  or  spinnet.    See  Title. 

La  constitution  de  I'opera.    See  Chevrier's  Constitution  du  Patriarche  de  Topera. 

Constitution  du  Patriarche  de  I'Opera.    See  Chevrier. 

Le  correcteur  des  Bouflons.    See  Jourdan. 

Cours  de  jeux  instructifs  pour  la  jeunesse.    See  Gaultier. 

Der  Critische  musicus  an  der  Spree.    See  Marpui^. 

Crotalogia;  6,  Ciencia  de  las  castanuelas.     See  Femdndez  de  Rojas. 

The  dancing-master.    See  Title. 

De  arte  canendi.    See  Spangenberg. 

De  arte  medendi  apud  priscos  musices.    See  Michell. 

De  cantionibus  funebribus  veterum.    See  Senff. 

De  excellentia  musicae  antiquae  Hebraeorum.    See  Bretagne. 

De  i  vizj,  e  de  i  difetti  del  modemo  teatro.    See  Bianchi. 

De  I'art  du  theatre  en  general.    See  Nougaret. 

De  la  musique  consideree  en  elle-mdme.    See  Chabanon. 

De  la  musique  et  de  NephtS.    See  Toscan. 

De  principijs  musice  tractatus  I[-II]    See  Reisch. 

De  sono  et  tono.    See  Funk. 

De  templo  musicae.    See  Fludd. 

De  Venise.    Remarques  sur  la  musique  &  la  danse.    See  Goudar,  Mme.  Sara. 

De  veteris  Graeconun  musices.    See  Title. 

Declaration  du  public.    See  Title. 

Declaration  du  roi.    See  France. 

Declaration  oder  weitere  erklaerung  der  Refutation.  See  Printz'  Phrynis 
Mitilenaeus. 

Dehciae  theatrales.    See  Lambranzi. 

Dialogue  sur  la  musique  des  anciens.    See  Chateauneuf. 

Dictionnaire  de  danse.    See  Compan. 

Dictionnaire  des  theatres  de  Paris.    See  Parfaict. 

Difesa  deUa  musica  modema.    See  Joao  IV. 

Directions  for  playing  on  the  flute.    See  Prelleur. 

Directions  for  the  right  performance  of  the  duty  of  singing,  by  Mr.  New- 
man.   See  Practical  discourses. 

Discours  analytique  sur  la  coherence  imperturbable.     See  Wiese. 

Discours  d'un  ancien  avocat-general.    See  Servan. 

Discours  non  plus  melancoliques  que  divers.    See  Title. 

Discours  prSliminaire  de  I'opera  de  Tarare.    See  Beaumarchais. 

Discours  sceptique  sur  la  musique.    See  La  Mothe  Le  Vayer. 

Discours  sur  I'harmonie.    See  Gresset. 

Discurs  des  herm  Quanz  ueber  das  clavieraccompagnement.  See  Marpuig's 
Clavierstuecke. 

Disputatio  juridica  de  eo  quod  justum  est.    See  Stryk. 

Disputatio  medica  ordinaria  de  musica.    See  Franck  de  Franckenau. 

Disputatio  musica  de  divisions  monochordi.    See  Trew. 

Dissertation  historique  sur  la  vielle.    See  Terrasson. 

Dissertation  on  the  origin  of  the  violoncello.    See  Gunn. 

Dissertation  on  the  songs  ...  of  the  ancient  EngHsh.    See  Ritson. 


302  INDEX   TO  ANONYMOUS   WORKS 

Dissertation,  ou  lettre  adressee  a  M.  d'Alembert.    See  Dissertations  en  forme 

de  lettres. 
Dissertation  servant  d'epilogue  .  .  .    See  Plutarchus. 
Dissertation  sur  la  znusique  modeme.    See  Rousseau's  Traits. 
Dissertations  en  forme  de  lettres.    See  Title. 
Dissertations  qui  peuvent  servir.    See  Calmet. 

Dissertations  sur  la  poesie  et  la  musique  des  anciens  en  gSnSral.    See  Calmet. 
Dissertations  sur  le  Livre  des  Pseaumes.    See  Calmet. 
Dissertazione  del  Signor  canonico  Orazio  Maccari.    See  Walker. 
Les  dons  des  enfans  de  Latone.    See  Serr^  de  Rieux. 
Doutes  d'un  Pyrronien.    See  Coste  d'Amobat. 
Duo  in  contrapunto  sopra  ut,  re,  mi,  fa,  sol,  la.    See  Banchieri's  Cartella  musi- 

cale. 
Duo  spartiti  al  contrapunto.    See  Banchieri's  Cartella  musicale. 
Edit  du  roy.    See  France. 

Ehren-gedaechtniss  Carl  Heinrich  Graun.    See  RoUe. 
Ehren-gedaechtniss  Johann  Friedrich  Agricola.     See  RoUe. 
Einige   zum  aUgemeinen  nutzen   deutlicher  gemachte  .  .  .  uibungs-wahr- 

heiten.     See  Title. 
Der  eitle  musicant  und  schenkwirth..    See  Title. 
Elemens    de    musique  .  .  .  suivant    les    principes    de    M.   Bameau.     See 

d'Alembert. 
Eloge  de  Jean-Philippe  Hameau.     iSee  Palissot  de  Montenoy. 
Eloge  de  M.  d'Acquin.     See  Title. 
Eloge  de  Monsieur  Duni.     See  Title. 
Eloge  de  M.  Le  Clair.     See  Title. 

Elogj  de'  congiurati  contro  il  Badini.     See  Frustabirb 
Elogio  storico  della  Signora  Maria  Bosa  Coccia.     See  Mallio. 
Enconium  musices.    See  Straet. 
Enea  in  Troja  (libretto)    See  Algarotti. 
Entire  new  and  compleat  instructions  for  the  fife.    See  The  compleat  tutor 

for  the  fife. 
Les  entrepreneurs  entrepris.    See  Travenol. 

Entretien  d'un  musicien  frangois  avec  un  gentilhomme  russe.    See  Disserta- 
tions en  forme  de  lettres. 
Entretiens  sur  I'Stat  actuel  de  I'opSra  de  Paris.    See  Coqu^au. 
Entretiens  sur  l'6tat  de  la  musique  grecque.     See  Barthelemy. 
fipitre  aux  amateurs  de  la  musique  :  talienne.    See  Goudar's  Le  brigandage  de 

la  musique  italienne. 
Erreurs  sur  la  musique  dans  I'Encyclopedie.    See  Rameau,  J.  F. 
Erste  musikaHsche  preisaustheilung  fuer  das  jahr  1791.    See  Title. 
Esempj  e  cantilene  di  canto  fermo  gregoriano.    See  Gatta. 
L'espion  des  principaux  theatres  de  la  capitale.    See  Dumont's  Le  vol  plus  haut. 
L'esprit  de  I'art  musical,  ou  Beflexions  sur  la  musique,  et  ses  diflerentes 

parties.    See  Blainville. 
L'Esprit  des  joumaux.    See  Title. 

Essai  methodique  povir  apprendre  aux  enfans  a  lire.    See  Title. 
Essai  SMT  la  musique  ancienne  et  modeme.    See  La  Borde,  J.  B.  de. 
Essai  sur  le  beau.    See  Andr^. 

Essai  sur  I'origine  des  langues.    See  Rousseau's  Trait^s. 
Essai  sur  I'union  de  la  poesie  et  de  la  musique.    See  Chastellux. 
An  essay  for  promoting  of  psalmody.    See  Tate. 
An  essay  on  psalmody.    See  Romaine. 
An  essay  on  the  church  plain  chant.    See  Title. 


INDEX  TO  ANONYMOUS  WORKS  303 

An  essay  on  the  construction    ...  of  the  Irish  harp    .  .  .  By  William  Beau- 
ford.    See  Walker. 
An  essay  on  the  poetical  accents  of  the  Irish:    by  WiUiam  Beauford.    See 

Walker. 
An  essay  towards  an  history  of  dancing.    See  Weaver. 
An  essay  upon  tune.    See  Maxwell. 
Etat  actuel  de  la  musique  du  roi.    See  Title. 
Euclidis  Introductio  harmonica.    See  Meibom. 
Euterpe.     See  Dorat. 

Examen  de  deux  principes  avanc6s  par  M.  Bameau.    See  Rousseau's  Traits. 
Examen  de  la  lettre  de  M.  Housseau,  sur  la  musique  frangoise.    See  B^ton. 
Examen  d'un  passage  de  Platon.    See  Fraguier. 
Exemples  de  quelques  antiennes  et  respons.    See  Nivers. 
Exemplum  omnium  regularum.    See  Galliculus. 

Exercitatio  philologica  de  instruraentis  Ebraeorum  musicis.    See  Weidling. 
Exercitatio  qua  musices  origo  prima.    See  Schlick. 
Exhortation  to  singing,  by  Mr.  Gravener.    See  Practical  discourses. 
Exposition  de  quelques  nouveUes  vues  mathematiques.    See  Title. 
Extrait  d'une  reponse  du  petit  faiseur.    See  Rousseau's  Traites. 
Des  herm  Prerons  critik  .  .  .    See  Hertel. 
La  galerie  de  I'Academie  royale  de  musique.    See  Travenol. 
Gaudentii  .  .  .  Introductio  harmonica.    See  Meibom. 
Gedanken  eines  liebhabers  der  tonkunst.    See  Leopold. 
Gedanken  ueber  die  temperatur  des  herm  Kimberger.    See  Tempelhof. 
Gedanken  ueber  die  welschen  tonkuenstler.    See  Title. 
Gedanken  und  konjektiiren  zur  geschichte  der  musik.    See  Leopold. 
Gedanken  von  den  tragoedien  der  Griechen.    See  Hertel. 
Gespraech  von  der  musik.     See  Voigt. 

Gespraech  zwischen  Liulli,  Bameau  und  Orpheus.    See  Riedel. 
Der  gestuertzte  und  wieder  erhoehte  Nebucadnezar  (libretto)     See  Himold. 
Le  gratie  d'  Amore.     See  Negri. 
Grund-regelnwieman  .  .  .  sich  selbst  die  fundamenta  der  music  .  .  .  lemen 

kan.    See  Thielo. 
Guazzabuglio  filosarmonico.     See  Mattel. 
La  guerre  de  I'opera.    See  Cazotte. 
Harmonie  theorico-pratique.    See  Blainville. 
The  harpsichord  illustrated.    See  Prelleur. 
The  harpsichord  illustrated  and  improv'd.    See  Title. 
The  harpsichord  preceptor.    See  Title. 
Eine  helle  brille.      See  Ludwig. 

Histoire  anecdotique  et  raisonnee  du  Theatre  italien.    See  Desboulmiers. 
Histoire  de  I'opera  bouffon.     See  Contant  d'OrviUe. 

Histoire  du  theatre  de  I'Academie  royale  de  musique.    See  Durey  de  Noinville. 
Histoire  du  theatre  de  I'Opera  comique.    See  Desboxilmiers. 
Histoire  du  theatre  de  I'opera  en  France.    See  Durey  de  Noinville. 
L'Hopital  musicien.    See  Title. 

Ici  sont  ecrits  les  vingt-un  chapitres  de  la  prophetie.    See  Grimm. 
Das  in  unsern  opern  -  theatris  undcoraoedien-buehnen  siechende  christen- 

thum.    See  Fuhrmann. 
Inquiries  concerning  the  ancient  Irish  harp  .  .  .  by  .  .  .  Ledwich.    ;See  Walker. 
Institutiones  musicae,  of  Korte  onderwyzingen.    See  Zumbag  de  Koesfelt. 
Institutionis  musicae  practicae.    See  Falck's  Idea  boni  cantoris. 
Instructions  upon  the  hautboy.    See  Prelleur. 
An  introduction  to  singing.    See  Prelleur. 


304  INDEX   TO   ANONYMOUS   WORKS 

Introductory  lessons,  practised  by  the  TJranian  society.    See  Title. 

Iphigenie  en  Aulide  (libretto)    See  Algarotti. 

Isagoge  Joannis  GaUiculi.    See  Rhaw. 

Journal  der  tonkunst.    See  Title. 

Journal  des  spectacles.    See  Title. 

Jugement  de  I'orchestre  de  l'Op6ra.    See  Rulhiere. 

Justification  de  la  musique  frangoise.    See  Morand. 

Kann  man  nicht  in  zwey,  oder  drey  monaten  die  orgel  .  .  .  schlagen  lemenP 

See  Prixner. 
EJritische  briefe  ueber  die  tonkunst.    See  Title. 
Die  kunst  das  clavier  zu  spielen.    See  Marpurg. 
Kurtze  anfuehrung  zum  general-bass.    See  Title. 
Kurtze  anweisung  zur  sing-kunst.    See  Title. 
Kurtz e  und  gruendliche  anleitung  zum  general  basse.    See  Kurtze  anfuehrung 

zum  general-bass. 
Kurtzer  entwurf  von  der  music.    See  Neuss. 
Kurtzgefasstes  musicalisches  lexicon.    See  Title. 
Eurze  anweisung  das  trommel-spielen  .  .  .  zu  erlemen.    See  Title. 
Kurze  anzeige  des  general-basses.    See  Kobrich. 
Kurze  wahrhafte  geschichte  der  aeltesten  deutsclien  kirchengesaenge.    See 

Teller. 
The  lawfulness,  excellency  and  advantage  of  instrumental  music.    See  Title. 
Leben    des   beruehmten    tonkuenstlers   Heinrich  Wilbelm    Gulden.     See 

Reichardt. 
Legons  de  musique,  ou  Exposition  des  traits  les  plus  necessaires.    See  Berthet. 
Le  lecteur  y  mettra  le  titre.     See  Mirabeau. 
Legende  einiger  musikbeiligen.     See  Marpurg. 
A  letter  ...  on  the  style  of  the  ancient  Irish  music.    From  .  .  .  Ledwich. 

See  Walker. 
Iiettera  [del  vescovo  Cirillo  Franco  a]  Hugolino  Gualteruzzi.    See  Joao  IV. 
Lettera  deU'  autore  del  nuovo  cembalo.    See  Title. 
Lettera  d'un  celebre  scrittore  francese.    See  Arteaga's  Le  rivoluzioni. 
Lettera  sopra  la  musica.     See  Grimaldi. 
Lettera  sopra  la  musica  indirizzata  al  Sig.  co.  di  Caylus.    See  Arteaga's  Le 

rivoluzioni. 
Letters  ...  to  Sig''  Antonio  Lotti.     See  Academy  of  ancient  music. 
Lettre  a  I'auteur  des  Lettres  sur  les  hommes  celebres.     See  Saint  Hilatre. 
Lettre  a  Madame  de  *  *  *,  sur  I'opera  d'lphigSnie  en  Aulide.     See  Vismes. 
Lettre  a  messieurs  de  I'Academie  des  sciences  de  Dijon.    See  Dissertations  en 

forme  de  lettres. 
Lettre  a  M.  Be  *  *  *    See  Dissertations  en  forme  de  lettres. 
Lettre  a  M.  Bumey  sur  la  musique.     See  Rousseau's  Trait^s. 
Lettre  a  M.  d'Alembert.    See  Dissertations  en  forme  de  lettres. 
Lettre  a  M.  de  Marmontel.     See  Dissertations  en  forme  de  lettres. 
Lettre  a  M.  de  Voltaire.    See  Dissertations  en  forme  de  lettres. 
Lettre  a  Monsieur  I'abbe  Rajnaal.     See  Rousseau's  Trait^s. 
Lettre  a  M.  Rameau  .  .  .    See  d'Alembert's  El($mens  de  musique,  Lyon,  1762. 
Lettre  a  M.  Rousseau.     See  Dissertations  en  forme  de  lettres. 
Lettre  au  sujet  du  spectacle  des  avantures  d'TJlisse.    See  Title. 
Lettre  critique  sur  les  ballets  de  I'opera.    See  Laus  de  Boissy. 
Lettre  de  Clememt  Marot.    See  S6neci$. 
Lettre  de  I'auteur  de  I'Essai  sur  la  musique.    See  La  Borde'e  M^moiree  sur  les 

proportions  musicales. 
Lettre  de  Pevesque  d'Agnani.     See  Carlo  Borromeo. 


INDEX  TO  ANONYMOUS  WORKS  305 

Lettre  de  M.  *  *  *  nSgociant  de  Paxis.    See  Title. 

Lettre  de  M.  CazaiUe  Trillo.    See  Lesuire. 

Lettre  deM.de  *  *  *  k  Madame  de  *  *  *    See  Title. 

Lettre  d'un  amateur  de  I'Opera.    See  Title. 

Lettre  d'lin  Parisien.    See  Title. 

Lettre  d'lin  sage  a  un  homme  tres  respectable.    See  Lamorlifere. 

Lettre  sur  la  m.usique,  a  Moxisieur  le  comte  de  Caylus.    See  Amaud. 

Lettre  sur  la  musique  modeme.    See  Moyria. 

Lettre  sur  les  drames-opera.    See  Du  Roullet. 

Lettres  a  Madame  la  marquise  de  P.    See  Mably. 

Lettres  de  Mr.  G  .  .  .  a  Milord  Pembroke.    See  Goudar,  Mme.  Sara. 

Lettres  et  chansons,  de  Cephise  et  d'Uranie.    See  L^vesque. 

Lettres  patentes  du  roi.    See  France. 

Lettres  sur  la  musique  frangoise.    See  Fr^ron. 

La  liberty,  del  cantare.    See  Cattaneo. 

Libro  llamado  Arte  de  tafier  fantasia.    See  Tomds  de  Santa  Maria. 

The  life  of  Turlough  O'Carolan.    See  Walker. 

Liliu  musice  plane.    See  Keinspeck. 

Littirgia  Ambrosiana.    See  Regole  d'alcuni  capi  necessarj. 

Lobspruch  ...  Jo.  Emestus  Saur.    See  BulyovBzky. 

Joh.  Friedr.  Loewens  Anmerkungen  ueber  die  geistliche  contatenpoesie. 

See  Hertel's  Sammlung. 
Joh.   Friedr.   Loewens  Anmerkungen  ueber  die  odenpoesie.     See  Hertel's 

Sammlung. 
Lully,  musicien.    See  Le  Pr^voBt  d'Exmes. 

Lumi  primi  del  canto  fermo.    See  Erculeo's  II  canto  ecclesiaetico. 
Magazin  der  musik.    See  Title. 
Le  Magazin  des  modemes.    See  Title. 
Manuductio  ad  cantum  choralem.    See  Title. 
Martiani  CapeUae  De  musica  liber  IX.    See  Meibom. 
Melody — ^The  soul  of  music.    See  Title. 

Memoir e  justificatif  des  sujets  de  I'Academie  royale  de  musique.    See  Paris. 
Memoire,  lettres  patentes  et  arrets.    See  France. 
Memoire  pour  le  sieur  de  Lanove.    See  Title. 
Memoir e  pour  le  sieur  Iso.    See  Iso. 
Memoire  pour  le  sieur  Travenol.    See  Travenol. 
MSmoire  pour  servir  lliistoire  de  la  coniSdie  italienne.    See  Le  nouveau 

theatre  italien. 
Memoire  stir  Pautorit6  des  musiciens  en  matiere  de  plainchant.    See  Burette's 

Extrait  d'une  lettre. 
Memoires  anecdotes  poiir  servir  a  I'histoire  de  M.  Duliz.    See  Desforges. 
Memoires  historiques  sur  Raoul  de  Coucy.    See  La  Borde. 
Memoires  pour  servir  a  I'histoire  de  la  revolution  op6r6e  .  .  .  par  .  .  .  Gluck. 

See  Title. 
Memoires  pour  servir  a  I'histoire  des  spectacles  de  la  foire.    See  Parfaict. 
Memoires  sur  les  proportions  musicales.    See  La  Borde. 
Memoirs  of  Cormac  Common.    See  Walker. 

Memoirs  of  the  life  of  the  late  George  Frederic  Handel.    See  Mainwaring. 
Memorie  storiche  del  p.  m.  Giambattista  Martini.    See  Valle. 
Le  Mercure  galant  devaJis^.    See  La  musique  du  diable. 
Methode  de  musique  selon  xm.  nouveau  systeme.    See  Demotz  de  La  Salle. 
Methode  du  chant  ecclesiastique.    See  Alexis  de  Sainte  Anne. 
Metodo  per  suonare  il  flauto.    See  Title. 
Missa  in  coena  Domini.    See  Gerbert. 
51234°— 13 20 


306  INDEX   TO  ANONYMOUS  WOBKS 

Missive  van  een  heer  in  Leijden.     See  Toneellief. 

Modelles  pour  la  transposition.    See  Rousseau's  Traite  de  la  viole. 

The  modem  musick-master;  or,  the  Tiniversal  musician.    See  Preileur. 

n  modo  di  solfeggiare  all'  uso  francese.    See  Larghi. 

Mon  dernier  mot.    See  Latcur  de  Franqueville. 

Morceaux  de  musique  du  16®  et  17*  sidcle.    See  La  Borde's  Essai. 

Motetes  y  obras  dif erentes  al  Santissimo  y  &  Nra  Sra.    See  Reel  del  Rfo. 

Motets  pour  les  principales  f  gtes  de  I'annSe.    See  La  Feill^. 

Mozarts  leben.     See  SchlichtegroU. 

Miiseum  musicum  theoretico-practicum.    See  Majer. 

Musica  libris  quatuor  demonstrata.    See  Le  Ffevre. 

Miisica  paraboUca.    See  Neuss. 

La  musica,  poemetto.    See  Olio. 

Miisicae,  id  est,  artis  canendi  Ubri  duo.    See  Heyden. 

A  musical  directory  for  the  year  1794.     See  Title. 

Musical  phaenomena.    See  Clagget. 

Musical  travels  through  England.    See  Veal. 

Musicalische  discurse.    See  Bahr. 

Musicalische  strigel.    See  Fuhrmann. 

Musicalischer-trichter.    See  Fuhrmann. 

Musices  choralis  medulla.    See  Title. 

Musicus  duTodidoKzoc.    See  Eisel. 

Musicus  curiosus,  oder  Battalus.    See  Printz. 

Musicus  magnanimus,  oder  Fancalus.    See  Printz. 

Musicus  theoretico-practicus.    See  Hartong. 

Musik.    See  Title. 

Der  Musikalische  dillettante,  eine  wochenschrift.    See  Title. 

Musikalische  monathsschrift.    See  Title. 

Musikalische  real-zeitung.    See  Title. 

Musikalischer  almanach  .  .  .    See  Title. 

Musikalischer  und  kuenstler-almanach.    See  Title. 

Musikalisches  handwoerterbuch  oder  kurzgefasste  anleittmg.    See  Title. 

Musikalisches  kunstmagasin.     See  Title. 

Musikalisches  wochenblatt.     See  Title. 

La  miisique  du  diable,  ou  Le  Mercure  galant  devalis^.    See  Title. 

La  musique  rendue  sensible  par  la  mSchanique.    See  Choquel. 

Musomachia,  id  est  Bellum  musicale.    See  Sartorius. 

Nachgedanken  herm  m.  Joh.  Gottl.  Biedermanns.     See  Title. 

Nachricht  von  Georg  Friedrich  Haendel's  lebensumstaenden.     See  Bumey. 

Neue  melodien  zu  einigen  liedem  des  neuen  hamburgischen  gesangbuchs 

(C.  Ph.  E.  Bach)    See  Kellner's  Treuliches  unterricht,  7.  aufl. 
Neue  und  erleichterte  art  zu  sohnisiren.     See  Title. 

Ne-w  and  complete  instructions  for  the  fife.    See  The  compleat  tutor  for  the  fife. 
New  and  complete  instructions  for  the  harpsichord.     See  Title. 
A  new  and  easie  method  to  learn  to  sing  by  book.    See  Title. 
New  instructions  for  the  German  flute.     See  Compleat  instructions. 
New  instructions  for  the  violin.    See  Geminiani's  Compleat  instructions  for  the 

violin. 
The  newest  method  for  learners  on  the  German  flute.    See  Preileur. 
Nicomachi  Geraseni,  Pythagorici,  harmonices  manuale.    See  Meibom. 
Le  nouveau  theatre  italien.    See  Title. 
Nouvelle  ruSthode   ou  Traite   theorique   et  pratique   du  plain-chant.     See 

Poisson. 
Nouvelle  mSthode  pour  aprendre  le  plain-chant.    See  Title. 


INDEX   TO  ANONYMOUS  WORKS  307 

La  nouvelle  Bam^ide.    See  Cazotte. 

Objections  against  singing  consider'd,  by  Mr.  Reynolds.  See  Practical  dis- 
courses. 

Observations  on  the  ancient  English  minstrels.    See  Ritson. 

Observations  on  the  correspondence  bet-ween  poetry  and  music.    See  Webb. 

Observations  pour  les  sujets  retires  de  l'Op4ra.    See  Title. 

Observations  sur  la  lettre  de  J.  J.  Rousseau.    See  Cazotte. 

Observations  sur  la  musique.     See  Chabanon. 

Observations  sur  la  musique  a  grand  orchestre.     See  Title. 

Observations  sur  la  musique,  les  musiciens,  et  les  instrumens.     See  Ancelet. 

An  ode  on  the  po-wer  of  musick  .  .  .  by  Mr.  Mitchell.     See  Malcolm. 

Oeuvres  radices  du  sieur  *  *  *.     See  Travenol. 

Of  the  excellence  of  singing,  by  Mr.  Harris.     See  Practical  discourses. 

Of  the  nature  of  the  duty  of  singing,  by  Mr.  Earle.    See  Practical  discourses. 

OflBcium  hebdomadae  sanctae.     See  Title. 

Orchesographie.    See  Tabourot. 

The  order  of  performing  the  divine  service.     See  Playford,  John. 

Ordonnance  de  Sa  Majeste.     See  France. 

Organisation  du  Conservatoire  de  musique.    See  Paris. 

The  organs  funerall  or  The  quiristers  lamentation.     See  Title. 

Osservazioni  intomo  ad  un  estratto.     See  Arteaga's  Le  rivoluzioni. 

La  paix  de  I'opera.    See  Raguenet. 

Paralele  des  Italiens  et  des  Francois.    See  Raguenet. 

Pater  peccavi.    See  Papius. 

Permission  pour  tenir  Academle  royale  de  musique.    See  France. 

Petit  discours  chrestien.    See  La  Mothe  Le  Vayer. 

Le  petit  prophete  de  Boehmischbroda.    See  Grimm. 

Le  petit  Rameau,  ou  Principes  courts  et  f  aciles.    See  Title. 

Petition,  pour  I'Academie  royale  de  musique.     See  Paris. 

Philomela  franciscana.     See  Title. 

A  philosophical  essay  of  rausick.    See  Guilford. 

Philosophische  fragraente  ueber  die  praktische  musik.    See  Schmith. 

The  playhouse  pocket-companion,  or  theatrical  vade  raecum.    See  Title. 

La  poesie  et  la  musique.    See  Title. 

PortefeuiUe  fuer  musikliebhaber.    See  Junker. 

Practical  discourses  of  singing  in  the  worship  of  God.    See  Title. 

Practischerbe-weiss,wie  .  .  .  unterschiedene  canones  perpetui  &  4  zu  machen 
sejm.    See  Stolzel. 

Precis  sur  I'Opera.    See  Paris. 

Primi  elementi  di  musica  prattica.     See  Title. 

Principes  abreges  de  musique.    See  Title. 

Principes  du  violon  pour  apprendre  le  doigt6.    See  Saint-S^vin. 

Erincipj  di  musica.     Nei  quali  .  .  .*    See  Title. 

Principj  di  musica  nei  quali  .  .  .     See  Title. 

Principles  and  power  of  harmony.     See  Stillingfleet. 

Proclamation  du  roi.    See  France. 

Projet  concemant  de  nouveaux  signes  pour  la  musique.  See  Rousseau's 
Trait^s. 

Les  propheties  du  grand  prophdte  Monet.    See  Mairobert. 

Psalmos  e  ligoes  dos  tres  oflacios.    See  Bernardo  da  Conceifao. 

Pselli  De  musica  compendium  exactissimum.    See  Alard's  De  veterum  musica. 

Quanta  certezza  habbia  da  suoi  principii  la  musica.    See  Steffani. 

Que  ne  peut  pas  I'amour?  (libretto)    See  Le  Magazin  des  modemes. 

Quinque  raissae  pro  majoribus  festis.     See  La  Feillee's  II  cantore  ecclesiafltico. 


308  INDEX   TO  ANONYMOUS  WOBKS 

La  Bameide.    See  Rameau,  J.  F. 

Brecueil  d'edit,  arrSt  du  Conseil  du  roi.    See  France. 

Beflections  on  antient  and  modem  musick.    See  Brocklesby. 

Beflexions  d'un  patriote  sur  I'opera  frangois.    See  Rochemont. 

Reflexions  d'un  peintre  sur  I'opera.    See  Gauthier  de  Montdoi^e. 

Reflexions  sur  la  musique  dramatiques.    See  Garcin. 

Reflexions  sur  la  musique,  ou  recherches  sur  la  cause  des  eflets  qu'elle 

produit.    Par  M.  V  *  *  *.    See  Title. 
Reflexions  sur  I'opera.    See  Remond  de  Saint-Mard. 

Refutation  .  .  .  des  principes  de  M.  Rousseau  de  Geneve.    See  Aubert. 
Refutation  des  Satyrischen  compordsten.    See  Printz'  Phrynis  Mitilenaeus. 
Reglas  y  advertencias  generales.    See  Minguet  6  Irol. 
Reglemens  pour  I'Academie  royale  de  musique.    See  Paris. 
Reglement  pour  I'AcadSmie  royale  de  musique.    See  France. 
Regies  de  composition.    See  Blainville's  Harmonie. 
Regole  d'alcuni  capi  necessarj.    See  Title. 
Regole  le  principali  .  .  .  per  bene  apprendere.    See  Belli's  Diasertazione  sopra 

li  preggi  del  canto  gregoriano. 
Regole  musicali  per  li  principianti  di  cembalo.    See  Title. 
Remarks  on  Mr.  Avison's  iTssay  on  musical  expression.    See  Hayes. 
Remarques  curieuses  sur  I'art  de  bien  chanter.    See  Bacilly's  L'art  de  bien 

chanter. 
Remarques  sur  l'art  de  bien  chanter.    See  Bacilly's  L'art  de  bien  chanter. 
Der  [!]  herm  Remond  von  St.  Mar d  Betrachtungen  ueber  die  oper.    See 

Hertel's  Sammlung. 
Reponse  critique  d'un  academicien  de  Rouen.    See  Castel. 
Reponse  de  M.  I'abbe  Roussier.    See  La  Borde'a  M^moires  sur  lea  proportions 

musicales. 
Reponse  du  coin  du  roi  au  coin  de  la  reine.     See  Voisenon. 
Des  representations  en  musique  anciennes  et  modemes.    See  Menestrier. 
Requeste  de  deux  actrices  d'Opera  a  Mom.us.    See  Coupp6. 
Requeste  presentee  k  Momus.    See  Couppe. 
A  review  of  some  short  directions.    See  Lowe. 
Risposta  di  un'  anonimo  al  celebre  Sig.  Rousseau.     See  Title. 
Rules  and  directions  for  singing  the  psalms.     See  Playford,  John. 
Rules;  or  a  short  and  compleat  method.    See  Title. 
Ruth,  an  attempt  to-wards  an  oratorio.    See  Davy's  Letters. 
Saggio  per  costruire  e  suonare  un  flauto  traverso.     See  Orazi. 
Sammlung  einiger  nachrichten  von  beruehmten  orgel-wercken.     See  Meyer. 
Sanctissimi    in     Christo     patris  .  .  .  dementis  .  .  .  papae    XIII    constitu- 

tio  .  ,  .    See  Clemens  XIII. 
Die  .  .  .  satans-capeUe.    See  Fuhrmann. 

Satire  a  Monsieur  le  marquis  D  .  .  .    See  Robb6  de  Beauveset. 
Schreiben  an  den  herm  von  L  *  s  *  r.    See  Hertel. 
Schreiben  an  die  herren  verfasser  der  Freyen  urteile.    See  Title. 
La  science  et  la  pratique  du  plain-chant.     See  Jumilhac. 
Seconde  lettre  du  correcteur  des  Bouflons.    See  Jourdan. 
Select  Irish  melodies.     See  Walker. 

Sendschreiben  an  die  herren  verfasser  der  Freyen  urtheile.  See  Title. 
Sense  against  sound;  or,  A  succedaneum,  for  Abbey  music.  See  Title. 
Sentiment  d'un  harmoniphile.    See  Laugier. 

Short  and  easie  ayres  designed  for  learners.    See  Simpson's  Compendium,  1678. 
A  short  exphcation  of  .  .  .  foreign  words.    See  Title. 
A  short  treatise  on  harmony.    See  Pepusch. 


INDEX  TO  ANONYMOUS  WOBKS  309 

Der  sich  selbst  infonnirende  musicus.    See  Eisel. 

Das  .  .  .  siechende  christenthum.    See  Fuhrmarm. 

Sketch,  of  the  life  of  Handel.    See  Bumey's  Account. 

Xia  soiree  perdue  k  I'OpSra.    See  Amaud. 

Solfeggio  nuovo.    See  Holler. 

Solitaire  second.    See  Tyard. 

Some  observations  on  Dr.  Brown's  Dissertation.    See  Title. 

Spaventosissima  descrizione  dello  spaventoso  spavento.    See  Mattel. 

Statuti  owero  costituzioni  de'  signori  accademici  filarmonici  di  Bologna. 

See  Accademia  filarmonica. 
Studien  fuer  tonkuenstler  und  musikfreunde.    See  Title. 
Suite  des  Entretiens.    See  Coqu^au. 

Supplement  aux  Bemarques  sur  la  musique  &  la  danse.  See  Goudar,  Mme.  Sara. 
Tabula  tonoinim.    See  Nivers. 
The  taste  of  the  town.    See  Ralph. 

Tavole  degli  esempj  appartenenti  alia  Scienza  de  'suonl.    See  Pizzati. 
n  teatro  alia  moda.    See  Marcello. 
Terminorum  musicae  diffim'tiorum,  (Tinctoris)    See  Forkel's  Allgemeine  lit- 

teratur. 
Temarius  musicus.    See  Zeidler. 

Theatralische,  galante  und  geistliche  gedichte.    See  Hunold. 
The  touch-stone.    See  Ralph. 

Traite  contre  les  danses  et  les  mauvaises  chansons.    See  Gauthier. 
Traite  critique  du  plain-chant.    See  Cousin  de  Contamine. 
Traite  de  Pharmonie  universelle.    See  Mersenne. 
Traite  de  la  musette.    See  Borjon. 

Traite  des  accords  et  de  leur  succession.    See  Roussier. 

Traite  du  melo-drame  ou  BefLexions  sur  la  musique  dramatique.    See  Garcin. 
Traite  theorique  et  pratique  du  plain-chant.     See  Poisson. 
Trattato  di  ballo  teorico-prattico.    See  Magri. 

Trattato  di  musica  secondo  la  vera  scienza  dell'  armonia.    See  Tartini. 
Treating  of  position  and  motion  of  harmony.    See  Geminiani's  The  art  of  accom- 

paniament. 
A  treatise  on  harmony.    See  Pepusch. 
A  treatise  on  the  art  of  music.     See  Jones,  W. 
TJeber  die  musik  und  deren  wirkungen.    See  Chabanon. 
Ueber  die  musikalische  composition.    See  Scheibe. 
Uiber  meine  violine.     See  Tauber  von  Taubenfurt. 
Unvorgreiflaiche  gedancken.    See  Meyer. 
TJtilissime  musicales  regule  necessarie.     See  Guerson. 
Vario  canto-chao  pratico.     See  Bernardo  da  Conceifao. 
Veritophili  Deutliche  beweis-gruende.    See  Niedt. 
Veritophili  Deutliche  beweis-gruende.     See  Raupach. 
Vermehrter  und  nun  zum  zweytenmal  in  druck  befoerderterkurtzer  jedoch 

gruendlicher  wegweiser.    See  Title. 
Versuch  einer  richtigen  lehrart  die  harfe  zu  spielen.    See  Wernich. 
Versuch  eines  formularisch  und  tabellarisch  vorgebildeten  leitfadens.    See 

Wiese. 
Verzeichniss  des  musikalischen  nachlasses.    See  Bach,  C.  P.  E. 
Verzeichniss  musikalischer  manuscripte.    See  Forkel's  Allgemeine  litteratur  der 

musik. 
WeUou  Tijc  fiouaiKfjc  awo<(>:c  rjKpiPojKkvfj  [!]   See  Alard's  De  veterum  musica  liber  singularis. 
lios  vingt-un  chapitres  de  la  prophetie.    See  Grimm. 


310  INDEX  TO  ANONYMOUS  WOBKS 

Vita  di  Benedetto  Marcello.    See  Fontana. 

Le  vol  plus  haut,  ou  L'espion  des  principaiix  theatres.    See  Dumont. 

Des  herm  von  Voltaire  gedanken  von  der  oper.    See  Hertel's  Sammlung. 

Von  den  musicalischen  schauspielen.    See  Nemeitz. 

Von  den  proporcionibus.    See  M.  Agricola's  Mueica  figuralis  deudsch. 

Von  der  draraatischen  musik  der  alten.    See  Hertel's  Sammlung. 

Von  der  musicalischen  declamation.    See  Schuback. 

Von  der  musikalischen  poesie.    See  Krause. 

Wahrheiten  die  musik  betreflend.    See  Kraus. 

Wis-konstige  musyka.    See  Nierop. 

Woechentliche  nachrichten  und  anmerkungen  die  musik  betreffend.    See 

Title. 
WunderbahrUche  echo   ...  in  einer  doppelten  fuga  ligatS,.     Sec  Printz' 

Phrynis  Mitilenaeus. 
De  zangkunst.    See  Title. 
ZwoeU  handstuecke  zum  gebrauche  beym  untexrichten.    See  Turk's  Kla- 

vierschule. 


.    ADDENDA 

(Entries  for  books  received  too  late  for  insertion  in  the  main  alphabet) 


Artusi,  Giovanni  Maria,  d.  1613. 

L'Artvsi,  ouero  Delle  imperfettioni  della  modema  mvsica  ragio 
namenti  dui.  Ne'  quail  si  ragiona  di  molte  cose  vtili,  &  necessarie  alii 
moderni  compositori.  Del  r.  p.  d.  Gio.  Maria  Artvsi  da  Bologna. 
Canonico  regolare  nella  congregatione  del  Saluatore.  Nouamente 
stampato.     In  Venetia,  Appresso  Giacomo  Vincenti,  1600. 

4  p.  1.,  71  numb.  1.     diagrs.    26^'"°. 

Title  vignette:  ecclesiastical  coat  of  arms. 

"Un  motetto  k  quattro  voci  del  re.  Costanzo  Porta:"    1.  70  v"-!.  71. 

ML171.A83 

[Freillon  Poncein,  Jean  Pierre] 

La  veritable  maniere  d'apprendre  a  jouer  en  perfection  du  haut-bois, 
de  la  flute  et  du  flageolet.  Avec  les  principes  de  la  musique  pour  la 
voix  et  pour  toutes  sortes  d'instrumens.     Paris,  J.  Collombat,  1700. 

5p.  1.,  74(i.  c.  81)p.    illus.    16^x23^''"'. 

The  epistle  dedicatory  is  signed :  Freillon  Poncein. 

Printer's  mark  on  t.-p.;  paging  irregular.  Contains,  in  addition  to  the  usual 
examples,  the  author's  6  part  "L'embarras  de  Paris,"  based  on  the  street  cries  of 
Paris,  and  "Bruits  de  guerre  pour  toutes  sortes  d' instruments." 

MT362.F8 

Gando,  Nicolas,  d.  ca.  1767. 

Observations  sur  le  Traite  historique  et  critique  de  Monsieur  Four- 
nier  le  jeune,  sur  I'origine  et  les  progr^s  des  caracteres  de  fonte,  pour 
Timpression  de  la  musique.  Par  MM.  Gando,  pere  et  fils.  A  Berne, 
et  se  trouve  k  Paris,  chez  Moreau,  1766. 

27,  [1]  p.    25x19"™.    (TFi<^  Fournier,  P.S.    Traite  historique  et  critique.    Berne, 
1765.     Copy  2) 

"Six  morceaux  d'ancienne  musique  .  .  .  pour  d^montrer  les  progr^s  de  cette 
partie  de  I'art  typographique  en  France,  jusqu'en  1695:"     [1]  p.  at  end. 

Yudin  coU. 

[Goudar,  Mme.  Sara]  d.  ca.  1800. 

Osservazioni  sopra  la  musica,  ed  il  ballo,  ossia  Estratto  di  due 
lettere  di  Mr.  G  .  .  .  a  Milord  P  . . .  tradotte  dal  francese.  Milano,  G. 
Motta  [17—] 

110  p.    21"™. 

The  original  was  published  at  Venice,  in  1773,  under  title:  "De  Venise.^  R^- 
marques  sur  la  musique  &  la  danse."  The  translator  is  given  as  "F.  T."  in  a 
ms.  copy  dated  Venice,  1773,  belonging  to  the  Liceo  musicale  of  Bologna. 

ML3845.A2G693 

311 


{J12        ''<"■■        '■'  AJ)DENr>A 

BftiisikaBsch©  cKaTlatdnerien.  Von  F.  W.  V.  Berlin  und  Leipzig, 
1792. 

23  p.    16J°». 

ML63.V2 

Observations  sur  la  musique,  la  flute,  et  la  lyre  des  anciens  .  .  . 
Paris,  Flahault,  1726. 

34 p. ,11.    pi.    IT^""*.  (TFitA  CMteauneuf,  F.  de  Castagn^rcB,  a66^  de.   Dialogue 
BUT  la  musique.    Paris,  1725.    Copy  2) 

A  criticism  of  the  Abb6  de  Chateauneuf's  "Dialogue  sur  la  musique  des  an- 
ciens." Printed  also  in  "  Biblioth^que  fran^aise,  ou  Histoire  litt^raire  de  la 
France,"  Amsterdam,  1723-42,  vol.  v,  p.  107-125.  cf.  F^tis,  Biog.  univ.  des 
musiciens. 

ML169.A2C41 

Regole  d'alcvni  capi  necessarii,  e  pid  frequenti  per  I'osseruanza 
delle  sacre  cerimonie,  e  del  canto  fermo  Ambrosiano.  Stampate 
d'ordine  di  Monsig.  illustrissimo,  e  reuerendissimo  Federico  car- 
dinal Borromeo  arciuescouo  di  Milano.  Con  privilegio.  In 
Milano,  Per  gli  her.  di  Pacifico  Pontio,  &  Gio.  Battista  Piccaglia. 
stampatori  arcliiepiscopali.1622. 

46  p.    23"™. 

Title  vignette. 

Ch.17.1854 


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